29.03.2016 Views

World Image issue 30 March 2016_1

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Website = photosociety.net Page 1 email = magazine@photosociety.net


Management Team<br />

Gordon Longmead - England - CEO<br />

Peter Hogel - Uganda - Deputy CEO<br />

Scott Hurd - Namibia<br />

Tom Coetzee - South Africa<br />

Paul Welch—Australia<br />

Steve Cook - USA<br />

Robert Murray - Scotland<br />

Rabi Chandra Pokharel - Nepal/Himalayas<br />

Tina Andreasson - Sweden and Mexico<br />

Jack Glisson - Kentucky USA<br />

Rodger Lee - Steam Punk Events<br />

In This Issue<br />

3 Monthly Challenge Competition January <strong>2016</strong> - Lets Go Potty<br />

4 Monthly Challenge Competition February <strong>2016</strong> - Stone Masons Challenge<br />

6 Wild Horses of Namibia by Pictures by Scott Hurd<br />

8 Uganda, Murchison Falls National Park - By Gordon Longmead<br />

14 A Study in Nature - Pictures by Scott Latham<br />

15 A Black and White Exercise by Rodger Lee<br />

16 Photoart by Gordon Longmead<br />

17 Winter Chills<br />

18 Cuddling the Cheetahs… by Peter Hogel<br />

20 Wildlife of the <strong>World</strong>, Birds of a Feather - On The Wing<br />

22 A Study in Greyscale - Zoo Animals, New Context - Pictures by Alan Griffiths<br />

23 Nasty or Nice, The Rhino by Felix Paton for the Ziwa Rhino Trust<br />

27 Moon and Night Sky<br />

28 Animal Magic - Non-Wildlife<br />

<strong>30</strong> Wildlife Borneo - Another Day in Paradise 2 - Sabah Reef by Gary Bridger<br />

32 The Kalahari [Also known as the Kalagadi] by Ian Bales-Smith<br />

38 A Study in Nature- Badgers in Greyscale, Pictures by Scott Latham<br />

39 Brooks Medival Faire, Alberta, Canada, Pictures by Bob Breakell<br />

40 Wildlife of the <strong>World</strong> - Land Animals<br />

42 A Study in Music Photography - Def Leopard Pictures by Alan Griffiths<br />

44 Personable Portraiture - Candid Pictures<br />

46 The Water Cycle - Rain to River to Seas to Rain<br />

48 Dinner Time<br />

49 The Netherlands, Ardennes, Part 1, tracks to follow by Paul Weijenberg<br />

52 City of London at Night by Philip Moore<br />

<strong>World</strong> <strong>Image</strong> Magazine on Fine Art America<br />

Peoples Photographic Society Member galleries<br />

http://gordon-longmead.artistwebsites.com/index.html?tab=galleries<br />

As part of the expansion and ongoing development of the <strong>World</strong> <strong>Image</strong><br />

Magazine, we have established a website presence within Fine Art<br />

America for the presentation and promotion, and sale of member images.<br />

Members wishing to add their own gallery should contact Gordon@worldimagemag.co.uk for details.<br />

© Please remember that all articles and images published in this magazine are copyright protected<br />

Cover Picture - Reflections<br />

Website = photosociety.net Page 2 email = magazine@photosociety.net


Monthly Challenge Competition January <strong>2016</strong><br />

Lets Go Potty<br />

2nd Peter Hogel<br />

1st Georgene Bergstrom<br />

4th Matthew Brooks<br />

3rd Alan Culley<br />

Website = photosociety.net Page 3 email = magazine@photosociety.net


Monthly Challenge Competition<br />

Newcomers submitting to the competition<br />

by email, will be registered with the<br />

society.<br />

The top four monthly entries will be<br />

selected by the editor or nominee, neither<br />

they, or their families may enter the<br />

competitions.<br />

Challenges will end at mid day (GMT) on<br />

the last day of each month and the ‘best’<br />

four will be selected and points awarded<br />

and certificates <strong>issue</strong>d.<br />

I am pleased to advise you all that Fujifilm have<br />

donated a Fuji X<strong>30</strong> camera valued at £<strong>30</strong>0 for the<br />

winner of the <strong>2016</strong> Monthly Challenge, which will<br />

be awarded to the overall winner after the December<br />

Competition. For reviews and specs just search<br />

online for ‘Fuji X<strong>30</strong>’.<br />

Entries should be posted in the facebook PPS or<br />

<strong>World</strong> <strong>Image</strong> group, or, for those not in facebook,<br />

j p g f i l e s s h o u l d b e s e n t t o<br />

lendasnow@hotmail.co.uk and titles for the relevant<br />

competition.<br />

The league table and the winning entry will be<br />

published in the Magazine of January 2017.<br />

The judging is based on adherence to the challenge<br />

title and the skills of the photographer in their<br />

interpretation of the subject.<br />

The Current challenge which ends on the 31st<br />

<strong>March</strong> is - 'Wood You Believe It' . This is all about<br />

wood and woodlands and is only limited by your<br />

imagination and skills.<br />

Monthly Challenge Competition February <strong>2016</strong><br />

Stone Masons Art<br />

First place in the<br />

February Challenge is<br />

awarded to<br />

Zlatan Celebic<br />

for<br />

The Temple of Artemis<br />

While the picture displays<br />

the skill and artistry of the<br />

stone mason, it also conveys<br />

the feeling of strength and<br />

power by the manner in<br />

which the image has been<br />

taken.<br />

Artemis is the patron goddess<br />

of Gerasa (Jerash), Jordan. It<br />

was said the temple was<br />

never completed, only 12<br />

columns, out of 32 planned,<br />

were erected.<br />

Website = photosociety.net Page 4 email = magazine@photosociety.net


Second Place - Philip Moore<br />

Third Place - Robert Murray<br />

Fourth Place - The Lincoln Imp by Geoff Bowers<br />

Website = photosociety.net Page 5 email = magazine@photosociety.net


Wild Horses of Namibia<br />

Pictures by Scott Hurd<br />

The wild horses of Namibia, the<br />

Namib Horses, are feral horses<br />

found in the Namib Desert of<br />

Namibia, Africa.<br />

With a current population of less<br />

than 200 and drout conditions, they<br />

are in danger of extinction.<br />

Website = photosociety.net Page 6 email = magazine@photosociety.net


They are believed to be the descendants of the<br />

European light riding horses abandoned during<br />

the great wars.<br />

These feral horses were able to develop in<br />

almost complete isolation having lived in this<br />

area for more than 100 years and without any<br />

human assistance.<br />

If you would like to help support the horses of the<br />

Namib, please contact Scott Hurd by email.<br />

Website = photosociety.net Page 7 email = magazine@photosociety.net


Uganda<br />

Murchison Falls National Park - Part Three<br />

To the north of the Victoria Nile By Gordon Longmead<br />

So temporarily leaving the placid waters of the<br />

Victoria Nile behind us from the last <strong>issue</strong> (we<br />

return to look at the birds in the next <strong>issue</strong>), we<br />

ventured into the northern part of the park. It was<br />

not long before Peters knowledge of Murchison<br />

produced the photographic opportunities.<br />

We were in the park over a three day period<br />

stopping at a nearby safari lodge for the two<br />

intervening nights.<br />

Before we get into the article I will say that the<br />

pictures are not in any particular order. The main<br />

reason being that the animals are free to roam and<br />

will not be seen in the same sequence or place on<br />

two consecutive occasions.<br />

It is not advisable to drive into the center of the herd<br />

as the matriarch or bull will probably object and will<br />

defend their family.<br />

Starting with the largest land animal in the park and<br />

a favourite of most people, there a number of<br />

elephant herds in Murchison.<br />

We came close to two of the larger herds, one of the<br />

bull elephants was standing in the road as we<br />

approached.<br />

He watched us to ensure we were not a threat while<br />

the herd crossed the road.<br />

We need to remember that these are large and<br />

potentially dangerous animals, they have feelings<br />

and are very protective of their herd members.<br />

Website = photosociety.net Page 8 email = magazine@photosociety.net


The second herd we met on the road was much<br />

larger, and potentially much more dangerous as they<br />

had young in their number. As you can see they had<br />

teenagers and calf's.<br />

That being said I think this herd were so surprised at<br />

seeing us they became curious and after the herd<br />

joined forces on one side of the road, (we waited<br />

until they had finished crossing the road), they just<br />

stood aside and watched us as we passed.<br />

The elephant is not the only animal that roams the<br />

park as a herd, the Water Buffalo also has a major<br />

presence in the park.<br />

While we see many individuals and pairs roaming<br />

the park as we drive through, turning a corner on<br />

one of the less travelled roads and being greeted<br />

with a herd in excess of 200 strong is quite a<br />

spectacle.<br />

The fact that these beasts are aggressive and that we<br />

had to drive through the middle of the herd does<br />

little to calm the nerves.<br />

Another of the herding animals, although not in such<br />

large numbers, is the Giraffe. Again there are many<br />

individuals and pairs roaming the park, but the first<br />

herd we encountered numbered 12 individuals.<br />

I am advised that the darker markings on the giraffe<br />

indicate an older animal which made this one the<br />

oldest in this group.<br />

Website = photosociety.net Page 9 email = magazine@photosociety.net


Soon after our meeting with this small gathering of<br />

giraffe we met up with a larger group, this time they<br />

were not at a distance but all around the car.<br />

It was nice to see a young calf with its mother even if<br />

the calf was too small to reach the tree.<br />

This herd numbered 18 individuals and were on both<br />

sides of the road. In fact they surrounded the car so<br />

we turned off the engine.<br />

I am guessing that it was the same pair we saw<br />

running across the road the following day. Seeing<br />

them run with such grace is a beautiful sight.<br />

On our last day in Murchison we encountered<br />

another herd and stopped to watch them. Well not so<br />

much through choice as the bull was standing in the<br />

road.<br />

Having checked us out from both sides they were in<br />

no hurry to move away, so we stood outside to take<br />

pictures and video of the group.<br />

This giraffe stayed in the same spot and watched<br />

what we were doing until most of the herd had<br />

crossed the road. As in all families there are always<br />

those who refuse to obey the boss.<br />

Website = photosociety.net Page 10 email = magazine@photosociety.net


These two juveniles were so interested in their<br />

practice / display of neck fighting. This was just<br />

practice, the real thing is both brutal and dangerous<br />

and used in territorial fights.<br />

Although the warthog is often seen as an individual<br />

character, most of those in Murchison are in family<br />

groups.<br />

We remained here for some time before the herd<br />

started to move away. We remained under the<br />

watchful eye of the boss until all the animals passed<br />

us by before leaving himself.<br />

Of course all of the herds, like the other animals, eat<br />

grass, but when we consider that they eat tons of<br />

grass at one end, the mind boggles at what comes out<br />

the other.<br />

We have seen the hippo (Hippopotamus amphibius)<br />

in the lakes and ponds with its eyes peeping above<br />

the water, the treat is to see it on land.<br />

So enter one of natures recycling crews, the dung<br />

beetle (Scarabaeinea). The dung beetle is possibly<br />

natures most efficient waste disposal unit. It uses the<br />

dung balls as nursery pods and the residue serves to<br />

fertilize the soil.<br />

The Warthog (Phacochoreus africanus) is another of<br />

the most prolific animals in the park. It can be seen as<br />

individuals and as family groups, the largest groups I<br />

saw were two adults and two youngsters and one<br />

adult and three piglets.<br />

It is a wild pig and is so named because of the<br />

protuberances on its face.<br />

It is also noted that is is comparable in size to the<br />

elephant and when ever seen on land, is usually<br />

accompanied by a pair of opportunistic egrets.<br />

While the female can weigh up to 5,160lb (2344kg),<br />

the male can reach 7000lb (3,200kg), and their hide<br />

can be 4.5cm thick. It can also run at 19mph, which<br />

is about three times faster than most humans can<br />

sprint.<br />

Website = photosociety.net Page 11 email = magazine@photosociety.net


Jacksons Hartebeest (Alcelaphus buselaphus jacksoni)<br />

The Jacksons Hartebeest is seen in large numbers in<br />

Murchison.<br />

The Female Kob<br />

The Waterbuck (Kobus ellipsiprymnus) is a large<br />

antelope with a shaggy coat. It is the largest of the<br />

Kobus, the male of which can be aggressive.<br />

Bushbuck (Tragelaphus scriptus)<br />

The Bushbuck (Tragelaphus scriptus) is a medium<br />

sized, antelope. Although very common its secretive<br />

nature makes it harder to spot.<br />

Uganda Kob (Kobus kob thomasii)<br />

The Uganda Kob is Uganda's national antelope. It is<br />

most abundant in the area of Murchison Falls and<br />

the Queen Elizabeth national park.<br />

Waterbuck (Kobus ellipsiprymnus) male<br />

The males harem can have up to ten females which<br />

he fiercely defends against interlopers.<br />

Website = photosociety.net Page 12 email = magazine@photosociety.net


Waterbuck (Kobus ellipsiprymnus) female<br />

The various antelope are numerous through out<br />

Murchison and one of the most difficult problems<br />

for the novice, and possibly the experienced, is the<br />

certain identification of the different species. This<br />

one is a case in point.<br />

Some have many varieties within the species, while<br />

others are to young to have gained the distinguishing<br />

markings.<br />

But one thing is certain, when, like me, you visit for<br />

the first time you take everything in sight, next visit<br />

I will be looking for the unusual pictures we can get<br />

from watching the behaviour.<br />

The images here are by no means the whole story<br />

there are many more animals and birds to discover,<br />

but I will leave that for another time.<br />

Next <strong>issue</strong> I will be looking at the birds of the<br />

Victoria Nile and Murchison generally.<br />

Gordon<br />

Some are easy to distinguish close up, but at a<br />

distance you need a very experienced guide.<br />

Website = photosociety.net Page 13 email = magazine@photosociety.net


A Study in Nature - Nuthatch, Dunnock and Grey Wagtail<br />

Pictures by Scott Latham<br />

Four of the Nuthatch<br />

Dunnock<br />

Grey Wagtail<br />

Website = photosociety.net Page 14 email = magazine@photosociety.net


A Black and White Exercise<br />

Rodger Lee<br />

When we use photography to look at buildings, there are two areas that gravitate towards, the new shiny<br />

modern glass structures with their formal style and reflections, or the old character buildings which have a<br />

character and old world charm all of their own.<br />

Britain has its fair share of both, and in this study by Rodger Lee, the focus is on the old and decrepit. These<br />

were all taken in the area around Doncaster, but such structures can be found in most places from the<br />

smallest village to the largest city.<br />

Although these are general shots, if you look at the pictures you will see many other possible pictures within<br />

them. That is part of the photographers art, not just to see the overview, but to see beyond it to the finer<br />

opportunities that may be lurking in the picture.<br />

Website = photosociety.net Page 15 email = magazine@photosociety.net


Photoart<br />

Gordon Longmead<br />

There is much discussion about the validity of<br />

Photoart as a part of photography. Photography is an<br />

art form, one in which the photographer holds the<br />

same position as any artist in history.<br />

When we look at Constables ‘The Haywain’ no one<br />

ever complains that the cart was not in the river<br />

when the picture was painted. No one ever criticises<br />

the glamorised portraits that hang in galleries across<br />

the world.<br />

Artists paint the scene in their studio from general<br />

sketches and memory, the lighting is created in the<br />

studio, even in the open the lighting is fixed at the<br />

start of the painting but changes during the day, a<br />

change ignored by the artist.<br />

The artist is only interested in the end result. If<br />

painting a portrait, the artist glamorises the subject<br />

to hide the blemishes and make the subject feel good<br />

about themselves.<br />

In this image The main subject is a straight<br />

photograph, but I wanted it to tell a story. In this<br />

instance the story is a simple one, “Here we are on<br />

Earth and just beyond the horizon is the maelstrom<br />

that is space, and it is coming our way.”<br />

Hidden with the view is a second story, “The<br />

maelstrom is of our own making and is slowly but<br />

surely consuming the natural Earth.”<br />

Photoart is the vision you have in your heart at the<br />

moment the image is created, be it a portrait of a<br />

woman or a scene of fire and brimstone.<br />

Do not hide behind the false purist belief that<br />

photography is nothing more then a record of what<br />

is.<br />

Photography has many faces, record photography is<br />

just one of them, any fool can take a picture, a<br />

photographer produces artworks.<br />

Website = photosociety.net Page 16 email = magazine@photosociety.net


Winter Chills<br />

Last month we hoped for some more pictures for the<br />

Winter Chills series, and we have not been left in<br />

the cold.<br />

With the changing weather patterns the images of<br />

winter begin to alter as well. Snow in the desert,<br />

heat waves (anything above -40) in the arctic, and<br />

the opportunities for the cold pictures come and go<br />

for many people.<br />

Pictures of the cold are not restricted to the snow<br />

covered landscapes and ice fountains.<br />

This builds up over time and becomes compacted<br />

into ice at the lower depths. As snow continues to<br />

build on the surface the pressure causes the base of<br />

the ice to start moving, forming the glaciers.<br />

One of the most spectacular sights of winter are the<br />

Hoar frosts also known as Soft Rime,. The pictures<br />

above and below are just such taken be Bob<br />

Breakell in Canada.<br />

The picture above was taken by Gordon Longmead<br />

is the Eiger Glacier taken from the Jungfrau in the<br />

Alps. Sadly, many of the glaciers that we knew 50<br />

years ago have melted away due to those<br />

aforementioned changes in weather patterns. And<br />

Finally, lets not forget the wildlife, they feel the cold<br />

as well.<br />

We all know of the smooth ice formed by freezing<br />

water on a cold surface, but with Hoar frost, the<br />

crystalline ice structures grow directly from water<br />

vapour from air, a process that turns the vapour to<br />

ice without going through the water stage.<br />

Glaciers are a different matter, they form at high<br />

altitude from snow fall.<br />

Female Downy Woodpecker<br />

Website = photosociety.net Page 17 email = magazine@photosociety.net


Cuddling the Cheetahs…<br />

Peter Hogel<br />

Let’s get a couple of things straight from the<br />

beginning…<br />

Who am I, Wildlife guide and wildlife photographer<br />

in Uganda and when the voices in my head speak to<br />

me they do it with a voice of Gorillas, birds, crickets<br />

and a serenade of other wildlife. I do not like wild<br />

animals as pets or in a zoo, however, that said…<br />

UWEC, Uganda Wildlife Educational Center, some<br />

might call it a zoo, but it does work as an<br />

educational center for anyone who wants education<br />

that has to do with wildlife and animals.<br />

It also has the most important task to educate school<br />

kids in Uganda, about animals and how, and why,<br />

they need to co-exist, a crucial piece in the jigsaw<br />

puzzle of wildlife conservation.<br />

So I do try to help in my way, take photos,<br />

document and “spread the word” that’s what we did<br />

before we could “share”.<br />

Website = photosociety.net Page 18 email = magazine@photosociety.net


So here they are, now about 11 months old, strong<br />

and with sharp teeth and claws…and very playful.<br />

So every once in a while I find myself behind the<br />

scenes of UWEC, getting the sherry of the cake,<br />

getting close to some of those animals that I<br />

normally keep on an arm’s length, without giving<br />

them my arm so to speak.<br />

They are used to people, their “keeper” and tourists<br />

that pay for the behind the scenes tour, money goes<br />

to running the center and hopefully a new cat<br />

enclosure, eventually…<br />

So I had some good time to get up close, they like to<br />

nibble on my fingers, but don’t bite, well not<br />

intentionally anyway, they have a “sharp” mind and<br />

are not pets, so even if we consider them as safe to<br />

handle, they like to sneak up from behind and breath<br />

down your neck, so one shouldn’t relax too much.<br />

It’s a privilege to get so close to these cats, not many<br />

people do…and live to tell about it, LOL… but here<br />

we can, and if you do pas by Uganda, you should<br />

definitely stop by!<br />

This time, it was cuddling with the cheetahs, the two<br />

slender cats are siblings from north eastern Uganda,<br />

found abandoned or survived from poachers when<br />

they were just a few weeks, they were brought to<br />

UWEC and survived, what happened to their mom<br />

we don’t know.<br />

I’ve been around this place for some time now, and I<br />

won’t argue with the fact that animals shouldn’t be<br />

locked up, they should run free…however, we do<br />

come across animals way to often that needs our<br />

help, and unfortunately some don’t have the option<br />

to be able to be reinstated in their natural habitat, at<br />

least here they can stand for the fight against<br />

poachers, and lead the roll of educating people, and<br />

that does make a difference. I must say, the animals<br />

at UWEC do have as good life as it can be, they are<br />

well taken care of in a good environment, well we<br />

do need a new cat enclosure…bigger.<br />

Peter Hogel<br />

Website = photosociety.net Page 19 email = magazine@photosociety.net


Wildlife of the <strong>World</strong><br />

Birds of a Feather - On The Wing<br />

Of all the aspects involved with bird photography<br />

probably the most difficult to master is the capture<br />

of a bird in flight.<br />

The Eagle Has Not Landed by Tom Coetzee<br />

More often than not the bird is too far away to get<br />

any meaningful image. Most appear as black<br />

silhouettes against the sky.<br />

As for the former problem we can only recommend<br />

patience, a long lens and a steady hand. The latter<br />

problem is easier to resolve. When taking birds in<br />

flight or against a sky background, alter the camera<br />

settings to +3 the f-stop.<br />

African Fish Eagle by Gordon Longmead<br />

There are two good reasons for this, the first is that<br />

you stand more chance of capturing the ‘moment’<br />

and the second is that the second and subsequent<br />

image in a series will have less camera shake. This<br />

is because you only press the shutter once so the<br />

camera only moves once.<br />

African Fish Eagle by Gordon Longmead<br />

This convinces the camera that the now over<br />

exposed picture is a correct exposure, and of course<br />

it probably is for the bird. Remember to alter the<br />

camera back for other pictures.<br />

It is also worth while setting the camera for repete<br />

shooting to catch the sequence of the flight.<br />

In Flight by Karim Ahmed<br />

Website = photosociety.net Page 20 email = magazine@photosociety.net


Some birds are easier to photograph in flight than<br />

others. One not so easy subject is the Peregrine<br />

Falcon in a 180mph dive. Others twist and turn so<br />

mush that keeping them in frame is the problem.<br />

Sunbird approaching nest was shot at Nunmanglam<br />

reserve Forest by Nam Prasad Satsangi<br />

But patience and perseverance will be rewarded. I<br />

suppose the easiest time to catch the birds on the<br />

wing, is as they come to land or as in the image<br />

above, need to hover to feed their young. This is the<br />

time when they are moving at their slowest.<br />

Positioning is always a bonus and the right position<br />

can create stunning results.<br />

Gordon<br />

Osprey in Kelowna, British Columbia, Canada<br />

by Bob Breakell<br />

The Approach by Karim Ahmed<br />

Website = photosociety.net Page 21 email = magazine@photosociety.net


A Study in Greyscale - Zoo Animals, New Context<br />

Pictures by Alan Griffiths<br />

Website = photosociety.net Page 22 email = magazine@photosociety.net


Website = photosociety.net Page 23 email = magazine@photosociety.net


Website = photosociety.net Page 24 email = magazine@photosociety.net


Website = photosociety.net Page 25 email = magazine@photosociety.net


Website = photosociety.net Page 26 email = magazine@photosociety.net


Moon and the Night Sky<br />

<strong>2016</strong> 01 10 New Year Moon over Fernwood<br />

by Geoff Bowers<br />

2015 Christmas full moon was nice and<br />

bright. By Paul Welch<br />

Night photography is all about light and shadows, and the<br />

perception of the photographer. The interpretation of what is seen<br />

is the artistry.<br />

London by Night by Philip Moore<br />

Website = photosociety.net Page 27 email = magazine@photosociety.net


Animal Magic - Non-Wildlife<br />

Rusty, the 10 year old Irish Setter by Louise Bradt<br />

Lion at Cape May Zoo in New Jersey USA<br />

by Roger Becker<br />

Love them or hate them, animals are a part of our<br />

lives. Whether they are the dogs and cats in our<br />

homes or the animals in the zoos and ‘parks’, they<br />

all have a place in our lives.<br />

Many would say that animals belong in the wild<br />

and not in the zoo, and we can understand that<br />

viewpoint but there is a ‘but’.<br />

If many of these animals were in the wild, they<br />

would probably be in the sights of poachers or<br />

hunters. If we released these captive bred animals to<br />

the wild they would probably not survive the year.<br />

The positive side of the non-wildlife animals is the<br />

education, company and pleasure they bring to our<br />

lives. Look at the pre-Victorian pictures of the<br />

animals we know today, described from<br />

imagination. They are a far cry from reality. Now at<br />

least we can all see the power and majesty of the<br />

animals, so long as those animals are treated with<br />

dignity and respect.<br />

Red Panda at paradise Park by Gordon Longmead<br />

Feeding Time by Alan Griffiths<br />

Website = photosociety.net Page 28 email = magazine@photosociety.net


Wallaby at the Yorkshire Wildlife Park by Rodger Lee<br />

Cheetah at Cape May Zoo in New Jersey USA<br />

by Roger Becker<br />

Tiger in Calgary Zoo by Bob Breakell<br />

Loving Peace by Wendy Longmead<br />

Lion at Cape May Zoo in New Jersey USA<br />

by Roger Becker<br />

Lion at Cape May Zoo in New Jersey USA<br />

by Roger Becker<br />

Website = photosociety.net Page 29 email = magazine@photosociety.net


Wildlife Borneo - Another Day in Paradise 2<br />

Sabah Reef by Gary Bridger<br />

The underwater world of Sabah Reef is threatened by development and irresponsible tourism. Here is just a<br />

glimpse of the fragile beauty that may soon disappear.<br />

Website = photosociety.net Page <strong>30</strong> email = magazine@photosociety.net


Website = photosociety.net Page 31 email = magazine@photosociety.net


The Kalahari<br />

[Also known as the Kalagadi]<br />

Kalahari –“the thirst land”. Start of a dust storm.<br />

The Kalahari Gemsbok National Park [The<br />

Kalahari] shares a common unfenced boundary<br />

with the Gemsbok National Park of Botswana. This<br />

allows free movement of wildlife.<br />

As a Transfrontier Park, it is one of the <strong>World</strong>’s<br />

biggest Parks and one of the most pristine places on<br />

earth. The Park was established in 1931 to protect<br />

the huge herds of game.<br />

I have had the opportunity to visit the Kalahari for<br />

short stays on three occasions and have always<br />

regretted not having longer visits and longer camera<br />

lenses.<br />

In the following few pages I share with you the<br />

little experience I have of this pristine desert area<br />

and it`s opportunities.<br />

Access for most tourists from South Africa, or for<br />

those having arrived in South Africa, is by road to<br />

Upington, or by air from Cape Town or<br />

Johannesburg to Upington and then by road to the<br />

main camp at Twee Rivieren, [Two Rivers] this<br />

probably entails hiring a motor vehicle.<br />

There are daily flights from Johannesburg and Cape<br />

Town to Upington.<br />

The journey from Upington to Twee Rivieren takes<br />

about 3 to 4 hours and most of it is through desert.<br />

(see the map below).<br />

An ideal visit to the Twee Rivieren camp is for 3 to<br />

5 days duration. This gives adequate time to cover<br />

routes along the two rivers. In planning daily game<br />

viewing ensure you have water, refreshments,<br />

snacks and patience.<br />

Be prepared to spend up to about two hours at a<br />

waterhole, the time spent can be extremely<br />

rewarding. Most water holes are in the river beds<br />

and observation is excellent.<br />

If more time is available game viewing could easily<br />

be extended to include more of the Northern area of<br />

the park where there are good Rest Camps.<br />

Website = photosociety.net Page 32 email = magazine@photosociety.net


A recommended add on to a tour is to include the<br />

Aughrabies falls. This would require an additional<br />

two days with an overnight at the falls. The<br />

Aughrabies accommodation is very good, there is a<br />

restaurant, bar and shop.<br />

The Unicorn is said to have originated from the<br />

Oryx of Arabia, in sub Saharan Africa this is the<br />

Gemsbok, adapted for desert conditions and able to<br />

survive for months without water by obtaining<br />

moisture from plants.<br />

The Kalahari has two main ecozones; the “dune veld<br />

–semi desert” of the South and the “Kalahari plains<br />

thorn veld” in the North. In the winter months night<br />

temperatures can be as low as -11 degrees C and up<br />

to 42degrees C in the summer.<br />

The Southern area has two ancient rivers, the<br />

Nossob and the Auob, these seldom flow. There is<br />

under ground water in the river beds which feeds the<br />

many waterholes.<br />

Gemsbok weigh up to 240 kgs. Its muzzle contains a<br />

network of vessels that cool blood by the moisture<br />

of its nasal passages; this protects a part of the brain<br />

from lethally high desert temperatures.<br />

The main tourist camp for the Southern area of the<br />

Kalahari is Twee Rivieren. This has air conditioned<br />

self catering accommodation lodges. There is a<br />

swimming pool, restaurant, bar and shop.<br />

The harsh land with little grass and hardy thorn<br />

trees, supports a surprising number and variety of<br />

life forms; animals, birds, reptiles and insects.<br />

Herds of Gemsbok, springbok, wildebeest and<br />

hartebeest roam the sunlit plains and provide food<br />

for lion, cheetah, leopard, hyena and many other<br />

small animals all competing and struggling for<br />

survival.<br />

Sociable weaver’s nests. Many hundreds of these<br />

birds build communally for protection against<br />

weather and predators.<br />

These small weavers build the largest tree nests in<br />

the world, the sheer weight can cause branches to<br />

break and large trees to collapse.<br />

The cooperation between these birds has reached a<br />

level seldom seen in the wild. A variety of other<br />

birds; raptors, geese and owls use the roof as a<br />

platform for their own nests.<br />

Website = photosociety.net Page 33 email = magazine@photosociety.net


The Pygmy falcon, the smallest raptor, relies on<br />

these nests for its breeding. Dangerous visitors<br />

include the Boomslang, Cape cobra, genets and<br />

wild cats.<br />

The Shepherds tree provides welcome shade for<br />

many species. This cheetah was one of a group of<br />

three hunting in the area during the heat of the<br />

day.<br />

The Cape cobra, a golden-orange colour against<br />

the red desert sands. These venomous snakes can<br />

rise up to 1.8 metre [6 feet] and are very accurate<br />

in spitting venom into eyes of any animal or<br />

person that appears a threat.<br />

Sociable weavers nests on telegraph poles<br />

between Upington and Twee Rivieren are a<br />

common sight.<br />

Meerkat [suricate] harassing a Cape cobra.<br />

Website = photosociety.net Page 34 email = magazine@photosociety.net


Ostrich dusting. The practice of dusting is common<br />

amongst many birds including doves, francolin and<br />

hornbill.<br />

The birds can be seen lying in the dust and fluffing<br />

their feathers, this suffocates ecto parasites and<br />

forces them to move off the bird.<br />

The Secretary bird is one of the raptors. Most of its<br />

hunting is done while walking in search of insects,<br />

small reptiles, mammals and amphibians.<br />

It tramples its prey. Seen at waterhole along the<br />

Nossob river route.<br />

Dune grasses are a source of food and shade. Many<br />

of the smaller animals select this type of habitat for<br />

their homes. The grass in the picture is called<br />

“Broom Grass”.<br />

The Auchterlonie Museum and picnic site. This old<br />

building, used as a museum, depicts the pastoral<br />

life of the area more than 100 years ago. This is on<br />

the Auob River route.<br />

The Hartebeest<br />

Sable Antelope<br />

Website = photosociety.net Page 35 email = magazine@photosociety.net


The Hartebeest and Sable survive well in the<br />

Kalahari and are often seen with herds of Gemsbok.<br />

Herds can number up to about 800.<br />

Springbok grazing the dune grasses between the<br />

Auob and Nossob Rivers<br />

The young black mane male lion spent some time<br />

observing an Eland move from a waterhole. It then<br />

started to follow the Eland very slowly but with<br />

obvious determination.<br />

Springbok are able to regulate their lambing periods<br />

to coincide with favourable food conditions. The<br />

white rump is thought to reflect heat to help the<br />

animal sustain the high temperatures.<br />

Springbok depend on collective security of the herd<br />

and fleetness for survival. The ballet like pronking<br />

[2 metres high] also confuses a predator.<br />

Group pronking makes it difficult for a predator to<br />

select one animal as its prey.<br />

Eventually after a short hard chase the lion bought<br />

its prey down.<br />

Springbok at a waterhole on the Auob River.<br />

Jackal and Springbok share water on the Nossob<br />

River.<br />

Stotting is exhibited by springbok in an excited state<br />

when alarmed. It is a powerful communication<br />

warning to other animals of the herd about danger.<br />

Website = photosociety.net Page 36 email = magazine@photosociety.net


Pronking is a type of Stotting unique to springbok; it<br />

propels the animal into the air with straight legs.<br />

The Shepherds Tree growing in the red sand<br />

provides browse and shade for numerous animals<br />

and birds.<br />

Tsessebe work their way from the vegetated dunes<br />

to water in the Auob River. Tsessebe have glands in<br />

front of their eyes [pre-orbital] used for marking<br />

territory by rubbing the head on ground , grass or<br />

trees. It is a method of scent marking.<br />

Sunset against a camel thorn en route to Twee<br />

Rivieren camp.<br />

I hope that you have enjoyed this short tour into the<br />

Kalahari, the place of thirst. The wildlife and desert<br />

landscapes offer exceptional photographic<br />

opportunities.<br />

For information about guided tours please contact<br />

me:<br />

Ian Bales-Smith of Afrika Tourism and Training.<br />

E – Mail: ibs22dec@gmail.com<br />

The colourful daisy like flowers add colour to the<br />

red sands of the dune veld.<br />

Website = photosociety.net Page 37 email = magazine@photosociety.net


A Study in Nature- Badgers in Greyscale<br />

Pictures by Scott Latham<br />

This is a wonderful study of a badger exploring the<br />

woodland. Badgers are generally secretive and seen<br />

only at dusk and dawn, or during the night when<br />

searching for food.<br />

Photographing the badger requires patience and<br />

dedication, and quiet. The one thing that will<br />

always help is a good supply of peanut butter<br />

sandwiches.<br />

Website = photosociety.net Page 38 email = magazine@photosociety.net


Brooks Medival Faire, Alberta, Canada<br />

Pictures by Bob Breakell<br />

Mongol and his woman<br />

Young Maiden<br />

Belly Dancer<br />

Website = photosociety.net Page 39 email = magazine@photosociety.net


Wildlife of the <strong>World</strong><br />

Land Animals<br />

When reviewing the wildlife of our planet it is easy<br />

to believe that they will always be with us. Sadly<br />

much of the wildlife is endangered, slaughtered for<br />

misguided beliefs, or to make coats and ornaments.<br />

The bottom line is that greed for possession and<br />

profit will eventually destroy much of our heritage<br />

and, while everyone talks the talk about protecting<br />

it, few will actually do anything.<br />

Even now, most of those in government and even<br />

some of those who are being paid to protect the wild<br />

places and animals, are taking bribes to allow their<br />

slaughter.<br />

But of course this latter option does not inflate their<br />

personal wealth.<br />

This problem is not confined to the rhino, tiger<br />

bones will not improve your virility, if you can’t<br />

perform take Viagra.<br />

I have mentioned elsewhere about correctly stating<br />

when pictures are wildlife. This is equally as<br />

important with animals. It is not a social<br />

requirement to state where an image was taken, the<br />

importance is in the picture, but if they are to be<br />

presented as wildlife then that is what they must be.<br />

The picture of the rhino butt is not classed as<br />

wildlife, it was taken at a zoo and inspite of the title<br />

of this article I have used it to send a message.<br />

Tigers by Nam Prasad Satsangi<br />

We all know of the tiger, you may be like me and<br />

love the mystic of all the big cats. My own<br />

preferences start with the Tiger and Snow Leopard.<br />

One dead rhino can provide a few individuals with<br />

lots of gold, it will provide the government with<br />

$25,000 in revenue from the licence fee. Wow.<br />

One live rhino will bring in 1000 tourists each<br />

spending a minimum of $2000 in the local economy,<br />

Thus investing $2,000.000 in the economy WOW.<br />

Leopard by Nam Prasad Satsangi<br />

Website = photosociety.net Page 40 email = magazine@photosociety.net


The tiger because of a life long interest and the snow<br />

leopard because of my association with the Cat<br />

Survival Trust.<br />

Canadian Stag by Bob Breakell<br />

Oh what lazy days, basking in the sun! by Martin Clarke<br />

There are smaller, and not quite so dangerous<br />

animals on our planet, The hare and rabbit can be<br />

found in most countries.<br />

Having looked at a few of the cats, time for the<br />

dogs, in this case the Hyena is probably the most<br />

powerful of the wild dogs, it breaks bones with the<br />

most powerful jaws of any dog.<br />

Parenthood (Tanzania) by Rosie Broughton<br />

Some young Red Deer calves I spotted in the summer<br />

from the road along the Strathnaver Trail in Sutherland,<br />

Scotland. Martin Clarke<br />

The red deer are just one of the many species that<br />

roam our world. These are often timid and difficult<br />

to get close to in the wild. Others are so tame they<br />

will come to investigate you.<br />

Here I began with the large so it seem only fitting<br />

that I end with the equally large, and the most<br />

dangerous. The Hippo is usually see peeping from<br />

the top of the water. Usually passive, it can destroy a<br />

boat with a single bite.<br />

A word of caution is to be aware of the stags.<br />

Outside the rutting season they can be dangerous,<br />

especially if they feel their herd is being threatened.<br />

In the rutting season they can be positively lethal. I<br />

have known them to ram cars that get to close, and<br />

those horns will penetrate the metal of a car door, so<br />

you can imagine what they would do to a human<br />

frame. I would always recommend a long lens,<br />

especially if you are not used to their ways.<br />

Hippo by Karim Ahmed<br />

Website = photosociety.net Page 41 email = magazine@photosociety.net


A Study in Music Photography - Def Leopard<br />

Pictures by Alan Griffiths<br />

Website = photosociety.net Page 42 email = magazine@photosociety.net


Website = photosociety.net Page 43 email = magazine@photosociety.net


Personable Portraiture<br />

Candid Pictures<br />

Boy and Balloons by Nam Prasad Satsangi<br />

A good candid portrait should tell a story, the boy<br />

looking at the balloons or the lady enjoying the<br />

falling water each contain the elements of the story,<br />

it is of course the viewers imagination that interprets<br />

the tale based on their own experience.<br />

For me I see the boy looking into the balloon and<br />

wondering what is contained within.<br />

Taking A Break by Nam Prasad Satsangi<br />

The last image on this page is also by Nam, another<br />

story, this time of peaceful contemplation. The<br />

distant gaze of the lady her relaxed pose and the<br />

garden setting all add to the effect of tranquillity.<br />

Each of these four images also applies the rule of<br />

thirds to good effect.<br />

Refreshment by Nam Prasad Satsangi<br />

The lady is hot and the water is cool and refreshing.<br />

The splashing of the water shows the vitality that is<br />

contained with each drop.<br />

The forth image of the men resting with the camel<br />

tell a different story again, here we see traders<br />

resting after a long trek through the desert. A trek<br />

that will soon start again under the blistering heat of<br />

the sun, so a rest in the shade is most welcome.<br />

Your interpretation of the story will probably be<br />

different, but then you are different. As it is in life,<br />

so it is in photography.<br />

Raman Vij Maini by Nam Prasad Satsangi<br />

Website = photosociety.net Page 44 email = magazine@photosociety.net


There are pictures where the story being told is very<br />

specific. In these cases the imagination can not give<br />

either the true or the full story so an accompanying<br />

text is used to fill in the spaces.<br />

Def Leppard - Birmingham NEC 12/12/15<br />

By Alan Griffiths<br />

Candid portraiture can present itself at any time and<br />

any place. Here the candid is during a concert. We<br />

easily assume that candid portraits are in colour, but<br />

it is always worth exploring the greyscale elements<br />

of such images.<br />

The man in the seat was taken in London, while this<br />

young lady was photographed in a street café in<br />

Interlaken.<br />

Some ‘candid’ images are simply staged, but it<br />

relies on the subject being able to ignore the camera<br />

and still look natural.<br />

Most candid photography come into its own when<br />

the subject has no idea that they are having their<br />

picture taken. You can only do this is a public place<br />

or a family gathering. Care must be taken to use the<br />

pictures in a respectful manner.<br />

Gordon<br />

Website = photosociety.net Page 45 email = magazine@photosociety.net


The question remains, where does the water cycle<br />

start?<br />

The Water Cycle<br />

Rain to River to Seas to Rain<br />

The full moon for the last time on Christmas for the next<br />

20+ years, Going down on the ocean Boxing day morning<br />

in Perth, Australia by Paul Welch<br />

Our usual place is the evaporation from the seas so<br />

here is the seas.<br />

Trees growing in the sea on a Darwin Beach<br />

by Geoff Bowers<br />

Once it hits the ground it is supposed to soak in and<br />

percolate away to the streams that start somewhere<br />

on high ground.<br />

Velassaru Maldives<br />

I Remember it Well by Alan Culley<br />

But then evaporation also comes from the land, so<br />

we need to add the land to the seas.<br />

We could go on like this for a long time, but the fact<br />

is that where ever there is a water surface exposed to<br />

air, we get evaporation.<br />

Even the plants and trees give off water in the same<br />

way, so I suppose we could short circuit the process<br />

and just add the trees to the water.<br />

Whichever way we view it, the water gets into the air<br />

and forms the clouds. After this wondrous event the<br />

water then falls in the form of rain, which itself has<br />

many forms drizzle, pouring, etc., but all are wet.<br />

Sunrise hitting the chairs as the water runs below ... by<br />

Monroe Payne<br />

Website = photosociety.net Page 46 email = magazine@photosociety.net


Lakeside by Matthew Brooks<br />

These small streams join with others to form rivers<br />

and canals.<br />

Murchison Falls by Peter Hogel<br />

As the water descends it gains power which we can<br />

harness and use, but eventually most of the water<br />

that fell as rain reaches the seas once again.<br />

Lake Mutanda in South Western Uganda. The cones in<br />

the background are Muhabura and Gahinga.. by Ben<br />

Oleni Ntale<br />

On route they may even form lakes. Some lakes are<br />

bigger than others, some are natural and others<br />

manmade.<br />

They all hold water and water attracts wildlife.<br />

Wildlife attracts photographers so for us, lakes are a<br />

good thing when the water remains within their<br />

bounds. Overflows are not a good thing as it keeps<br />

wildlife and photographers away.<br />

"Sea-scape" shot of Water/clouds and a spot of sunset, all<br />

essential elements in the cycle.<br />

Picture by Vaughan Jezznitz<br />

The rest of the water has already taken the<br />

evaporation shortcut to rain upon us once again.<br />

Isn’t nature wonderful.<br />

Website = photosociety.net Page 47 email = magazine@photosociety.net


Dinner Time<br />

Pictures by Ben Oleni Ntale by Ben Oleni Ntale<br />

Pictures by Ben Oleni Ntale by Ben Oleni Ntale<br />

Pictures by Ben Oleni Ntale by Ben Oleni Ntale<br />

Did Someone Mention Lunch by Gordon Longmead<br />

Vegetable Diet by Gordon Longmead<br />

Website = photosociety.net Page 48 email = magazine@photosociety.net


The Netherlands, Ardennes, Part 1, tracks to follow.<br />

Paul Weijenberg<br />

The Belgian Ardennes are quite large. Steep hills<br />

and valleys. In the past, there were dangerous routes<br />

through watery terrain.<br />

Those tracks are all closed now. You have to circle<br />

around these humid terrains nowadays, and you<br />

have to stay on paths, roads too.<br />

To give an impression of what you can encounter,<br />

this article illustrates the variety roads and paths to<br />

cover the distances through the beautiful Ardennes.<br />

Next best to tarmac for making speed through the<br />

terrain is grass, mostly fire corridors. The maps<br />

show them all, and it is imperative to walk with a<br />

good map!<br />

To the east we see quite some kilometres of tarmac.<br />

Grass is good to walk on even in rain, slippery but<br />

manageable.<br />

Fast and you can not go wrong! But, no adventure,<br />

no challenge for feet or mind, those long straight<br />

tarmac roads….<br />

However, when you're early in the morning, you can<br />

catch the rising sun.<br />

Website = photosociety.net Page 49 email = magazine@photosociety.net


Mud paths however deteriorate fast in the rain.<br />

Rock bottom paths (right) are fine in any weather.<br />

These are very common in wet areas.<br />

Website = photosociety.net Page 50 email = magazine@photosociety.net


Yes, you do need boots in the Ardennes!<br />

These wooden structures are not always in perfect<br />

condition, moreover: they are very slippery when<br />

Sometimes, there is no path at all, and you just have<br />

to cross the river any way you can. There's no bridge<br />

here, but the water is very low in summer and early<br />

fall. If you try to cross barefoot, be aware that this<br />

water from deep wells is very, very cold.<br />

wet.<br />

Sand is good in wet times, dusty in dry times. But it<br />

is pleasant walking on these tracks.<br />

Sometimes the steep banks require wooden steps.<br />

Awkward, not easy, uneven, not always stable…<br />

yes, these kind of stairs are a torture.<br />

Website = photosociety.net Page 51 email = magazine@photosociety.net


Still, all in all it is always good to be in this beautiful<br />

nature! But don't forget to take with you a good map,<br />

food, the right shoes and clothes. An extra pair of dry<br />

socks…<br />

Paul.<br />

Kuyimba means 'to sing' in the Zambian Chinyanja language<br />

and this site is a celebration of the sights and sounds of<br />

southern Africa. Join us to experience it for yourself.<br />

Derek & Sarah Solomon<br />

www.kuyimba.com<br />

The City of London by Night By Philip Moore<br />

The City of London.<br />

f11, 20sec, 100iso, 5D MKII<br />

The Scoop at More London. The Shard,<br />

f11, 11sec, 100iso, 5D MKII<br />

The City of London.<br />

f11, 20sec, 100iso, 5D MKII<br />

The City of London.<br />

f11, 20sec, 100iso, 5D MKII<br />

Website = photosociety.net Page 52 email = magazine@photosociety.net


Website = photosociety.net Page 53 email = magazine@photosociety.net


Kuyimba means 'to sing' in the<br />

Zambian Chinyanja language and<br />

this site is a celebration of the sights<br />

and sounds of southern Africa. Join<br />

us to experience it for yourself.<br />

Derek & Sarah Solomon<br />

www.kuyimba.com<br />

Website = photosociety.net Page 54 email = magazine@photosociety.net


Use the Member Code: GL415. Enter the code in the box<br />

before checkout to get 10% discount.<br />

Website = photosociety.net Page 55 email = magazine@photosociety.net


TECHNOLOGY EQUIPPED FOR GRIP<br />

MacWet Technology<br />

Most gloves on the market today are bulky and uncomfortable, causing a negative impact<br />

on your favourite sport. MacWet's unique Aquatec® fabric responds to moisture and<br />

climate change, ensuring maximum grip, sensitivity, feel and comfort at all times, no<br />

matter how wet or humid. The groundbreaking MacWet Sports glove marks a turning<br />

point in glove technology with characteristics that ensure user comfort, durability and<br />

performance. MacWet gloves' groundbreaking technology uses natural 'wicking'<br />

properties. This allows water to be readily transported along, around and over the gloves`<br />

surface to the fabric face, where it quickly evaporates, thus providing the ultimate in<br />

comfort and gripping power.<br />

The breathable, all-purpose MacWet sports gloves offer a comfortable fit and the<br />

performance you desire. Man made fabric permits the hand to breathe ensuring<br />

maximum grip consistently, with absolutely no compromise to the feel or comfort of the<br />

products. The second skin fit allows for fine adjustment of equipment without the need to<br />

remove the gloves.<br />

Website = photosociety.net Page 56 email = magazine@photosociety.net


Tour Operators<br />

Members who operate, or work on behalf of Tour Operators are invited to submit reports on their<br />

tours as a feature of the magazine. These can be a regular feature if desired and may include<br />

pictures to highlight aspects of the article. The first of these reports should be an introduction to<br />

the company area of operations and its tour guides and staff.<br />

Although the Society can not be held responsible for the conduct and safety of the tours, the tour<br />

operators that advertise on, or have links within, this site or provide reports within the societies<br />

magazine, do so on the understanding that they undertake to conduct the tours in a professional<br />

manner, be customer focused, with an emphasis on safety and value for money.<br />

As many of the tour operators and guides are members of the society, they are knowledgeable both<br />

on the areas they visit and on the subject of photography and will be willing to offer tips and<br />

guidance if required. Feedback about your tour is always welcomed and may appear in the society<br />

magazine.<br />

Magazine Submissions<br />

Members are welcome to submit Bio’s and other articles relating to expeditions and equipment<br />

reviews. Small file size pictures may be included. Recognised wildlife trust and Nature<br />

Conservation group adverts may be included free of charge per quarter page subject to approval.<br />

Any one who would like to write a feature article for the magazine, please do. I have no real limit<br />

on the magazine size but for ease I will find a comfortable limit depending on the method used for<br />

circulating it.<br />

Trade Adverts<br />

Adverts may be placed with the magazine at the editors discretion. A charge will be made in<br />

advance of publication towards the running costs of the society amounting to 10 GBP per quarter<br />

page per <strong>issue</strong>.<br />

Submissions should be emailed to magazine@photosociety.net please state ‘magazine article or<br />

advert’ in the subject line.<br />

The Photographer Academy is the largest European<br />

photography training company providing the award<br />

winning training to get inspired or instructed every day.<br />

http://thephotographeracademy.com<br />

The Cat Survival Trust was registered as a charity in<br />

1976. The Trust's on-site objective is to promote<br />

education regarding the conservation of wild cats and<br />

their habitat by housing an array of species in natural<br />

enclosures.<br />

http://www.catsurvivaltrust.org<br />

We hope you like the magazine, the size and content of future <strong>issue</strong>s depends on you.<br />

Submissions for the next <strong>issue</strong> are being accepted<br />

Website = photosociety.net Page 57 email = magazine@photosociety.net


The Magazine of the Peoples Photographic Society<br />

Issue Thirty One - April <strong>2016</strong><br />

Website = photosociety.net Page 58 email = magazine@photosociety.net

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!