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CLASSICAL MUSIC<br />

February 2012<br />

Part of the Alfacam Group<br />

<strong>HIGH</strong> <strong>DEFINITION</strong><br />

CULTURE CONTENT<br />

Rights<br />

1


CONTENT<br />

CLASSICAL MUSIC 3<br />

ROCK, POP, JAZZ<br />

& WORLDMUSIC 17<br />

OPERA 30<br />

DANCE 38<br />

DOCUMENTARY 39<br />

SPECIALS 42<br />

2<br />

CLASSICAL MUSIC 3<br />

ROCK, POP, JAZZ<br />

& WORLDMUSIC 17<br />

OPERA 30<br />

DANCE 38<br />

DOCUMENTARY 39<br />

SPECIALS 42


CLASSICAL MUSIC<br />

12 CELLISTS IN MOSCOW, 2009<br />

The 12 cellists of the Berliner Philharmoniker performed<br />

for the first time on Easter Monday in 1974 in the<br />

Salzburg Morzarteum. Since then the cello group has<br />

surprised many music lovers with their unique sound<br />

combinations. They demonstrate how individual cellists<br />

can constitute a wonderful musical ensemble.<br />

Euro1080 Broadcast Rights<br />

Length : 90 min<br />

Recorded at Moscow Tchaikovsky Conservatory<br />

Programme<br />

Angel Dances<br />

Julius Klengel: Hymnus<br />

Astor Piazzolla: Milonga del Angel<br />

(arr. by José Carli)<br />

Gabriel Fauré: Pavane<br />

(arr. by Wilhelm Kaiser-Lindemann)<br />

Astor Piazzolla: Muerte del Angel<br />

(arr. by José Carli)<br />

Claude Debussy: La Cathedral engloutie<br />

(arr. By Rudolf Leopold)<br />

Giuseppe Verdi: Ave Maria from “Quattro pezzi sacri”<br />

(arr. by David Riniker)<br />

Astor Piazzolla: Resureccion del Angel<br />

(arr. by José Carli)<br />

Dance Around the World<br />

Jean Françaix: Presto from “Aubade”<br />

Boris Blacher: Espagnola<br />

Wilhelm Kaiser-Lindemann: The 12 in Bossa Nova<br />

Dmitri Shostakovich: Lyric Waltz<br />

(arr. by David Riniker)<br />

George Gershwin: Clap Yo’ hands<br />

(arr. By Michail Tsygutkin)<br />

Ennio Morricone: The Man With the Harmonica<br />

(arr. By Wilhelm Kaiser-Lindemann)<br />

Jorge Ben: Mas que nada<br />

(arr. by Valter Despali)<br />

Chabuka Granda: La Flor de la Canela<br />

(arr. by José Carli)<br />

Astor Piazzolla: Fuga y misterio<br />

(arr. by José Carli)<br />

3<br />

ANIMA ETERNA BEETHOvEN<br />

SYMPHONY No. 5, 2009<br />

“No period orchestra has ever sounded better”<br />

The New York Times.<br />

A handful of times per year, this group of specialists<br />

from all over Europe, the United States, Japan and<br />

Australia meet for three or four weeks to prepare and<br />

perform the new programme with constant reference to<br />

the historical context and original intentions. In the field<br />

of 19th Century music, no other orchestra in the world<br />

goes to such lengths all of which makes this a unique<br />

high energy performance of Beethovens’ famous work<br />

in the regal setting of the Concert Noble in Brussels.<br />

This is Beethoven as the maestro himself intended.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 42 min<br />

Recorded at Concert Noble, Brussels<br />

Conductor: Jos van Immerseel<br />

Documentary also available see ‘Documentaries’<br />

Programme<br />

L. von Beethoven, Symphony in c n° 5 (1808);<br />

Die Geschöpfe des Prometheus - Ouvertüre<br />

BENJAMIN STEENS AND JACqUES-<br />

ANTOINE BRESCH PLAY BACH, 2009<br />

A baroque encounter between Benjamin Steens on<br />

the clavichord and Jacques-Antoine Bresch on the


flute. In the beautiful setting of Chateau Freÿr, with a<br />

neat technique and rhythmical precision, this musical<br />

duo bring in a masterly touch to a selection of Bach<br />

masterpieces.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 29 min<br />

Recorded at Chateau Freÿr, Dinant<br />

HET BRONZEN HART, 2007<br />

The grand oratory “Het Bronzen Hart” was composed<br />

in 1961 as an ode to the St. Rombouts Cathedral and<br />

its carillon. To celebrate the 100th anniversary of the<br />

birth of composer Gaston Feremans, “Het Bronzen<br />

Hart” was performed in this tremendous setting with<br />

an immense choir of 250 singers, a children’s choir, a<br />

symphonic orchestra and of course the carillon.<br />

Euro1080 Broadcast Rights<br />

Length : 79 min<br />

Recorded at St Rombouts Cathedral Mechelen<br />

Programme<br />

• Concerto Grosso per Orchestra (1956) “In stile dei maestri<br />

antichi” by Gaston Feremans<br />

• Concerto for trumpet and orchestra (1937) opus 49 by Marinus<br />

de Jong<br />

• Oratorium Het Bronzen Hart (1961) by Gaston Feremans<br />

Soloists<br />

Evelyne Bohen (soprano), Bruno De Jonghe (bariton), Carl<br />

Van Eyndhoven and Eddy Mariën (carillon) and Andrei Kavalinski<br />

(trumpet)<br />

Chorale Caecilia (Antwerp), Koninklijk Familiakoor Elsdonk (Edegem),<br />

Onze-Lieve-Vrouwkoor (Mechelen), Antwerps Kathedraalkoor,<br />

Clari Cantuli (Kessel-Lo), Brussels Philharmonic Orchestra.<br />

BRUSSELS PHILHARMONIC CHOIR<br />

BRAHMS’ EIN DEUTSCHES REqUIEM, 2008<br />

The Toccata and Fuga in D is perhaps the most famous<br />

organ piece by Johann Sebastian Bach. Leopold<br />

Stokowski’s adaptation of the work made it even more<br />

4<br />

CLASSICAL MUSIC<br />

famous not least since the symphonic version was<br />

used in the opening part of Walt Disney’s “Fantasia”.<br />

Stokowski is considered one of the greatest conductors<br />

of the 20th century and is responsible for making the<br />

music of many contemporary composers (Mahler,<br />

Stravinsky, Schönberg) more accessible for audiences.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 63 min<br />

Recorded at Stadsschouwburg Leuven<br />

Bach by Stokowski<br />

Conductor : Richard Egarr<br />

Programme<br />

Bach/Stokowski : Toccata & Fuga in D<br />

Ralph Vaughan Williams : Symphonie nr 9<br />

Purcell/Stokowski : Suite<br />

Palestrina/Stokowski : Adoramus Te<br />

Bach/Stokowski : Aria (Suite nr 3)<br />

Cesti/Stokowski : Tu Mancavi<br />

Pjotr Tsjaikovski : Slavic March<br />

BRUSSELS PHILHARMONIC CHOIR<br />

CHŒUR@CŒUR, 2008<br />

Choir at the heart of everything. A belief that the Flemish<br />

Radio Choir and the amateur choir, Musa Horti share.<br />

They join forces in this programme to reveal the best<br />

of their repertoire. The “Messe pour double choeur”<br />

by Frank Martin is simple yet devotional and was<br />

doubtless influenced by him aged just ten hearing


Bach’s St Matthew’s Passion. Vic Nees’s “Stella Maris”<br />

is remarkably sensitive and religiously inspired. Apart<br />

from these modest and poetic masterpieces the<br />

programme also features new works from Alain De Ley<br />

and established classics from Gustav Mahler.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 77 min<br />

Recorded at Jezuit Church Lier<br />

Programme<br />

• Gustav Mahler/Clytus Gottwald – Ich bin der Welt abhanden<br />

gekommen<br />

• Alain De Ley – Carmen 101 for double choir and solo soprano<br />

• Vic Nees – Stella Maris for choir, baritone solo and accordion<br />

• Frank Martin – Songs of Ariel<br />

• Frank Martin – Messe pour double choeur<br />

Vlaams Radio Koor and Musa Horti<br />

Conductor : Peter Dejans<br />

Soloists<br />

Karen Lemaire, soprano (Carmen 101)<br />

Ludo Mariën, accordion (Stella Maris)<br />

Phillipe Souvagie, baritone (Stella Maris)<br />

Eva Goudie-Falckenbach, mezzo (Songs of Ariel)<br />

BRUSSELS PHILHARMONIC CHOIR<br />

“FIRST SNOW”, 2007<br />

In the cold of Christmas, the singers from the Flemish<br />

Radio Choir bring a message of joy, love and hope<br />

in their Christmas concert. “First Snow” includes<br />

traditional, religious music as well as contemporary<br />

Christmas carols, performed in the stunning setting of<br />

St. Augustinus Church in Antwerp. Acclaimed Danish<br />

conductor, Bo Holten and the Flemish Radio Choir will<br />

definitely lift your spirits with this bright and joyful concert<br />

and don’t miss Holten’s unique explanations in between<br />

the music.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 100 min<br />

Recorded at Amuz Antwerp<br />

Extra : Interview with Conductor Bo Holten and “behind the scenes”<br />

footage during repetitions<br />

Conductor : Bo Holten<br />

Vlaams Radio Koor<br />

5<br />

Part 1<br />

• Nicolas Gombert -Hodie nobis coelorum rex<br />

• Lassus – Videntes stellam Magi<br />

• Piae cantiones<br />

• Scholares convenite<br />

• Carminalia<br />

• Jucundare jugiter<br />

• In vernalis temporis<br />

• Pipelare – Gloria<br />

•<br />

Perotinus – Viderunt<br />

CLASSICAL MUSIC<br />

Part 2<br />

• Bo Holten – First Snow<br />

• Christmas Carols<br />

• Barn Jesus I en krybbe la (arr. Niels Gade)<br />

• Jezus malusienki (arr. Alain De Ley)<br />

• Lulajze, Jezuniu (arr. Alain De Ley)<br />

• The twelve days of Christmas (English traditional)<br />

• Noël nouvelet (French traditional)<br />

• Guillaume Bouzignac – Noe pastores cantata canticum novum<br />

• Laat ons met Herten Reyne (arr. Roland Coryn)<br />

• Der er noget I luften (arr. Bo Holten)<br />

• Lovet vaere dus Jesus Krist!<br />

• Sikken voldsom traengsel og alarm (arr. Bo Holten)<br />

BRUSSELS PHILHARMONIC<br />

“HAPPY BIRTHDAY”, 2008<br />

The Brussels Philharmonic celebrates its 10th anniversary<br />

with a festive programme. The ouverture to Oberon<br />

by Weber, the Violin Concerto by Mendelssohn and<br />

the Fifth Symphony by Shostakovich are all highlights<br />

from the orchestra’s repertoire. From Weber’s fairytale<br />

atmosphere to Shostakovich’s tragic Fifth Symphony,<br />

“Happy Birthday!” is an inspiring celebration.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 93 min<br />

Recorded at Flagey Brussels<br />

Programme<br />

Carl Maria von Weber – Oberon: Ouverture<br />

Felix Mendelssohn – Vioolconcerto<br />

Dmitri Sjostakovitsj – Symfonie nr 5


BRUSSELS PHILHARMONIC CHOIR<br />

“PETITE MESSE SOLENNELLE”, 2008<br />

This is a chance to get to know another side of Rossini’s<br />

musical talent. The Italian composer is best known for<br />

his operatic offerings, but also composed religious<br />

works. His “Petite Messe Solennelle” requires only<br />

twelve singers. The Flemish Radio Choir performs in the<br />

perfect accoustics of the Concertgebouw in Bruges.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 85 min<br />

Recorded at Concertgebouw Bruges<br />

Programme<br />

• Christe eleison<br />

• Kyrie eleison<br />

• Choir : Gloria<br />

• Choir : Et in terra pax<br />

• SATB solo : Gratias agimus<br />

• ATB solo : Domine Deus<br />

• T solo : Qui tollis<br />

• SA solo : Quoniam tu solus sanctus<br />

• B solo : Cum Sancto Spiritu<br />

• Choir : Credo<br />

• SATB solo/choir:Crucifixus<br />

• S solo : Et resurrexit<br />

• SATB solo/choir : Et vitam venturi saeculi<br />

• SATB solo/choir : Prélude religieux, pendant l’Offertoire<br />

• Piano : Ritournelle<br />

• Harmonium : Sanctus<br />

• SATB solo/choir : O salutaris hostia<br />

• S solo : Agnus Dei<br />

• A solo/choir<br />

Conductor : Bo Holten<br />

Soprano : Liesbeth Devos<br />

Alto : Annelies Dille<br />

Tenor : Ivan Goossens<br />

Baritone : Jan Van der Crabben<br />

Piano : Claire Chevallier<br />

Harmonium : Joris Verdin<br />

Choir : Vlaams Radio Koor<br />

6<br />

BRUSSELS PHILHARMONIC<br />

RAvEL “LA vALSE”, 2005<br />

CLASSICAL MUSIC<br />

Acclaimed conductor, Yoel Levi, conducts the<br />

choreographic poem “La Valse” and the piano concerto<br />

in G by Maurice Ravel, from the BOZAR in Brussels.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 38 min<br />

Recorded at the BOZAR, Brussels<br />

Programme<br />

Maurice Ravel : choreographic poem “La Valse”<br />

Maurice Ravel : Piano Concerto in G<br />

Jean-Bernard Pommier, piano<br />

Conductor : Yoel Levi<br />

BRUSSELS PHILHARMONIC: STRAUSS<br />

“ALSO SPRACH ZARATHUSTRA”, 2005<br />

The Brussels Philharmonic conducted by Yoel Levi<br />

performs the famous symphonic poem by Richard<br />

Strauss “Also sprach Zarathustra”.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 37 min<br />

Recorded at the BOZAR, Brussels<br />

Programme<br />

Richard Strauss : symphonic poem “Also sprach Zarathustra”, op. 30<br />

Conductor : Yoel Levi<br />

BRUSSELS PHILHARMONIC<br />

WEBERN, DEBUSSY & STRAvINSKY, 2009<br />

Michel Tabachnik conducts the Brussels Philharmonic<br />

in a programme that focuses on the year 1913. It was<br />

in this year that three composers created revolutionary<br />

works. Anton Webern, Claude Debussy and Igor<br />

Stravinsky all broke with conventional music tradition<br />

to put their stamp upon the contemporary music<br />

scene. Webern completed the “5 Stücke für Orkester”,


for Debussy launched “Jeux” y and Stravinsky with<br />

“Le Sacre du Printemps” which provoked a riot at it’s<br />

premiere and transformed the way in which subsequent<br />

composers thought about rhythmic structure.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 57 min<br />

Recorded at Flagey Brussels<br />

Conductor : Michel Tabachnik<br />

CHAMBER ORCHESTRA OF BELGIUM<br />

BEETHOvEN SYMPHONY NO. 3 IN E FLAT<br />

MAJOR “EROICA”, 2010<br />

Since 2008 when it made its first tentative steps onto<br />

the musical stage, the Chamber Orchestra of Belgium<br />

has built up an excellent reputation especially for fresh<br />

interpretations.<br />

Conductor, Ben Haemhouts brings passion and dynamic<br />

to the performance which captures the revolutionary<br />

moment of the music’s conception and premiere. This<br />

is a vibrant, well balanced, free flowing performance of<br />

Beethoven’s epic tragic poem.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 51 min<br />

Recorded at Eurocam Media Center<br />

Conductor: Ben Haemhouts<br />

Programme<br />

1. Allegro con brio<br />

2. Marcia funebre - Adagio assai<br />

3. Scherzo - Allegro vivace<br />

4. Finale - Allegro molto<br />

CHAMBER ORCHESTRA OF BELGIUM<br />

BENJAMIN BRITTEN SIMPLE SYMPHONY,<br />

2010<br />

Dedicated to Audrey Alston (Mrs Lincolne Sutton) who<br />

was Britten’s viola teacher during his childhood. The<br />

piece is based on eight themes which Britten wrote<br />

during his childhood (two per movement) and which<br />

he completed at age twenty. Here the string orchestra<br />

revels in the “Playful Pizzicato” passages, eases<br />

through the “Sentimental Saraband” and launches<br />

whole heartedly into the “Frolicsome Finale”.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 19 min<br />

Recorded at Eurocam Media Center<br />

Conductor: Ben Haemhouts<br />

Programme<br />

1. Boisterous bourrée - Allegro ritmico<br />

2. Playful pizzicato - Presto possibile pizzicato sempre<br />

3. Sentimental saraband - Poco lento e pesante<br />

4. Frolicsome finale - Prestissimo con fuoco<br />

7<br />

CHOIR FESTIvAL, 2006<br />

CLASSICAL MUSIC<br />

An extensive range of choirs gathered in the Eurocam<br />

Studios for this Choir Festival. The theme was<br />

Christmas but the choirs were also invited to perform<br />

the very best works from their own repertoire. Hence<br />

with pieces ranging from the classical to the modern<br />

this sequence of concerts offers a rich diversity of<br />

choral performances.<br />

Worldwide Broadcast + VOD Rights<br />

Total length : 270 min<br />

Recorded at Eurocam Media Center<br />

9 concerts featuring:<br />

• the Antwerps Cathedral Choir<br />

• Mantelius Ensemble<br />

• Arabesk, Arc Sonore<br />

• El Grillo<br />

• Encantar<br />

• Konsinjoorkes<br />

• Lirica<br />

EXqI CLASSIC, 2009<br />

Worldwide Broadcast + VOD Rights<br />

Recorded at Eurocam Media Center<br />

• Walter Boeykens<br />

Walter Boeykens built an illustrious career as a clarinet player<br />

and has played at many of the biggest international venues.<br />

Currently he teaches at the Fontys Academy in Tilburg, but<br />

luckily he also still performs.<br />

Length : 25 min<br />

• Rudy De Sutter and Christiaan Goetgeluck<br />

Rudy De Sutter has an excellent reputation as a pianist and<br />

composer. The press even compared his music to such greats<br />

as Keith Jarrett and Erik Satie. Lyrical and introverted, but also<br />

rhythmic and explosive.<br />

Pianist and composer, Christiaan Goetgeluck interprets<br />

classical and modern pieces. He composes piano concertos,<br />

classical solo pieces for piano and music for theatre, film and<br />

ballet. His is driven by creativity : “First there is knowledge and<br />

skill, then there is creativity. For me it is a continuous search<br />

for original scores, fresh ideas, beauty and emotion.”<br />

Length : 96 min


• Ksenia Morozova<br />

“Ksenia Morozova combines an uncanny natural artistry with<br />

her own individuality and maturity in her playing… Possessing<br />

an awesome technique, she expresses deep emotions and<br />

insightful musical concepts with equal and extraordinary<br />

conviction…”, says famous pianist, Nikolai Lugansky about the<br />

young (born in 1985) and very talented Ksenia Morozova.<br />

Length : 35 min<br />

• Jan Pas<br />

Cellist, Jan Pas studied in Germany and played in various<br />

orchestras, including the Mannheimer National Theater<br />

Orchester and the Stuttgart Staatsopern Orkest. In this EXQI<br />

Classic Session, he is accompanied by Stefano Vismara on<br />

piano. They perform compositions by Messiaen, Debussy and<br />

Jacqueline Fontyn.<br />

Length : 33 min<br />

8<br />

CLASSICAL MUSIC<br />

LA FENICE : “PER IL SANTISSIMO NATALE”<br />

WORLD PREMIèRE, 2008<br />

The Italian ensemble La Fenice performs baroque<br />

compositions by Donati, Monteverdi, Banchieri and<br />

other Italian masters. Old instruments including the<br />

cornet, viola da gamba and harpsichord are a key<br />

feature of their work. This is religious music but with a<br />

strong theatrical twist, recorded at the Bijloke in<br />

Ghent.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 75 min<br />

Recorded at Bijloke Ghent<br />

Conductor: Jean Tubéry<br />

Programme<br />

MYSTERI GIOSI<br />

Ave Maria gratia plena (canto fermo)<br />

Lucis creator optime (canto fermo)<br />

Giuseppe Scarani - Sonato sopra “Lucis creator optime”<br />

Cipriano de Rore/G. Battista Bovicelli - Angelus ad pastores aït<br />

Anonymous/ J.J. Van Eyck - Puer nobis nascitur<br />

Bonafazio Graziani - Venite Pastores ad sacros amores<br />

Francesco Fiamango - Sonata Pastorale a quarto<br />

Oratio Tarditi - Volate coelites, qiua natus est<br />

OTTAVIA DI NATALE<br />

Claudio Monteverdi – Exulta, filia Sion<br />

Bernardo Storace – Passacalio in modo pastorale<br />

Tarquinio Merula – Jesu dulcis memoria<br />

Giovanni Felice Sances – Vulnerasti cor meum<br />

Anonymous – Parton dall’oriente tre re per adorer<br />

Tarquino Merula – Hor ch’e tempo di dormire “sopra alla ninna”<br />

G. Battista Fontana – Sonata decimal terza (sinfonia)<br />

Biagio Marini – Con le stelle in ciel, con ritornellos


HAYDN’S “DIE SCHöPFUNG”, 2009<br />

There’s no other composition that Haydn has spent so<br />

much time on. Die Schöpfung describes and illustrates<br />

the creation story in a masterly, musical way. The work<br />

is played under direction of the conductor Klaas Stok in<br />

the Concertgebouw of Amsterdam.<br />

Euro1080 Broadcast + VOD Rights<br />

Length :102 min<br />

Recorded at Concertgebouw, Amsterdam<br />

The Netherlands Chamber Choir<br />

Concerto d’Amsterdam<br />

Conductor: Klaas Stok<br />

HERREWEGHE CONDUCTS BEETHOvEN ’S<br />

SYMPHONIES, 2006<br />

This is a special treat for all Beethoven admirers.<br />

Philippe Herreweghe conducts the full nine Symphonies<br />

of Beethoven. Herreweghe is the acclaimed Flemish<br />

conductor and founder of Collegium Vocale and the<br />

Royal Flemish Philharmonic. It’s a joy to watch him<br />

work with Beethoven’s music and the musicians of the<br />

Royal Flemish Philharmonic as well as the singers of<br />

both the Nederlands Kamerkoor and the choir of the<br />

Brussels Philharmonic (VRK).<br />

Worldwide Broadcast + VOD Rights<br />

Total length : 366 min<br />

Recorded at the BOZAR, Brussels<br />

9<br />

Nederlands Kamerkoor (choir master Klaas Stok)<br />

Vlaams Radio Koor (choir master Johan Dijck)<br />

Nederlands Kamerkoor (choirmaster Klaas Stok)<br />

Vlaams Radio Koor (choirmaster Johan Dijck)<br />

Conductor : Philippe Herreweghe<br />

“The Royal Flemish Philharmonic”<br />

Soloists<br />

Soprano : Anna Korondi<br />

Mezzo soprano : Marianne Beate Kielland<br />

Tenor : Andreas Weller<br />

Bass : Thomas Bauer<br />

Programme<br />

Symphony # 1 in C major, op. 21<br />

Length : 28 min<br />

I. Adagio molto<br />

II. Andante cantabile con moto<br />

III. Menuetto, Allegro molto e vivace<br />

IV. Allegro molto e vivace<br />

Symphony # 2 in D major, op. 36<br />

Length : 35 min<br />

I. Allegro con brio<br />

II. Larghetto<br />

III. Scherzo, Allegro<br />

IV. Allegro molto<br />

Symphony # 3 in Es flat major, op. 55, “Eroica”<br />

Length : 49 min<br />

I. Allegro con brio<br />

II. Marcia funebre, adagio assai<br />

III. Scherzo, Allegro vivace<br />

IV. Allegro molto<br />

Symphony # 4 in B flat major, op. 60<br />

Length : 37 min<br />

I. Allegro vivace<br />

II. Adagio<br />

III. Allegro vivace<br />

IV. Allegro ma non troppo<br />

Symphony # 5 in C minor, op. 67<br />

Length : 32 min<br />

I. Allegro con brio<br />

II. Andante con moto<br />

III. Allegro<br />

IV. Allegro<br />

CLASSICAL MUSIC<br />

Symphony # 6 in F major, op. 68, “Pastoral”<br />

Length : 46 min<br />

I. Erwachen heiterer Gefühle bei der Ankunft auf dem<br />

Lande : Allegro ma non troppo<br />

II. Szene am Bach : Andante molto moto<br />

III. Lustiges Zusammensein der Landleute : Allegro<br />

IV. Gewitter, Sturm : Allegretto<br />

V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm:<br />

Allegretto<br />

Symphony # 7 in A major, op. 92<br />

Length : 45 min<br />

I. Poco sostenuto, Vivace<br />

II. Allegretto<br />

III. Presto meno assai<br />

IV. Allegro con brio


Symphony # 8 in F major, op. 93<br />

Length : 26 min<br />

I. Allegro vivace con brio<br />

II. Allegretto scherzando<br />

III. Tempo di Menuetto<br />

IV. Allegro vivace<br />

Symphony # 9 in D minor, op. 125<br />

Length : 68 min<br />

I. Allegro ma non troppo, un poco maestoso<br />

II. Allegro vivace<br />

III. Adagio molto e cantabile<br />

IV. Allegro assai<br />

HERREWEGHE WITH ALICE COOTE &<br />

THE ROYAL FLEMISH PHILHARMONIC:<br />

BEETHOvEN, BRAHMS & SCHUBERT, 2008<br />

If there was one composition close to Brahms’ heart<br />

it was his Alto Rhapsody. Quite justifiably he saw this<br />

rhapsodic piece, using a meditative text by Goethe, as<br />

one of his best works. This is followed by Schubert’s<br />

“Great C Major” symphony, an audacious work in which<br />

the master of song explored all the possibilities offered<br />

by the orchestra. Philippe Herreweghe conducts and is<br />

accompanied by the much acclaimed recitalist mezzosoprano<br />

Alice Coote.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 75 min<br />

Recorded at Bozar, Brussels<br />

Programme<br />

Beethoven : Die Weihe des Hauses, ouvertüre, op. 124<br />

Brahms : Rhapsodie pour alto, op. 53<br />

Schubert : Symphonie n°9, D 944<br />

Alto Alice Coote<br />

Conductor: Philippe Herreweghe<br />

10<br />

CLASSICAL MUSIC<br />

HONG KONG CHINESE ORCHESTRA, 2009<br />

The Hong Kong Chinese Orchestra specialises in<br />

contemporary and classical Chinese music played<br />

on traditional Chinese instruments. Their charismatic<br />

conductor Yan Huichang isn’t averse to calling on<br />

audience participation. These highly skilled musicians<br />

display their versatility in two works by opera-writer<br />

Guo Wenjing, Doming Lam’s five-movement tone poem<br />

Autumn Execution and Cheng Dazhao’s YellowRiver<br />

Capriccio that has the audience joining in on hand-held<br />

rattle drums. John Howard’s Five Studies complete the<br />

programme.<br />

Worldwide Broadcast + VOD Rights<br />

Artistic Director and Principal Conductor : Yan Huichang<br />

Hong Kong Chinese Orchestra at the 2009 Klara Festival,<br />

International Brussels Music Festival<br />

Concert 1<br />

Length : approx 38 min<br />

1. Zhuang Zhou’s Dream : 26’<br />

Cello : Marie Hallynck<br />

2. Jing Qi Shen : 8’15”<br />

3. Encore – The Legend of the Condor Heroes : 2’58”<br />

Recorded at BOZAR Brussels 2009<br />

Concert 2<br />

Part 1<br />

Length : approx 41 min<br />

1. A Va Mountain : 8’30”<br />

2. Sentimentality : 12’37”<br />

3. Autumn Execution : 18’53”<br />

Leiqin : Hsin Hsiao-ling<br />

Kaxi : Guo Yazhi<br />

Recorded at Flagey Brussels 2009<br />

Part 2<br />

Length : approx 42 min<br />

1. Five Studies : 21’57”<br />

2. The Yellow River Capriccio : 14’58”<br />

Soprano : Lu Jinhua<br />

3. Encore – Racing Horse : 1’45”<br />

4. Encore – The Legend of the Condor Heroes : 3’<br />

Recorded at Flagey Brussels 2009


JAAP vAN ZWEDEN & THE ROYAL FLEMISH<br />

PHILHARMONIC : SHOSTAKOvITCH, 2008<br />

There are few symphonies as appealing as Dimitri<br />

Shostakovich’s Fifth. After being severely criticised<br />

by the political establishment, the Russian composer<br />

created this symphony to please the authorities.<br />

Whether the combination of tragedy and heroics is to<br />

be taken seriously is debatable, but undoubtedly this<br />

symphony was a highlight in Shostakovich’s career.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 46 min<br />

Recorded at Queen Elisabeth Hall Antwerp<br />

Conductor: Jaap Van Zweden<br />

Programme<br />

Symphony No. 5 in D minor, Op. 47<br />

JAAP vAN ZWEDEN & THE ROYAL FLEMISH<br />

PHILHARMONIC : “SYMPHONIE<br />

FANTASTIqUE” BY BERLIOZ, 2008<br />

International conductor, Jaap van Zweden, guides<br />

the audience through the imaginary autobiography of<br />

French composer, Hector Berlioz. His revolutionary<br />

“Symphonie Fantastique” is an orchestral odyssey : full<br />

of drama, romance and mystery.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 90 min<br />

Recorded at Queen Elisabeth Hall Antwerp<br />

Conductor: Jaap Van Zweden<br />

Extra : Documentary with Jaap van Zweden<br />

Programme<br />

Symphonie Fantastique: Épisode de la vie d’un Artiste...en cinq<br />

parties<br />

11<br />

CLASSICAL MUSIC<br />

JAAP vAN ZWEDEN & THE ROYAL FLEMISH<br />

PHILHARMONIC : TSCHAIKOvSKY, 2008<br />

During his first concert as chief conductor of The<br />

Royal Flemish Philharmonic, Jaap van Zweden chose<br />

to interpret great Russian composers. Tchaikovsky is<br />

considered the greatest Russian romantic composer<br />

and really lives up to that title in his symphonies. He knew<br />

perfectly how to translate the restraining conventions<br />

Beethoven had imposed on the symphonic genre into<br />

a new and original approach. Here, The Royal Flemish<br />

Philharmonic and Jaap van Zweden bring Tchaikovsky’s<br />

Fifth symphony to life.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 48 min<br />

Recorded at Queen Elisabeth Hall Antwerp<br />

Conductor: Jaap Van Zweden<br />

Programme<br />

Symphony No. 5 in E minor, Op. 64<br />

MAGDALENA KOZENA & THE vENICE<br />

BAROqUE ORCHESTRA, 2007<br />

Mezzo-soprano, Magdalena Kozena has been heralded<br />

as one of the finest singers of her generation. This gifted,<br />

rising star from the Czech Republic is renowned for her<br />

technical control, musical command and for her love of<br />

baroque music. Here she dovetails perfectly with the<br />

intricate playing of the Orchestra Barocca di Venezia<br />

under the demanding gaze of Conductor, Andrea<br />

Marcon. In a magical evening they perform highlights<br />

from the oeuvres of Händel and Vivaldi.<br />

Euro1080 Broadcast Rights<br />

Length : 127 min (Part 1 : 47 min, Part 2 : 40 min)<br />

Recorded at Bozar, Brussels<br />

Conductor: Andrea Marcon<br />

Programme<br />

Antonio Vivaldi :<br />

• Concerto for violin, strings en continuo<br />

• Concerto for 2 celli, strings en continuo<br />

Georg Friedrich Händel:


•<br />

•<br />

•<br />

•<br />

•<br />

•<br />

“With darkness”<br />

“O had I Jubal’s lyre”<br />

“Scherza infida in grembo al drudo”<br />

“Cara speme”<br />

“Ah mio cor”<br />

“Dopo notte”<br />

MESSIAH FOR HAITI, 2010<br />

In February 2010 the world of classical music<br />

responded to the earthquake in Haiti. Johan Geerts<br />

appealed to performers to come together and re-create<br />

“The Messiah” by G F Handel. There was an over<br />

whelming response and with a fantastic mix of soloists,<br />

singers and musicians and just one day to rehearse<br />

Paul Dombrecht took up the challenge to conduct this<br />

unique performance.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 110 min<br />

Recorded at deSingel, Antwerp<br />

Conductor: Paul Dombrecht<br />

MOZART WEEK : PIERRE-LAURENT AIMARD<br />

& TAMARA STEFANOvICH, 2009<br />

Pierre-Laurent Aimard is one of the leading performers<br />

of contemporary piano music, but he is also the ideal<br />

pianist for Mozart. At the Mozartwoche in Salzburg he<br />

is one of the artists in residence who perform Mozart,<br />

12<br />

CLASSICAL MUSIC<br />

Staud and von Webern. Tamara Stefanovich is his<br />

wonderful partner on the second piano and Jonathan<br />

Nott conducts a superb Camerata Salzburg.<br />

Euro1080 Broadcast Rights<br />

Length : 42 min<br />

Recorded in Salzburg<br />

Conductor Jonathan Nott<br />

Concert in Es-major for two pianos and orchestra KV 365<br />

Wolfgang Amadeus Mozart<br />

New piece for two pianos and orchestra - world premiere.<br />

Commissioned piece of the<br />

Internationale Stiftung Mozarteum and Festival Musica, Strasbourg<br />

Johannes Maria Staud<br />

Five pieces for orchestra op. 10<br />

Anton von Webern<br />

Serenade D-major KV 185 “Antretter-Serenade”<br />

Wolfgang Amadeus Mozart<br />

NEW YEAR’S CONCERT - GHENT, 2010<br />

The 20th anniversary of the New Year’s concert of<br />

the Rotary Club Gent Prinsenhof. They deliberately<br />

chose a romantic repertoire, played by an experienced<br />

ensemble : Het Kamerorkest. Conducted by Ivan<br />

Meylemans, this orchestra performs works of Grieg,<br />

Tchaikovsky, Handel and Strauss. Together with<br />

the versatile soprano Anne Cambier, these brilliant<br />

musicians create a fantastic atmosphere in the<br />

prestigious Aula Magna in Ghent.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 60 min<br />

Recorded at Aula Ghent<br />

Programme<br />

Edvard Grieg (1843-1907)<br />

Holberg suite, opus 40 (Fra Holbergs tid, 22’<br />

Georg Friedrich Handel (1685-1759)<br />

Oratorio arias<br />

« Piangero la sorte mia » from Giulio Cesare, 4’30<br />

« Come ever smiling liberty » from Judas Maccabeus, 3’30<br />

“Rejoice greatly” from The Messiah, 5’30<br />

Pyotr Ilyich Tchaikovsky (1840-1893)<br />

Waltz from Serenade for strings opus 48, 4’<br />

Johann Strauss (1825-1899)<br />

Pizzicato polka or Annen polka, 5’<br />

Johann Strauss (1825-1899)<br />

Frühlingstimmenwalzer, 10’<br />

“Mein Herr Marquis” from Die Fledermaus, 4’<br />

Het Kamerorkest<br />

Conductor : Ivan Meylemans<br />

Soprano : Anne Carlier


NEW YEAR’S CONCERT - GHENT, 2011<br />

Ning Kam is an exceptional violinist. She studied at the<br />

Menuhin Music Academy in London and the Cleveland<br />

Institute of Music in the USA. Not only is her playing<br />

vibrant and technically accurate but when she plays she<br />

makes the music very much her own. Ivan Meylemans<br />

takes great joy in leading the orchestra and this is very<br />

much a good natured celebration to welcome in the<br />

New Year.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 60 min<br />

Recorded at Aula Ghent<br />

Het Kamerorkest<br />

Conductor : Ivan Meylemans<br />

NEW YEAR’S CONCERT - GHENT, 2012<br />

Last year Ning Kam entranced the New Year’s audience<br />

with a dazzling display as a soloist. This year she goes<br />

one better by Conducting as well as playing. The Duet<br />

with Anouk Sturtewagen on Harp is a delight and<br />

with G. Holst Saint Pauls’Suite and Debussy’s Danse<br />

Profane et Sacrée this is the perfect way to welcome<br />

in the New Year.<br />

Length : 60 min<br />

Het Kamerorkest<br />

Conductor Ning Kam<br />

G. Holst Saint Pauls’Suite - Jig<br />

F.Mendelssohn Concerto in D minor<br />

Cl. Debussy Danse Profane et Sacrée C. Saint Saens Fantaisie<br />

Bis : diverse waltzen<br />

Rights: Worldwide<br />

Recorded at the University of Ghent January 2012<br />

LES NUITS D’ETOILES CHOIR CONCERTS,<br />

2006<br />

In Les Nuits d’Etoiles (The Nights Of The Stars), the<br />

stars in question are the members of the Ensemble<br />

Vocal d’Aquitaine, an impressive choir conducted by<br />

Jean-Yves Gaudin and the musicians of the Orchestre<br />

du Festival des Coréades. The impressive Notre-Dame<br />

church in La Rochelle is the perfect backdrop for this<br />

series of vocal highlights from the classical and opera<br />

repertoires. Soloists André Cognet (baritone), Elizabeth<br />

Vidal (soprano) and Véronique Bauer (mezzo-soprano)<br />

sing arias from “Rigoletto”, “Die Entführung aus dem<br />

Serail” and “Les Contes d’Hoffmann”.<br />

Worldwide Broadcast + VOD Rights<br />

Total length : 615 min<br />

Recorded at Notre Dame Church, La Rochelle<br />

13<br />

Orchestre du Festival des Coréades<br />

Conductor : Jean Yves Gaudin<br />

Ensemble Vocal d’Aquitaine<br />

8 concerts including<br />

1.<br />

2.<br />

3.<br />

4.<br />

5.<br />

6.<br />

7.<br />

8.<br />

CLASSICAL MUSIC<br />

Suter : “Le Laudi di San Francesco d‘Assisi”, op.25. Cantico<br />

delle creature per coro, soli, voci di ragazzi, organo ed<br />

orchestra – 75 min<br />

Mozart : “Cosi dunque tradisci” - Beethoven : Concerto for<br />

piano and orchestra No. 3, piano sonata No. 7 : Menuetto,<br />

piano sonata No. 14 : Adagio sostenuto - Lazare-Levy : Etude<br />

– 60 min<br />

Mozart : Concerto for piano and orchestra No. 23 in A<br />

major, KV 488 - Liszt :Liebesträume No. 3 in A flat major -<br />

Poulenc : Gloria, hymn in G major – 65 min<br />

Ravel : Concerto in G, Toccata - Liszt : Rhapsody No. 1 -<br />

Franck : Symphony in D minor – 80 min<br />

Mozart : Die Entführung aus dem Serail, arie “Ach ich liebte”<br />

(Konstanze) - Verdi : Rigoletto - Paganini : Violin Concerto No.<br />

1 – Bach : Andante – 60 min<br />

Offenbach : Les contes d’Hoffmann, arie “Scintille diamant”<br />

(Dapertutto) - Massenet : Hérodiade, air “Vision fugitive…”<br />

(Hérode) - Verdi : Rigoletto, air “Gualtier Malde” (Gilda) – 25<br />

min<br />

Mozart : Die Entführung aus dem Serail, “Ach ich liebte,<br />

war so glücklich”l, “Martern aller Arten” (Konstanze) -<br />

Rodrigo : Concierto de Aranjuez - Tarrega : Grande Rota<br />

- Schubert : Ave Maria - Tarrega : Recuerdos de la Alhambra<br />

- Albéniz : Asturias - Rachmaninov : Rhapsody on a Theme<br />

of Paganini, prélude, op. 23 No. 7 - Blumenfeld : Etude for<br />

piano, op. 36 – 100 min<br />

Mozart : Le nozze di Figaro, Recitativo and aria “Hai gia vinta<br />

la causa!”, “Vedro mentre io sospiro” (Almaviva), “Così<br />

dunque tradisci... Aspiri rimorsi atroci”, KV 432 - Cholley : De<br />

profundis (world premiere) – 60 min<br />

L’ORCHESTRE ROYAL DE CHAMBRE DE<br />

WALLONIE : MENDELSSOHN-BARTHOLDY,<br />

2008<br />

Augustin Dumay cuts an imposing figure on the stage<br />

not least since he is so tall. Here he not only conducts,<br />

but also plays violin in pieces by Schumann and<br />

Mendelssohn-Bartholdy.<br />

Euro1080 Broadcast Rights<br />

Length : 41 min


Recorded at Flagey, Brussels<br />

Conductor: Augustin Dumay<br />

L’ORCHESTRE ROYAL DE CHAMBRE DE<br />

WALLONIE : SCHUMANN AND MOZART,<br />

2008<br />

To celebrate the 50th Anniversary of L’Orchestre Royal<br />

de Chambre de Wallonie. Augustin Dumay conducts<br />

pieces by Schumann and Mozart.<br />

Euro1080 Broadcast Rights<br />

Length : 62 min<br />

Recorded at Flagey, Bruxelles<br />

Conductor & violin : Augustin Dumay<br />

l’Orchestre Royal de Chambre de Wallonie<br />

ROYAL FLEMISH PHILHARMONIC:<br />

CHRISTMAS CONCERT, 2007<br />

This exclusive Christmas special presents Mozart’s<br />

golden touch and two of his most beautiful symphonies<br />

lending a wonderfully warm cosiness to this Christmas<br />

celebration. Conductor, Paul Daniel also presents<br />

several concertinas tracing the emotional highs and<br />

lows of love. And as if that wasn’t enough mezzosoprano,<br />

Monica Bacelli’s vocal abilities will make the<br />

hairs on the back of your neck stand up.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 90 min<br />

Recorded at St Carolus Borromeus Church, Antwerp<br />

Conductor : Paul Daniel<br />

14<br />

Mezzo-soprano : Monica Bacelli<br />

Musical direction and piano : Paul Daniel<br />

Mezzo-soprano : Monica Bacelli<br />

Programme<br />

CLASSICAL MUSIC<br />

Mozart, Symfonie nr. 25 in g, KV 183 29’<br />

Mozart, Vado, ma dove? (concertaria), KV 583 5’<br />

Mozart, Non temer, amato bene (concertaria), KV 505 11’<br />

Mozart, Symfonie nr.41 in C (KV 551), ‘Jupiter’: Allegro vivace en<br />

Andante cantabile 15’<br />

Mozart, Alma grande e nobil core (concertaria), KV 578 4’<br />

Mozart, Symfonie nr.41 in C (KV 551), ‘Jupiter’: Menuetto (Allegretto)<br />

en Molto allegro 14’<br />

ROYAL FLEMISH PHILHARMONIC:<br />

CHRISTMAS CONCERT, 2008<br />

This traditional Christmas concert of the Royal<br />

Flemish Philharmonic focuses on Mozart and Haydn.<br />

Conductor, Philippe Herreweghe invites his orchestra<br />

together with British soprano, Rosemary Joshua to<br />

perform a selection of symphonies and arias by the<br />

master composers.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 90 min<br />

Recorded at St Carolus Borromeus Church, Antwerp<br />

Soprano Rosemary Joshua<br />

Conductor Philippe Herreweghe<br />

Programme<br />

Mozart - Symfonie nr. 27 in G, KV 199 - 22’16<br />

Mozart – Et incarnates est - 8’19<br />

Joseph Haydn – Symfonie nr. 103 in Es, Hob I:103<br />

“Mit dem Paukenwirbel” - 20’28<br />

Mozart – Zeffiretti lusinghieri - 6’09<br />

Joseph Haydn – Symfonie nr. 103 in Es, Hob I:103<br />

“Mit dem Paukenwirbel” - 9’29<br />

Mozart – Exsultate, jubilate, KV 165 - 14’06


ROYAL FLEMISH PHILHARMONIC:<br />

CHRISTMAS CONCERT, 2011<br />

A beautiful setting for a beautiful time of year and<br />

Herreweghe and the Royal Flemish Philharmonic do<br />

not disappoint.<br />

Length : 75 min<br />

Christmas Concert in The Royal Palace 2011<br />

The Royal Flemish Philharmonic<br />

Conductor Philippe Herreweghe<br />

F. J. Haydn Symphonie n° 85 en si bémol majeur<br />

Symfonie in Bes, “La Reine”, Hob. I:85 F. Mendelssohn-Bartholdy<br />

Concerto n° 2 en mi mineur, pour violon et orchestre<br />

Vioolconcerto nr. 2 in e, op. 64 F. Mendelssohn-Bartholdy “Infelice!<br />

Già dal mio sguardo”, op.94 F. Mendelssohn-Bartholdy Elias<br />

F.Gruber Stille Nacht<br />

Liya Petrova, violon/viool<br />

Olga Kindler, soprano/sopraan<br />

Shadi Torbey, baryton/bariton<br />

Sulki Yu, violon/viool<br />

Recorded at the Royal Palace, Brussels December 2011<br />

ROYAL FLEMISH PHILHARMONIC<br />

MASTERWORKS 2009: BELA BARTOK<br />

“CONCERTO FOR ORCHESTRA”<br />

This curiously entitled concerto combines elements<br />

from Bach fugues to Schoenberg’s atonality that had<br />

touched Bartok throughout his creative years, while all<br />

the melodies, harmonies and rhythms are coloured by<br />

Bartok’s beloved Hungarian folk music. A wondrous,<br />

vibrant and spontaneous-sounding celebration of life,<br />

beginning with a primordial coalescing of consciousness<br />

and culminating in an explosive outburst of defiant<br />

vitality.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 41 min<br />

Recorded at Eurocam Media Center<br />

Conductor Martyn Brabbins<br />

15<br />

CLASSICAL MUSIC<br />

ROYAL FLEMISH PHILHARMONIC<br />

MASTERWORKS 2010: NIKOLAI RIMSKY<br />

KARSAKOv “SHEHERAZADE”<br />

Based on the stories from “The Thousand and One<br />

Nights” this is a real taste of the orient. Sensuality meets<br />

jeopardy as Sheherazade tells ever more engaging<br />

stories to save her own life. As Korsakov said in his<br />

autobiography “The program which guided me during<br />

the composition of Sheherazade was formed of single,<br />

disconnected scenes or pictures from The Thousand<br />

and One Nights distributed among all four movements:<br />

the sea and Sinbad’s ship, the fantastic tale of the<br />

Kalander Prince, the prince and the princess. These<br />

pictures are joined together by the introductions to the<br />

first, third, and fourth movements, and the intermezzo<br />

of the third movement--four short sections for violin<br />

solo, which are associated with Sheherazade, and at<br />

the same time are supposed to portray the way in which<br />

she told her wondrous tales to the grim Sultan.”<br />

Worldwide Broadcast + VOD Rights<br />

Length : 45 min<br />

Recorded at Eurocam Media Center<br />

Conductor Martyn Brabbins<br />

ROYAL FLEMISH PHILHARMONIC<br />

PERFORMS GRIEG’S “PEER GYNT”, 2007<br />

The Royal Flemish Philharmonic orchestra has an<br />

excellent international reputation. Indeed in 2008 alone


they toured China, Japan, Germany and the Netherlands.<br />

Exclusively for EXQI Culture, they recorded three<br />

classical pieces both for CD and DVD in specially built<br />

acoustic Eurocam Media Center studios.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 25 min<br />

Recorded at Eurocam Media Center<br />

Performed by the Royal Flemish Philharmonic Orchestra<br />

Conductor : Rudolf Werthen<br />

ROYAL FLEMISH PHILHARMONIC<br />

PERFORMS TCHAIKOvSKY’S “THE<br />

NUTCRACKER”, 2007<br />

Worldwide Broadcast + VOD Rights<br />

Length : 30 min<br />

Recorded at Eurocam Media Center<br />

Performed by the Royal Flemish Philharmonic Orchestra<br />

Conductor : Rudolf Werthen<br />

ROYAL FLEMISH PHILHARMONIC<br />

PERFORMS TCHAIKOvSKY’S “SWAN<br />

LAKE”, 2007<br />

Worldwide Broadcast + VOD Rights<br />

Length : 35 min<br />

Recorded at Eurocam Media Center<br />

Performed by the Royal Flemish Philharmonic Orchestra<br />

Conductor : Rudolf Werthen<br />

TARO HAKASE LIvE AT CADOGAN HALL,<br />

LONDON, 2008<br />

Eccentric hair, a sense of humour and an exceptional<br />

performance by the famous Japanese violinist, in<br />

London.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 90 min<br />

Recorded at Cadogan Hall, London<br />

16<br />

CLASSICAL MUSIC


ROCK, POP, JAZZ & WORLDMUSIC<br />

ABSYNTHE MINDED, 2005<br />

Belgian band Absynthe Minded blends elements of<br />

pop, rock, blues and jazz into a unique sound : violin,<br />

acoustic guitar, bass and piano accompanied by the<br />

sweet sounding voice of singer Bert Ostyn. After coming<br />

second in Humo’s Rock Rally, Absynthe Minded soon<br />

released their first album “Acquired Taste”. In 2005, the<br />

second CD “New Day” came out, proving that Absynthe<br />

Minded has much more to offer.<br />

Worldwide Broadcast + VOD Rights<br />

Length :Part 1: 13 min, Part 2: 13 min<br />

Recorded at TMF Palm Live Sessions, Mol<br />

AMIGO AYER Y HOY CONCERTS, 2006-2007<br />

Euro1080 Broadcast + VOD Rights<br />

Concerts of 60 min each<br />

Recorded at Hotel Amigo, Brussels<br />

Amigo Ayer y Hoy is an International Music Festival<br />

first launched in December 2006. Presenting intimate<br />

concerts of world music with artists unusually content<br />

to talk to their public during the concerts.<br />

17<br />

Season One<br />

Series One focused on the “Mediterranean character”<br />

via both renowned artists and new talent such as:<br />

• Charbel Rouhana (Lebanon). The ancient art of Lute playing<br />

reborn.<br />

• Javier Conde (Spain). Flamenco guitar wonder at only 19<br />

years old.<br />

• Palmo Venneri (Italy). “During my performance, I experienced<br />

an intense moment of music, history, literature and human<br />

touch all brought together through EXQI.”<br />

• Joaquin Achucarro (Spain). More than 60 years of experience<br />

and he has been awarded the two highest honours in<br />

Spain : the Premio Nacional de Musica and the Gold Medal of<br />

Fine Arts.<br />

• Katia Guerreiro (Portugal), Cult Fado Diva and the New Icon<br />

of Fado.<br />

AMIGO AYER Y HOY CONCERTS, 2007-2008<br />

Euro1080 Broadcast + VOD Rights<br />

Concerts of 60 min each<br />

Recorded at Hotel Amigo, Brussels<br />

Season Two<br />

Following the successful first series the 2007-2008 the<br />

second series features even bigger names including :<br />

• Andrea Griminelli with the Cremona String Quartet.<br />

Discovered by Pavarroti he went on to tour with the great man<br />

and indeed even played at his funeral. From Bizet to Mozart to<br />

“The Mission” this is diverse, dynamic and delicious. It is often<br />

hard to believe that there is only one flute player in the room.<br />

• Simon Trpcesky.<br />

Gifted pianist, Simon Trpcesky performs<br />

pieces by Chopin and Debussy. His playing is intense and the<br />

audience are so charmed that they demand no less than 3<br />

encores.<br />

• Aldo Granato. A young artist and band combining the<br />

traditional Yiddish way of playing the accordion with<br />

contemporary music styles such as jazz and elektro.<br />

• Kathleen McCall & Mario Augustini.<br />

Two renowned opera<br />

voices join forces to sing some beautiful arias from the opera<br />

repertoire.<br />

•<br />

Giampaolo Bandini & Cesare Chiacchiaretta


ARID, 2010<br />

It may be an intimate club setting but lead singer,<br />

Jasper Steverlinck still manages to give a big stadium<br />

performance. With a dynamic vocal range and<br />

sounding a little like Keane the band also share the<br />

same contemplative approach to song writing. Having<br />

started their career by winning talent competitions<br />

they went on to tour the USA and Europe alongside<br />

Counting Crows and Suede. Now they are back with<br />

their 4th album Under the Cold Street Lights.<br />

Worldwide Broadcast + VOD Rights<br />

Length :37 min<br />

Recorded at Eurocam Media Center<br />

ARNO LIvE IN OSTEND, 2009<br />

Possibly the biggest Belgium export after chocolate.<br />

For 40 years, Arno has provided a stream of biting,<br />

thoughtful and thought provoking songs.<br />

Now he returns to his home town of Ostend to re-work<br />

some of his greatest hits. Accompanied by his band<br />

18<br />

ROCK, POP, JAZZ & WORLDMUSIC<br />

and 17 international musicians and singers this is the<br />

first time in 10 years that Arno has permitted a TV<br />

recording of one of his concerts. Don’t miss the big,<br />

brass additions to the all time classic Putain Putain, the<br />

unadulterated fun of Bathroom Singer or his interesting<br />

lyrical take on his beloved Brussels.<br />

Euro1080 Broadcast + VOD Rights<br />

Length :Part 1: 50 min, Part 2: 50 min<br />

Recorded at Theater aan Zee, Ostend<br />

ARRAS MAIN SqUARE FESTIvAL, 2009<br />

Euro1080 Broadcast + VOD Rights<br />

• Moby<br />

He is familiar in many music genres and is probably one of the<br />

most famous vegetarians in the world. Moby plays his famous<br />

and less famous hits at the Main Square Festival in Arras.<br />

Length : 26 min<br />

• Lily Allen<br />

The young British pop princess brings pure feel good music.<br />

Recognisable tunes, sharp lyrics and of course the prominent<br />

appearance of Lily Allen : live at the Main Square Festival in<br />

Arras.<br />

Length : 53 min<br />

• Placebo<br />

The rock gods of Placebo play before a wild crowd in the<br />

French city of Arras. The soaring guitars, famous hits and new<br />

songs from the recent album “Battle for the sun” clearly left<br />

nobody untouched. Undoubtedly one of the most remarkable<br />

concerts of the 2009 edition of the Main Square Festival.<br />

Length : 77 min


• Kaiser Chiefs<br />

Britpop of the highest level. +feel good sing-a-long familiarity.<br />

Length : 60 min<br />

• Amy MacDonald<br />

Her debut album “This Is the Life” was a massive success.<br />

Inspired by Pete Doherty, the Red Hot Chili Peppers, Ewan<br />

McGregor and Jake Gyllenhaal, this 22 year-old Scot plays a<br />

mix of pop and folk.<br />

Length : 51 min<br />

• Bloc Party<br />

Strong rhythms, strong melodies and Kele’s tenuous and<br />

cutting vocals. The post-punk and rock band from London play<br />

their hits at the Main Square Festival in Arras.<br />

Length : 61 min<br />

ARRAS MAIN SqUARE FESTIvAL, 2011<br />

Rights: HD1 European footprint + Brazil<br />

• Cold War Kids<br />

Length: 58 min<br />

An indie rock band from Fullerton, California, USA with a name<br />

inspired by a trip to an Eastern European playground where<br />

statues had been dumped following the fall of Communism.<br />

With a hint of “The Killers” and a heavy use of guitar riffs this is<br />

a set of gold old fashioned pop-rock.<br />

• Elbow<br />

Length: 60 min<br />

With their exceptional album “Seldom Seen Kid” Elbow really<br />

hit the big time and now they look like they are truly reveling in<br />

the massive audiences on the festival scene. In the glorious<br />

setting of La Citadelle in Arras their classic hits like “One Day<br />

Like This” seem even more anthemic.<br />

• Kaiser Chiefs<br />

Length: 58 min<br />

Energy, fun and not a little gratuitous violence as microphone<br />

stands are sent flying. Front man Ricky Wilson entertains via<br />

a mixture of tracks from their four albums with songs like “Oh<br />

My God” and “I Predict a Riot” and “Never Miss a Beat” never<br />

failing to cause a frenzy.<br />

• Moby<br />

Length: 32 min<br />

He might make up some of his lyrics but he is always having<br />

fun and doesn’t fail to serve up his best known songs such as<br />

“Why Does My Heart Feel So Bad”.<br />

• PJ Harvey<br />

Length: 56 min<br />

Dressed in what appears to be a wedding dress with some<br />

19<br />

ROCK, POP, JAZZ & WORLDMUSIC<br />

sort of feather headdress this is a journey through the haunting<br />

vocals and assorted instruments that inhabit the world of PJ<br />

Harvey.<br />

• Two Door Cinema Club<br />

Length: 45 min<br />

Quirky and energetic with catchy melodies. With their<br />

memorable synthesiser based tunes, the band pounds out<br />

songs from their debut album “Tourist History” creating a nonstop<br />

dance party for festival goers.<br />

• White Lies<br />

Length: 60 min<br />

Hailing from West London “White Lies” are not short of<br />

confidence. Front man, Harry McVeigh demands the crowd<br />

give it their all and in return rewards them with intimate<br />

exchanges. Powerful and energetic not least during their<br />

familiar singles “Unfinished Business” and “Death”.<br />

BRUSSELS JAZZ ORCHESTRA FEATURING<br />

DAvID LINX, 2008<br />

He is a singer, composer, lyricist and producer but most<br />

of all David Linx is an acclaimed jazz vocalist who has<br />

worked with some of the greats in the jazz scene. His<br />

last Album “Changing Faces” recorded with the<br />

Brussels Jazz Orchestra was released in October 2007.<br />

This is an intimate recording of the concert following<br />

the CD release.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 98 min<br />

Recorded at Eurocam Media Center<br />

Vocals : David Linx<br />

Programme<br />

Hoppin’ Around<br />

Deep Night<br />

There Is You<br />

Black Crow<br />

Bilhete<br />

Miziane<br />

Land Of Joy<br />

Down On Lovers Lane<br />

A Day’s Journey<br />

Then We’ll Be Home<br />

Sweet Suite<br />

For The Time Being


EUROPEAN YOUTH MUSIC FESTIvAL<br />

NEERPELT, 2007, 2008, 2009<br />

Ever since 1953, at the start of May the population<br />

in the city of Neerpelt nearly doubles. Thousands of<br />

young people from all around Europe come to this little<br />

town in North Limburg. The European Music Festival<br />

for Young People. The result is a wonderful blend of<br />

youthful enthusiasm and impressive musical abilities.<br />

Worldwide Broadcast + VOD Rights<br />

Recorded at Eurocam Media Center<br />

2007<br />

Performances include Trio Scintilla, Percussie-ensemble<br />

Tessenderlo, Duo Sint Petersburg and Puchheimer<br />

Jugendkammerorchester.<br />

Length : 50 min<br />

2008<br />

With young singers from Germany, Slovenia and even<br />

Australia and Russia, this is a top class multicultural<br />

music festival. The winning choirs of the European<br />

Youth Music Festival in Neerpelt, Belgium perform<br />

a selection of their repertoire in the Eurocam Media<br />

Center studios.<br />

Length : 81 min<br />

Programme<br />

Part 1<br />

Choir concerts. The winning choirs of the European Youth Music<br />

Festival perform in the Eurocam Media Center studios.<br />

Christophorus children’s and youth choir Altensteig<br />

Can You Hear Me (B. Chillcott)<br />

Auf der Schäbische Eisenbahn (Anonymous)<br />

Fiddle-de-dee (K. Bikkembergs)<br />

Gloria (L. Delibes)<br />

Young Voices Adelaide<br />

Sesere Eeye (Traditional song and dance of the Torres Street Islands)<br />

Oye! (J. Papoulis)<br />

Inanay (Traditional aboriginal song as arranged by L. Bennet)<br />

Festive Alleluia (L. Williams)<br />

Mary Did You Know (M. Lowry & B. Green)<br />

Festival Sanctus (J. Leavitt)<br />

20<br />

ROCK, POP, JAZZ & WORLDMUSIC<br />

Coeur de Chambre de l’école de musique pour les enfants no 2<br />

Sound of the Trumpet (H. Purcell)<br />

Poputiraia Pesnia (M. Glinka)<br />

Mountain’s Peaks (A. Rubinstein)<br />

Sleeping Song (G. Sviridov)<br />

Tu Reka Li Maya Rechenka (Anonymous - arranged by A. Zyadov)<br />

Part 2<br />

Choir concerts. The winning choirs of the international music festival<br />

in Neerpelt perform their best works in the Eurocam Media Center<br />

studio.<br />

Youth Choir ‘Vocale + Cantat’ Basel<br />

Australian Spring (Noorgard/Kjoer)<br />

Es et Schneeli Geschniet (A Swiss folk song)<br />

Ranz des Vaches (A Swiss folk song)<br />

Maiteli, wann du witt go tanze (A Swiss folk song)<br />

Train (Hammond/Hazelwood)<br />

Mladinski zbor rtv Slovenia, Ljubljana<br />

Sesen (L. Lebic)<br />

Ruj (Kunar)<br />

Igraj Kolce (J. Jez)<br />

Strah (K. Rustinek Rakar)<br />

Children’s Choir “Cantabile”, Novortroitsk<br />

Vo Luzyakh (A Russian folk song, arranged by A. Lyadov)<br />

Rechenka (A Russian folk song, arranged by A. Lyadov)<br />

Vejsya, vejsya (A Russian folk song, arranged by A. Sapozhnikov)<br />

Fiddle-de-dee (K. Bikkembergs)<br />

Aglepta (A Mallnas)<br />

Vejsya, vejsya (A Russian folk song, arranged by A. Sapozhnikov)<br />

Carnival’s Princess (O. Yurginshtein)<br />

Programme 2009<br />

Blazersensemble Stedelijke Muziekacademie Deurne<br />

Dirigent: Dirk Van Ginderen<br />

• Highlights from Lord of the Dance van Ronan Hardiman, arr. F.<br />

Bernaerts<br />

• Skala Kalloni van Sven Van Calster<br />

• Eloise van Paul Ryan, arr. P. Sparke<br />

• Triumphal march from Aida van Giuseppe Verdi, arr. F. Cesarini<br />

• Rood van J. Ewbank, arr. A. Willering<br />

De Bajantjs<br />

Dirigent: Ludo Mariën<br />

• Toccata van Girolamo Frescobaldi / Ludo Mariën<br />

• Prelude & Fuga van Johann Sebastian Bach<br />

• Concertino van Eddy Flecijn / Ruedi Marty<br />

• Air Battle van Sanford Hertz / Ludo Mariën<br />

• Le Mal-Aimable + Fruitpap van Wim Claeys / Ludo Mariën<br />

• Paardje hop, laat je rijden van Eddy Flecijn<br />

• Bruno van Bernard Loffet / Ludo Mariën<br />

Jeugdbrassband Sint-Cecilia Leest<br />

Dirigent: Johan De Win (0485-929846)<br />

Aard ensemble: brass band<br />

• Hine e Hine, een arrangement van Peter Graham<br />

• Jubilation van James Curnow<br />

• Fantasy for Trombone van James Curnow<br />

• Paragon van Roger Deronge<br />

Paul Heyman & Matilde Debaene<br />

• Eight Duets for Violin and Cello (op. 39) - Reinhold Glière:<br />

• Duo for Violin and Cello (op. 7), deel 1: Allegro serioso, non<br />

troppo - Zoltán Kodály<br />

•<br />

Images Stellaires (op. 161): Le Lion - Componist: Jean Absil


EXqI JAZZ SHOWCASES, 2009<br />

Worldwide Broadcast + VOD Rights<br />

Concerts of 45 min each<br />

Recorded at Eurocam Media Center<br />

• Pierre Anckaert Trio<br />

Pierre Anckaert was the winner of Jazz Hoeilaart in 2007. With<br />

the Pierre Anckaert Trio, he brings contemporary jazz with<br />

classical accents and latin influences. Complex themes, catchy<br />

tunes and fluent rhythms. A promising Belgian jazz trio.<br />

• Brazzaville<br />

Six musicians inspired by jazz, funk and afrobeat. Brazzaville<br />

finds inspiration in the music of Miles Davis, Sly Stone and Fela<br />

Kuti. An eclectic mixture of funky grooves, African rhythms and<br />

jazzy melodies. Discover Brazzaville performing in the Eurocam<br />

Media Center studios.<br />

• Alano Gruarin Trio<br />

As a kid he wanted to play the drums, but later he discovered<br />

the piano. Now Alano Gruarin hits the Belgian jazz stages with<br />

his fellow-musicians Werner Lauscher and Maarten Moesen as<br />

the Alano Gruarin Trio. Jazz Piano straight from the heart.<br />

• Backback<br />

Backback is an unconventional jazz trio. Filip Wauters on<br />

the guitar, Marc De Maeseneer on saxophone and Giovanni<br />

Barcella on drums. All three of them are experienced<br />

musicians in various genres. Hence, the sound of Backback is<br />

based on many styles : jazz, funk, rock and free jazz.<br />

21<br />

ROCK, POP, JAZZ & WORLDMUSIC<br />

• Alexandre Cavaliere & Pascal Mohy Duo<br />

EXQI Jazz presents a very special performance. It’s the first<br />

time that these two talented, rising jazz stars have shared the<br />

same stage. Here they launch into a selection of pieces by<br />

amongst others the great Miles Davis.<br />

• Hijaz<br />

The multi-cultural quartet Hijaz combines elements from both<br />

world music and jazz, and mixes these into a unique Europeanmeditarranean<br />

yet simultaneously jazzy sound.<br />

• Swing Dealers<br />

Soul and swing from the old days. Swing Dealers bring the<br />

swing jazz of the fifties back to life.<br />

• Fré Desmyter Quartet<br />

Pianist, Fré Desmyter is accompanied by fellow-musicians<br />

John Ruocco (tenor sax), Manolo Cabras (bass) and Marek<br />

Patrman (drums).<br />

• Sabin Todorov Trio<br />

They started out as a folk band. Nowadays, the Sabin Todorov<br />

Trio brings an explosive mixture of lyrical jazz and folk with<br />

hints of free jazz. Sabin Todorov includes the traditional Balkan<br />

music of his homeland, Bulgaria into his own compositions.<br />

If folk jazz did not exist already, surely Sabin Todorov can be<br />

considered as its inventor.


• Saxkartel<br />

Jazz in an unusual style without bass and drums. These four<br />

saxophone players may look like a chamber music ensemble<br />

but they are all about jazz. Groove, swing and improvisation are<br />

the key words for Saxkartel. Allow Kurt Vanherck, Sara Meyer,<br />

Frank Vaganée and Tom Vandyck to spice up your evening.<br />

• Ben Sluijs<br />

An intimate solo performance by Belgian saxophone player,<br />

Ben Sluijs.<br />

• Thibault Dille<br />

Young Thibault Dille started playing the accordeon when he<br />

was eight. Nowadays he is still adicted to his instrument,<br />

exploring new ways to play and perform in a jazz setting.<br />

Programme<br />

1) Improvisation # 1<br />

2) Improvisation # 2<br />

3) Letter from home (Metheny)<br />

4) Summertime<br />

5) The roots of coincidence (Metheny)<br />

6) Improvisation # 3<br />

7) Johnny & Mary<br />

8) Tango pour Claude (Galliano)<br />

9) Lilly (Perret)<br />

10) Chorinho pra elle<br />

11) Improvisation # 4<br />

12) Cherokee<br />

• Trio Florizoone-Massot-Horbaczewski<br />

When they started to play as a duo, Tuur Florizoone and Michel<br />

Massot soon discovered that accordion and tuba have a lot<br />

in common. Both instruments have a beautiful sound color<br />

and a particularly broad register. Together with cellist Marine<br />

Horbaczewski, Florizoone and Massot form a trio. During their<br />

improvisations, the three musicians get the most fascinating<br />

and moving sounds out of their instruments.<br />

Programme<br />

1) L’ acrobate<br />

2) Valse Reggae<br />

3) L’attentive<br />

4) Les Yeux Parlent Plus que la couleur des cheveux<br />

5) Babelouz<br />

6) Rue St-Géry<br />

7) Mist<br />

8) Caleidoscopique<br />

22<br />

ROCK, POP, JAZZ & WORLDMUSIC<br />

EXqI POP SHOWCASES, 2009<br />

They’re young, hip and eager to conquer the world with<br />

their music. This is a chance to see the best upcoming<br />

bands. Featuring a wide range of styles (soul, funk,<br />

rock, pop, alternative) these new faces blend a healthy<br />

amount of ambition with the energy of youth. Behind<br />

the scenes interviews also give the viewer a chance to<br />

see what really goes on at a pop concert.<br />

Worldwide Broadcast + VOD Rights<br />

Concerts of 20 min each<br />

Recorded at Eurocam Media Center<br />

•<br />

Bodyspasm<br />

Electro. Two talented deejays at work.<br />

• Buurman<br />

They released their first album “Rocky komt altijd terug”in<br />

2008 and Buurman is the upcoming band of the moment in<br />

the Dutch music scene. Singer, Geert Versnick’s poetic lyrics<br />

blend smoothly with the music of his band. This is an intimate<br />

showcase presenting songs from their debut album.<br />

• Confuse The Cat<br />

Belgian Rock with strong British influences. New Order,<br />

Interpol and Joy Division are clearly the inspiration for this<br />

promising band.<br />

• It’s a G.A.S<br />

Paul Michiels goes intimate in “It’s a G.A.S.”. G.A.S. stands<br />

for Great American Songbook, the famous collection of jazz<br />

standards on which Paul Michiels has based the programme<br />

for this concert. Pianist, Jeroen D’hoe accompanies the singer<br />

on this musical journey.<br />

• Diablo Blvd<br />

Strong guitars, pounding drums and stand-up comedian, Alex<br />

Agnew as lead singer : those are the ingredients that blend<br />

together in Diablo Blvd Pure metallic rock, Led Zeppelin style.


• Douglas Firs<br />

Young singer-songwriter Gertjan Vanhellemont a.k.a. Douglas<br />

Firs performs intimate songs. Just a guitar and a beautiful<br />

voice.<br />

• Drive like Maria<br />

This Belgian - Dutch trio produces a solid rock sound,<br />

comparable to Queens of the Stone Age and Led Zeppelin.<br />

Unusually however Drive Like Maria has a female bass player<br />

and a singing drummer.<br />

• Nice View Over Trinidad<br />

Young pop talent. Nice View Over Trinidad has a strong rock<br />

sound, influenced by Queens of the Stone Age, The Stooges,<br />

and Sonic Youth.<br />

•<br />

No Mo Trevno<br />

• Bastard Nation<br />

Bastard Nation joins the guitar talents of Carlos Dyckmans and<br />

the exceptional vocals of Joy Adegoke, the next Macy Gray. A<br />

rootsy, dreamy sound.<br />

• De Fase<br />

Anna Vercammen and Joeri Cnapelinckx produce their very<br />

own sound as De Fase. A delightful combination of Dutch<br />

lyrics, humour and a whole range of instruments including a<br />

melodica, a glockenspiel and a xylophone.<br />

• Guy Van Sande<br />

Guy Van Sande sings Bob Dylan... in Dutch. In this acoustic<br />

performance, the actor searches through the Dylan oeuvre,<br />

together with musician, Wim Van Deuren. Clearly the two of<br />

them are massive Dylan fans.<br />

23<br />

ROCK, POP, JAZZ & WORLDMUSIC<br />

• Hotel Amigo<br />

Lead singer, Jenne Decleir offers the musical equivalent of a<br />

shaken cocktail on the rocks. Lots of reggae, ska, latin, mambo<br />

and of course some rock’n roll!<br />

• Kiss of Life<br />

Myriam G.S. Mestiaen brings a mixture of soul, blues and pop<br />

in her musical project, Kiss Of Life. The press has compared<br />

her to Tori Amos and Kate Bush so you can definitely expect<br />

some female power on the Eurocam Media Center stage.<br />

• Lalalover<br />

Tom Kestens started his career in music as a member of<br />

Belgian pop band, Das Pop. Later on, he created his own<br />

musical universe as Lalalover, producing a heart-warming,<br />

soulful sound. The Flemish equivalent of Prince, live in the<br />

Eurocam Media Center studios.<br />

• Lick My Click<br />

Three men and one charismatic front lady. A mixture of<br />

Goldfrapp and Vive La Fête. Electronics with a female touch.<br />

• Malibu Stacey<br />

Their name was inspired by an episode of “The Simpsons”.<br />

Indie pop, brought with an infectious dose of enthusiasm,<br />

Malibu Stacey counts as one of Wallonia’s most talented<br />

young bands.


• Maximum Basie<br />

Maximum Basie plays soul and the blues, characterised by the<br />

husky voice of front woman, Judith Okon.<br />

• Miller<br />

When he was five , he started his musical career as a drummer<br />

on empty ice-cream boxes, pots and pans.Now though Miller<br />

has matured into a singer-songwriter who brings a rich and<br />

unique sound with his harmonic falsetto voice, an electroacoustic<br />

guitar and seven accompanying musicians.<br />

• Monkey C<br />

Monkey C is a bunch of happy go lucky friends making music.<br />

Their music is poppy and festive. The funky tunes and the<br />

sing along refrains will remain long after they have finished<br />

performing as they strive to create a summer that never ends.<br />

• Monkey Driven<br />

Before going solo, these musicians played with other bands<br />

such as Sukilove, Styrofoam and Mira. Monkey Driven<br />

performs its very own solid rock.<br />

• The Nico Van Gendt Project<br />

This promising band from Sint-Niklaas started out as a project<br />

at the Antwerp Jazz Studio. The key figure is drummer, Nico<br />

Van Gendt, but it’s mostly the singer, Kimberly Dhondt who<br />

grabs the attention with her beautiful, warm and soulful voice.<br />

• The Remedy<br />

Anne Van Hoorick and Steven Hendrickx put their musical<br />

talent into one melting pot and became The Remedy. The<br />

group’s name finds its origin in a little bar in their hometown<br />

where they discussed their plans for the first time. With piano<br />

and guitar they bring serene pop songs in English.<br />

• Saule<br />

Saule’s real name is Baptiste Lallieu, a young and very talented<br />

singer-songwriter based in Brussels. Here he performs some<br />

of his songs with his band, Les Pleureurs. Enjoy the poetic and<br />

somewhat melancholic set.<br />

24<br />

ROCK, POP, JAZZ & WORLDMUSIC<br />

• Starfucker<br />

In 2005 Starfucker was born. This Belgian version of Foo<br />

Fighters consists of four young artists determined to conquer<br />

the Belgian rock scene. Their single “Boys will be boys” was<br />

a big hit on the radio and suggests a promising future for the<br />

band.<br />

• Steak Number Eight<br />

The winners of Humo’s influential 2008 Rock Rally. Former<br />

winners of the competition include dEUS and Novastar and<br />

hence although Steak Number Eight are only 15 years old they<br />

are already on the road to success. Just days before this huge<br />

accolade EXQI Pop invited these talented youngsters into our<br />

studios to record a very special concert. They quickly proved<br />

that they were born to be on the stage so tune in and get<br />

blown away by the edgy guitar sound of Steak Number Eight.<br />

• Suck on This<br />

This cover band from The Netherlands has a penchant for<br />

genuine rock performing numbers from U2 to Coldplay to<br />

Clouseau and Rowwen Hèze.<br />

• Work<br />

Based in Brussels, the band describes its music as “intense<br />

urban blues”. Work produce Tom Waits-inspired indie blues<br />

with an alternative and layered sound. Ivo Sans, Bert Dockx<br />

and Frederic Jacques take their inspiration from a multitude<br />

of genres and rock, jazz and roots influences sparkle in their<br />

songs.


FREAKY AGE, 2010<br />

Now playing in the UK, the members of Freaky Age<br />

are only 19 but they have already produced 3 albums<br />

with catchy choruses and a hard hitting guitar sound.<br />

A cross between The Strokes and the Arctic Monkeys,<br />

they have already topped the Belgium charts with<br />

Where do you go now? and are ready to perform at<br />

some of the biggest European summer festivals.<br />

Worldwide 3D Broadcast + VOD Rights<br />

Length : 50 min<br />

Recorded at Eurocam Media Center<br />

GUIDO BELCANTO, 2008<br />

Flemish singer-songwriter, Guido Belcanto presents<br />

his new album : “Ik zou mijn hart willen weggeven.”<br />

“The new Guido Belcanto has arrived”, announced<br />

the record label about this new album. The theme of<br />

the songs is still the same - Guido Belcanto sings his<br />

pain of love and the search of romance as no other –<br />

but the musical framework sounds different. These are<br />

chansons in a rock’n’roll coat with blues sleeves and a<br />

country lining.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 55 min<br />

Recorded at Motor Music Studios<br />

25<br />

ROCK, POP, JAZZ & WORLDMUSIC<br />

GüNTHER NEEFS : MY SOUL, 2008<br />

As the son of legendary singer, Louis Neefs, Günther<br />

was always destined to follow in his father’s footsteps.<br />

Hence it is no surprise that since the early nineties,<br />

Günther Neefs has built up an impressive repertoire<br />

of his very own mix of soft jazz, pop, soul, funk and<br />

big band sounds. This concert launched his brand new<br />

album. “My Soul” which pays tribute to the glory days<br />

of the soul music label Motown.<br />

Euro1080 Broadcast + VOD Rights<br />

Length : 42 min<br />

Recorded at Eurocam Media Center<br />

HADISE, 2010


Sassy, sultry and sexy. Hadise has already produced<br />

4 albums and is TMF Award Winning in Belgium and<br />

Golden Butterfly Award Winning in Turkey. In 2009 she<br />

represented Turkey coming fourth in the Eurovision<br />

Song Contest and her Turkish origins are evident in<br />

songs like the Dum Tek Tek. However her “Jennifer<br />

Lopez” R&B sound has also helped her to a chart<br />

topping solo career.<br />

Euro1080 Broadcast + VOD Rights<br />

Length : 20 min<br />

Recorded at Eurocam Media Center<br />

ISBELLS, 2010<br />

Thoughtful, reflective and beautiful. The former<br />

drummer turned front man, Gaetan Vandewoude has<br />

the voice of an angel. This is music that washes over<br />

you bringing alternately waves of hope and melancholy.<br />

Sometimes erring towards Pop and sometimes more<br />

towards Folk where acoustic guitars mix with subtle<br />

harmonies bringing back memories of Neil Young and<br />

Nick Drake.<br />

Worldwide Broadcast for satellite + VOD Rights<br />

Length : 30 min<br />

Recorded at Eurocam Media Center<br />

JEAN MICHEL JARRE : LIvE FROM THE<br />

FORBIDDEN CITY AND TIANANMEN<br />

SqUARE IN BEIJING, 2004<br />

Jean Michel Jarre was a pioneer of electronic music<br />

and even today he continues to be at the forefront of<br />

sound evolution. Form lasers in Tian’anmen Square to<br />

immense screens carrying ecological messages in the<br />

Sahara desert to animations in Teo and Tea and the<br />

3D effects in Oxygene 30 years on. These are concerts<br />

that constantly break down borders and re-define the<br />

pop concert.<br />

Beijing has never seen anything like this. Jean Michel<br />

Jarre first played in China in 1981, becoming one of<br />

26<br />

ROCK, POP, JAZZ & WORLDMUSIC<br />

the first western musicians to be given permission to<br />

perform in the country. Jarre opened the concert with<br />

a collaboration with soloist Cheng Lin who played her<br />

erhu - a traditional Chinese stringed instrument. He<br />

treated the crowd in central Beijing to his signature<br />

synthesized music set against a laser light show.<br />

Images and colours were projected onto huge inflated<br />

white cylinders, cones and spheres over Tiananmen<br />

Square.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 120 min<br />

Recorded at Tiananmen Square, Beijing<br />

JEAN MICHEL JARRE : SOLIDARNOSC<br />

CONCERT, LIvE FROM THE LENIN<br />

SHIPYARDS IN GDANSK, 2005.<br />

Jean Michel Jarre relives the revolution in his music.<br />

To celebrate the 25th anniversary of Lech Walesca’s<br />

Solidarity movement, Jean Michel Jarre performed<br />

an energetic concert in Gdansk, northern Poland.<br />

The backdrop was the shipyard where workers went<br />

on strike in August 1980 leading to the eventual fall of<br />

communism in Poland. The setting includes a moving<br />

crane lit from the inside, and the hanger door opening<br />

to reveal an orchestra surrounded by sparks from metal<br />

welding.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 125 min<br />

Recorded in Gdansk


JEAN MICHEL JARRE : WATER FOR LIFE<br />

CONCERT, LIvE FROM THE SAHARA, 2006.<br />

Jean-Michel Jarre performs in the breathtaking<br />

“moving” sand dunes of Merzouga.<br />

The Water For Life concert took place on the 16th<br />

December 2006 in the Sahara, close to Merzouga. Jean<br />

Michel Jarre performed exclusively in the middle of the<br />

desert with the Symphonic Orchestra of Rabat and local<br />

musicians to highlight the problems of water supply in<br />

the world. Now you can re-live the desert atmosphere,<br />

absorb the amazing sound and indulge in the images of<br />

the off-piste desert with its sugar-soft dunes.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 135 min<br />

Recorded at Merzouga<br />

JEAN MICHEL JARRE : TéO & TéA : LIvE DvD<br />

SHOWCASE, 2007<br />

As a pioneer of electronic music, Jean Michel Jarre<br />

continues to be at the forefront of sound evolution. He<br />

showcased his new CD and DVD on the 28th of March<br />

at the Eurocam Media Center in Lint. The show kicked<br />

off with a press conference followed by an exclusive<br />

premiere of his new CD “Téo & Téa”. The images were<br />

beamed into Warner divisions all over Europe where<br />

local press groups were able to enjoy his music as well<br />

as participate in an interactive Q&A session with Jean-<br />

Michel Jarre.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 55 min<br />

EXTRA : Interview with Jean Michel Jarre<br />

Recorded at Eurocam Media Center<br />

27<br />

ROCK, POP, JAZZ & WORLDMUSIC<br />

JEAN MICHEL JARRE : OXYGèNE, 2007<br />

More than 30 years after his instant success with<br />

“Oxygène”, French pioneer in electronic music Jean<br />

Michel Jarre performs his debut album again but with<br />

ever more energy and passion.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 90 min<br />

Recorded in Paris<br />

JIM COLE : SOUL IN 2, 2008<br />

Jim Cole is a band built around 28 year old singersongwriter<br />

Jim Coleman. Funk, rock and R&B are the<br />

main ingredients of Jim Cole’s sound all mixed into<br />

a distinct contemporary feel. Crossing genres and<br />

audiences he is already being tipped to make it to the<br />

very top internationally.<br />

Euro1080 Broadcast + VOD Rights<br />

Length : 41 min<br />

Recorded at Eurocam Media Center<br />

PATRICIA KAAS, 2009<br />

A “leading lady” of the French music, live at work in the<br />

Casino de Paris. In her new album “Kabaret”, Patricia<br />

Kaas shows us her unusual talent again. Her show is full<br />

of surprises and shows us the diva she is : “ravissante”,<br />

pure and self-assured.<br />

Worldwide Broadcast Rights<br />

Length : 109 min<br />

Live from the Casino de Paris


ROWWEN HèZE, 2008<br />

During the last twenty years, Rowwen Hèze has become<br />

one of the most popular bands in The Netherlands.<br />

Singing in their own dialect, they’ve created songs that<br />

are now classics, such as “Bestel mar” and “Limburg”,<br />

an ode to their home region. Rowwen Hèze even rose<br />

to fame in the Belgian folk scene. For their theatre tour<br />

“Saus” they invited six guest musicians. It’s a show<br />

filled with exuberant songs and melancholic ballads,<br />

describing daily life in a funny yet recognizable way.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 90 min<br />

Recorded at Parkstad Theater Heerleen, Limburg<br />

SCHOOL IS COOL, 2010<br />

High octane folk and a breath of fresh air for the musical<br />

scene. With the joy of youth they swap instruments,<br />

have drums seemingly everywhere on stage, harmonise<br />

and blend their own creations together with classic<br />

numbers like Road to Nowhere by Talking Heads. They<br />

look like they are really having fun and they are.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 30 min<br />

Recorded at Eurocam Media Center<br />

28<br />

ROCK, POP, JAZZ & WORLDMUSIC<br />

STAN vAN SAMANG, 2009<br />

Actor Stan Van Samang gave his first solo live show in<br />

the Lotto Arena in Antwerp on Saturday 14 February<br />

2009. The Entertainment Group concluded an<br />

exclusive agreement with EXQI Culture and Kinepolis<br />

to broadcast the concert live in HD and multi-camera in<br />

the Kinepolis movie theatres. Alfacam took care of the<br />

HD-recording.<br />

Programme<br />

1. That’s my desire (H. Kresa, C. Loveday)<br />

2. On a green dolphin street (B. Kaper)<br />

3. Stan’s blues<br />

4. Moonglow (W. Hudson, E. Delange, I. Mills)<br />

5. Just in time (J. Styne)<br />

6. Soft lights and sweet music (I. Berlin)<br />

7. It’s you or no one (J. Styne, S. Cahn)<br />

8. Sweet Lorraine (C. Burwell, M. Parish)<br />

9. Stomping at the Savoy (B. Goodman, A. Razaf, C. Webb,<br />

Sampson)<br />

10. Sabor a mi (Cavarillo)<br />

11. Airmail Special (Benny Goodman, Charlie Christian, Jimmy<br />

Mundy)<br />

Euro1080 Broadcast + VOD Rights<br />

Length : 93 min<br />

Recorded at Lotto Arena, Antwerp<br />

SOULSISTER, 2011<br />

They may have formed the band in 1985 but their songs<br />

have stood the test of time. In an intimate setting with<br />

stripped down songs, a dedicated audience kicks back<br />

to enjoy old classics like “Changes” and “The Way to<br />

Your Heart”.<br />

Length : 73 min<br />

Paul Michiels<br />

Jan Leyers<br />

Recorded at Eurocam Media Center, October 2011


YASMINE, 2007<br />

The late Yasmine was multi-talented. Not only did she<br />

work for radio and television, she was also a respected<br />

singer-songwriter. She enjoyed numerous popular hits<br />

and worked with Dutch musician, Thé Lau on a tribute<br />

CD to Leonard Cohen. In this show she was once again<br />

on stage with a brand new album of her own : “Licht<br />

Ontvlambaar”. Yasmine’s live performance in the<br />

Arenberg Town Hall is exclusive to EXQI Culture and<br />

showcases the remarkable talent of one of Belgium’s<br />

best female artists.<br />

Euro1080 Broadcast Rights<br />

Length : 55 min<br />

EXTRA : 30 min show where Yasmine is followed for a day<br />

YvES BROUqUI qUARTET<br />

THE BEST OF JAZZ, 2010<br />

In a uniquely intimate 3D and 2D concert recording in<br />

the famous ICP recording studios in Brussels this is a<br />

fun romp through some of the all time jazz classics like<br />

Summertime, This Time the Dream’s On Me and Saint<br />

Vitus Dance.<br />

After moving to New York in 1994 to jam with and<br />

learn from many of the jazz greats in iconic places like<br />

“Smalls Jazz Club”, Yves Brouqui became a familiar<br />

face on the jazz scene.<br />

Now he tours the world but still made time to enjoy<br />

some jazz favourites with a few of his favourite friends.<br />

29<br />

Worldwide Broadcast + VOD Rights<br />

Length : 52 min<br />

Recorded at ICP Studios, Brussels<br />

ROCK, POP, JAZZ & WORLDMUSIC<br />

Programme<br />

1. Stairway to the Stars (Signorelli)<br />

2. Be my Love (Brodszky)<br />

3. The Saint Vitus Dance (Silver)<br />

4. Summertime (Gershwin)<br />

5. This time the dream’s on me (Arlen/Mercer)<br />

6. Love Walked In (Gershwin)<br />

7. Strike Up The Band (Gershwin)<br />

8. Love Letters (Hayman/Young)<br />

9. Horacescope (Silver)<br />

10. Quicksilver (Silver)<br />

11. Autumn Leaves/Les Feuilles Mortes (Kosma)<br />

12. Who Can I Turn To (Bricusse/Newly)<br />

13. Blues In The Closet (Pettiford)<br />

14. Raincheck (Strayhorn)


OPERA<br />

AIDA. La Monnaie, Brussels, 2004<br />

Opera in 4 acts by Giuseppe Verdi<br />

One of the greatest operas of all times.<br />

Internationally acclaimed cult American director, Robert<br />

Wilson’s highly stylised and intensely dramatic staging<br />

brings a Zen-like tranquillity to Verdi’s great opera<br />

concerning the conflict between individual aspiration,<br />

tradition and duty. Sometimes reminiscent of Japanese<br />

Noh theatre this version offers a new and thoughtprovoking<br />

experience of a masterpiece.<br />

“Wilson’s production of Aida is one of his truly great<br />

creations - highly disciplined and utterly convincing...<br />

The Monnaie’s performance was superb... The<br />

outstanding cast had no weak links vocally.” Phil Ward,<br />

Opera<br />

“...the Hungarian mezzo Ildiko Komlosi is a sensational<br />

Amneris, a singer of the highest calibre and a born<br />

tragédienne. The rest of the cast is equally outstanding...<br />

Verdi’s score acquired a chamber-music quality and the<br />

subtle instrumental details were lovingly underlined. A<br />

stunning production, not to be missed.”<br />

The Bulletin<br />

European + Australia Broadcast Rights<br />

Length : 152 min<br />

Recorded at the Royal Theatre of La Monnaie, Brussels<br />

Libretto by Antonio Ghislanzoni<br />

Conductor : Kazushi Ono<br />

Director, Sets, Lighting : Robert Wilson<br />

Costumes : Jacques Reynaud<br />

Choreographer : Makram Hamdan<br />

Choirmaster : Piers Maxim<br />

La Monnaie Symphony Orchestra and Chorus<br />

Cast<br />

Aida : Norma Fantini<br />

Radamès : Marco Berti<br />

Amneris : Ildiko Komlosi<br />

Amonasro : Mark S. Doss<br />

Ramfis:Orlin Anastassov<br />

Il Re : Guido Jentjens<br />

Una Sacerdotessa : Michela Remor<br />

Un Messagero : André Grégoire<br />

30<br />

LA BOHèME, 2009<br />

Opera in 4 acts by Giacomo Puccini<br />

The long awaited return of the opera director, Jonathan<br />

Miller to the English National Opera in London. With<br />

numerous of his operas still running in some of the<br />

world’s greatest theatres, Miller finally comes “home”<br />

and sets Puccini’s story in Paris in the thirties. He also<br />

opts to give the opera the unique visual feeling of a<br />

sepia photograph. Young opera stars take the leading<br />

parts : Alfie Boe plays the poet Rodolfo, and the young<br />

soprano Melody Moore is his beloved Mimi. Miguel<br />

Harth-Bedoya is the conductor.<br />

Euro1080 Broadcast Rights<br />

Length : 90 min<br />

Recorded at The English National Opera, London<br />

DON qUICHOTTE, 2010<br />

Opera in 5 acts by Jules Massenet.


Don Quichotte dreams of a fair world. Accompanied<br />

by his faithful squire, Sancho Panza, the knight errant<br />

wanders Spain in search of heroic victories. The<br />

battle with the windmills is one of the funniest and<br />

most touching episodes selected by Massenet from<br />

Cervantes’ world-famous novel. This opera will also be<br />

a double event: José van Dam’s farewell to La Monnaie<br />

and the duo Marc Minowski – Laurent Pelly bringing a<br />

new production.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 112 min<br />

Recorded at The Royal Theatre of La Monnaie, Brussels<br />

Directed by Laurent Pelly<br />

Conductor: Merk Minkowski<br />

Cast<br />

La belle Dulcinée: Silvia Tro Santafé<br />

Don Quichotte: José van Dam<br />

Sancho Panza: Werner Van Mechelen<br />

Pedro, Garcias, Rodrigues, Juan: Julie Mossay, Camille Merckx,<br />

Vincent Delhoume and Gijs Van der Linden<br />

Chef des bandits: Bernard Villiers<br />

Quatre bandits: Gérard Lavalle, Jacques Does, Aldo De Vernati,<br />

Pascal Macou<br />

Deux valets: Marc Coulon, André Grégoire<br />

La Monnaie Symphony Orchestra and Chorus<br />

L’EqUIvOCO STRAvAGANTE, 2012<br />

Dramma giocoso per musica in two acts. Music by<br />

Gioacchino ROSSINI. Libretto by Gaetano GASBARRI.<br />

First performed in Bologna, Teatro del Corso, on 26<br />

October 1811.<br />

Ernestina, the daughter of a rich merchant, is not for<br />

the first time making mischief to avoid the arranged<br />

marriages that her father is trying to impose upon<br />

her. All the more so since she has fallen in love with<br />

Ermanno, whose main fault is that he is either poor or<br />

shy. Attractive enough, in any event, for his lover to<br />

pass herself off as a eunuch.<br />

Length: 150 min<br />

Song language: Italian<br />

Conductor: Jan Schultsz<br />

Director: Stefano Mazzonis di Pralafera<br />

Choirmaster: Marcel Seminara<br />

Artists: Sabina Willeit, Daniele Zanfardino, Enrico Marabelli, Laurent<br />

Kubla, Daniele Maniscalchi, Julie Bailly<br />

Rights: HD1 European footprint + South America<br />

Recorded at opera Royal de Wallonie, February 2012<br />

DER FLIEGENDE HOLLäNDER, 2005<br />

Romantic opera in 3 acts by Richard Wagner<br />

31<br />

OPERA<br />

Wagner himself conducted the premiere of this opera<br />

at the Semper Oper in Dresden, 1843 and it’s a<br />

good example of his attempts to break with tradition<br />

moving away from conventional opera and towards<br />

music drama. Wagner claimed that it was partly<br />

autobiographical following a stormy sea crossing he<br />

undertook but whether that is true or not the haunting<br />

plot is also based on the legend of a Dutch sea captain,<br />

condemned to sail on distant seas until judgement<br />

day. His only salvation will be the true love of a faithful<br />

woman.<br />

European + Australia Broadcast Rights<br />

Length : 148 min<br />

Recorded at the Royal Theatre of La Monnaie, Brussels<br />

English translation : The Flying Dutchman<br />

Libretto : Richard Wagner after Heine’s Aus den Memoiren des<br />

Herren von Schnabelewopski<br />

Conductor : Kazushi Ono<br />

Director : Guy Cassiers<br />

La Monnaie Symphony Orchestra and Chorus<br />

Cast<br />

The Dutchman : Egils Silins<br />

Senta : Anja Kampe<br />

Daland : Alfred Reiter<br />

Erik : Torsten Kerl<br />

Mary : Jacqueline Van Quaille<br />

Daland’s Steersman : Jurg Schneider<br />

DER FLIEGENDE HOLLäNDER, 2011<br />

© Jacques Croisier - Opéra Royal de Wallonie<br />

Romantic opera in three acts. Music by Richard<br />

WAGNER. Libretto by the composer after an episode


from Die Memoiren des Herrn von Schnabelewopski<br />

by Heinrich HEINE. First performance in Dresden,<br />

Königlich Sächsisches Hoftheater, on 2 January 1843.<br />

Struck down by a curse, a Dutch captain is condemned<br />

to roam the stormy seas forever, or at leastuntil a pure<br />

young girl sacrifices her life for him in the name of<br />

love. Permitted to make port everyseven years, he<br />

experiences an impossible love which, in the end, is<br />

tragic but redeeming.<br />

Length: 160 min<br />

Song language: German<br />

Conductor: Paolo Arrivabeni<br />

Director: Petrika Ionesco<br />

Choirmaster: Marcel Seminara<br />

Artists: Mark Rucker, Manuela Uhl, Alastair Miles<br />

Rights: HD1 European footprint + South America<br />

Recorded at opera Royal de Wallonie, November 2011<br />

LA FORZA DEL DESTINO, 2008<br />

Opera in 4 acts by Giuseppe Verdi.<br />

One of Giuseppe Verdi’s most important works. A<br />

striking story of racism, revenge and impossible love.<br />

This opera presents a real challenge for directors.<br />

Verdi’s masterpiece hasn’t been performed in Brussels<br />

since 1975, so it was clearly time for a brand new<br />

staging of La Forza Del Destino. Director, Dirk Tanghe<br />

and conductor, Kazushi Ono took up the challenge<br />

to create a new and innovative staging featuring the<br />

voices of amongst others Alessandro Guerzoni, Eva-<br />

Maria Westbroek, Vassily Gerello, Zoran Todorovic.<br />

Euro1080 Broadcast + VOD Rights<br />

Length : 167 min<br />

Recorded at the Royal Theatre of La Monnaie, Brussels<br />

Conductor : Kazushi Ono<br />

Director : Dirk Tanghe<br />

32<br />

Cast<br />

Il marchese di Calatrava Alessandro Guerzoni<br />

Donna Leonora di Vargas Eva-Maria Westbroek / Lisa Houben<br />

Don Carlo di Vargas Vassily Gerello<br />

Don Alvaro Zoran Todorovich<br />

Preziosilla Marianne Cornetti<br />

Padre Guardiano Carlo Colombara<br />

Fra Melitone José van Dam<br />

Curra Carole Wilson<br />

Un alcade Roberto Accurso<br />

Mastro Trabuco Alexandre Kravets<br />

Un medico Kurt Gysen<br />

GURRELIEDER, AMSTERDAM, 2007<br />

OPERA<br />

Opera by Schönberg.<br />

Whichever way you look at it Gurrelieder is epic. A<br />

young Schönberg wrote it for a 145 piece orchestra<br />

and 120 strong Choir which explains why it is so rarely<br />

performed. The sheer number of people on stage<br />

impresses and together with the perfect acoustics of<br />

the Concertgebouw in Amsterdam they combine to<br />

bring this tragic love story of King Waldemar (Stephen<br />

Gould) and Tove (Anne Schwanewilms) to life.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 2 versions (each 140 min long) : Concert performance +<br />

version with additional visuals<br />

Music : Arnold Schönberg<br />

Words : Jens Peter Jacobsen<br />

Musical director : Mark Wigglesworth<br />

KHOvANSHCHINA<br />

LA MONNAIE, BRUSSELS, 2003<br />

Music drama in 5 acts by Modest Petrovich<br />

Mussorgsky.<br />

The first ever mass suicide on the operatic stage! And<br />

possibly Modest Mussorgksy’s greatest opera. Political<br />

intrigue, religious persecution and the plight of a nation<br />

mingle with intense stories of personal love and tragedy.<br />

Set at a turning point in Russia’s history it is a work<br />

of immense power when old and new forces clashed.


It concerns the rebellion of Prince Ivan Khovansky<br />

against Peter the Great, who was attempting to impose<br />

reforms on the country. Ultimately, Peter succeeded,<br />

the rebellion was crushed and (in the opera, at least)<br />

Khovansky’s followers committed mass suicide.<br />

European + Australia Broadcast + VOD Rights<br />

Length : 177 min<br />

Recorded at the Royal Theatre of La Monnaie, Brussels<br />

Libretto : Modest Petrovich Mussorgsky<br />

Director : Winge Stein<br />

Conductor : Ono Kazushi<br />

Cast<br />

Prince Ivan Khovanskiy : Willard White<br />

Prince Andrey Khovanskiy : Pär Lindskog<br />

Prince Vasiliy Golitsïn : Glenn Winslade<br />

Boyar Fyodor Shaklovitïy : Ronnie Johansen<br />

Dosifey : Anatolij Kotscherga<br />

Marfa : Elena Zaremba<br />

Emma : Hélène Bernardy<br />

The Clerk : Robin Leggate<br />

Varsonofyev : Jacques Does<br />

Kuzka : Marten Smeding<br />

Streshnev : Tie-Min Wang<br />

Streltsï : Pierre Doyen, Jacques Does<br />

MANON, 2012<br />

Comic opera in five acts and six scenes. Music by Jules<br />

MASSENET. Libretto by Henri Meilhac and Philippe<br />

Gille after the novel by the Abbé Prévost (Histoire du<br />

Chevalier Des Grieux et de Manon Lescaut). Éditions<br />

LEDUC-HEUGEL.<br />

First performed in Paris, Opéra-Comique, on 19 January<br />

1884.<br />

Manon Lescaut flees to Paris with the Chevalier des<br />

Grieux to escape the convent. But the couple’s<br />

resources dry up, so becoming a courtesan seems the<br />

ideal solution for mocking this society that hasn’t done<br />

her any favours. Break-up, deportation... Manon’s is a<br />

cruel fate...<br />

Length: 180 min<br />

Song language: French<br />

Conductor: Patrick Davin<br />

Director: Stefano Mazzonis di Pralafera<br />

33<br />

OPERA<br />

Choirmaster: Marcel Seminara<br />

Artists: June Anderson, Ismaël Jordi, Massimiliano Gagliardo, Marcel<br />

Vanaud<br />

Rights: HD1 European footprint + South America<br />

Recorded at opera Royal de Wallonie, June 2012<br />

LE NOZZE DI FIGARO, 2011<br />

Wolfgang Amadeus Mozart<br />

Opéra-bouffe in four acts. Music by Wolfgang Amadeus<br />

MOZART. Libretto by Lorenzo Da Ponte, after a<br />

comedy by Beaumarchais [Le Mariage de Figaro]. First<br />

performance in Vienna, Burgtheater, on 1 May 1786.<br />

© Jacques Croisier - Opéra Royal de Wallonie<br />

Count Almaviva is married, but his wayward heart<br />

prompts him to woo Susanna, his wife’s maid. To<br />

arouse the Count’s jealousy, his wife devotes herself to<br />

seducing Figaro, who is himself in love with Susanna.<br />

However the story ends happily with wedding scenes<br />

that will remain forever etched in the memory.<br />

Length: 220 min<br />

Song language: Italian<br />

Conductor: Christian Zacharias<br />

Director: Philippe Sireuil<br />

Choirmaster: Marcel Seminara<br />

Artists: Mario Cassi, Anne-Catherine Gillet, Wiard Witholt, Cinzia<br />

Forte, Jennifer Rivera<br />

Rights: HD1 European footprint + South America<br />

Recorded at opera Royal de Wallonie, October 2011<br />

PIMPINONE, OPERA BY GEORG FRIERICH<br />

TELEMANN, 2009<br />

Opera in a restaurant? It’s possible! Jamie Oliver’s<br />

Restaurant “Fifteen” was the special setting for the comic<br />

opera Pimpinone, performed by the Combattimento<br />

Consort Amsterdam. The story of the smart housemaid<br />

who manages to get her rich but dumb employer to<br />

marry her, was immensely popular when Telemann,


who at that time worked at the Hamburg Opera House,<br />

decided to use the plot for one of his own compositions.<br />

The result is this successful comic opera “Pimpinone”.<br />

Culinary and musical enjoyment go hand in hand, with<br />

the audience eating during the performance.<br />

Euro1080 Broadcast + VOD Rights<br />

Length : 86 min<br />

Comic Opera performed in “Fifteen” Jamie Oliver’s restaurant,<br />

Amsterdam<br />

THE RAKE’S PROGRESS, OPERA BY<br />

STRAvINSKY, 2007<br />

Opera in 3 acts by Stravinsky.<br />

The Québecois, Robert Lepage has forged a reputation<br />

as one of the most visionary theatre directors of our<br />

age, a man with an extravagant flair for what the French<br />

call a “grand spectacle”. He staged Stravinsky’s only<br />

full-length opera, The Rake’s Progress, in La Monnaie.<br />

Lepage updated the story about hedonist Tom Rakewell<br />

and moved it from 18th century London to Las Vegas<br />

in the fifties.<br />

Euro1080 Broadcast Rights<br />

Length : 148 min<br />

34<br />

SEEFESTSPIELE MöRBISCH<br />

DIE CSáRDáSFüRSTIN, 2002<br />

Operette in 3 acts by Emmerich Kálmán<br />

OPERA<br />

Vienna, shortly before the out-break of the First World<br />

War. At a Budapest music hall the young Count Edwin<br />

falls in love with the famous café singer Sylva Varescu,<br />

however a relationship is unthinkable because of<br />

their different social positions. After much confusion,<br />

mistaken identity and heartbreak it is discovered that<br />

Edwin’s own mother had been on the stage prior to<br />

her marriage. As a result Edwin’s father must drop his<br />

objection to the union of Edwin and Sylva.<br />

Euro1080 Broadcast Rights<br />

Length : 127 min<br />

Recorded at the Seefestspiele Mörbisch<br />

English translation : The Riviera Girl; The Gipsy Princess<br />

Libretto : L. Stein and B. Jenbach<br />

Language : German<br />

Conductor : Rudolf Bibl<br />

Director : Helmuth Lohner<br />

Cast<br />

Sylva Varescu : Vera Schoenenberg<br />

Count Edwin : Ferdinand von Bothmer<br />

Countess Stasi : Kerstin Grotrian<br />

Count Boni : Markus Werba<br />

Feri Bacsi : Frigyes Harsányi<br />

Anhilte : Mirjana Irosch<br />

Weylersheim :Harald Serafin<br />

Rohnsdorff : Michael Gampe<br />

Kiss : Gottfried Falkenstein<br />

SEEFESTSPIELE MöRBISCH<br />

GIUDITTA, 2003<br />

Operetta in 5 acts by Franz Lehár.<br />

Giuditta, Lehár’s last stage work is generally viewed<br />

as his finest, greater even than his most popular,<br />

The Merry Widow. The story concerns the beautiful<br />

but married Giuditta who takes up with the attractive<br />

army captain Octavio in North Africa, only to endure a<br />

breakup in their relationship when he is transferred and


efuses to desert. Giuditta then becomes a dancer in<br />

a nightclub and Octavio does finally desert, but when<br />

a reconciliation years later fails, the story ends sadly,<br />

though not quite tragically. With slightly darker music<br />

and a more grimly powerful ending, the work might<br />

have become a full-fledged opera in spite of its plentiful<br />

dialogue.<br />

Euro1080 Broadcast Rights<br />

Length : 116 min<br />

Recorded at the Seefestspiele Mörbisch<br />

Libretto : Paul Knepler, Fritz Löhner<br />

Language : German<br />

Conductor : Rudolf Bibl<br />

Director : Gernot Friedel, Giorgio Madia, Volker Wahl<br />

Cast<br />

Octavio : Mehrzad Montazeri<br />

Antonio : Friedrich Schwardtmann<br />

Lius : Dietrich Siegl<br />

Giuditta : Natalia Ushakova<br />

Manuele, Giuditta’s husband : Peter Uray<br />

Sebastiano : Stephan Paryla<br />

Anita : Julia Bauer<br />

Pierrino : Markus Heinrich<br />

Ibrahim : Hans Wolfgang Pemmer<br />

SEEFESTSPIELE MöRBISCH<br />

GRäFIN MARIZA, 2004<br />

Operetta in 3 acts by Emmerich Kálmán.<br />

35<br />

OPERA<br />

Countess Mariza, a young beautiful and strongminded<br />

woman announces she is getting married to<br />

Kolomán Zsupán, a fantasy figure based on a gypsy<br />

baron. This way she tries to discourage her suitors. But<br />

her marriage is announced in every newspaper and<br />

suddenly the real Kolomán Zsupán turns up. She has<br />

no other choice than to continue the charade. Her life is<br />

about to be turned upside down when she meets Béla<br />

Török, a man who is not whom he appears to be.<br />

Euro1080 Broadcast Rights<br />

Length : 157 min<br />

Recorded at the Seefestspiele Mörbisch<br />

English translation : Countess Mariza<br />

Libretto : Julius Brammer and Alfred Grünwald<br />

Language : German<br />

Conductor : Rudolf Bibl<br />

Director : Winfried Bauernfeind<br />

Cast<br />

Countess Mariza : Dagmar Schellenberger<br />

Prince Moritz Dragomir Popolescu :Harald Serafin<br />

Baron Koloman Zsupân : Marko Kathol<br />

Count Tassilo Endrödy-Wittenburg : Nikolai Schukoff<br />

Lisa : Julia Bauer<br />

Karl Stephan Liebenberg : Marko Pustisek<br />

Princess Bozena Cuddenstein zu Chlumetz : Mirjana Irosch<br />

Penizek : Edd Stavjanik<br />

Tschekko : Bernd Ander<br />

Manja : Natela Nicoli<br />

Gupsies : Lajos Padar & seine Zigeunerkapelle<br />

Dancers : Emilia Baranowicz, Emil Galazka, Jakub Spocinski<br />

SEEFESTSPIELE MöRBISCH<br />

DAS LAND DES LäCHELNS, 2001<br />

Operetta in 3 acts by Franz Lehár<br />

The high artistic standards in all areas has made the<br />

Mörbisch Lake Festival what it is today : an internationally<br />

recognised festival event and a must for all operetta<br />

fans : an operetta mecca!<br />

Das Land des Lächelns or The Land of Smiles refers to<br />

the Chinese trait of smiling, whatever happens in life.<br />

Lisa the heroine is a Viennese countess who marries a


Chinese diplomat and goes with him to his homeland<br />

disregarding the warnings of her friends and family<br />

about their irreconcilable cultural differences. In the<br />

end she gives in, she is unable to come to terms with<br />

his native culture. She leaves him and returns to her<br />

homeland. How will the diplomat cope? Will he keep<br />

on smiling?<br />

Euro1080 Broadcast Rights<br />

Length : 133 min<br />

Recorded at Seefestspiele, Morbisch<br />

LA TRAvIATA, 2012<br />

Opera in three acts. Music by Giuseppe VERDI.<br />

Libretto by Francesco Maria PIAVE after La Dame aux<br />

Camélias by Alexandre DUMAS fils.<br />

First performance in Venice, Teatro La Fenice, on 6<br />

March1853.<br />

The love between Violetta, an acknowledged courtesan,<br />

and Alfredo, the son of a good family, is an impossible<br />

love, at least in the eyes of Alfredo’s father. And the<br />

fact that Violetta drops her many lovers will not change<br />

anything. Rejected, it is illness that will make the end of<br />

her life a real ordeal.<br />

Length: 165 min<br />

Song language: Italian<br />

Conductor: Luciano Acocella<br />

Director: Stefano Mazzonis di Pralafera<br />

Choirmaster: Marcel Seminara<br />

Artists: Annick Massis, Aldo Caputo, Giovanni Meoni, Alexise Yerna<br />

Rights: HD1 European footprint + South America<br />

Recorded at opera Royal de Wallonie, April 2012<br />

IL TROvATORE, 2011<br />

Opera in three acts. Music by Giuseppe VERDI.<br />

Libretto by Salvatore CAMMARANO, after a drama by<br />

Antonio GARCÍA GUTIÉRREZ.<br />

First performance in Rome, Teatro Apollo, on January<br />

19, 1853.<br />

© Jacques Croisier - Opéra Royal de Wallonie<br />

36<br />

OPERA<br />

Count di Luna is an influential man in Spain in the<br />

fifteenth century. Yet nothing can help him: Leonora,<br />

the object of his attentions, loves another, Manrico, the<br />

Count’s hidden brother raised by a gypsy determined<br />

to avenge his mother who was burned at the stake.<br />

Tragedy is very much in the air and Love is sometimes<br />

synonymous with death.<br />

Duration: 150 min<br />

Song language: Italian<br />

Conductor: Paolo Arrivabeni<br />

Director: Stefano Vizioli<br />

Artists: Fabio Armiliato, Daniela Dessì, Giovanni Meoni, Ann<br />

McMahon Quintero<br />

Rights: HD1 European footprint + South America<br />

Recorded at Opera Royal de Wallonie, September 2011<br />

LA vERA COSTANZA, 2012<br />

Dramma Giocoso. Opera in three acts. Music by Franz<br />

Joseph HAYDN.<br />

Libretto by Francesco PUTTINI. Éditions G. HENLE<br />

VERLAG.<br />

First performance in Eszterháza, on 25 April 1779.<br />

© Jacques Croisier - Opéra Royal de Wallonie<br />

When a baronness is washed up on an unknown shore<br />

following a shipwreck, she has to trust the neighbouring<br />

fishermen to find help, for her and also for her string<br />

of suitors. A secret marriage, a hidden child and the<br />

interplay of feelings all serve to enrich a tale of dreadfully<br />

powerful deception.<br />

Length: 165 min<br />

Song language: Italian<br />

Conductor: Jesús López-Cobos<br />

Director: Elio De Capitani<br />

Artists: Federica Carnevale, Sandra Ferrandez, Andrea Puja, Arianna<br />

Donadelli<br />

Rights: HD1 European footprint + South America<br />

Recorded at opera Royal de Wallonie, January 2012


YvONNE PRINCESSE DE BOURGOGNE, 2010<br />

A tragic-comic opera in 4 acts by Philippe Boesmans.<br />

The unappealing, practically mute, Princesse Yvonne<br />

returns to the Kingdom of Bourgogne where Prince<br />

Philippe says he will marry her. However her presence<br />

at court undermines the social order and creates<br />

insecurities. The king is reminded of a fatal incident<br />

with a young mistress; the queen becomes paranoid<br />

that her secret poems have been revealed. Their son,<br />

Philippe first courts Yvonne before casting her aside.<br />

All callously agree she must be disposed of to restore<br />

the status quo. Yvonne, not only ugly but greedy too,<br />

chokes to death after being fed un-boned fish.<br />

Dörte Lyssewski gives a remarkable performance as<br />

Yvonne and by the end of the opera the audience is left<br />

wondering who is the more normal: her or the ridiculous<br />

track suit wearing King and his entourage who can only<br />

laugh at her and plot to kill her. Yann Beruon as the<br />

Prince is a role model for any tenor wishing to sing in<br />

French.<br />

Euro1080 Broadcast Rights<br />

Length : 123 min<br />

Recorded at Royal Theatre of La Monnaie, Brussels<br />

Cast<br />

Conductor: Patrick Davin<br />

Director: Luc Bondy<br />

Yvonne: Dörte Lyssewski<br />

Le Roi Ignace: Paul Gay<br />

La Reine Marguerite: Mireille Delunsch<br />

Le Prince Philippe: Marcel Reijans<br />

Le Chambellan: Werner Van Mechelen<br />

Isabelle: Hannah Esther Minutillo<br />

Cyrille: Jason Bridges<br />

Cyprien: Jean-Luc Ballestra<br />

Innocent: Guillaume Antoine<br />

Valentin: Simon Korn<br />

Le Mendiant: Marc Coulon<br />

Les Tantes: Beata Morawska, Alain-Pierre Wingelinckx<br />

La Monnaie Symphony Orchestra and Chorus<br />

DIE ZAUBERFLOTE, 2005<br />

A prince and his companion battle evil forces to rescue<br />

their princess. South African artist, William Kentridge’s<br />

interpretation may be extremely controversial but is<br />

also one of the most original and strangely beautiful<br />

opera productions of our time. The music ranges from<br />

the catchy tunes of Papageno to the flourishing intricate<br />

arias of the Queen of the Night, to the sublime music of<br />

the Sun Priest and Sarastro.<br />

Recorded at La Monnaie<br />

Length 156 min<br />

37<br />

DIE ZAUBERFLöTE, 2006<br />

Singspiel in 2 acts by Wolfgang Amadeus Mozart.<br />

OPERA<br />

Mozart’s The Magic Flute has enchanted audiences of<br />

all ages for two centuries. Steadfast Prince Tamino is on<br />

a quest for love, truth and beauty, but many challenges<br />

await him on his journey to enlightenment. A morality<br />

tale, with good jokes, action and some of the most<br />

sublime music ever written, ranging from the catchy<br />

tunes of Papageno to the flourishing intricate arias of<br />

the Queen of the Night, to the sublime music of the<br />

Sun Priest and Sarastro. The Magic Flute transports<br />

the audience bringing to life all the extravagance of the<br />

18th century.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 176 min<br />

Recorded at the Großes Festspielhaus from the Salzburger<br />

Festspiele<br />

English translation : The Magic Flute<br />

Libretto : Emanuel Schikaneder<br />

Conductor : Riccardo Muti<br />

Director : Pierre Audi<br />

Sets : Karel Appel<br />

Costumes : Jorge Jara<br />

Lighting : Jean Kalman<br />

Choreography : Min Tanaka<br />

Choirmaster : Thomas Lang<br />

Dramaturge : Klaus Bertisch<br />

Wiener Philharmoniker<br />

Konzertvereinigung Wiener Staatsopernchor<br />

Cast<br />

Sarastro : René Pape<br />

Tamino : Paul Groves<br />

Speaker of the Temple : Franz Grundheber<br />

Queen of the Night : Diana Damrau<br />

Pamina : Genia Kühmeier<br />

First Lady : Inga Kalna<br />

Second Lady : Karine Deshayes<br />

Third Lady : Ekaterina Gubanova<br />

Papageno : Christian Gerhaher<br />

Papagena : Irena Bespalovaite<br />

Monostatos : Burkhard Ulrich<br />

Two Men in Armour : Simon O’Neill, Peter Loehle<br />

Two Priests : Franz Grundheber, Xavier Mas<br />

Three Boys : Solisten der Wiener Sängerknaben


DANCE<br />

EXTENSIONS, 2012<br />

Michael Lazic Dance Concept<br />

Drifting - Solo based around the balance point of a<br />

sword<br />

Sound Study No. 1 – A Cable Duet based on the<br />

sound two dancers make by touching electric cables<br />

connected to guitar amplifiers and thus creating a wall<br />

of sound<br />

Length 40 min<br />

All Rights World Wide<br />

LISTOPADANCE : BODY IN TRANSLATION,<br />

2008<br />

Michael Lazic is one of the best new choreographers<br />

around. Trained in martial arts, tai chi and gymnastics<br />

he developed his very own, energetic dance style<br />

and language. Not only is Lazic a gifted dancer and<br />

choreographer, he also creates films and composes<br />

music. This particular work “Body in Translation”, is<br />

based around the theme of the isolation of body and<br />

mind. Challenging, contemporary and always asking<br />

questions of the viewer.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 60 min<br />

Recorded at Eurocam Media Center<br />

EXTRA : Interview with Michael Lazic plus dancers<br />

38<br />

ROYAL BALLET OF FLANDERS : BEHIND<br />

THE SCENES OF “ULYSSES”<br />

We take you behind the scenes of the Royal Ballet of<br />

Flanders as they get ready for the premiere of “The<br />

Return of Ulysses”. Find out what happens in the<br />

rehearsal studios. Witness the stressful moments as<br />

the dancers and orchestra prepare. Get to know the<br />

personalities involved, understand their hopes and<br />

dreams and share the emotional rollercoaster as the<br />

premiere approaches.<br />

Euro1080 Broadcast Rights<br />

Length : 50 min


DOCUMENTARY<br />

ANIMA ETERNA + JOS vAN IMMERSEEL<br />

BEETHOvEN’S FIFTH: A RE-DISCOvERY,<br />

2010<br />

A journey back into musical history. Jos visits Vienna<br />

where the famous 5th symphony was first performed in<br />

1808 in the “Theater an der Wien” and obtains a copy<br />

of the original manuscript complete with Beethoven’s<br />

notes. This is a unique, in-depth documentary<br />

witnessing the lengths to which Jos Van Immerseeal<br />

and his orchestra go in order to perform the music as if<br />

under the maestro’s very own baton.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 40 min<br />

Recorded at Concert Noble, Brussels<br />

BACKSTAGE AT LA BOHèME – PART 1, 2009<br />

La Bohème, the opera of Puccini, can be qualified<br />

as one of the most popular operas of all times.<br />

In Backstage at La Bohème, you experience the<br />

performance of this tragic masterwork from the wings<br />

in the English National Opera in London. This first part<br />

of the documentary is also the first part of the opera.<br />

Director Jonathan Miller, but also a number of artists<br />

such as Hanan Alattar and Alfie Boe give their vision on<br />

the production. You see the artists before they go on<br />

stage. How do they prepare? How do they handle the<br />

tension? What goes on in their minds before they give<br />

the best of themselves on stage?<br />

Euro1080 Broadcast Rights<br />

Length : 61 min<br />

BACKSTAGE AT LA BOHèME – PART 2, 2009<br />

In the second part of this documentary we take a look<br />

behind the scenes at the end of La Bohème, the famous<br />

opera of Puccini.<br />

Euro1080 Broadcast Rights<br />

Length : 98 min<br />

39<br />

BACKSTAGE AT SEMELE, 2009<br />

East meets West culture clash. Internationally acclaimed<br />

artist, Zhang Huan directs Handel’s baroque opera.<br />

An 18 tonne ancient Chinese temple was lovingly<br />

disassembled and transported around the world to<br />

become the on stage set. Not only does it have to be<br />

rebuilt in a small 19 century European opera house but<br />

there are also language and cultural barriers to overcome<br />

in order to ensure a successful performance.<br />

Euro1080 Broadcast Rights<br />

Length : 51 min<br />

Recored at The Royal Theatre of La Monnaie, Brussels<br />

DON CARLOS AUTO DA FE, 2010<br />

Behind the scenes at the Flemish Opera.<br />

In a pioneering production for the Wiener Staatsoper,<br />

the leading contemporary opera director, Peter<br />

Konwitschny staged the original five acts, French<br />

version of Don Carlos once again. Now he brings it to<br />

Belgium. Rather than allowing the audience to simply<br />

enjoy a drink during the interval, Konwitschny decided<br />

to present the Auto Da Fe where heretics are taken to<br />

be burnt. The historical and contemporary combine<br />

in this challenging scene as a Live TV broadcast<br />

(complete with presenters and TV screens) demands<br />

direct audience inter action.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 29 min<br />

Recorded at Flemish Opera, Antwerp


HERREWEGHE:<br />

THE MAN AND THE MUSIC, 2009<br />

Philippe Herreweghe is an admirer of Bach and devoted<br />

a great part of his musical career to the authentic<br />

execution of baroque music. He is also the man behind<br />

the Royal Flemish Philharmonic. EXQI Culture was<br />

lucky enough to record an access all areas portrait of<br />

this renowned Flemish conductor. Find out how he gets<br />

the best performance from his orchestra and what he<br />

does just before going on stage.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 30 min<br />

JAAP vAN ZWEDEN WITH THE ROYAL<br />

FLEMISH PHILHARMONIC:<br />

PORTRAIT OF A CONDUCTOR, 2008<br />

Nowadays he is Chief Conductor at The Royal Flemish<br />

Philharmonic, but Jaap van Zweden has an impressive<br />

international curriculum. He shared the stage with highly<br />

acclaimed orchestras, including the Orchestre National<br />

de France, the London Philharmonic, the St Petersburg<br />

Philharmonic, the Academy of St. Martin-in-the-fields<br />

and the Concertgebouworkest. EXQI Culture was given<br />

the opportunity to follow van Zweden’s resulting in this<br />

fascinating documentary.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 30 min<br />

40<br />

JOSEPH HAYDN UNvEILED, 2009<br />

DOCUMENTARY<br />

Haydn lived at a time of significant musical evolution.<br />

During his childhood, baroque traditions prevailed,<br />

while the classical style was questioned by Beethoven<br />

at the end of his life. Joseph Haydn Unveiled is a<br />

documentary showing Haydn as a brilliant composer,<br />

but also in his private life. Moreover, the documentary<br />

shows fragments from his master works, such as<br />

Armida, Die Schöpfung and Die Jahreszeiten.<br />

Euro1080 Broadcast Rights<br />

Length : 52 min<br />

POSTCARDS FROM…<br />

An exploration of Europe’s most intriguing people and<br />

places and beauty.<br />

Length : 15 to 30 min<br />

• Austria<br />

• Bulgaria<br />

• Croatia (2 episodes)<br />

• Denmark<br />

• Estonia<br />

• Finland<br />

• Hungary<br />

• Ireland<br />

• Italy<br />

• Latvia<br />

• Lithuania<br />

• Malta (2 episodes)<br />

• Norway<br />

• Romania<br />

• Slovakia<br />

• Slovenia<br />

• Sweden<br />

• Czech Republic<br />

ROYAL FLEMISH PHILHARMONIC<br />

MASTERWORKS 2009: BELA BARTOK<br />

“CONCERTO FOR ORCHESTRA”<br />

Normally a conventional concerto features a solo<br />

instrument with orchestral accompaniment. However<br />

Bartók said that he called the piece a concerto rather<br />

than a symphony because of the way each section of<br />

instruments is treated in a soloistic and virtuosic way.<br />

In a unique approach to classical performance, the<br />

programme presents a mix of documentary footage


explaining the man and the music followed by the<br />

orchestra playing live examples.<br />

Bartok had fled his beloved Hungary in the face of Nazi<br />

invasion yet the American public had not responded<br />

well to his early work. Ill and losing weight he was finally<br />

commissioned to write a piece for orchestra which he<br />

completed in 1943. Despite his personal situation and<br />

ill health, despite being miles away from his beloved<br />

homeland the overall theme is still one of Hope in the<br />

time of War.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 13 min<br />

Recorded at Eurocam Media Center<br />

Conductor Martyn Brabbins<br />

TOOTS THIELEMANS : A JAZZ LEGEND,<br />

2008<br />

This is the incredible journey from the Marolles in<br />

Brussels to the biggest clubs in New York. With archive<br />

footage of his mother Paul Simon, Billy Joel, Herbie<br />

Hancock and Kenny Werner. This is the fantastic journey<br />

of one of the best loved musicians of all time.<br />

Euro1080 Broadcast + VOD Rights<br />

Length : 52 min<br />

41<br />

DOCUMENTARY


SPECIALS<br />

DRAGONE: THE MAKING OF THE HOUSE<br />

OF DANCING WATER, 2009 - 2010<br />

Production Euro1080 and Dragone and Melco Crown<br />

Entertainment<br />

Franco Dragone changed the way we enjoy live stage<br />

shows. For 10 years he was the mastermind behind<br />

the success story that is “Cirque de Soleil”. This is the<br />

access all areas documentary following the creation<br />

of his latest masterpiece from conceptual idea to the<br />

premiere in Macau, China.<br />

It offers an exceptional insight into the genius of its<br />

creator and reveals the secret of just how to create a<br />

phenomenon. An enormous swimming pool as a set. A<br />

massive boat that rises and sinks. Gymnasts that have<br />

to learn to be high divers. High divers that have to learn<br />

to act. Actors that have to learn to swim. This show redefines<br />

the limits of the live stage show. For a year and<br />

a half cameras followed the 120 strong international<br />

team as they demonstrated breathtaking imagination,<br />

dedication and creativity.<br />

Length: 13 x 52 min<br />

The last show in the series will be a special recording 3D + 2D of the<br />

show in Macao.<br />

All Rights World Wide<br />

EXqI CIRCUS, 2009<br />

Circ’Ombelico<br />

EXQI Circus celebrates some of the best up coming<br />

young Belgian circus talent. The artistic collective<br />

Circ’ombelico brings a wonderful blend of acrobatics,<br />

circus techniques and theatre.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 38 min<br />

Crop Circus<br />

Five artists from three countries (Switzerland, France<br />

and Belgium). These five widely differing personalities<br />

each bringing their own special skills unite to form Crop<br />

Circus. Mixing theatre, acrobatics, dance and music<br />

42<br />

they create a world where the the everyday is suddenly<br />

stupefying.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 50 min<br />

GYPSY LOvE STORY<br />

“Gypsy Love Story” is a Hungarian operetta about a<br />

classic love story. Julia is the daughter of a wealthy<br />

baron. She falls in love with the poor gypsy musician<br />

Janos. An impossible love or so it seems...<br />

Worldwide Broadcast + VOD Rights<br />

Length : 62 min<br />

JOHN BARRY LIFETIME ACHIvEMENT<br />

AWARD<br />

Film Festival Ghent, 2010<br />

“He is one of the only composers I can think of that<br />

within the first 5 seconds you know exactly which tune<br />

it is and exactly which movie it’s from” David Arnold.<br />

In October 2010 the Ghent International Film Festival<br />

honoured five time Oscar winner, the late, great John<br />

Barry with its most prestigious accolade, The Life<br />

Time Achievement Award. Recorded in 3D and 2D the<br />

enigmatic and enthusiastic Nicholas Dodd conducts<br />

the Brussels Philharmonic performing selections from<br />

Barry’s legendary scores including The James Bond


Suite, Zulu, Out of Africa, Mary Queen of Scots, Dances<br />

with Wolves and Midnight Cowboy.<br />

Euro1080 Broadcast Rights on HD1 + VOD Rights<br />

Length : 107 min<br />

Recorded at Kuipke, Ghent<br />

JORGE CASTRO AND FRIENDS II<br />

LIvE IN CONCERT, 2009<br />

Tenor Jorge Castro perfomes his favorite songs in<br />

some very good company : Anita Meyer, Petra Berger,<br />

Sandra Kim, Roxeanne Hazes, Emilia Castro and Anahi<br />

Castro maken hun opwachting. The Golden Memory<br />

Orchestra accompagnies them, and the dancers of the<br />

Holland Show Ballet make it a spectacular show.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 101 min<br />

ROBERT GROSLOT FILM : “SI LE MONDE…”,<br />

2008<br />

You probably know him as the conductor of Il<br />

Novecento, the orchestra that accompanies the artists<br />

at the annual Night of the Proms. But Robert Groslot is<br />

not only a conductor. He is also a composer, graphic<br />

designer and film maker. Inspired by the sentence “Si le<br />

monde était clair, l’art ne serait pas” from the oeuvre of<br />

Albert Camus, he releases his second film project. “Si<br />

43<br />

SPECIALS<br />

le monde…” it is an art film for which Groslot created<br />

graphic paintings and a musical score. A multi-media<br />

symphonic artwork, exclusively in avant-premiere on<br />

EXQI Culture.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 37 min<br />

ROBERT GROSLOT SPECIAL, 2008<br />

Conductor, composer, graphic designer and film maker<br />

Robert Groslot recently released his second artistic film<br />

project. This special shows how “Si le monde…” was<br />

made. Robert Groslot talks about the concept and<br />

there is exclusive footage behind the scenes of the<br />

avant-premiere in the Eurocam Media Center.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 30 min<br />

vLERNIKA : LOS NIñOS DE LA GUERRA,<br />

2008<br />

Authentic Basque music mingles with incredible film<br />

archive. This artistic project traces the story of children<br />

forced to flee Spain during the Spanish Civil War and<br />

seek refuge in Belgium. Seventy years later this music<br />

especially composed by Dick van der Harst tells their<br />

story helped by visuals created by inspired and award


winning film director, Fabio Wuytack. A unique and<br />

compelling multi media project.<br />

Worldwide Broadcast + VOD Rights<br />

Length : 80 min<br />

Extra : Interview with Composer Dick van der Harst and the Director<br />

Composer/Conductor : Dick van der Harst<br />

Screenwriter : Brecht Vanmeirhaeghe<br />

Composer/Conductor : Dick van der Harst<br />

Musicians<br />

Berlinde Deman (tuba)<br />

Gilles Repond (trombone)<br />

Kurt Budé (saxophone and clarinet)<br />

Jean-Philippe Poncin (clarinet and Catalan shawm)<br />

Bart Maris (trumpet)<br />

Wim Konink (percussion)<br />

Frank Van Eycken (percussion)<br />

Ander Barrenetxea (txalaparta)<br />

Felipe Ugarte (txalaparta)<br />

Vocals<br />

Paola Bartoletti<br />

Maddi Oihenart<br />

Herline Ghekiere<br />

Anna Pardo Canedo<br />

44<br />

SPECIALS


Euro1080 broadcast rights include the following footprint: Andorra, Algeria, Austria, Belarus, Belgium, Bosnia, Bulgaria, Croatia, Cyprus, Czech<br />

Republic, Denmark, Djibouti, Egypt, Estonia, Finland, France, Germany, Gibraltar, Greece, Hungary, Iraq, Ireland, Israel, Italy, Jordan, Kuwait, Latvia,<br />

Lebanon, Libya, Liechtenstein, Lithuania, Luxembourg, Mauritania, Morocco, Netherlands, Norway, Malta, Monaco, Oman, Palestine, Poland,<br />

Portugal, Qatar, Romania, Republic of Russia, Saudi Arabia, Slovak Republic, Slovenia, Spain, Sudan, Sweden, Switzerland, Syria, Tunesia, Turkey,<br />

UAE, Ukraine, United Kingdom , Yemen


46<br />

SPECIALS

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