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STREETSCAPE GUIDANCE

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HOME<br />

PART E<br />

Physical design and materials<br />

SECTION 6<br />

Introduction<br />

INTRODUCTION<br />

SECTION 7<br />

High quality footways<br />

PART A<br />

A vision for London’s streets<br />

SECTION 8<br />

Carriageways<br />

PART B<br />

From strategy to delivery<br />

SECTION 9<br />

Crossings<br />

SECTION 10<br />

Kerbside activity<br />

PART C<br />

New measures for new challenges<br />

SECTION 11<br />

Footway amenities<br />

PART D<br />

Balancing priorities<br />

SECTION 12<br />

Safety and functionality<br />

SECTION 13<br />

Street environment<br />

PART F<br />

Appendix<br />

SECTION 14<br />

Transport interchanges<br />

+<br />

Streetscape Guidance<br />

[Part E – Physical design and materials] Footway amenities 232<br />

11.8 Art<br />

The use of public art on the TLRN may be<br />

considered for an area where a special or<br />

decorative design feature or landmark will help<br />

to define a particular place and enhance people’s<br />

daily experiences. We will prioritise designs in<br />

which the promoter can demonstrate that the<br />

installation will make a positive impact on the<br />

quality and distinctiveness of the local setting.<br />

Figure 230: Playful artwork<br />

Design considerations<br />

Public art is often designed to provide a<br />

landmark which people can identify and use to<br />

navigate. Artwork may therefore be appropriate<br />

in areas which lack other recognisable features.<br />

Public art should not be limited to single objects<br />

or expensive finishes. The best design response<br />

is often the most simple: a repeated single<br />

element across a wider area, or a well-conceived<br />

adjustment to the ‘standard’.<br />

Public art should be delivered in accordance with the<br />

Equality Act 2010 and should not pose a health and<br />

safety risk, restrict sightlines or pose a trip hazard.<br />

Temporary art installations may be considered for<br />

certain situations, such as during the construction<br />

of wider street improvement works, or as part of a<br />

temporary wayfinding strategy and, in exceptional<br />

circumstances, to promote major events.<br />

The maintenance and management of public art<br />

must always be taken into account as part of the<br />

design process.<br />

All art installations (temporary or permanent)<br />

should be detectable at ground level by a<br />

symbol or a long cane. Any projections from<br />

art installations should not present a collision<br />

hazard to those using the footway.<br />

Designers should aim to support local artistic<br />

talent. In some cases, it may be appropriate to<br />

involve the local community in judging a design<br />

Figure 231: A sculptured granite bench in<br />

Windrush Square

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