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Picaroon Poetry - Issue #1 - March 2016

Picaroon Poetry is a new web journal for rogue poems. Issue #1 includes work by Orooj-e-Zafar, iDrew, Shane Vaughan, David Spicer, Susan Castillo Street, Neil Fulwood, Brett Evans, Amy Kinsman, Dean Rhetoric, Johanna Boal, Carole Bromley, Alyson Miller, Robert Crisp, Chris Hemingway, Rachel Nix, Jennifer A. McGowan, Bethany W Pope, Grant Tarbard, Hannah Pyne, Marilyn Hammick, and Mary Stone.

Picaroon Poetry is a new web journal for rogue poems.

Issue #1 includes work by Orooj-e-Zafar, iDrew, Shane Vaughan, David Spicer, Susan Castillo Street, Neil Fulwood, Brett Evans, Amy Kinsman, Dean Rhetoric, Johanna Boal, Carole Bromley, Alyson Miller, Robert Crisp, Chris Hemingway, Rachel Nix, Jennifer A. McGowan, Bethany W Pope, Grant Tarbard, Hannah Pyne, Marilyn Hammick, and Mary Stone.

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Baby We’re So Cliché it’s Cliché<br />

Dean Rhetoric<br />

Me and the Cliché, Leaving love codes on bank vaults,<br />

fresh bread breath kisses, lick picking through padlocks,<br />

Disguising ourselves as clouds on Halloween and<br />

hocking spitsies at the meanie kids<br />

Cliché and I. Liberating all the unloved animals,<br />

killing hitchhikers, pickpocketing pulses and waving dead skin<br />

at passing cars.<br />

Homemade clothes, turtle shell ties and wet paper towel tights<br />

singing hillbilly poetry on the porch<br />

Lazy Sunday activities with cliché, throwing fake limbs<br />

into privately owned parks,<br />

hysterical laughter and violence, arguing over the difference<br />

between<br />

roses and skulls, falling over for attention,<br />

holding hands between mouthfuls of innocent bystanders.<br />

Coffee tastes better with cliché,<br />

inventing a secret language and<br />

proving its diameter.<br />

Mixing breakfast cereals,<br />

getting sued. Cold calling the Illuminati at sleepovers<br />

to ask if their eye is running, kicking the living<br />

sugarpop out of me, inspecting the fluoride for government<br />

secrets<br />

Sweet Cliché, cheering on the fat man<br />

running for the last midnight train,<br />

surrounding him when he doesn’t<br />

screaming hillbilly poetry on the porch<br />

sucking all the light from stars<br />

and proudly watching her<br />

flower children<br />

dance.

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