You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
CLASSICAL MUSIC<br />
February 2012<br />
Part of the Alfacam Group<br />
<strong>HIGH</strong> <strong>DEFINITION</strong><br />
CULTURE CONTENT<br />
Rights<br />
1
CONTENT<br />
CLASSICAL MUSIC 3<br />
ROCK, POP, JAZZ<br />
& WORLDMUSIC 17<br />
OPERA 30<br />
DANCE 38<br />
DOCUMENTARY 39<br />
SPECIALS 42<br />
2<br />
CLASSICAL MUSIC 3<br />
ROCK, POP, JAZZ<br />
& WORLDMUSIC 17<br />
OPERA 30<br />
DANCE 38<br />
DOCUMENTARY 39<br />
SPECIALS 42
CLASSICAL MUSIC<br />
12 CELLISTS IN MOSCOW, 2009<br />
The 12 cellists of the Berliner Philharmoniker performed<br />
for the first time on Easter Monday in 1974 in the<br />
Salzburg Morzarteum. Since then the cello group has<br />
surprised many music lovers with their unique sound<br />
combinations. They demonstrate how individual cellists<br />
can constitute a wonderful musical ensemble.<br />
Euro1080 Broadcast Rights<br />
Length : 90 min<br />
Recorded at Moscow Tchaikovsky Conservatory<br />
Programme<br />
Angel Dances<br />
Julius Klengel: Hymnus<br />
Astor Piazzolla: Milonga del Angel<br />
(arr. by José Carli)<br />
Gabriel Fauré: Pavane<br />
(arr. by Wilhelm Kaiser-Lindemann)<br />
Astor Piazzolla: Muerte del Angel<br />
(arr. by José Carli)<br />
Claude Debussy: La Cathedral engloutie<br />
(arr. By Rudolf Leopold)<br />
Giuseppe Verdi: Ave Maria from “Quattro pezzi sacri”<br />
(arr. by David Riniker)<br />
Astor Piazzolla: Resureccion del Angel<br />
(arr. by José Carli)<br />
Dance Around the World<br />
Jean Françaix: Presto from “Aubade”<br />
Boris Blacher: Espagnola<br />
Wilhelm Kaiser-Lindemann: The 12 in Bossa Nova<br />
Dmitri Shostakovich: Lyric Waltz<br />
(arr. by David Riniker)<br />
George Gershwin: Clap Yo’ hands<br />
(arr. By Michail Tsygutkin)<br />
Ennio Morricone: The Man With the Harmonica<br />
(arr. By Wilhelm Kaiser-Lindemann)<br />
Jorge Ben: Mas que nada<br />
(arr. by Valter Despali)<br />
Chabuka Granda: La Flor de la Canela<br />
(arr. by José Carli)<br />
Astor Piazzolla: Fuga y misterio<br />
(arr. by José Carli)<br />
3<br />
ANIMA ETERNA BEETHOvEN<br />
SYMPHONY No. 5, 2009<br />
“No period orchestra has ever sounded better”<br />
The New York Times.<br />
A handful of times per year, this group of specialists<br />
from all over Europe, the United States, Japan and<br />
Australia meet for three or four weeks to prepare and<br />
perform the new programme with constant reference to<br />
the historical context and original intentions. In the field<br />
of 19th Century music, no other orchestra in the world<br />
goes to such lengths all of which makes this a unique<br />
high energy performance of Beethovens’ famous work<br />
in the regal setting of the Concert Noble in Brussels.<br />
This is Beethoven as the maestro himself intended.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 42 min<br />
Recorded at Concert Noble, Brussels<br />
Conductor: Jos van Immerseel<br />
Documentary also available see ‘Documentaries’<br />
Programme<br />
L. von Beethoven, Symphony in c n° 5 (1808);<br />
Die Geschöpfe des Prometheus - Ouvertüre<br />
BENJAMIN STEENS AND JACqUES-<br />
ANTOINE BRESCH PLAY BACH, 2009<br />
A baroque encounter between Benjamin Steens on<br />
the clavichord and Jacques-Antoine Bresch on the
flute. In the beautiful setting of Chateau Freÿr, with a<br />
neat technique and rhythmical precision, this musical<br />
duo bring in a masterly touch to a selection of Bach<br />
masterpieces.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 29 min<br />
Recorded at Chateau Freÿr, Dinant<br />
HET BRONZEN HART, 2007<br />
The grand oratory “Het Bronzen Hart” was composed<br />
in 1961 as an ode to the St. Rombouts Cathedral and<br />
its carillon. To celebrate the 100th anniversary of the<br />
birth of composer Gaston Feremans, “Het Bronzen<br />
Hart” was performed in this tremendous setting with<br />
an immense choir of 250 singers, a children’s choir, a<br />
symphonic orchestra and of course the carillon.<br />
Euro1080 Broadcast Rights<br />
Length : 79 min<br />
Recorded at St Rombouts Cathedral Mechelen<br />
Programme<br />
• Concerto Grosso per Orchestra (1956) “In stile dei maestri<br />
antichi” by Gaston Feremans<br />
• Concerto for trumpet and orchestra (1937) opus 49 by Marinus<br />
de Jong<br />
• Oratorium Het Bronzen Hart (1961) by Gaston Feremans<br />
Soloists<br />
Evelyne Bohen (soprano), Bruno De Jonghe (bariton), Carl<br />
Van Eyndhoven and Eddy Mariën (carillon) and Andrei Kavalinski<br />
(trumpet)<br />
Chorale Caecilia (Antwerp), Koninklijk Familiakoor Elsdonk (Edegem),<br />
Onze-Lieve-Vrouwkoor (Mechelen), Antwerps Kathedraalkoor,<br />
Clari Cantuli (Kessel-Lo), Brussels Philharmonic Orchestra.<br />
BRUSSELS PHILHARMONIC CHOIR<br />
BRAHMS’ EIN DEUTSCHES REqUIEM, 2008<br />
The Toccata and Fuga in D is perhaps the most famous<br />
organ piece by Johann Sebastian Bach. Leopold<br />
Stokowski’s adaptation of the work made it even more<br />
4<br />
CLASSICAL MUSIC<br />
famous not least since the symphonic version was<br />
used in the opening part of Walt Disney’s “Fantasia”.<br />
Stokowski is considered one of the greatest conductors<br />
of the 20th century and is responsible for making the<br />
music of many contemporary composers (Mahler,<br />
Stravinsky, Schönberg) more accessible for audiences.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 63 min<br />
Recorded at Stadsschouwburg Leuven<br />
Bach by Stokowski<br />
Conductor : Richard Egarr<br />
Programme<br />
Bach/Stokowski : Toccata & Fuga in D<br />
Ralph Vaughan Williams : Symphonie nr 9<br />
Purcell/Stokowski : Suite<br />
Palestrina/Stokowski : Adoramus Te<br />
Bach/Stokowski : Aria (Suite nr 3)<br />
Cesti/Stokowski : Tu Mancavi<br />
Pjotr Tsjaikovski : Slavic March<br />
BRUSSELS PHILHARMONIC CHOIR<br />
CHŒUR@CŒUR, 2008<br />
Choir at the heart of everything. A belief that the Flemish<br />
Radio Choir and the amateur choir, Musa Horti share.<br />
They join forces in this programme to reveal the best<br />
of their repertoire. The “Messe pour double choeur”<br />
by Frank Martin is simple yet devotional and was<br />
doubtless influenced by him aged just ten hearing
Bach’s St Matthew’s Passion. Vic Nees’s “Stella Maris”<br />
is remarkably sensitive and religiously inspired. Apart<br />
from these modest and poetic masterpieces the<br />
programme also features new works from Alain De Ley<br />
and established classics from Gustav Mahler.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 77 min<br />
Recorded at Jezuit Church Lier<br />
Programme<br />
• Gustav Mahler/Clytus Gottwald – Ich bin der Welt abhanden<br />
gekommen<br />
• Alain De Ley – Carmen 101 for double choir and solo soprano<br />
• Vic Nees – Stella Maris for choir, baritone solo and accordion<br />
• Frank Martin – Songs of Ariel<br />
• Frank Martin – Messe pour double choeur<br />
Vlaams Radio Koor and Musa Horti<br />
Conductor : Peter Dejans<br />
Soloists<br />
Karen Lemaire, soprano (Carmen 101)<br />
Ludo Mariën, accordion (Stella Maris)<br />
Phillipe Souvagie, baritone (Stella Maris)<br />
Eva Goudie-Falckenbach, mezzo (Songs of Ariel)<br />
BRUSSELS PHILHARMONIC CHOIR<br />
“FIRST SNOW”, 2007<br />
In the cold of Christmas, the singers from the Flemish<br />
Radio Choir bring a message of joy, love and hope<br />
in their Christmas concert. “First Snow” includes<br />
traditional, religious music as well as contemporary<br />
Christmas carols, performed in the stunning setting of<br />
St. Augustinus Church in Antwerp. Acclaimed Danish<br />
conductor, Bo Holten and the Flemish Radio Choir will<br />
definitely lift your spirits with this bright and joyful concert<br />
and don’t miss Holten’s unique explanations in between<br />
the music.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 100 min<br />
Recorded at Amuz Antwerp<br />
Extra : Interview with Conductor Bo Holten and “behind the scenes”<br />
footage during repetitions<br />
Conductor : Bo Holten<br />
Vlaams Radio Koor<br />
5<br />
Part 1<br />
• Nicolas Gombert -Hodie nobis coelorum rex<br />
• Lassus – Videntes stellam Magi<br />
• Piae cantiones<br />
• Scholares convenite<br />
• Carminalia<br />
• Jucundare jugiter<br />
• In vernalis temporis<br />
• Pipelare – Gloria<br />
•<br />
Perotinus – Viderunt<br />
CLASSICAL MUSIC<br />
Part 2<br />
• Bo Holten – First Snow<br />
• Christmas Carols<br />
• Barn Jesus I en krybbe la (arr. Niels Gade)<br />
• Jezus malusienki (arr. Alain De Ley)<br />
• Lulajze, Jezuniu (arr. Alain De Ley)<br />
• The twelve days of Christmas (English traditional)<br />
• Noël nouvelet (French traditional)<br />
• Guillaume Bouzignac – Noe pastores cantata canticum novum<br />
• Laat ons met Herten Reyne (arr. Roland Coryn)<br />
• Der er noget I luften (arr. Bo Holten)<br />
• Lovet vaere dus Jesus Krist!<br />
• Sikken voldsom traengsel og alarm (arr. Bo Holten)<br />
BRUSSELS PHILHARMONIC<br />
“HAPPY BIRTHDAY”, 2008<br />
The Brussels Philharmonic celebrates its 10th anniversary<br />
with a festive programme. The ouverture to Oberon<br />
by Weber, the Violin Concerto by Mendelssohn and<br />
the Fifth Symphony by Shostakovich are all highlights<br />
from the orchestra’s repertoire. From Weber’s fairytale<br />
atmosphere to Shostakovich’s tragic Fifth Symphony,<br />
“Happy Birthday!” is an inspiring celebration.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 93 min<br />
Recorded at Flagey Brussels<br />
Programme<br />
Carl Maria von Weber – Oberon: Ouverture<br />
Felix Mendelssohn – Vioolconcerto<br />
Dmitri Sjostakovitsj – Symfonie nr 5
BRUSSELS PHILHARMONIC CHOIR<br />
“PETITE MESSE SOLENNELLE”, 2008<br />
This is a chance to get to know another side of Rossini’s<br />
musical talent. The Italian composer is best known for<br />
his operatic offerings, but also composed religious<br />
works. His “Petite Messe Solennelle” requires only<br />
twelve singers. The Flemish Radio Choir performs in the<br />
perfect accoustics of the Concertgebouw in Bruges.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 85 min<br />
Recorded at Concertgebouw Bruges<br />
Programme<br />
• Christe eleison<br />
• Kyrie eleison<br />
• Choir : Gloria<br />
• Choir : Et in terra pax<br />
• SATB solo : Gratias agimus<br />
• ATB solo : Domine Deus<br />
• T solo : Qui tollis<br />
• SA solo : Quoniam tu solus sanctus<br />
• B solo : Cum Sancto Spiritu<br />
• Choir : Credo<br />
• SATB solo/choir:Crucifixus<br />
• S solo : Et resurrexit<br />
• SATB solo/choir : Et vitam venturi saeculi<br />
• SATB solo/choir : Prélude religieux, pendant l’Offertoire<br />
• Piano : Ritournelle<br />
• Harmonium : Sanctus<br />
• SATB solo/choir : O salutaris hostia<br />
• S solo : Agnus Dei<br />
• A solo/choir<br />
Conductor : Bo Holten<br />
Soprano : Liesbeth Devos<br />
Alto : Annelies Dille<br />
Tenor : Ivan Goossens<br />
Baritone : Jan Van der Crabben<br />
Piano : Claire Chevallier<br />
Harmonium : Joris Verdin<br />
Choir : Vlaams Radio Koor<br />
6<br />
BRUSSELS PHILHARMONIC<br />
RAvEL “LA vALSE”, 2005<br />
CLASSICAL MUSIC<br />
Acclaimed conductor, Yoel Levi, conducts the<br />
choreographic poem “La Valse” and the piano concerto<br />
in G by Maurice Ravel, from the BOZAR in Brussels.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 38 min<br />
Recorded at the BOZAR, Brussels<br />
Programme<br />
Maurice Ravel : choreographic poem “La Valse”<br />
Maurice Ravel : Piano Concerto in G<br />
Jean-Bernard Pommier, piano<br />
Conductor : Yoel Levi<br />
BRUSSELS PHILHARMONIC: STRAUSS<br />
“ALSO SPRACH ZARATHUSTRA”, 2005<br />
The Brussels Philharmonic conducted by Yoel Levi<br />
performs the famous symphonic poem by Richard<br />
Strauss “Also sprach Zarathustra”.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 37 min<br />
Recorded at the BOZAR, Brussels<br />
Programme<br />
Richard Strauss : symphonic poem “Also sprach Zarathustra”, op. 30<br />
Conductor : Yoel Levi<br />
BRUSSELS PHILHARMONIC<br />
WEBERN, DEBUSSY & STRAvINSKY, 2009<br />
Michel Tabachnik conducts the Brussels Philharmonic<br />
in a programme that focuses on the year 1913. It was<br />
in this year that three composers created revolutionary<br />
works. Anton Webern, Claude Debussy and Igor<br />
Stravinsky all broke with conventional music tradition<br />
to put their stamp upon the contemporary music<br />
scene. Webern completed the “5 Stücke für Orkester”,
for Debussy launched “Jeux” y and Stravinsky with<br />
“Le Sacre du Printemps” which provoked a riot at it’s<br />
premiere and transformed the way in which subsequent<br />
composers thought about rhythmic structure.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 57 min<br />
Recorded at Flagey Brussels<br />
Conductor : Michel Tabachnik<br />
CHAMBER ORCHESTRA OF BELGIUM<br />
BEETHOvEN SYMPHONY NO. 3 IN E FLAT<br />
MAJOR “EROICA”, 2010<br />
Since 2008 when it made its first tentative steps onto<br />
the musical stage, the Chamber Orchestra of Belgium<br />
has built up an excellent reputation especially for fresh<br />
interpretations.<br />
Conductor, Ben Haemhouts brings passion and dynamic<br />
to the performance which captures the revolutionary<br />
moment of the music’s conception and premiere. This<br />
is a vibrant, well balanced, free flowing performance of<br />
Beethoven’s epic tragic poem.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 51 min<br />
Recorded at Eurocam Media Center<br />
Conductor: Ben Haemhouts<br />
Programme<br />
1. Allegro con brio<br />
2. Marcia funebre - Adagio assai<br />
3. Scherzo - Allegro vivace<br />
4. Finale - Allegro molto<br />
CHAMBER ORCHESTRA OF BELGIUM<br />
BENJAMIN BRITTEN SIMPLE SYMPHONY,<br />
2010<br />
Dedicated to Audrey Alston (Mrs Lincolne Sutton) who<br />
was Britten’s viola teacher during his childhood. The<br />
piece is based on eight themes which Britten wrote<br />
during his childhood (two per movement) and which<br />
he completed at age twenty. Here the string orchestra<br />
revels in the “Playful Pizzicato” passages, eases<br />
through the “Sentimental Saraband” and launches<br />
whole heartedly into the “Frolicsome Finale”.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 19 min<br />
Recorded at Eurocam Media Center<br />
Conductor: Ben Haemhouts<br />
Programme<br />
1. Boisterous bourrée - Allegro ritmico<br />
2. Playful pizzicato - Presto possibile pizzicato sempre<br />
3. Sentimental saraband - Poco lento e pesante<br />
4. Frolicsome finale - Prestissimo con fuoco<br />
7<br />
CHOIR FESTIvAL, 2006<br />
CLASSICAL MUSIC<br />
An extensive range of choirs gathered in the Eurocam<br />
Studios for this Choir Festival. The theme was<br />
Christmas but the choirs were also invited to perform<br />
the very best works from their own repertoire. Hence<br />
with pieces ranging from the classical to the modern<br />
this sequence of concerts offers a rich diversity of<br />
choral performances.<br />
Worldwide Broadcast + VOD Rights<br />
Total length : 270 min<br />
Recorded at Eurocam Media Center<br />
9 concerts featuring:<br />
• the Antwerps Cathedral Choir<br />
• Mantelius Ensemble<br />
• Arabesk, Arc Sonore<br />
• El Grillo<br />
• Encantar<br />
• Konsinjoorkes<br />
• Lirica<br />
EXqI CLASSIC, 2009<br />
Worldwide Broadcast + VOD Rights<br />
Recorded at Eurocam Media Center<br />
• Walter Boeykens<br />
Walter Boeykens built an illustrious career as a clarinet player<br />
and has played at many of the biggest international venues.<br />
Currently he teaches at the Fontys Academy in Tilburg, but<br />
luckily he also still performs.<br />
Length : 25 min<br />
• Rudy De Sutter and Christiaan Goetgeluck<br />
Rudy De Sutter has an excellent reputation as a pianist and<br />
composer. The press even compared his music to such greats<br />
as Keith Jarrett and Erik Satie. Lyrical and introverted, but also<br />
rhythmic and explosive.<br />
Pianist and composer, Christiaan Goetgeluck interprets<br />
classical and modern pieces. He composes piano concertos,<br />
classical solo pieces for piano and music for theatre, film and<br />
ballet. His is driven by creativity : “First there is knowledge and<br />
skill, then there is creativity. For me it is a continuous search<br />
for original scores, fresh ideas, beauty and emotion.”<br />
Length : 96 min
• Ksenia Morozova<br />
“Ksenia Morozova combines an uncanny natural artistry with<br />
her own individuality and maturity in her playing… Possessing<br />
an awesome technique, she expresses deep emotions and<br />
insightful musical concepts with equal and extraordinary<br />
conviction…”, says famous pianist, Nikolai Lugansky about the<br />
young (born in 1985) and very talented Ksenia Morozova.<br />
Length : 35 min<br />
• Jan Pas<br />
Cellist, Jan Pas studied in Germany and played in various<br />
orchestras, including the Mannheimer National Theater<br />
Orchester and the Stuttgart Staatsopern Orkest. In this EXQI<br />
Classic Session, he is accompanied by Stefano Vismara on<br />
piano. They perform compositions by Messiaen, Debussy and<br />
Jacqueline Fontyn.<br />
Length : 33 min<br />
8<br />
CLASSICAL MUSIC<br />
LA FENICE : “PER IL SANTISSIMO NATALE”<br />
WORLD PREMIèRE, 2008<br />
The Italian ensemble La Fenice performs baroque<br />
compositions by Donati, Monteverdi, Banchieri and<br />
other Italian masters. Old instruments including the<br />
cornet, viola da gamba and harpsichord are a key<br />
feature of their work. This is religious music but with a<br />
strong theatrical twist, recorded at the Bijloke in<br />
Ghent.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 75 min<br />
Recorded at Bijloke Ghent<br />
Conductor: Jean Tubéry<br />
Programme<br />
MYSTERI GIOSI<br />
Ave Maria gratia plena (canto fermo)<br />
Lucis creator optime (canto fermo)<br />
Giuseppe Scarani - Sonato sopra “Lucis creator optime”<br />
Cipriano de Rore/G. Battista Bovicelli - Angelus ad pastores aït<br />
Anonymous/ J.J. Van Eyck - Puer nobis nascitur<br />
Bonafazio Graziani - Venite Pastores ad sacros amores<br />
Francesco Fiamango - Sonata Pastorale a quarto<br />
Oratio Tarditi - Volate coelites, qiua natus est<br />
OTTAVIA DI NATALE<br />
Claudio Monteverdi – Exulta, filia Sion<br />
Bernardo Storace – Passacalio in modo pastorale<br />
Tarquinio Merula – Jesu dulcis memoria<br />
Giovanni Felice Sances – Vulnerasti cor meum<br />
Anonymous – Parton dall’oriente tre re per adorer<br />
Tarquino Merula – Hor ch’e tempo di dormire “sopra alla ninna”<br />
G. Battista Fontana – Sonata decimal terza (sinfonia)<br />
Biagio Marini – Con le stelle in ciel, con ritornellos
HAYDN’S “DIE SCHöPFUNG”, 2009<br />
There’s no other composition that Haydn has spent so<br />
much time on. Die Schöpfung describes and illustrates<br />
the creation story in a masterly, musical way. The work<br />
is played under direction of the conductor Klaas Stok in<br />
the Concertgebouw of Amsterdam.<br />
Euro1080 Broadcast + VOD Rights<br />
Length :102 min<br />
Recorded at Concertgebouw, Amsterdam<br />
The Netherlands Chamber Choir<br />
Concerto d’Amsterdam<br />
Conductor: Klaas Stok<br />
HERREWEGHE CONDUCTS BEETHOvEN ’S<br />
SYMPHONIES, 2006<br />
This is a special treat for all Beethoven admirers.<br />
Philippe Herreweghe conducts the full nine Symphonies<br />
of Beethoven. Herreweghe is the acclaimed Flemish<br />
conductor and founder of Collegium Vocale and the<br />
Royal Flemish Philharmonic. It’s a joy to watch him<br />
work with Beethoven’s music and the musicians of the<br />
Royal Flemish Philharmonic as well as the singers of<br />
both the Nederlands Kamerkoor and the choir of the<br />
Brussels Philharmonic (VRK).<br />
Worldwide Broadcast + VOD Rights<br />
Total length : 366 min<br />
Recorded at the BOZAR, Brussels<br />
9<br />
Nederlands Kamerkoor (choir master Klaas Stok)<br />
Vlaams Radio Koor (choir master Johan Dijck)<br />
Nederlands Kamerkoor (choirmaster Klaas Stok)<br />
Vlaams Radio Koor (choirmaster Johan Dijck)<br />
Conductor : Philippe Herreweghe<br />
“The Royal Flemish Philharmonic”<br />
Soloists<br />
Soprano : Anna Korondi<br />
Mezzo soprano : Marianne Beate Kielland<br />
Tenor : Andreas Weller<br />
Bass : Thomas Bauer<br />
Programme<br />
Symphony # 1 in C major, op. 21<br />
Length : 28 min<br />
I. Adagio molto<br />
II. Andante cantabile con moto<br />
III. Menuetto, Allegro molto e vivace<br />
IV. Allegro molto e vivace<br />
Symphony # 2 in D major, op. 36<br />
Length : 35 min<br />
I. Allegro con brio<br />
II. Larghetto<br />
III. Scherzo, Allegro<br />
IV. Allegro molto<br />
Symphony # 3 in Es flat major, op. 55, “Eroica”<br />
Length : 49 min<br />
I. Allegro con brio<br />
II. Marcia funebre, adagio assai<br />
III. Scherzo, Allegro vivace<br />
IV. Allegro molto<br />
Symphony # 4 in B flat major, op. 60<br />
Length : 37 min<br />
I. Allegro vivace<br />
II. Adagio<br />
III. Allegro vivace<br />
IV. Allegro ma non troppo<br />
Symphony # 5 in C minor, op. 67<br />
Length : 32 min<br />
I. Allegro con brio<br />
II. Andante con moto<br />
III. Allegro<br />
IV. Allegro<br />
CLASSICAL MUSIC<br />
Symphony # 6 in F major, op. 68, “Pastoral”<br />
Length : 46 min<br />
I. Erwachen heiterer Gefühle bei der Ankunft auf dem<br />
Lande : Allegro ma non troppo<br />
II. Szene am Bach : Andante molto moto<br />
III. Lustiges Zusammensein der Landleute : Allegro<br />
IV. Gewitter, Sturm : Allegretto<br />
V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm:<br />
Allegretto<br />
Symphony # 7 in A major, op. 92<br />
Length : 45 min<br />
I. Poco sostenuto, Vivace<br />
II. Allegretto<br />
III. Presto meno assai<br />
IV. Allegro con brio
Symphony # 8 in F major, op. 93<br />
Length : 26 min<br />
I. Allegro vivace con brio<br />
II. Allegretto scherzando<br />
III. Tempo di Menuetto<br />
IV. Allegro vivace<br />
Symphony # 9 in D minor, op. 125<br />
Length : 68 min<br />
I. Allegro ma non troppo, un poco maestoso<br />
II. Allegro vivace<br />
III. Adagio molto e cantabile<br />
IV. Allegro assai<br />
HERREWEGHE WITH ALICE COOTE &<br />
THE ROYAL FLEMISH PHILHARMONIC:<br />
BEETHOvEN, BRAHMS & SCHUBERT, 2008<br />
If there was one composition close to Brahms’ heart<br />
it was his Alto Rhapsody. Quite justifiably he saw this<br />
rhapsodic piece, using a meditative text by Goethe, as<br />
one of his best works. This is followed by Schubert’s<br />
“Great C Major” symphony, an audacious work in which<br />
the master of song explored all the possibilities offered<br />
by the orchestra. Philippe Herreweghe conducts and is<br />
accompanied by the much acclaimed recitalist mezzosoprano<br />
Alice Coote.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 75 min<br />
Recorded at Bozar, Brussels<br />
Programme<br />
Beethoven : Die Weihe des Hauses, ouvertüre, op. 124<br />
Brahms : Rhapsodie pour alto, op. 53<br />
Schubert : Symphonie n°9, D 944<br />
Alto Alice Coote<br />
Conductor: Philippe Herreweghe<br />
10<br />
CLASSICAL MUSIC<br />
HONG KONG CHINESE ORCHESTRA, 2009<br />
The Hong Kong Chinese Orchestra specialises in<br />
contemporary and classical Chinese music played<br />
on traditional Chinese instruments. Their charismatic<br />
conductor Yan Huichang isn’t averse to calling on<br />
audience participation. These highly skilled musicians<br />
display their versatility in two works by opera-writer<br />
Guo Wenjing, Doming Lam’s five-movement tone poem<br />
Autumn Execution and Cheng Dazhao’s YellowRiver<br />
Capriccio that has the audience joining in on hand-held<br />
rattle drums. John Howard’s Five Studies complete the<br />
programme.<br />
Worldwide Broadcast + VOD Rights<br />
Artistic Director and Principal Conductor : Yan Huichang<br />
Hong Kong Chinese Orchestra at the 2009 Klara Festival,<br />
International Brussels Music Festival<br />
Concert 1<br />
Length : approx 38 min<br />
1. Zhuang Zhou’s Dream : 26’<br />
Cello : Marie Hallynck<br />
2. Jing Qi Shen : 8’15”<br />
3. Encore – The Legend of the Condor Heroes : 2’58”<br />
Recorded at BOZAR Brussels 2009<br />
Concert 2<br />
Part 1<br />
Length : approx 41 min<br />
1. A Va Mountain : 8’30”<br />
2. Sentimentality : 12’37”<br />
3. Autumn Execution : 18’53”<br />
Leiqin : Hsin Hsiao-ling<br />
Kaxi : Guo Yazhi<br />
Recorded at Flagey Brussels 2009<br />
Part 2<br />
Length : approx 42 min<br />
1. Five Studies : 21’57”<br />
2. The Yellow River Capriccio : 14’58”<br />
Soprano : Lu Jinhua<br />
3. Encore – Racing Horse : 1’45”<br />
4. Encore – The Legend of the Condor Heroes : 3’<br />
Recorded at Flagey Brussels 2009
JAAP vAN ZWEDEN & THE ROYAL FLEMISH<br />
PHILHARMONIC : SHOSTAKOvITCH, 2008<br />
There are few symphonies as appealing as Dimitri<br />
Shostakovich’s Fifth. After being severely criticised<br />
by the political establishment, the Russian composer<br />
created this symphony to please the authorities.<br />
Whether the combination of tragedy and heroics is to<br />
be taken seriously is debatable, but undoubtedly this<br />
symphony was a highlight in Shostakovich’s career.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 46 min<br />
Recorded at Queen Elisabeth Hall Antwerp<br />
Conductor: Jaap Van Zweden<br />
Programme<br />
Symphony No. 5 in D minor, Op. 47<br />
JAAP vAN ZWEDEN & THE ROYAL FLEMISH<br />
PHILHARMONIC : “SYMPHONIE<br />
FANTASTIqUE” BY BERLIOZ, 2008<br />
International conductor, Jaap van Zweden, guides<br />
the audience through the imaginary autobiography of<br />
French composer, Hector Berlioz. His revolutionary<br />
“Symphonie Fantastique” is an orchestral odyssey : full<br />
of drama, romance and mystery.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 90 min<br />
Recorded at Queen Elisabeth Hall Antwerp<br />
Conductor: Jaap Van Zweden<br />
Extra : Documentary with Jaap van Zweden<br />
Programme<br />
Symphonie Fantastique: Épisode de la vie d’un Artiste...en cinq<br />
parties<br />
11<br />
CLASSICAL MUSIC<br />
JAAP vAN ZWEDEN & THE ROYAL FLEMISH<br />
PHILHARMONIC : TSCHAIKOvSKY, 2008<br />
During his first concert as chief conductor of The<br />
Royal Flemish Philharmonic, Jaap van Zweden chose<br />
to interpret great Russian composers. Tchaikovsky is<br />
considered the greatest Russian romantic composer<br />
and really lives up to that title in his symphonies. He knew<br />
perfectly how to translate the restraining conventions<br />
Beethoven had imposed on the symphonic genre into<br />
a new and original approach. Here, The Royal Flemish<br />
Philharmonic and Jaap van Zweden bring Tchaikovsky’s<br />
Fifth symphony to life.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 48 min<br />
Recorded at Queen Elisabeth Hall Antwerp<br />
Conductor: Jaap Van Zweden<br />
Programme<br />
Symphony No. 5 in E minor, Op. 64<br />
MAGDALENA KOZENA & THE vENICE<br />
BAROqUE ORCHESTRA, 2007<br />
Mezzo-soprano, Magdalena Kozena has been heralded<br />
as one of the finest singers of her generation. This gifted,<br />
rising star from the Czech Republic is renowned for her<br />
technical control, musical command and for her love of<br />
baroque music. Here she dovetails perfectly with the<br />
intricate playing of the Orchestra Barocca di Venezia<br />
under the demanding gaze of Conductor, Andrea<br />
Marcon. In a magical evening they perform highlights<br />
from the oeuvres of Händel and Vivaldi.<br />
Euro1080 Broadcast Rights<br />
Length : 127 min (Part 1 : 47 min, Part 2 : 40 min)<br />
Recorded at Bozar, Brussels<br />
Conductor: Andrea Marcon<br />
Programme<br />
Antonio Vivaldi :<br />
• Concerto for violin, strings en continuo<br />
• Concerto for 2 celli, strings en continuo<br />
Georg Friedrich Händel:
•<br />
•<br />
•<br />
•<br />
•<br />
•<br />
“With darkness”<br />
“O had I Jubal’s lyre”<br />
“Scherza infida in grembo al drudo”<br />
“Cara speme”<br />
“Ah mio cor”<br />
“Dopo notte”<br />
MESSIAH FOR HAITI, 2010<br />
In February 2010 the world of classical music<br />
responded to the earthquake in Haiti. Johan Geerts<br />
appealed to performers to come together and re-create<br />
“The Messiah” by G F Handel. There was an over<br />
whelming response and with a fantastic mix of soloists,<br />
singers and musicians and just one day to rehearse<br />
Paul Dombrecht took up the challenge to conduct this<br />
unique performance.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 110 min<br />
Recorded at deSingel, Antwerp<br />
Conductor: Paul Dombrecht<br />
MOZART WEEK : PIERRE-LAURENT AIMARD<br />
& TAMARA STEFANOvICH, 2009<br />
Pierre-Laurent Aimard is one of the leading performers<br />
of contemporary piano music, but he is also the ideal<br />
pianist for Mozart. At the Mozartwoche in Salzburg he<br />
is one of the artists in residence who perform Mozart,<br />
12<br />
CLASSICAL MUSIC<br />
Staud and von Webern. Tamara Stefanovich is his<br />
wonderful partner on the second piano and Jonathan<br />
Nott conducts a superb Camerata Salzburg.<br />
Euro1080 Broadcast Rights<br />
Length : 42 min<br />
Recorded in Salzburg<br />
Conductor Jonathan Nott<br />
Concert in Es-major for two pianos and orchestra KV 365<br />
Wolfgang Amadeus Mozart<br />
New piece for two pianos and orchestra - world premiere.<br />
Commissioned piece of the<br />
Internationale Stiftung Mozarteum and Festival Musica, Strasbourg<br />
Johannes Maria Staud<br />
Five pieces for orchestra op. 10<br />
Anton von Webern<br />
Serenade D-major KV 185 “Antretter-Serenade”<br />
Wolfgang Amadeus Mozart<br />
NEW YEAR’S CONCERT - GHENT, 2010<br />
The 20th anniversary of the New Year’s concert of<br />
the Rotary Club Gent Prinsenhof. They deliberately<br />
chose a romantic repertoire, played by an experienced<br />
ensemble : Het Kamerorkest. Conducted by Ivan<br />
Meylemans, this orchestra performs works of Grieg,<br />
Tchaikovsky, Handel and Strauss. Together with<br />
the versatile soprano Anne Cambier, these brilliant<br />
musicians create a fantastic atmosphere in the<br />
prestigious Aula Magna in Ghent.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 60 min<br />
Recorded at Aula Ghent<br />
Programme<br />
Edvard Grieg (1843-1907)<br />
Holberg suite, opus 40 (Fra Holbergs tid, 22’<br />
Georg Friedrich Handel (1685-1759)<br />
Oratorio arias<br />
« Piangero la sorte mia » from Giulio Cesare, 4’30<br />
« Come ever smiling liberty » from Judas Maccabeus, 3’30<br />
“Rejoice greatly” from The Messiah, 5’30<br />
Pyotr Ilyich Tchaikovsky (1840-1893)<br />
Waltz from Serenade for strings opus 48, 4’<br />
Johann Strauss (1825-1899)<br />
Pizzicato polka or Annen polka, 5’<br />
Johann Strauss (1825-1899)<br />
Frühlingstimmenwalzer, 10’<br />
“Mein Herr Marquis” from Die Fledermaus, 4’<br />
Het Kamerorkest<br />
Conductor : Ivan Meylemans<br />
Soprano : Anne Carlier
NEW YEAR’S CONCERT - GHENT, 2011<br />
Ning Kam is an exceptional violinist. She studied at the<br />
Menuhin Music Academy in London and the Cleveland<br />
Institute of Music in the USA. Not only is her playing<br />
vibrant and technically accurate but when she plays she<br />
makes the music very much her own. Ivan Meylemans<br />
takes great joy in leading the orchestra and this is very<br />
much a good natured celebration to welcome in the<br />
New Year.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 60 min<br />
Recorded at Aula Ghent<br />
Het Kamerorkest<br />
Conductor : Ivan Meylemans<br />
NEW YEAR’S CONCERT - GHENT, 2012<br />
Last year Ning Kam entranced the New Year’s audience<br />
with a dazzling display as a soloist. This year she goes<br />
one better by Conducting as well as playing. The Duet<br />
with Anouk Sturtewagen on Harp is a delight and<br />
with G. Holst Saint Pauls’Suite and Debussy’s Danse<br />
Profane et Sacrée this is the perfect way to welcome<br />
in the New Year.<br />
Length : 60 min<br />
Het Kamerorkest<br />
Conductor Ning Kam<br />
G. Holst Saint Pauls’Suite - Jig<br />
F.Mendelssohn Concerto in D minor<br />
Cl. Debussy Danse Profane et Sacrée C. Saint Saens Fantaisie<br />
Bis : diverse waltzen<br />
Rights: Worldwide<br />
Recorded at the University of Ghent January 2012<br />
LES NUITS D’ETOILES CHOIR CONCERTS,<br />
2006<br />
In Les Nuits d’Etoiles (The Nights Of The Stars), the<br />
stars in question are the members of the Ensemble<br />
Vocal d’Aquitaine, an impressive choir conducted by<br />
Jean-Yves Gaudin and the musicians of the Orchestre<br />
du Festival des Coréades. The impressive Notre-Dame<br />
church in La Rochelle is the perfect backdrop for this<br />
series of vocal highlights from the classical and opera<br />
repertoires. Soloists André Cognet (baritone), Elizabeth<br />
Vidal (soprano) and Véronique Bauer (mezzo-soprano)<br />
sing arias from “Rigoletto”, “Die Entführung aus dem<br />
Serail” and “Les Contes d’Hoffmann”.<br />
Worldwide Broadcast + VOD Rights<br />
Total length : 615 min<br />
Recorded at Notre Dame Church, La Rochelle<br />
13<br />
Orchestre du Festival des Coréades<br />
Conductor : Jean Yves Gaudin<br />
Ensemble Vocal d’Aquitaine<br />
8 concerts including<br />
1.<br />
2.<br />
3.<br />
4.<br />
5.<br />
6.<br />
7.<br />
8.<br />
CLASSICAL MUSIC<br />
Suter : “Le Laudi di San Francesco d‘Assisi”, op.25. Cantico<br />
delle creature per coro, soli, voci di ragazzi, organo ed<br />
orchestra – 75 min<br />
Mozart : “Cosi dunque tradisci” - Beethoven : Concerto for<br />
piano and orchestra No. 3, piano sonata No. 7 : Menuetto,<br />
piano sonata No. 14 : Adagio sostenuto - Lazare-Levy : Etude<br />
– 60 min<br />
Mozart : Concerto for piano and orchestra No. 23 in A<br />
major, KV 488 - Liszt :Liebesträume No. 3 in A flat major -<br />
Poulenc : Gloria, hymn in G major – 65 min<br />
Ravel : Concerto in G, Toccata - Liszt : Rhapsody No. 1 -<br />
Franck : Symphony in D minor – 80 min<br />
Mozart : Die Entführung aus dem Serail, arie “Ach ich liebte”<br />
(Konstanze) - Verdi : Rigoletto - Paganini : Violin Concerto No.<br />
1 – Bach : Andante – 60 min<br />
Offenbach : Les contes d’Hoffmann, arie “Scintille diamant”<br />
(Dapertutto) - Massenet : Hérodiade, air “Vision fugitive…”<br />
(Hérode) - Verdi : Rigoletto, air “Gualtier Malde” (Gilda) – 25<br />
min<br />
Mozart : Die Entführung aus dem Serail, “Ach ich liebte,<br />
war so glücklich”l, “Martern aller Arten” (Konstanze) -<br />
Rodrigo : Concierto de Aranjuez - Tarrega : Grande Rota<br />
- Schubert : Ave Maria - Tarrega : Recuerdos de la Alhambra<br />
- Albéniz : Asturias - Rachmaninov : Rhapsody on a Theme<br />
of Paganini, prélude, op. 23 No. 7 - Blumenfeld : Etude for<br />
piano, op. 36 – 100 min<br />
Mozart : Le nozze di Figaro, Recitativo and aria “Hai gia vinta<br />
la causa!”, “Vedro mentre io sospiro” (Almaviva), “Così<br />
dunque tradisci... Aspiri rimorsi atroci”, KV 432 - Cholley : De<br />
profundis (world premiere) – 60 min<br />
L’ORCHESTRE ROYAL DE CHAMBRE DE<br />
WALLONIE : MENDELSSOHN-BARTHOLDY,<br />
2008<br />
Augustin Dumay cuts an imposing figure on the stage<br />
not least since he is so tall. Here he not only conducts,<br />
but also plays violin in pieces by Schumann and<br />
Mendelssohn-Bartholdy.<br />
Euro1080 Broadcast Rights<br />
Length : 41 min
Recorded at Flagey, Brussels<br />
Conductor: Augustin Dumay<br />
L’ORCHESTRE ROYAL DE CHAMBRE DE<br />
WALLONIE : SCHUMANN AND MOZART,<br />
2008<br />
To celebrate the 50th Anniversary of L’Orchestre Royal<br />
de Chambre de Wallonie. Augustin Dumay conducts<br />
pieces by Schumann and Mozart.<br />
Euro1080 Broadcast Rights<br />
Length : 62 min<br />
Recorded at Flagey, Bruxelles<br />
Conductor & violin : Augustin Dumay<br />
l’Orchestre Royal de Chambre de Wallonie<br />
ROYAL FLEMISH PHILHARMONIC:<br />
CHRISTMAS CONCERT, 2007<br />
This exclusive Christmas special presents Mozart’s<br />
golden touch and two of his most beautiful symphonies<br />
lending a wonderfully warm cosiness to this Christmas<br />
celebration. Conductor, Paul Daniel also presents<br />
several concertinas tracing the emotional highs and<br />
lows of love. And as if that wasn’t enough mezzosoprano,<br />
Monica Bacelli’s vocal abilities will make the<br />
hairs on the back of your neck stand up.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 90 min<br />
Recorded at St Carolus Borromeus Church, Antwerp<br />
Conductor : Paul Daniel<br />
14<br />
Mezzo-soprano : Monica Bacelli<br />
Musical direction and piano : Paul Daniel<br />
Mezzo-soprano : Monica Bacelli<br />
Programme<br />
CLASSICAL MUSIC<br />
Mozart, Symfonie nr. 25 in g, KV 183 29’<br />
Mozart, Vado, ma dove? (concertaria), KV 583 5’<br />
Mozart, Non temer, amato bene (concertaria), KV 505 11’<br />
Mozart, Symfonie nr.41 in C (KV 551), ‘Jupiter’: Allegro vivace en<br />
Andante cantabile 15’<br />
Mozart, Alma grande e nobil core (concertaria), KV 578 4’<br />
Mozart, Symfonie nr.41 in C (KV 551), ‘Jupiter’: Menuetto (Allegretto)<br />
en Molto allegro 14’<br />
ROYAL FLEMISH PHILHARMONIC:<br />
CHRISTMAS CONCERT, 2008<br />
This traditional Christmas concert of the Royal<br />
Flemish Philharmonic focuses on Mozart and Haydn.<br />
Conductor, Philippe Herreweghe invites his orchestra<br />
together with British soprano, Rosemary Joshua to<br />
perform a selection of symphonies and arias by the<br />
master composers.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 90 min<br />
Recorded at St Carolus Borromeus Church, Antwerp<br />
Soprano Rosemary Joshua<br />
Conductor Philippe Herreweghe<br />
Programme<br />
Mozart - Symfonie nr. 27 in G, KV 199 - 22’16<br />
Mozart – Et incarnates est - 8’19<br />
Joseph Haydn – Symfonie nr. 103 in Es, Hob I:103<br />
“Mit dem Paukenwirbel” - 20’28<br />
Mozart – Zeffiretti lusinghieri - 6’09<br />
Joseph Haydn – Symfonie nr. 103 in Es, Hob I:103<br />
“Mit dem Paukenwirbel” - 9’29<br />
Mozart – Exsultate, jubilate, KV 165 - 14’06
ROYAL FLEMISH PHILHARMONIC:<br />
CHRISTMAS CONCERT, 2011<br />
A beautiful setting for a beautiful time of year and<br />
Herreweghe and the Royal Flemish Philharmonic do<br />
not disappoint.<br />
Length : 75 min<br />
Christmas Concert in The Royal Palace 2011<br />
The Royal Flemish Philharmonic<br />
Conductor Philippe Herreweghe<br />
F. J. Haydn Symphonie n° 85 en si bémol majeur<br />
Symfonie in Bes, “La Reine”, Hob. I:85 F. Mendelssohn-Bartholdy<br />
Concerto n° 2 en mi mineur, pour violon et orchestre<br />
Vioolconcerto nr. 2 in e, op. 64 F. Mendelssohn-Bartholdy “Infelice!<br />
Già dal mio sguardo”, op.94 F. Mendelssohn-Bartholdy Elias<br />
F.Gruber Stille Nacht<br />
Liya Petrova, violon/viool<br />
Olga Kindler, soprano/sopraan<br />
Shadi Torbey, baryton/bariton<br />
Sulki Yu, violon/viool<br />
Recorded at the Royal Palace, Brussels December 2011<br />
ROYAL FLEMISH PHILHARMONIC<br />
MASTERWORKS 2009: BELA BARTOK<br />
“CONCERTO FOR ORCHESTRA”<br />
This curiously entitled concerto combines elements<br />
from Bach fugues to Schoenberg’s atonality that had<br />
touched Bartok throughout his creative years, while all<br />
the melodies, harmonies and rhythms are coloured by<br />
Bartok’s beloved Hungarian folk music. A wondrous,<br />
vibrant and spontaneous-sounding celebration of life,<br />
beginning with a primordial coalescing of consciousness<br />
and culminating in an explosive outburst of defiant<br />
vitality.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 41 min<br />
Recorded at Eurocam Media Center<br />
Conductor Martyn Brabbins<br />
15<br />
CLASSICAL MUSIC<br />
ROYAL FLEMISH PHILHARMONIC<br />
MASTERWORKS 2010: NIKOLAI RIMSKY<br />
KARSAKOv “SHEHERAZADE”<br />
Based on the stories from “The Thousand and One<br />
Nights” this is a real taste of the orient. Sensuality meets<br />
jeopardy as Sheherazade tells ever more engaging<br />
stories to save her own life. As Korsakov said in his<br />
autobiography “The program which guided me during<br />
the composition of Sheherazade was formed of single,<br />
disconnected scenes or pictures from The Thousand<br />
and One Nights distributed among all four movements:<br />
the sea and Sinbad’s ship, the fantastic tale of the<br />
Kalander Prince, the prince and the princess. These<br />
pictures are joined together by the introductions to the<br />
first, third, and fourth movements, and the intermezzo<br />
of the third movement--four short sections for violin<br />
solo, which are associated with Sheherazade, and at<br />
the same time are supposed to portray the way in which<br />
she told her wondrous tales to the grim Sultan.”<br />
Worldwide Broadcast + VOD Rights<br />
Length : 45 min<br />
Recorded at Eurocam Media Center<br />
Conductor Martyn Brabbins<br />
ROYAL FLEMISH PHILHARMONIC<br />
PERFORMS GRIEG’S “PEER GYNT”, 2007<br />
The Royal Flemish Philharmonic orchestra has an<br />
excellent international reputation. Indeed in 2008 alone
they toured China, Japan, Germany and the Netherlands.<br />
Exclusively for EXQI Culture, they recorded three<br />
classical pieces both for CD and DVD in specially built<br />
acoustic Eurocam Media Center studios.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 25 min<br />
Recorded at Eurocam Media Center<br />
Performed by the Royal Flemish Philharmonic Orchestra<br />
Conductor : Rudolf Werthen<br />
ROYAL FLEMISH PHILHARMONIC<br />
PERFORMS TCHAIKOvSKY’S “THE<br />
NUTCRACKER”, 2007<br />
Worldwide Broadcast + VOD Rights<br />
Length : 30 min<br />
Recorded at Eurocam Media Center<br />
Performed by the Royal Flemish Philharmonic Orchestra<br />
Conductor : Rudolf Werthen<br />
ROYAL FLEMISH PHILHARMONIC<br />
PERFORMS TCHAIKOvSKY’S “SWAN<br />
LAKE”, 2007<br />
Worldwide Broadcast + VOD Rights<br />
Length : 35 min<br />
Recorded at Eurocam Media Center<br />
Performed by the Royal Flemish Philharmonic Orchestra<br />
Conductor : Rudolf Werthen<br />
TARO HAKASE LIvE AT CADOGAN HALL,<br />
LONDON, 2008<br />
Eccentric hair, a sense of humour and an exceptional<br />
performance by the famous Japanese violinist, in<br />
London.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 90 min<br />
Recorded at Cadogan Hall, London<br />
16<br />
CLASSICAL MUSIC
ROCK, POP, JAZZ & WORLDMUSIC<br />
ABSYNTHE MINDED, 2005<br />
Belgian band Absynthe Minded blends elements of<br />
pop, rock, blues and jazz into a unique sound : violin,<br />
acoustic guitar, bass and piano accompanied by the<br />
sweet sounding voice of singer Bert Ostyn. After coming<br />
second in Humo’s Rock Rally, Absynthe Minded soon<br />
released their first album “Acquired Taste”. In 2005, the<br />
second CD “New Day” came out, proving that Absynthe<br />
Minded has much more to offer.<br />
Worldwide Broadcast + VOD Rights<br />
Length :Part 1: 13 min, Part 2: 13 min<br />
Recorded at TMF Palm Live Sessions, Mol<br />
AMIGO AYER Y HOY CONCERTS, 2006-2007<br />
Euro1080 Broadcast + VOD Rights<br />
Concerts of 60 min each<br />
Recorded at Hotel Amigo, Brussels<br />
Amigo Ayer y Hoy is an International Music Festival<br />
first launched in December 2006. Presenting intimate<br />
concerts of world music with artists unusually content<br />
to talk to their public during the concerts.<br />
17<br />
Season One<br />
Series One focused on the “Mediterranean character”<br />
via both renowned artists and new talent such as:<br />
• Charbel Rouhana (Lebanon). The ancient art of Lute playing<br />
reborn.<br />
• Javier Conde (Spain). Flamenco guitar wonder at only 19<br />
years old.<br />
• Palmo Venneri (Italy). “During my performance, I experienced<br />
an intense moment of music, history, literature and human<br />
touch all brought together through EXQI.”<br />
• Joaquin Achucarro (Spain). More than 60 years of experience<br />
and he has been awarded the two highest honours in<br />
Spain : the Premio Nacional de Musica and the Gold Medal of<br />
Fine Arts.<br />
• Katia Guerreiro (Portugal), Cult Fado Diva and the New Icon<br />
of Fado.<br />
AMIGO AYER Y HOY CONCERTS, 2007-2008<br />
Euro1080 Broadcast + VOD Rights<br />
Concerts of 60 min each<br />
Recorded at Hotel Amigo, Brussels<br />
Season Two<br />
Following the successful first series the 2007-2008 the<br />
second series features even bigger names including :<br />
• Andrea Griminelli with the Cremona String Quartet.<br />
Discovered by Pavarroti he went on to tour with the great man<br />
and indeed even played at his funeral. From Bizet to Mozart to<br />
“The Mission” this is diverse, dynamic and delicious. It is often<br />
hard to believe that there is only one flute player in the room.<br />
• Simon Trpcesky.<br />
Gifted pianist, Simon Trpcesky performs<br />
pieces by Chopin and Debussy. His playing is intense and the<br />
audience are so charmed that they demand no less than 3<br />
encores.<br />
• Aldo Granato. A young artist and band combining the<br />
traditional Yiddish way of playing the accordion with<br />
contemporary music styles such as jazz and elektro.<br />
• Kathleen McCall & Mario Augustini.<br />
Two renowned opera<br />
voices join forces to sing some beautiful arias from the opera<br />
repertoire.<br />
•<br />
Giampaolo Bandini & Cesare Chiacchiaretta
ARID, 2010<br />
It may be an intimate club setting but lead singer,<br />
Jasper Steverlinck still manages to give a big stadium<br />
performance. With a dynamic vocal range and<br />
sounding a little like Keane the band also share the<br />
same contemplative approach to song writing. Having<br />
started their career by winning talent competitions<br />
they went on to tour the USA and Europe alongside<br />
Counting Crows and Suede. Now they are back with<br />
their 4th album Under the Cold Street Lights.<br />
Worldwide Broadcast + VOD Rights<br />
Length :37 min<br />
Recorded at Eurocam Media Center<br />
ARNO LIvE IN OSTEND, 2009<br />
Possibly the biggest Belgium export after chocolate.<br />
For 40 years, Arno has provided a stream of biting,<br />
thoughtful and thought provoking songs.<br />
Now he returns to his home town of Ostend to re-work<br />
some of his greatest hits. Accompanied by his band<br />
18<br />
ROCK, POP, JAZZ & WORLDMUSIC<br />
and 17 international musicians and singers this is the<br />
first time in 10 years that Arno has permitted a TV<br />
recording of one of his concerts. Don’t miss the big,<br />
brass additions to the all time classic Putain Putain, the<br />
unadulterated fun of Bathroom Singer or his interesting<br />
lyrical take on his beloved Brussels.<br />
Euro1080 Broadcast + VOD Rights<br />
Length :Part 1: 50 min, Part 2: 50 min<br />
Recorded at Theater aan Zee, Ostend<br />
ARRAS MAIN SqUARE FESTIvAL, 2009<br />
Euro1080 Broadcast + VOD Rights<br />
• Moby<br />
He is familiar in many music genres and is probably one of the<br />
most famous vegetarians in the world. Moby plays his famous<br />
and less famous hits at the Main Square Festival in Arras.<br />
Length : 26 min<br />
• Lily Allen<br />
The young British pop princess brings pure feel good music.<br />
Recognisable tunes, sharp lyrics and of course the prominent<br />
appearance of Lily Allen : live at the Main Square Festival in<br />
Arras.<br />
Length : 53 min<br />
• Placebo<br />
The rock gods of Placebo play before a wild crowd in the<br />
French city of Arras. The soaring guitars, famous hits and new<br />
songs from the recent album “Battle for the sun” clearly left<br />
nobody untouched. Undoubtedly one of the most remarkable<br />
concerts of the 2009 edition of the Main Square Festival.<br />
Length : 77 min
• Kaiser Chiefs<br />
Britpop of the highest level. +feel good sing-a-long familiarity.<br />
Length : 60 min<br />
• Amy MacDonald<br />
Her debut album “This Is the Life” was a massive success.<br />
Inspired by Pete Doherty, the Red Hot Chili Peppers, Ewan<br />
McGregor and Jake Gyllenhaal, this 22 year-old Scot plays a<br />
mix of pop and folk.<br />
Length : 51 min<br />
• Bloc Party<br />
Strong rhythms, strong melodies and Kele’s tenuous and<br />
cutting vocals. The post-punk and rock band from London play<br />
their hits at the Main Square Festival in Arras.<br />
Length : 61 min<br />
ARRAS MAIN SqUARE FESTIvAL, 2011<br />
Rights: HD1 European footprint + Brazil<br />
• Cold War Kids<br />
Length: 58 min<br />
An indie rock band from Fullerton, California, USA with a name<br />
inspired by a trip to an Eastern European playground where<br />
statues had been dumped following the fall of Communism.<br />
With a hint of “The Killers” and a heavy use of guitar riffs this is<br />
a set of gold old fashioned pop-rock.<br />
• Elbow<br />
Length: 60 min<br />
With their exceptional album “Seldom Seen Kid” Elbow really<br />
hit the big time and now they look like they are truly reveling in<br />
the massive audiences on the festival scene. In the glorious<br />
setting of La Citadelle in Arras their classic hits like “One Day<br />
Like This” seem even more anthemic.<br />
• Kaiser Chiefs<br />
Length: 58 min<br />
Energy, fun and not a little gratuitous violence as microphone<br />
stands are sent flying. Front man Ricky Wilson entertains via<br />
a mixture of tracks from their four albums with songs like “Oh<br />
My God” and “I Predict a Riot” and “Never Miss a Beat” never<br />
failing to cause a frenzy.<br />
• Moby<br />
Length: 32 min<br />
He might make up some of his lyrics but he is always having<br />
fun and doesn’t fail to serve up his best known songs such as<br />
“Why Does My Heart Feel So Bad”.<br />
• PJ Harvey<br />
Length: 56 min<br />
Dressed in what appears to be a wedding dress with some<br />
19<br />
ROCK, POP, JAZZ & WORLDMUSIC<br />
sort of feather headdress this is a journey through the haunting<br />
vocals and assorted instruments that inhabit the world of PJ<br />
Harvey.<br />
• Two Door Cinema Club<br />
Length: 45 min<br />
Quirky and energetic with catchy melodies. With their<br />
memorable synthesiser based tunes, the band pounds out<br />
songs from their debut album “Tourist History” creating a nonstop<br />
dance party for festival goers.<br />
• White Lies<br />
Length: 60 min<br />
Hailing from West London “White Lies” are not short of<br />
confidence. Front man, Harry McVeigh demands the crowd<br />
give it their all and in return rewards them with intimate<br />
exchanges. Powerful and energetic not least during their<br />
familiar singles “Unfinished Business” and “Death”.<br />
BRUSSELS JAZZ ORCHESTRA FEATURING<br />
DAvID LINX, 2008<br />
He is a singer, composer, lyricist and producer but most<br />
of all David Linx is an acclaimed jazz vocalist who has<br />
worked with some of the greats in the jazz scene. His<br />
last Album “Changing Faces” recorded with the<br />
Brussels Jazz Orchestra was released in October 2007.<br />
This is an intimate recording of the concert following<br />
the CD release.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 98 min<br />
Recorded at Eurocam Media Center<br />
Vocals : David Linx<br />
Programme<br />
Hoppin’ Around<br />
Deep Night<br />
There Is You<br />
Black Crow<br />
Bilhete<br />
Miziane<br />
Land Of Joy<br />
Down On Lovers Lane<br />
A Day’s Journey<br />
Then We’ll Be Home<br />
Sweet Suite<br />
For The Time Being
EUROPEAN YOUTH MUSIC FESTIvAL<br />
NEERPELT, 2007, 2008, 2009<br />
Ever since 1953, at the start of May the population<br />
in the city of Neerpelt nearly doubles. Thousands of<br />
young people from all around Europe come to this little<br />
town in North Limburg. The European Music Festival<br />
for Young People. The result is a wonderful blend of<br />
youthful enthusiasm and impressive musical abilities.<br />
Worldwide Broadcast + VOD Rights<br />
Recorded at Eurocam Media Center<br />
2007<br />
Performances include Trio Scintilla, Percussie-ensemble<br />
Tessenderlo, Duo Sint Petersburg and Puchheimer<br />
Jugendkammerorchester.<br />
Length : 50 min<br />
2008<br />
With young singers from Germany, Slovenia and even<br />
Australia and Russia, this is a top class multicultural<br />
music festival. The winning choirs of the European<br />
Youth Music Festival in Neerpelt, Belgium perform<br />
a selection of their repertoire in the Eurocam Media<br />
Center studios.<br />
Length : 81 min<br />
Programme<br />
Part 1<br />
Choir concerts. The winning choirs of the European Youth Music<br />
Festival perform in the Eurocam Media Center studios.<br />
Christophorus children’s and youth choir Altensteig<br />
Can You Hear Me (B. Chillcott)<br />
Auf der Schäbische Eisenbahn (Anonymous)<br />
Fiddle-de-dee (K. Bikkembergs)<br />
Gloria (L. Delibes)<br />
Young Voices Adelaide<br />
Sesere Eeye (Traditional song and dance of the Torres Street Islands)<br />
Oye! (J. Papoulis)<br />
Inanay (Traditional aboriginal song as arranged by L. Bennet)<br />
Festive Alleluia (L. Williams)<br />
Mary Did You Know (M. Lowry & B. Green)<br />
Festival Sanctus (J. Leavitt)<br />
20<br />
ROCK, POP, JAZZ & WORLDMUSIC<br />
Coeur de Chambre de l’école de musique pour les enfants no 2<br />
Sound of the Trumpet (H. Purcell)<br />
Poputiraia Pesnia (M. Glinka)<br />
Mountain’s Peaks (A. Rubinstein)<br />
Sleeping Song (G. Sviridov)<br />
Tu Reka Li Maya Rechenka (Anonymous - arranged by A. Zyadov)<br />
Part 2<br />
Choir concerts. The winning choirs of the international music festival<br />
in Neerpelt perform their best works in the Eurocam Media Center<br />
studio.<br />
Youth Choir ‘Vocale + Cantat’ Basel<br />
Australian Spring (Noorgard/Kjoer)<br />
Es et Schneeli Geschniet (A Swiss folk song)<br />
Ranz des Vaches (A Swiss folk song)<br />
Maiteli, wann du witt go tanze (A Swiss folk song)<br />
Train (Hammond/Hazelwood)<br />
Mladinski zbor rtv Slovenia, Ljubljana<br />
Sesen (L. Lebic)<br />
Ruj (Kunar)<br />
Igraj Kolce (J. Jez)<br />
Strah (K. Rustinek Rakar)<br />
Children’s Choir “Cantabile”, Novortroitsk<br />
Vo Luzyakh (A Russian folk song, arranged by A. Lyadov)<br />
Rechenka (A Russian folk song, arranged by A. Lyadov)<br />
Vejsya, vejsya (A Russian folk song, arranged by A. Sapozhnikov)<br />
Fiddle-de-dee (K. Bikkembergs)<br />
Aglepta (A Mallnas)<br />
Vejsya, vejsya (A Russian folk song, arranged by A. Sapozhnikov)<br />
Carnival’s Princess (O. Yurginshtein)<br />
Programme 2009<br />
Blazersensemble Stedelijke Muziekacademie Deurne<br />
Dirigent: Dirk Van Ginderen<br />
• Highlights from Lord of the Dance van Ronan Hardiman, arr. F.<br />
Bernaerts<br />
• Skala Kalloni van Sven Van Calster<br />
• Eloise van Paul Ryan, arr. P. Sparke<br />
• Triumphal march from Aida van Giuseppe Verdi, arr. F. Cesarini<br />
• Rood van J. Ewbank, arr. A. Willering<br />
De Bajantjs<br />
Dirigent: Ludo Mariën<br />
• Toccata van Girolamo Frescobaldi / Ludo Mariën<br />
• Prelude & Fuga van Johann Sebastian Bach<br />
• Concertino van Eddy Flecijn / Ruedi Marty<br />
• Air Battle van Sanford Hertz / Ludo Mariën<br />
• Le Mal-Aimable + Fruitpap van Wim Claeys / Ludo Mariën<br />
• Paardje hop, laat je rijden van Eddy Flecijn<br />
• Bruno van Bernard Loffet / Ludo Mariën<br />
Jeugdbrassband Sint-Cecilia Leest<br />
Dirigent: Johan De Win (0485-929846)<br />
Aard ensemble: brass band<br />
• Hine e Hine, een arrangement van Peter Graham<br />
• Jubilation van James Curnow<br />
• Fantasy for Trombone van James Curnow<br />
• Paragon van Roger Deronge<br />
Paul Heyman & Matilde Debaene<br />
• Eight Duets for Violin and Cello (op. 39) - Reinhold Glière:<br />
• Duo for Violin and Cello (op. 7), deel 1: Allegro serioso, non<br />
troppo - Zoltán Kodály<br />
•<br />
Images Stellaires (op. 161): Le Lion - Componist: Jean Absil
EXqI JAZZ SHOWCASES, 2009<br />
Worldwide Broadcast + VOD Rights<br />
Concerts of 45 min each<br />
Recorded at Eurocam Media Center<br />
• Pierre Anckaert Trio<br />
Pierre Anckaert was the winner of Jazz Hoeilaart in 2007. With<br />
the Pierre Anckaert Trio, he brings contemporary jazz with<br />
classical accents and latin influences. Complex themes, catchy<br />
tunes and fluent rhythms. A promising Belgian jazz trio.<br />
• Brazzaville<br />
Six musicians inspired by jazz, funk and afrobeat. Brazzaville<br />
finds inspiration in the music of Miles Davis, Sly Stone and Fela<br />
Kuti. An eclectic mixture of funky grooves, African rhythms and<br />
jazzy melodies. Discover Brazzaville performing in the Eurocam<br />
Media Center studios.<br />
• Alano Gruarin Trio<br />
As a kid he wanted to play the drums, but later he discovered<br />
the piano. Now Alano Gruarin hits the Belgian jazz stages with<br />
his fellow-musicians Werner Lauscher and Maarten Moesen as<br />
the Alano Gruarin Trio. Jazz Piano straight from the heart.<br />
• Backback<br />
Backback is an unconventional jazz trio. Filip Wauters on<br />
the guitar, Marc De Maeseneer on saxophone and Giovanni<br />
Barcella on drums. All three of them are experienced<br />
musicians in various genres. Hence, the sound of Backback is<br />
based on many styles : jazz, funk, rock and free jazz.<br />
21<br />
ROCK, POP, JAZZ & WORLDMUSIC<br />
• Alexandre Cavaliere & Pascal Mohy Duo<br />
EXQI Jazz presents a very special performance. It’s the first<br />
time that these two talented, rising jazz stars have shared the<br />
same stage. Here they launch into a selection of pieces by<br />
amongst others the great Miles Davis.<br />
• Hijaz<br />
The multi-cultural quartet Hijaz combines elements from both<br />
world music and jazz, and mixes these into a unique Europeanmeditarranean<br />
yet simultaneously jazzy sound.<br />
• Swing Dealers<br />
Soul and swing from the old days. Swing Dealers bring the<br />
swing jazz of the fifties back to life.<br />
• Fré Desmyter Quartet<br />
Pianist, Fré Desmyter is accompanied by fellow-musicians<br />
John Ruocco (tenor sax), Manolo Cabras (bass) and Marek<br />
Patrman (drums).<br />
• Sabin Todorov Trio<br />
They started out as a folk band. Nowadays, the Sabin Todorov<br />
Trio brings an explosive mixture of lyrical jazz and folk with<br />
hints of free jazz. Sabin Todorov includes the traditional Balkan<br />
music of his homeland, Bulgaria into his own compositions.<br />
If folk jazz did not exist already, surely Sabin Todorov can be<br />
considered as its inventor.
• Saxkartel<br />
Jazz in an unusual style without bass and drums. These four<br />
saxophone players may look like a chamber music ensemble<br />
but they are all about jazz. Groove, swing and improvisation are<br />
the key words for Saxkartel. Allow Kurt Vanherck, Sara Meyer,<br />
Frank Vaganée and Tom Vandyck to spice up your evening.<br />
• Ben Sluijs<br />
An intimate solo performance by Belgian saxophone player,<br />
Ben Sluijs.<br />
• Thibault Dille<br />
Young Thibault Dille started playing the accordeon when he<br />
was eight. Nowadays he is still adicted to his instrument,<br />
exploring new ways to play and perform in a jazz setting.<br />
Programme<br />
1) Improvisation # 1<br />
2) Improvisation # 2<br />
3) Letter from home (Metheny)<br />
4) Summertime<br />
5) The roots of coincidence (Metheny)<br />
6) Improvisation # 3<br />
7) Johnny & Mary<br />
8) Tango pour Claude (Galliano)<br />
9) Lilly (Perret)<br />
10) Chorinho pra elle<br />
11) Improvisation # 4<br />
12) Cherokee<br />
• Trio Florizoone-Massot-Horbaczewski<br />
When they started to play as a duo, Tuur Florizoone and Michel<br />
Massot soon discovered that accordion and tuba have a lot<br />
in common. Both instruments have a beautiful sound color<br />
and a particularly broad register. Together with cellist Marine<br />
Horbaczewski, Florizoone and Massot form a trio. During their<br />
improvisations, the three musicians get the most fascinating<br />
and moving sounds out of their instruments.<br />
Programme<br />
1) L’ acrobate<br />
2) Valse Reggae<br />
3) L’attentive<br />
4) Les Yeux Parlent Plus que la couleur des cheveux<br />
5) Babelouz<br />
6) Rue St-Géry<br />
7) Mist<br />
8) Caleidoscopique<br />
22<br />
ROCK, POP, JAZZ & WORLDMUSIC<br />
EXqI POP SHOWCASES, 2009<br />
They’re young, hip and eager to conquer the world with<br />
their music. This is a chance to see the best upcoming<br />
bands. Featuring a wide range of styles (soul, funk,<br />
rock, pop, alternative) these new faces blend a healthy<br />
amount of ambition with the energy of youth. Behind<br />
the scenes interviews also give the viewer a chance to<br />
see what really goes on at a pop concert.<br />
Worldwide Broadcast + VOD Rights<br />
Concerts of 20 min each<br />
Recorded at Eurocam Media Center<br />
•<br />
Bodyspasm<br />
Electro. Two talented deejays at work.<br />
• Buurman<br />
They released their first album “Rocky komt altijd terug”in<br />
2008 and Buurman is the upcoming band of the moment in<br />
the Dutch music scene. Singer, Geert Versnick’s poetic lyrics<br />
blend smoothly with the music of his band. This is an intimate<br />
showcase presenting songs from their debut album.<br />
• Confuse The Cat<br />
Belgian Rock with strong British influences. New Order,<br />
Interpol and Joy Division are clearly the inspiration for this<br />
promising band.<br />
• It’s a G.A.S<br />
Paul Michiels goes intimate in “It’s a G.A.S.”. G.A.S. stands<br />
for Great American Songbook, the famous collection of jazz<br />
standards on which Paul Michiels has based the programme<br />
for this concert. Pianist, Jeroen D’hoe accompanies the singer<br />
on this musical journey.<br />
• Diablo Blvd<br />
Strong guitars, pounding drums and stand-up comedian, Alex<br />
Agnew as lead singer : those are the ingredients that blend<br />
together in Diablo Blvd Pure metallic rock, Led Zeppelin style.
• Douglas Firs<br />
Young singer-songwriter Gertjan Vanhellemont a.k.a. Douglas<br />
Firs performs intimate songs. Just a guitar and a beautiful<br />
voice.<br />
• Drive like Maria<br />
This Belgian - Dutch trio produces a solid rock sound,<br />
comparable to Queens of the Stone Age and Led Zeppelin.<br />
Unusually however Drive Like Maria has a female bass player<br />
and a singing drummer.<br />
• Nice View Over Trinidad<br />
Young pop talent. Nice View Over Trinidad has a strong rock<br />
sound, influenced by Queens of the Stone Age, The Stooges,<br />
and Sonic Youth.<br />
•<br />
No Mo Trevno<br />
• Bastard Nation<br />
Bastard Nation joins the guitar talents of Carlos Dyckmans and<br />
the exceptional vocals of Joy Adegoke, the next Macy Gray. A<br />
rootsy, dreamy sound.<br />
• De Fase<br />
Anna Vercammen and Joeri Cnapelinckx produce their very<br />
own sound as De Fase. A delightful combination of Dutch<br />
lyrics, humour and a whole range of instruments including a<br />
melodica, a glockenspiel and a xylophone.<br />
• Guy Van Sande<br />
Guy Van Sande sings Bob Dylan... in Dutch. In this acoustic<br />
performance, the actor searches through the Dylan oeuvre,<br />
together with musician, Wim Van Deuren. Clearly the two of<br />
them are massive Dylan fans.<br />
23<br />
ROCK, POP, JAZZ & WORLDMUSIC<br />
• Hotel Amigo<br />
Lead singer, Jenne Decleir offers the musical equivalent of a<br />
shaken cocktail on the rocks. Lots of reggae, ska, latin, mambo<br />
and of course some rock’n roll!<br />
• Kiss of Life<br />
Myriam G.S. Mestiaen brings a mixture of soul, blues and pop<br />
in her musical project, Kiss Of Life. The press has compared<br />
her to Tori Amos and Kate Bush so you can definitely expect<br />
some female power on the Eurocam Media Center stage.<br />
• Lalalover<br />
Tom Kestens started his career in music as a member of<br />
Belgian pop band, Das Pop. Later on, he created his own<br />
musical universe as Lalalover, producing a heart-warming,<br />
soulful sound. The Flemish equivalent of Prince, live in the<br />
Eurocam Media Center studios.<br />
• Lick My Click<br />
Three men and one charismatic front lady. A mixture of<br />
Goldfrapp and Vive La Fête. Electronics with a female touch.<br />
• Malibu Stacey<br />
Their name was inspired by an episode of “The Simpsons”.<br />
Indie pop, brought with an infectious dose of enthusiasm,<br />
Malibu Stacey counts as one of Wallonia’s most talented<br />
young bands.
• Maximum Basie<br />
Maximum Basie plays soul and the blues, characterised by the<br />
husky voice of front woman, Judith Okon.<br />
• Miller<br />
When he was five , he started his musical career as a drummer<br />
on empty ice-cream boxes, pots and pans.Now though Miller<br />
has matured into a singer-songwriter who brings a rich and<br />
unique sound with his harmonic falsetto voice, an electroacoustic<br />
guitar and seven accompanying musicians.<br />
• Monkey C<br />
Monkey C is a bunch of happy go lucky friends making music.<br />
Their music is poppy and festive. The funky tunes and the<br />
sing along refrains will remain long after they have finished<br />
performing as they strive to create a summer that never ends.<br />
• Monkey Driven<br />
Before going solo, these musicians played with other bands<br />
such as Sukilove, Styrofoam and Mira. Monkey Driven<br />
performs its very own solid rock.<br />
• The Nico Van Gendt Project<br />
This promising band from Sint-Niklaas started out as a project<br />
at the Antwerp Jazz Studio. The key figure is drummer, Nico<br />
Van Gendt, but it’s mostly the singer, Kimberly Dhondt who<br />
grabs the attention with her beautiful, warm and soulful voice.<br />
• The Remedy<br />
Anne Van Hoorick and Steven Hendrickx put their musical<br />
talent into one melting pot and became The Remedy. The<br />
group’s name finds its origin in a little bar in their hometown<br />
where they discussed their plans for the first time. With piano<br />
and guitar they bring serene pop songs in English.<br />
• Saule<br />
Saule’s real name is Baptiste Lallieu, a young and very talented<br />
singer-songwriter based in Brussels. Here he performs some<br />
of his songs with his band, Les Pleureurs. Enjoy the poetic and<br />
somewhat melancholic set.<br />
24<br />
ROCK, POP, JAZZ & WORLDMUSIC<br />
• Starfucker<br />
In 2005 Starfucker was born. This Belgian version of Foo<br />
Fighters consists of four young artists determined to conquer<br />
the Belgian rock scene. Their single “Boys will be boys” was<br />
a big hit on the radio and suggests a promising future for the<br />
band.<br />
• Steak Number Eight<br />
The winners of Humo’s influential 2008 Rock Rally. Former<br />
winners of the competition include dEUS and Novastar and<br />
hence although Steak Number Eight are only 15 years old they<br />
are already on the road to success. Just days before this huge<br />
accolade EXQI Pop invited these talented youngsters into our<br />
studios to record a very special concert. They quickly proved<br />
that they were born to be on the stage so tune in and get<br />
blown away by the edgy guitar sound of Steak Number Eight.<br />
• Suck on This<br />
This cover band from The Netherlands has a penchant for<br />
genuine rock performing numbers from U2 to Coldplay to<br />
Clouseau and Rowwen Hèze.<br />
• Work<br />
Based in Brussels, the band describes its music as “intense<br />
urban blues”. Work produce Tom Waits-inspired indie blues<br />
with an alternative and layered sound. Ivo Sans, Bert Dockx<br />
and Frederic Jacques take their inspiration from a multitude<br />
of genres and rock, jazz and roots influences sparkle in their<br />
songs.
FREAKY AGE, 2010<br />
Now playing in the UK, the members of Freaky Age<br />
are only 19 but they have already produced 3 albums<br />
with catchy choruses and a hard hitting guitar sound.<br />
A cross between The Strokes and the Arctic Monkeys,<br />
they have already topped the Belgium charts with<br />
Where do you go now? and are ready to perform at<br />
some of the biggest European summer festivals.<br />
Worldwide 3D Broadcast + VOD Rights<br />
Length : 50 min<br />
Recorded at Eurocam Media Center<br />
GUIDO BELCANTO, 2008<br />
Flemish singer-songwriter, Guido Belcanto presents<br />
his new album : “Ik zou mijn hart willen weggeven.”<br />
“The new Guido Belcanto has arrived”, announced<br />
the record label about this new album. The theme of<br />
the songs is still the same - Guido Belcanto sings his<br />
pain of love and the search of romance as no other –<br />
but the musical framework sounds different. These are<br />
chansons in a rock’n’roll coat with blues sleeves and a<br />
country lining.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 55 min<br />
Recorded at Motor Music Studios<br />
25<br />
ROCK, POP, JAZZ & WORLDMUSIC<br />
GüNTHER NEEFS : MY SOUL, 2008<br />
As the son of legendary singer, Louis Neefs, Günther<br />
was always destined to follow in his father’s footsteps.<br />
Hence it is no surprise that since the early nineties,<br />
Günther Neefs has built up an impressive repertoire<br />
of his very own mix of soft jazz, pop, soul, funk and<br />
big band sounds. This concert launched his brand new<br />
album. “My Soul” which pays tribute to the glory days<br />
of the soul music label Motown.<br />
Euro1080 Broadcast + VOD Rights<br />
Length : 42 min<br />
Recorded at Eurocam Media Center<br />
HADISE, 2010
Sassy, sultry and sexy. Hadise has already produced<br />
4 albums and is TMF Award Winning in Belgium and<br />
Golden Butterfly Award Winning in Turkey. In 2009 she<br />
represented Turkey coming fourth in the Eurovision<br />
Song Contest and her Turkish origins are evident in<br />
songs like the Dum Tek Tek. However her “Jennifer<br />
Lopez” R&B sound has also helped her to a chart<br />
topping solo career.<br />
Euro1080 Broadcast + VOD Rights<br />
Length : 20 min<br />
Recorded at Eurocam Media Center<br />
ISBELLS, 2010<br />
Thoughtful, reflective and beautiful. The former<br />
drummer turned front man, Gaetan Vandewoude has<br />
the voice of an angel. This is music that washes over<br />
you bringing alternately waves of hope and melancholy.<br />
Sometimes erring towards Pop and sometimes more<br />
towards Folk where acoustic guitars mix with subtle<br />
harmonies bringing back memories of Neil Young and<br />
Nick Drake.<br />
Worldwide Broadcast for satellite + VOD Rights<br />
Length : 30 min<br />
Recorded at Eurocam Media Center<br />
JEAN MICHEL JARRE : LIvE FROM THE<br />
FORBIDDEN CITY AND TIANANMEN<br />
SqUARE IN BEIJING, 2004<br />
Jean Michel Jarre was a pioneer of electronic music<br />
and even today he continues to be at the forefront of<br />
sound evolution. Form lasers in Tian’anmen Square to<br />
immense screens carrying ecological messages in the<br />
Sahara desert to animations in Teo and Tea and the<br />
3D effects in Oxygene 30 years on. These are concerts<br />
that constantly break down borders and re-define the<br />
pop concert.<br />
Beijing has never seen anything like this. Jean Michel<br />
Jarre first played in China in 1981, becoming one of<br />
26<br />
ROCK, POP, JAZZ & WORLDMUSIC<br />
the first western musicians to be given permission to<br />
perform in the country. Jarre opened the concert with<br />
a collaboration with soloist Cheng Lin who played her<br />
erhu - a traditional Chinese stringed instrument. He<br />
treated the crowd in central Beijing to his signature<br />
synthesized music set against a laser light show.<br />
Images and colours were projected onto huge inflated<br />
white cylinders, cones and spheres over Tiananmen<br />
Square.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 120 min<br />
Recorded at Tiananmen Square, Beijing<br />
JEAN MICHEL JARRE : SOLIDARNOSC<br />
CONCERT, LIvE FROM THE LENIN<br />
SHIPYARDS IN GDANSK, 2005.<br />
Jean Michel Jarre relives the revolution in his music.<br />
To celebrate the 25th anniversary of Lech Walesca’s<br />
Solidarity movement, Jean Michel Jarre performed<br />
an energetic concert in Gdansk, northern Poland.<br />
The backdrop was the shipyard where workers went<br />
on strike in August 1980 leading to the eventual fall of<br />
communism in Poland. The setting includes a moving<br />
crane lit from the inside, and the hanger door opening<br />
to reveal an orchestra surrounded by sparks from metal<br />
welding.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 125 min<br />
Recorded in Gdansk
JEAN MICHEL JARRE : WATER FOR LIFE<br />
CONCERT, LIvE FROM THE SAHARA, 2006.<br />
Jean-Michel Jarre performs in the breathtaking<br />
“moving” sand dunes of Merzouga.<br />
The Water For Life concert took place on the 16th<br />
December 2006 in the Sahara, close to Merzouga. Jean<br />
Michel Jarre performed exclusively in the middle of the<br />
desert with the Symphonic Orchestra of Rabat and local<br />
musicians to highlight the problems of water supply in<br />
the world. Now you can re-live the desert atmosphere,<br />
absorb the amazing sound and indulge in the images of<br />
the off-piste desert with its sugar-soft dunes.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 135 min<br />
Recorded at Merzouga<br />
JEAN MICHEL JARRE : TéO & TéA : LIvE DvD<br />
SHOWCASE, 2007<br />
As a pioneer of electronic music, Jean Michel Jarre<br />
continues to be at the forefront of sound evolution. He<br />
showcased his new CD and DVD on the 28th of March<br />
at the Eurocam Media Center in Lint. The show kicked<br />
off with a press conference followed by an exclusive<br />
premiere of his new CD “Téo & Téa”. The images were<br />
beamed into Warner divisions all over Europe where<br />
local press groups were able to enjoy his music as well<br />
as participate in an interactive Q&A session with Jean-<br />
Michel Jarre.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 55 min<br />
EXTRA : Interview with Jean Michel Jarre<br />
Recorded at Eurocam Media Center<br />
27<br />
ROCK, POP, JAZZ & WORLDMUSIC<br />
JEAN MICHEL JARRE : OXYGèNE, 2007<br />
More than 30 years after his instant success with<br />
“Oxygène”, French pioneer in electronic music Jean<br />
Michel Jarre performs his debut album again but with<br />
ever more energy and passion.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 90 min<br />
Recorded in Paris<br />
JIM COLE : SOUL IN 2, 2008<br />
Jim Cole is a band built around 28 year old singersongwriter<br />
Jim Coleman. Funk, rock and R&B are the<br />
main ingredients of Jim Cole’s sound all mixed into<br />
a distinct contemporary feel. Crossing genres and<br />
audiences he is already being tipped to make it to the<br />
very top internationally.<br />
Euro1080 Broadcast + VOD Rights<br />
Length : 41 min<br />
Recorded at Eurocam Media Center<br />
PATRICIA KAAS, 2009<br />
A “leading lady” of the French music, live at work in the<br />
Casino de Paris. In her new album “Kabaret”, Patricia<br />
Kaas shows us her unusual talent again. Her show is full<br />
of surprises and shows us the diva she is : “ravissante”,<br />
pure and self-assured.<br />
Worldwide Broadcast Rights<br />
Length : 109 min<br />
Live from the Casino de Paris
ROWWEN HèZE, 2008<br />
During the last twenty years, Rowwen Hèze has become<br />
one of the most popular bands in The Netherlands.<br />
Singing in their own dialect, they’ve created songs that<br />
are now classics, such as “Bestel mar” and “Limburg”,<br />
an ode to their home region. Rowwen Hèze even rose<br />
to fame in the Belgian folk scene. For their theatre tour<br />
“Saus” they invited six guest musicians. It’s a show<br />
filled with exuberant songs and melancholic ballads,<br />
describing daily life in a funny yet recognizable way.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 90 min<br />
Recorded at Parkstad Theater Heerleen, Limburg<br />
SCHOOL IS COOL, 2010<br />
High octane folk and a breath of fresh air for the musical<br />
scene. With the joy of youth they swap instruments,<br />
have drums seemingly everywhere on stage, harmonise<br />
and blend their own creations together with classic<br />
numbers like Road to Nowhere by Talking Heads. They<br />
look like they are really having fun and they are.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 30 min<br />
Recorded at Eurocam Media Center<br />
28<br />
ROCK, POP, JAZZ & WORLDMUSIC<br />
STAN vAN SAMANG, 2009<br />
Actor Stan Van Samang gave his first solo live show in<br />
the Lotto Arena in Antwerp on Saturday 14 February<br />
2009. The Entertainment Group concluded an<br />
exclusive agreement with EXQI Culture and Kinepolis<br />
to broadcast the concert live in HD and multi-camera in<br />
the Kinepolis movie theatres. Alfacam took care of the<br />
HD-recording.<br />
Programme<br />
1. That’s my desire (H. Kresa, C. Loveday)<br />
2. On a green dolphin street (B. Kaper)<br />
3. Stan’s blues<br />
4. Moonglow (W. Hudson, E. Delange, I. Mills)<br />
5. Just in time (J. Styne)<br />
6. Soft lights and sweet music (I. Berlin)<br />
7. It’s you or no one (J. Styne, S. Cahn)<br />
8. Sweet Lorraine (C. Burwell, M. Parish)<br />
9. Stomping at the Savoy (B. Goodman, A. Razaf, C. Webb,<br />
Sampson)<br />
10. Sabor a mi (Cavarillo)<br />
11. Airmail Special (Benny Goodman, Charlie Christian, Jimmy<br />
Mundy)<br />
Euro1080 Broadcast + VOD Rights<br />
Length : 93 min<br />
Recorded at Lotto Arena, Antwerp<br />
SOULSISTER, 2011<br />
They may have formed the band in 1985 but their songs<br />
have stood the test of time. In an intimate setting with<br />
stripped down songs, a dedicated audience kicks back<br />
to enjoy old classics like “Changes” and “The Way to<br />
Your Heart”.<br />
Length : 73 min<br />
Paul Michiels<br />
Jan Leyers<br />
Recorded at Eurocam Media Center, October 2011
YASMINE, 2007<br />
The late Yasmine was multi-talented. Not only did she<br />
work for radio and television, she was also a respected<br />
singer-songwriter. She enjoyed numerous popular hits<br />
and worked with Dutch musician, Thé Lau on a tribute<br />
CD to Leonard Cohen. In this show she was once again<br />
on stage with a brand new album of her own : “Licht<br />
Ontvlambaar”. Yasmine’s live performance in the<br />
Arenberg Town Hall is exclusive to EXQI Culture and<br />
showcases the remarkable talent of one of Belgium’s<br />
best female artists.<br />
Euro1080 Broadcast Rights<br />
Length : 55 min<br />
EXTRA : 30 min show where Yasmine is followed for a day<br />
YvES BROUqUI qUARTET<br />
THE BEST OF JAZZ, 2010<br />
In a uniquely intimate 3D and 2D concert recording in<br />
the famous ICP recording studios in Brussels this is a<br />
fun romp through some of the all time jazz classics like<br />
Summertime, This Time the Dream’s On Me and Saint<br />
Vitus Dance.<br />
After moving to New York in 1994 to jam with and<br />
learn from many of the jazz greats in iconic places like<br />
“Smalls Jazz Club”, Yves Brouqui became a familiar<br />
face on the jazz scene.<br />
Now he tours the world but still made time to enjoy<br />
some jazz favourites with a few of his favourite friends.<br />
29<br />
Worldwide Broadcast + VOD Rights<br />
Length : 52 min<br />
Recorded at ICP Studios, Brussels<br />
ROCK, POP, JAZZ & WORLDMUSIC<br />
Programme<br />
1. Stairway to the Stars (Signorelli)<br />
2. Be my Love (Brodszky)<br />
3. The Saint Vitus Dance (Silver)<br />
4. Summertime (Gershwin)<br />
5. This time the dream’s on me (Arlen/Mercer)<br />
6. Love Walked In (Gershwin)<br />
7. Strike Up The Band (Gershwin)<br />
8. Love Letters (Hayman/Young)<br />
9. Horacescope (Silver)<br />
10. Quicksilver (Silver)<br />
11. Autumn Leaves/Les Feuilles Mortes (Kosma)<br />
12. Who Can I Turn To (Bricusse/Newly)<br />
13. Blues In The Closet (Pettiford)<br />
14. Raincheck (Strayhorn)
OPERA<br />
AIDA. La Monnaie, Brussels, 2004<br />
Opera in 4 acts by Giuseppe Verdi<br />
One of the greatest operas of all times.<br />
Internationally acclaimed cult American director, Robert<br />
Wilson’s highly stylised and intensely dramatic staging<br />
brings a Zen-like tranquillity to Verdi’s great opera<br />
concerning the conflict between individual aspiration,<br />
tradition and duty. Sometimes reminiscent of Japanese<br />
Noh theatre this version offers a new and thoughtprovoking<br />
experience of a masterpiece.<br />
“Wilson’s production of Aida is one of his truly great<br />
creations - highly disciplined and utterly convincing...<br />
The Monnaie’s performance was superb... The<br />
outstanding cast had no weak links vocally.” Phil Ward,<br />
Opera<br />
“...the Hungarian mezzo Ildiko Komlosi is a sensational<br />
Amneris, a singer of the highest calibre and a born<br />
tragédienne. The rest of the cast is equally outstanding...<br />
Verdi’s score acquired a chamber-music quality and the<br />
subtle instrumental details were lovingly underlined. A<br />
stunning production, not to be missed.”<br />
The Bulletin<br />
European + Australia Broadcast Rights<br />
Length : 152 min<br />
Recorded at the Royal Theatre of La Monnaie, Brussels<br />
Libretto by Antonio Ghislanzoni<br />
Conductor : Kazushi Ono<br />
Director, Sets, Lighting : Robert Wilson<br />
Costumes : Jacques Reynaud<br />
Choreographer : Makram Hamdan<br />
Choirmaster : Piers Maxim<br />
La Monnaie Symphony Orchestra and Chorus<br />
Cast<br />
Aida : Norma Fantini<br />
Radamès : Marco Berti<br />
Amneris : Ildiko Komlosi<br />
Amonasro : Mark S. Doss<br />
Ramfis:Orlin Anastassov<br />
Il Re : Guido Jentjens<br />
Una Sacerdotessa : Michela Remor<br />
Un Messagero : André Grégoire<br />
30<br />
LA BOHèME, 2009<br />
Opera in 4 acts by Giacomo Puccini<br />
The long awaited return of the opera director, Jonathan<br />
Miller to the English National Opera in London. With<br />
numerous of his operas still running in some of the<br />
world’s greatest theatres, Miller finally comes “home”<br />
and sets Puccini’s story in Paris in the thirties. He also<br />
opts to give the opera the unique visual feeling of a<br />
sepia photograph. Young opera stars take the leading<br />
parts : Alfie Boe plays the poet Rodolfo, and the young<br />
soprano Melody Moore is his beloved Mimi. Miguel<br />
Harth-Bedoya is the conductor.<br />
Euro1080 Broadcast Rights<br />
Length : 90 min<br />
Recorded at The English National Opera, London<br />
DON qUICHOTTE, 2010<br />
Opera in 5 acts by Jules Massenet.
Don Quichotte dreams of a fair world. Accompanied<br />
by his faithful squire, Sancho Panza, the knight errant<br />
wanders Spain in search of heroic victories. The<br />
battle with the windmills is one of the funniest and<br />
most touching episodes selected by Massenet from<br />
Cervantes’ world-famous novel. This opera will also be<br />
a double event: José van Dam’s farewell to La Monnaie<br />
and the duo Marc Minowski – Laurent Pelly bringing a<br />
new production.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 112 min<br />
Recorded at The Royal Theatre of La Monnaie, Brussels<br />
Directed by Laurent Pelly<br />
Conductor: Merk Minkowski<br />
Cast<br />
La belle Dulcinée: Silvia Tro Santafé<br />
Don Quichotte: José van Dam<br />
Sancho Panza: Werner Van Mechelen<br />
Pedro, Garcias, Rodrigues, Juan: Julie Mossay, Camille Merckx,<br />
Vincent Delhoume and Gijs Van der Linden<br />
Chef des bandits: Bernard Villiers<br />
Quatre bandits: Gérard Lavalle, Jacques Does, Aldo De Vernati,<br />
Pascal Macou<br />
Deux valets: Marc Coulon, André Grégoire<br />
La Monnaie Symphony Orchestra and Chorus<br />
L’EqUIvOCO STRAvAGANTE, 2012<br />
Dramma giocoso per musica in two acts. Music by<br />
Gioacchino ROSSINI. Libretto by Gaetano GASBARRI.<br />
First performed in Bologna, Teatro del Corso, on 26<br />
October 1811.<br />
Ernestina, the daughter of a rich merchant, is not for<br />
the first time making mischief to avoid the arranged<br />
marriages that her father is trying to impose upon<br />
her. All the more so since she has fallen in love with<br />
Ermanno, whose main fault is that he is either poor or<br />
shy. Attractive enough, in any event, for his lover to<br />
pass herself off as a eunuch.<br />
Length: 150 min<br />
Song language: Italian<br />
Conductor: Jan Schultsz<br />
Director: Stefano Mazzonis di Pralafera<br />
Choirmaster: Marcel Seminara<br />
Artists: Sabina Willeit, Daniele Zanfardino, Enrico Marabelli, Laurent<br />
Kubla, Daniele Maniscalchi, Julie Bailly<br />
Rights: HD1 European footprint + South America<br />
Recorded at opera Royal de Wallonie, February 2012<br />
DER FLIEGENDE HOLLäNDER, 2005<br />
Romantic opera in 3 acts by Richard Wagner<br />
31<br />
OPERA<br />
Wagner himself conducted the premiere of this opera<br />
at the Semper Oper in Dresden, 1843 and it’s a<br />
good example of his attempts to break with tradition<br />
moving away from conventional opera and towards<br />
music drama. Wagner claimed that it was partly<br />
autobiographical following a stormy sea crossing he<br />
undertook but whether that is true or not the haunting<br />
plot is also based on the legend of a Dutch sea captain,<br />
condemned to sail on distant seas until judgement<br />
day. His only salvation will be the true love of a faithful<br />
woman.<br />
European + Australia Broadcast Rights<br />
Length : 148 min<br />
Recorded at the Royal Theatre of La Monnaie, Brussels<br />
English translation : The Flying Dutchman<br />
Libretto : Richard Wagner after Heine’s Aus den Memoiren des<br />
Herren von Schnabelewopski<br />
Conductor : Kazushi Ono<br />
Director : Guy Cassiers<br />
La Monnaie Symphony Orchestra and Chorus<br />
Cast<br />
The Dutchman : Egils Silins<br />
Senta : Anja Kampe<br />
Daland : Alfred Reiter<br />
Erik : Torsten Kerl<br />
Mary : Jacqueline Van Quaille<br />
Daland’s Steersman : Jurg Schneider<br />
DER FLIEGENDE HOLLäNDER, 2011<br />
© Jacques Croisier - Opéra Royal de Wallonie<br />
Romantic opera in three acts. Music by Richard<br />
WAGNER. Libretto by the composer after an episode
from Die Memoiren des Herrn von Schnabelewopski<br />
by Heinrich HEINE. First performance in Dresden,<br />
Königlich Sächsisches Hoftheater, on 2 January 1843.<br />
Struck down by a curse, a Dutch captain is condemned<br />
to roam the stormy seas forever, or at leastuntil a pure<br />
young girl sacrifices her life for him in the name of<br />
love. Permitted to make port everyseven years, he<br />
experiences an impossible love which, in the end, is<br />
tragic but redeeming.<br />
Length: 160 min<br />
Song language: German<br />
Conductor: Paolo Arrivabeni<br />
Director: Petrika Ionesco<br />
Choirmaster: Marcel Seminara<br />
Artists: Mark Rucker, Manuela Uhl, Alastair Miles<br />
Rights: HD1 European footprint + South America<br />
Recorded at opera Royal de Wallonie, November 2011<br />
LA FORZA DEL DESTINO, 2008<br />
Opera in 4 acts by Giuseppe Verdi.<br />
One of Giuseppe Verdi’s most important works. A<br />
striking story of racism, revenge and impossible love.<br />
This opera presents a real challenge for directors.<br />
Verdi’s masterpiece hasn’t been performed in Brussels<br />
since 1975, so it was clearly time for a brand new<br />
staging of La Forza Del Destino. Director, Dirk Tanghe<br />
and conductor, Kazushi Ono took up the challenge<br />
to create a new and innovative staging featuring the<br />
voices of amongst others Alessandro Guerzoni, Eva-<br />
Maria Westbroek, Vassily Gerello, Zoran Todorovic.<br />
Euro1080 Broadcast + VOD Rights<br />
Length : 167 min<br />
Recorded at the Royal Theatre of La Monnaie, Brussels<br />
Conductor : Kazushi Ono<br />
Director : Dirk Tanghe<br />
32<br />
Cast<br />
Il marchese di Calatrava Alessandro Guerzoni<br />
Donna Leonora di Vargas Eva-Maria Westbroek / Lisa Houben<br />
Don Carlo di Vargas Vassily Gerello<br />
Don Alvaro Zoran Todorovich<br />
Preziosilla Marianne Cornetti<br />
Padre Guardiano Carlo Colombara<br />
Fra Melitone José van Dam<br />
Curra Carole Wilson<br />
Un alcade Roberto Accurso<br />
Mastro Trabuco Alexandre Kravets<br />
Un medico Kurt Gysen<br />
GURRELIEDER, AMSTERDAM, 2007<br />
OPERA<br />
Opera by Schönberg.<br />
Whichever way you look at it Gurrelieder is epic. A<br />
young Schönberg wrote it for a 145 piece orchestra<br />
and 120 strong Choir which explains why it is so rarely<br />
performed. The sheer number of people on stage<br />
impresses and together with the perfect acoustics of<br />
the Concertgebouw in Amsterdam they combine to<br />
bring this tragic love story of King Waldemar (Stephen<br />
Gould) and Tove (Anne Schwanewilms) to life.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 2 versions (each 140 min long) : Concert performance +<br />
version with additional visuals<br />
Music : Arnold Schönberg<br />
Words : Jens Peter Jacobsen<br />
Musical director : Mark Wigglesworth<br />
KHOvANSHCHINA<br />
LA MONNAIE, BRUSSELS, 2003<br />
Music drama in 5 acts by Modest Petrovich<br />
Mussorgsky.<br />
The first ever mass suicide on the operatic stage! And<br />
possibly Modest Mussorgksy’s greatest opera. Political<br />
intrigue, religious persecution and the plight of a nation<br />
mingle with intense stories of personal love and tragedy.<br />
Set at a turning point in Russia’s history it is a work<br />
of immense power when old and new forces clashed.
It concerns the rebellion of Prince Ivan Khovansky<br />
against Peter the Great, who was attempting to impose<br />
reforms on the country. Ultimately, Peter succeeded,<br />
the rebellion was crushed and (in the opera, at least)<br />
Khovansky’s followers committed mass suicide.<br />
European + Australia Broadcast + VOD Rights<br />
Length : 177 min<br />
Recorded at the Royal Theatre of La Monnaie, Brussels<br />
Libretto : Modest Petrovich Mussorgsky<br />
Director : Winge Stein<br />
Conductor : Ono Kazushi<br />
Cast<br />
Prince Ivan Khovanskiy : Willard White<br />
Prince Andrey Khovanskiy : Pär Lindskog<br />
Prince Vasiliy Golitsïn : Glenn Winslade<br />
Boyar Fyodor Shaklovitïy : Ronnie Johansen<br />
Dosifey : Anatolij Kotscherga<br />
Marfa : Elena Zaremba<br />
Emma : Hélène Bernardy<br />
The Clerk : Robin Leggate<br />
Varsonofyev : Jacques Does<br />
Kuzka : Marten Smeding<br />
Streshnev : Tie-Min Wang<br />
Streltsï : Pierre Doyen, Jacques Does<br />
MANON, 2012<br />
Comic opera in five acts and six scenes. Music by Jules<br />
MASSENET. Libretto by Henri Meilhac and Philippe<br />
Gille after the novel by the Abbé Prévost (Histoire du<br />
Chevalier Des Grieux et de Manon Lescaut). Éditions<br />
LEDUC-HEUGEL.<br />
First performed in Paris, Opéra-Comique, on 19 January<br />
1884.<br />
Manon Lescaut flees to Paris with the Chevalier des<br />
Grieux to escape the convent. But the couple’s<br />
resources dry up, so becoming a courtesan seems the<br />
ideal solution for mocking this society that hasn’t done<br />
her any favours. Break-up, deportation... Manon’s is a<br />
cruel fate...<br />
Length: 180 min<br />
Song language: French<br />
Conductor: Patrick Davin<br />
Director: Stefano Mazzonis di Pralafera<br />
33<br />
OPERA<br />
Choirmaster: Marcel Seminara<br />
Artists: June Anderson, Ismaël Jordi, Massimiliano Gagliardo, Marcel<br />
Vanaud<br />
Rights: HD1 European footprint + South America<br />
Recorded at opera Royal de Wallonie, June 2012<br />
LE NOZZE DI FIGARO, 2011<br />
Wolfgang Amadeus Mozart<br />
Opéra-bouffe in four acts. Music by Wolfgang Amadeus<br />
MOZART. Libretto by Lorenzo Da Ponte, after a<br />
comedy by Beaumarchais [Le Mariage de Figaro]. First<br />
performance in Vienna, Burgtheater, on 1 May 1786.<br />
© Jacques Croisier - Opéra Royal de Wallonie<br />
Count Almaviva is married, but his wayward heart<br />
prompts him to woo Susanna, his wife’s maid. To<br />
arouse the Count’s jealousy, his wife devotes herself to<br />
seducing Figaro, who is himself in love with Susanna.<br />
However the story ends happily with wedding scenes<br />
that will remain forever etched in the memory.<br />
Length: 220 min<br />
Song language: Italian<br />
Conductor: Christian Zacharias<br />
Director: Philippe Sireuil<br />
Choirmaster: Marcel Seminara<br />
Artists: Mario Cassi, Anne-Catherine Gillet, Wiard Witholt, Cinzia<br />
Forte, Jennifer Rivera<br />
Rights: HD1 European footprint + South America<br />
Recorded at opera Royal de Wallonie, October 2011<br />
PIMPINONE, OPERA BY GEORG FRIERICH<br />
TELEMANN, 2009<br />
Opera in a restaurant? It’s possible! Jamie Oliver’s<br />
Restaurant “Fifteen” was the special setting for the comic<br />
opera Pimpinone, performed by the Combattimento<br />
Consort Amsterdam. The story of the smart housemaid<br />
who manages to get her rich but dumb employer to<br />
marry her, was immensely popular when Telemann,
who at that time worked at the Hamburg Opera House,<br />
decided to use the plot for one of his own compositions.<br />
The result is this successful comic opera “Pimpinone”.<br />
Culinary and musical enjoyment go hand in hand, with<br />
the audience eating during the performance.<br />
Euro1080 Broadcast + VOD Rights<br />
Length : 86 min<br />
Comic Opera performed in “Fifteen” Jamie Oliver’s restaurant,<br />
Amsterdam<br />
THE RAKE’S PROGRESS, OPERA BY<br />
STRAvINSKY, 2007<br />
Opera in 3 acts by Stravinsky.<br />
The Québecois, Robert Lepage has forged a reputation<br />
as one of the most visionary theatre directors of our<br />
age, a man with an extravagant flair for what the French<br />
call a “grand spectacle”. He staged Stravinsky’s only<br />
full-length opera, The Rake’s Progress, in La Monnaie.<br />
Lepage updated the story about hedonist Tom Rakewell<br />
and moved it from 18th century London to Las Vegas<br />
in the fifties.<br />
Euro1080 Broadcast Rights<br />
Length : 148 min<br />
34<br />
SEEFESTSPIELE MöRBISCH<br />
DIE CSáRDáSFüRSTIN, 2002<br />
Operette in 3 acts by Emmerich Kálmán<br />
OPERA<br />
Vienna, shortly before the out-break of the First World<br />
War. At a Budapest music hall the young Count Edwin<br />
falls in love with the famous café singer Sylva Varescu,<br />
however a relationship is unthinkable because of<br />
their different social positions. After much confusion,<br />
mistaken identity and heartbreak it is discovered that<br />
Edwin’s own mother had been on the stage prior to<br />
her marriage. As a result Edwin’s father must drop his<br />
objection to the union of Edwin and Sylva.<br />
Euro1080 Broadcast Rights<br />
Length : 127 min<br />
Recorded at the Seefestspiele Mörbisch<br />
English translation : The Riviera Girl; The Gipsy Princess<br />
Libretto : L. Stein and B. Jenbach<br />
Language : German<br />
Conductor : Rudolf Bibl<br />
Director : Helmuth Lohner<br />
Cast<br />
Sylva Varescu : Vera Schoenenberg<br />
Count Edwin : Ferdinand von Bothmer<br />
Countess Stasi : Kerstin Grotrian<br />
Count Boni : Markus Werba<br />
Feri Bacsi : Frigyes Harsányi<br />
Anhilte : Mirjana Irosch<br />
Weylersheim :Harald Serafin<br />
Rohnsdorff : Michael Gampe<br />
Kiss : Gottfried Falkenstein<br />
SEEFESTSPIELE MöRBISCH<br />
GIUDITTA, 2003<br />
Operetta in 5 acts by Franz Lehár.<br />
Giuditta, Lehár’s last stage work is generally viewed<br />
as his finest, greater even than his most popular,<br />
The Merry Widow. The story concerns the beautiful<br />
but married Giuditta who takes up with the attractive<br />
army captain Octavio in North Africa, only to endure a<br />
breakup in their relationship when he is transferred and
efuses to desert. Giuditta then becomes a dancer in<br />
a nightclub and Octavio does finally desert, but when<br />
a reconciliation years later fails, the story ends sadly,<br />
though not quite tragically. With slightly darker music<br />
and a more grimly powerful ending, the work might<br />
have become a full-fledged opera in spite of its plentiful<br />
dialogue.<br />
Euro1080 Broadcast Rights<br />
Length : 116 min<br />
Recorded at the Seefestspiele Mörbisch<br />
Libretto : Paul Knepler, Fritz Löhner<br />
Language : German<br />
Conductor : Rudolf Bibl<br />
Director : Gernot Friedel, Giorgio Madia, Volker Wahl<br />
Cast<br />
Octavio : Mehrzad Montazeri<br />
Antonio : Friedrich Schwardtmann<br />
Lius : Dietrich Siegl<br />
Giuditta : Natalia Ushakova<br />
Manuele, Giuditta’s husband : Peter Uray<br />
Sebastiano : Stephan Paryla<br />
Anita : Julia Bauer<br />
Pierrino : Markus Heinrich<br />
Ibrahim : Hans Wolfgang Pemmer<br />
SEEFESTSPIELE MöRBISCH<br />
GRäFIN MARIZA, 2004<br />
Operetta in 3 acts by Emmerich Kálmán.<br />
35<br />
OPERA<br />
Countess Mariza, a young beautiful and strongminded<br />
woman announces she is getting married to<br />
Kolomán Zsupán, a fantasy figure based on a gypsy<br />
baron. This way she tries to discourage her suitors. But<br />
her marriage is announced in every newspaper and<br />
suddenly the real Kolomán Zsupán turns up. She has<br />
no other choice than to continue the charade. Her life is<br />
about to be turned upside down when she meets Béla<br />
Török, a man who is not whom he appears to be.<br />
Euro1080 Broadcast Rights<br />
Length : 157 min<br />
Recorded at the Seefestspiele Mörbisch<br />
English translation : Countess Mariza<br />
Libretto : Julius Brammer and Alfred Grünwald<br />
Language : German<br />
Conductor : Rudolf Bibl<br />
Director : Winfried Bauernfeind<br />
Cast<br />
Countess Mariza : Dagmar Schellenberger<br />
Prince Moritz Dragomir Popolescu :Harald Serafin<br />
Baron Koloman Zsupân : Marko Kathol<br />
Count Tassilo Endrödy-Wittenburg : Nikolai Schukoff<br />
Lisa : Julia Bauer<br />
Karl Stephan Liebenberg : Marko Pustisek<br />
Princess Bozena Cuddenstein zu Chlumetz : Mirjana Irosch<br />
Penizek : Edd Stavjanik<br />
Tschekko : Bernd Ander<br />
Manja : Natela Nicoli<br />
Gupsies : Lajos Padar & seine Zigeunerkapelle<br />
Dancers : Emilia Baranowicz, Emil Galazka, Jakub Spocinski<br />
SEEFESTSPIELE MöRBISCH<br />
DAS LAND DES LäCHELNS, 2001<br />
Operetta in 3 acts by Franz Lehár<br />
The high artistic standards in all areas has made the<br />
Mörbisch Lake Festival what it is today : an internationally<br />
recognised festival event and a must for all operetta<br />
fans : an operetta mecca!<br />
Das Land des Lächelns or The Land of Smiles refers to<br />
the Chinese trait of smiling, whatever happens in life.<br />
Lisa the heroine is a Viennese countess who marries a
Chinese diplomat and goes with him to his homeland<br />
disregarding the warnings of her friends and family<br />
about their irreconcilable cultural differences. In the<br />
end she gives in, she is unable to come to terms with<br />
his native culture. She leaves him and returns to her<br />
homeland. How will the diplomat cope? Will he keep<br />
on smiling?<br />
Euro1080 Broadcast Rights<br />
Length : 133 min<br />
Recorded at Seefestspiele, Morbisch<br />
LA TRAvIATA, 2012<br />
Opera in three acts. Music by Giuseppe VERDI.<br />
Libretto by Francesco Maria PIAVE after La Dame aux<br />
Camélias by Alexandre DUMAS fils.<br />
First performance in Venice, Teatro La Fenice, on 6<br />
March1853.<br />
The love between Violetta, an acknowledged courtesan,<br />
and Alfredo, the son of a good family, is an impossible<br />
love, at least in the eyes of Alfredo’s father. And the<br />
fact that Violetta drops her many lovers will not change<br />
anything. Rejected, it is illness that will make the end of<br />
her life a real ordeal.<br />
Length: 165 min<br />
Song language: Italian<br />
Conductor: Luciano Acocella<br />
Director: Stefano Mazzonis di Pralafera<br />
Choirmaster: Marcel Seminara<br />
Artists: Annick Massis, Aldo Caputo, Giovanni Meoni, Alexise Yerna<br />
Rights: HD1 European footprint + South America<br />
Recorded at opera Royal de Wallonie, April 2012<br />
IL TROvATORE, 2011<br />
Opera in three acts. Music by Giuseppe VERDI.<br />
Libretto by Salvatore CAMMARANO, after a drama by<br />
Antonio GARCÍA GUTIÉRREZ.<br />
First performance in Rome, Teatro Apollo, on January<br />
19, 1853.<br />
© Jacques Croisier - Opéra Royal de Wallonie<br />
36<br />
OPERA<br />
Count di Luna is an influential man in Spain in the<br />
fifteenth century. Yet nothing can help him: Leonora,<br />
the object of his attentions, loves another, Manrico, the<br />
Count’s hidden brother raised by a gypsy determined<br />
to avenge his mother who was burned at the stake.<br />
Tragedy is very much in the air and Love is sometimes<br />
synonymous with death.<br />
Duration: 150 min<br />
Song language: Italian<br />
Conductor: Paolo Arrivabeni<br />
Director: Stefano Vizioli<br />
Artists: Fabio Armiliato, Daniela Dessì, Giovanni Meoni, Ann<br />
McMahon Quintero<br />
Rights: HD1 European footprint + South America<br />
Recorded at Opera Royal de Wallonie, September 2011<br />
LA vERA COSTANZA, 2012<br />
Dramma Giocoso. Opera in three acts. Music by Franz<br />
Joseph HAYDN.<br />
Libretto by Francesco PUTTINI. Éditions G. HENLE<br />
VERLAG.<br />
First performance in Eszterháza, on 25 April 1779.<br />
© Jacques Croisier - Opéra Royal de Wallonie<br />
When a baronness is washed up on an unknown shore<br />
following a shipwreck, she has to trust the neighbouring<br />
fishermen to find help, for her and also for her string<br />
of suitors. A secret marriage, a hidden child and the<br />
interplay of feelings all serve to enrich a tale of dreadfully<br />
powerful deception.<br />
Length: 165 min<br />
Song language: Italian<br />
Conductor: Jesús López-Cobos<br />
Director: Elio De Capitani<br />
Artists: Federica Carnevale, Sandra Ferrandez, Andrea Puja, Arianna<br />
Donadelli<br />
Rights: HD1 European footprint + South America<br />
Recorded at opera Royal de Wallonie, January 2012
YvONNE PRINCESSE DE BOURGOGNE, 2010<br />
A tragic-comic opera in 4 acts by Philippe Boesmans.<br />
The unappealing, practically mute, Princesse Yvonne<br />
returns to the Kingdom of Bourgogne where Prince<br />
Philippe says he will marry her. However her presence<br />
at court undermines the social order and creates<br />
insecurities. The king is reminded of a fatal incident<br />
with a young mistress; the queen becomes paranoid<br />
that her secret poems have been revealed. Their son,<br />
Philippe first courts Yvonne before casting her aside.<br />
All callously agree she must be disposed of to restore<br />
the status quo. Yvonne, not only ugly but greedy too,<br />
chokes to death after being fed un-boned fish.<br />
Dörte Lyssewski gives a remarkable performance as<br />
Yvonne and by the end of the opera the audience is left<br />
wondering who is the more normal: her or the ridiculous<br />
track suit wearing King and his entourage who can only<br />
laugh at her and plot to kill her. Yann Beruon as the<br />
Prince is a role model for any tenor wishing to sing in<br />
French.<br />
Euro1080 Broadcast Rights<br />
Length : 123 min<br />
Recorded at Royal Theatre of La Monnaie, Brussels<br />
Cast<br />
Conductor: Patrick Davin<br />
Director: Luc Bondy<br />
Yvonne: Dörte Lyssewski<br />
Le Roi Ignace: Paul Gay<br />
La Reine Marguerite: Mireille Delunsch<br />
Le Prince Philippe: Marcel Reijans<br />
Le Chambellan: Werner Van Mechelen<br />
Isabelle: Hannah Esther Minutillo<br />
Cyrille: Jason Bridges<br />
Cyprien: Jean-Luc Ballestra<br />
Innocent: Guillaume Antoine<br />
Valentin: Simon Korn<br />
Le Mendiant: Marc Coulon<br />
Les Tantes: Beata Morawska, Alain-Pierre Wingelinckx<br />
La Monnaie Symphony Orchestra and Chorus<br />
DIE ZAUBERFLOTE, 2005<br />
A prince and his companion battle evil forces to rescue<br />
their princess. South African artist, William Kentridge’s<br />
interpretation may be extremely controversial but is<br />
also one of the most original and strangely beautiful<br />
opera productions of our time. The music ranges from<br />
the catchy tunes of Papageno to the flourishing intricate<br />
arias of the Queen of the Night, to the sublime music of<br />
the Sun Priest and Sarastro.<br />
Recorded at La Monnaie<br />
Length 156 min<br />
37<br />
DIE ZAUBERFLöTE, 2006<br />
Singspiel in 2 acts by Wolfgang Amadeus Mozart.<br />
OPERA<br />
Mozart’s The Magic Flute has enchanted audiences of<br />
all ages for two centuries. Steadfast Prince Tamino is on<br />
a quest for love, truth and beauty, but many challenges<br />
await him on his journey to enlightenment. A morality<br />
tale, with good jokes, action and some of the most<br />
sublime music ever written, ranging from the catchy<br />
tunes of Papageno to the flourishing intricate arias of<br />
the Queen of the Night, to the sublime music of the<br />
Sun Priest and Sarastro. The Magic Flute transports<br />
the audience bringing to life all the extravagance of the<br />
18th century.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 176 min<br />
Recorded at the Großes Festspielhaus from the Salzburger<br />
Festspiele<br />
English translation : The Magic Flute<br />
Libretto : Emanuel Schikaneder<br />
Conductor : Riccardo Muti<br />
Director : Pierre Audi<br />
Sets : Karel Appel<br />
Costumes : Jorge Jara<br />
Lighting : Jean Kalman<br />
Choreography : Min Tanaka<br />
Choirmaster : Thomas Lang<br />
Dramaturge : Klaus Bertisch<br />
Wiener Philharmoniker<br />
Konzertvereinigung Wiener Staatsopernchor<br />
Cast<br />
Sarastro : René Pape<br />
Tamino : Paul Groves<br />
Speaker of the Temple : Franz Grundheber<br />
Queen of the Night : Diana Damrau<br />
Pamina : Genia Kühmeier<br />
First Lady : Inga Kalna<br />
Second Lady : Karine Deshayes<br />
Third Lady : Ekaterina Gubanova<br />
Papageno : Christian Gerhaher<br />
Papagena : Irena Bespalovaite<br />
Monostatos : Burkhard Ulrich<br />
Two Men in Armour : Simon O’Neill, Peter Loehle<br />
Two Priests : Franz Grundheber, Xavier Mas<br />
Three Boys : Solisten der Wiener Sängerknaben
DANCE<br />
EXTENSIONS, 2012<br />
Michael Lazic Dance Concept<br />
Drifting - Solo based around the balance point of a<br />
sword<br />
Sound Study No. 1 – A Cable Duet based on the<br />
sound two dancers make by touching electric cables<br />
connected to guitar amplifiers and thus creating a wall<br />
of sound<br />
Length 40 min<br />
All Rights World Wide<br />
LISTOPADANCE : BODY IN TRANSLATION,<br />
2008<br />
Michael Lazic is one of the best new choreographers<br />
around. Trained in martial arts, tai chi and gymnastics<br />
he developed his very own, energetic dance style<br />
and language. Not only is Lazic a gifted dancer and<br />
choreographer, he also creates films and composes<br />
music. This particular work “Body in Translation”, is<br />
based around the theme of the isolation of body and<br />
mind. Challenging, contemporary and always asking<br />
questions of the viewer.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 60 min<br />
Recorded at Eurocam Media Center<br />
EXTRA : Interview with Michael Lazic plus dancers<br />
38<br />
ROYAL BALLET OF FLANDERS : BEHIND<br />
THE SCENES OF “ULYSSES”<br />
We take you behind the scenes of the Royal Ballet of<br />
Flanders as they get ready for the premiere of “The<br />
Return of Ulysses”. Find out what happens in the<br />
rehearsal studios. Witness the stressful moments as<br />
the dancers and orchestra prepare. Get to know the<br />
personalities involved, understand their hopes and<br />
dreams and share the emotional rollercoaster as the<br />
premiere approaches.<br />
Euro1080 Broadcast Rights<br />
Length : 50 min
DOCUMENTARY<br />
ANIMA ETERNA + JOS vAN IMMERSEEL<br />
BEETHOvEN’S FIFTH: A RE-DISCOvERY,<br />
2010<br />
A journey back into musical history. Jos visits Vienna<br />
where the famous 5th symphony was first performed in<br />
1808 in the “Theater an der Wien” and obtains a copy<br />
of the original manuscript complete with Beethoven’s<br />
notes. This is a unique, in-depth documentary<br />
witnessing the lengths to which Jos Van Immerseeal<br />
and his orchestra go in order to perform the music as if<br />
under the maestro’s very own baton.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 40 min<br />
Recorded at Concert Noble, Brussels<br />
BACKSTAGE AT LA BOHèME – PART 1, 2009<br />
La Bohème, the opera of Puccini, can be qualified<br />
as one of the most popular operas of all times.<br />
In Backstage at La Bohème, you experience the<br />
performance of this tragic masterwork from the wings<br />
in the English National Opera in London. This first part<br />
of the documentary is also the first part of the opera.<br />
Director Jonathan Miller, but also a number of artists<br />
such as Hanan Alattar and Alfie Boe give their vision on<br />
the production. You see the artists before they go on<br />
stage. How do they prepare? How do they handle the<br />
tension? What goes on in their minds before they give<br />
the best of themselves on stage?<br />
Euro1080 Broadcast Rights<br />
Length : 61 min<br />
BACKSTAGE AT LA BOHèME – PART 2, 2009<br />
In the second part of this documentary we take a look<br />
behind the scenes at the end of La Bohème, the famous<br />
opera of Puccini.<br />
Euro1080 Broadcast Rights<br />
Length : 98 min<br />
39<br />
BACKSTAGE AT SEMELE, 2009<br />
East meets West culture clash. Internationally acclaimed<br />
artist, Zhang Huan directs Handel’s baroque opera.<br />
An 18 tonne ancient Chinese temple was lovingly<br />
disassembled and transported around the world to<br />
become the on stage set. Not only does it have to be<br />
rebuilt in a small 19 century European opera house but<br />
there are also language and cultural barriers to overcome<br />
in order to ensure a successful performance.<br />
Euro1080 Broadcast Rights<br />
Length : 51 min<br />
Recored at The Royal Theatre of La Monnaie, Brussels<br />
DON CARLOS AUTO DA FE, 2010<br />
Behind the scenes at the Flemish Opera.<br />
In a pioneering production for the Wiener Staatsoper,<br />
the leading contemporary opera director, Peter<br />
Konwitschny staged the original five acts, French<br />
version of Don Carlos once again. Now he brings it to<br />
Belgium. Rather than allowing the audience to simply<br />
enjoy a drink during the interval, Konwitschny decided<br />
to present the Auto Da Fe where heretics are taken to<br />
be burnt. The historical and contemporary combine<br />
in this challenging scene as a Live TV broadcast<br />
(complete with presenters and TV screens) demands<br />
direct audience inter action.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 29 min<br />
Recorded at Flemish Opera, Antwerp
HERREWEGHE:<br />
THE MAN AND THE MUSIC, 2009<br />
Philippe Herreweghe is an admirer of Bach and devoted<br />
a great part of his musical career to the authentic<br />
execution of baroque music. He is also the man behind<br />
the Royal Flemish Philharmonic. EXQI Culture was<br />
lucky enough to record an access all areas portrait of<br />
this renowned Flemish conductor. Find out how he gets<br />
the best performance from his orchestra and what he<br />
does just before going on stage.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 30 min<br />
JAAP vAN ZWEDEN WITH THE ROYAL<br />
FLEMISH PHILHARMONIC:<br />
PORTRAIT OF A CONDUCTOR, 2008<br />
Nowadays he is Chief Conductor at The Royal Flemish<br />
Philharmonic, but Jaap van Zweden has an impressive<br />
international curriculum. He shared the stage with highly<br />
acclaimed orchestras, including the Orchestre National<br />
de France, the London Philharmonic, the St Petersburg<br />
Philharmonic, the Academy of St. Martin-in-the-fields<br />
and the Concertgebouworkest. EXQI Culture was given<br />
the opportunity to follow van Zweden’s resulting in this<br />
fascinating documentary.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 30 min<br />
40<br />
JOSEPH HAYDN UNvEILED, 2009<br />
DOCUMENTARY<br />
Haydn lived at a time of significant musical evolution.<br />
During his childhood, baroque traditions prevailed,<br />
while the classical style was questioned by Beethoven<br />
at the end of his life. Joseph Haydn Unveiled is a<br />
documentary showing Haydn as a brilliant composer,<br />
but also in his private life. Moreover, the documentary<br />
shows fragments from his master works, such as<br />
Armida, Die Schöpfung and Die Jahreszeiten.<br />
Euro1080 Broadcast Rights<br />
Length : 52 min<br />
POSTCARDS FROM…<br />
An exploration of Europe’s most intriguing people and<br />
places and beauty.<br />
Length : 15 to 30 min<br />
• Austria<br />
• Bulgaria<br />
• Croatia (2 episodes)<br />
• Denmark<br />
• Estonia<br />
• Finland<br />
• Hungary<br />
• Ireland<br />
• Italy<br />
• Latvia<br />
• Lithuania<br />
• Malta (2 episodes)<br />
• Norway<br />
• Romania<br />
• Slovakia<br />
• Slovenia<br />
• Sweden<br />
• Czech Republic<br />
ROYAL FLEMISH PHILHARMONIC<br />
MASTERWORKS 2009: BELA BARTOK<br />
“CONCERTO FOR ORCHESTRA”<br />
Normally a conventional concerto features a solo<br />
instrument with orchestral accompaniment. However<br />
Bartók said that he called the piece a concerto rather<br />
than a symphony because of the way each section of<br />
instruments is treated in a soloistic and virtuosic way.<br />
In a unique approach to classical performance, the<br />
programme presents a mix of documentary footage
explaining the man and the music followed by the<br />
orchestra playing live examples.<br />
Bartok had fled his beloved Hungary in the face of Nazi<br />
invasion yet the American public had not responded<br />
well to his early work. Ill and losing weight he was finally<br />
commissioned to write a piece for orchestra which he<br />
completed in 1943. Despite his personal situation and<br />
ill health, despite being miles away from his beloved<br />
homeland the overall theme is still one of Hope in the<br />
time of War.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 13 min<br />
Recorded at Eurocam Media Center<br />
Conductor Martyn Brabbins<br />
TOOTS THIELEMANS : A JAZZ LEGEND,<br />
2008<br />
This is the incredible journey from the Marolles in<br />
Brussels to the biggest clubs in New York. With archive<br />
footage of his mother Paul Simon, Billy Joel, Herbie<br />
Hancock and Kenny Werner. This is the fantastic journey<br />
of one of the best loved musicians of all time.<br />
Euro1080 Broadcast + VOD Rights<br />
Length : 52 min<br />
41<br />
DOCUMENTARY
SPECIALS<br />
DRAGONE: THE MAKING OF THE HOUSE<br />
OF DANCING WATER, 2009 - 2010<br />
Production Euro1080 and Dragone and Melco Crown<br />
Entertainment<br />
Franco Dragone changed the way we enjoy live stage<br />
shows. For 10 years he was the mastermind behind<br />
the success story that is “Cirque de Soleil”. This is the<br />
access all areas documentary following the creation<br />
of his latest masterpiece from conceptual idea to the<br />
premiere in Macau, China.<br />
It offers an exceptional insight into the genius of its<br />
creator and reveals the secret of just how to create a<br />
phenomenon. An enormous swimming pool as a set. A<br />
massive boat that rises and sinks. Gymnasts that have<br />
to learn to be high divers. High divers that have to learn<br />
to act. Actors that have to learn to swim. This show redefines<br />
the limits of the live stage show. For a year and<br />
a half cameras followed the 120 strong international<br />
team as they demonstrated breathtaking imagination,<br />
dedication and creativity.<br />
Length: 13 x 52 min<br />
The last show in the series will be a special recording 3D + 2D of the<br />
show in Macao.<br />
All Rights World Wide<br />
EXqI CIRCUS, 2009<br />
Circ’Ombelico<br />
EXQI Circus celebrates some of the best up coming<br />
young Belgian circus talent. The artistic collective<br />
Circ’ombelico brings a wonderful blend of acrobatics,<br />
circus techniques and theatre.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 38 min<br />
Crop Circus<br />
Five artists from three countries (Switzerland, France<br />
and Belgium). These five widely differing personalities<br />
each bringing their own special skills unite to form Crop<br />
Circus. Mixing theatre, acrobatics, dance and music<br />
42<br />
they create a world where the the everyday is suddenly<br />
stupefying.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 50 min<br />
GYPSY LOvE STORY<br />
“Gypsy Love Story” is a Hungarian operetta about a<br />
classic love story. Julia is the daughter of a wealthy<br />
baron. She falls in love with the poor gypsy musician<br />
Janos. An impossible love or so it seems...<br />
Worldwide Broadcast + VOD Rights<br />
Length : 62 min<br />
JOHN BARRY LIFETIME ACHIvEMENT<br />
AWARD<br />
Film Festival Ghent, 2010<br />
“He is one of the only composers I can think of that<br />
within the first 5 seconds you know exactly which tune<br />
it is and exactly which movie it’s from” David Arnold.<br />
In October 2010 the Ghent International Film Festival<br />
honoured five time Oscar winner, the late, great John<br />
Barry with its most prestigious accolade, The Life<br />
Time Achievement Award. Recorded in 3D and 2D the<br />
enigmatic and enthusiastic Nicholas Dodd conducts<br />
the Brussels Philharmonic performing selections from<br />
Barry’s legendary scores including The James Bond
Suite, Zulu, Out of Africa, Mary Queen of Scots, Dances<br />
with Wolves and Midnight Cowboy.<br />
Euro1080 Broadcast Rights on HD1 + VOD Rights<br />
Length : 107 min<br />
Recorded at Kuipke, Ghent<br />
JORGE CASTRO AND FRIENDS II<br />
LIvE IN CONCERT, 2009<br />
Tenor Jorge Castro perfomes his favorite songs in<br />
some very good company : Anita Meyer, Petra Berger,<br />
Sandra Kim, Roxeanne Hazes, Emilia Castro and Anahi<br />
Castro maken hun opwachting. The Golden Memory<br />
Orchestra accompagnies them, and the dancers of the<br />
Holland Show Ballet make it a spectacular show.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 101 min<br />
ROBERT GROSLOT FILM : “SI LE MONDE…”,<br />
2008<br />
You probably know him as the conductor of Il<br />
Novecento, the orchestra that accompanies the artists<br />
at the annual Night of the Proms. But Robert Groslot is<br />
not only a conductor. He is also a composer, graphic<br />
designer and film maker. Inspired by the sentence “Si le<br />
monde était clair, l’art ne serait pas” from the oeuvre of<br />
Albert Camus, he releases his second film project. “Si<br />
43<br />
SPECIALS<br />
le monde…” it is an art film for which Groslot created<br />
graphic paintings and a musical score. A multi-media<br />
symphonic artwork, exclusively in avant-premiere on<br />
EXQI Culture.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 37 min<br />
ROBERT GROSLOT SPECIAL, 2008<br />
Conductor, composer, graphic designer and film maker<br />
Robert Groslot recently released his second artistic film<br />
project. This special shows how “Si le monde…” was<br />
made. Robert Groslot talks about the concept and<br />
there is exclusive footage behind the scenes of the<br />
avant-premiere in the Eurocam Media Center.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 30 min<br />
vLERNIKA : LOS NIñOS DE LA GUERRA,<br />
2008<br />
Authentic Basque music mingles with incredible film<br />
archive. This artistic project traces the story of children<br />
forced to flee Spain during the Spanish Civil War and<br />
seek refuge in Belgium. Seventy years later this music<br />
especially composed by Dick van der Harst tells their<br />
story helped by visuals created by inspired and award
winning film director, Fabio Wuytack. A unique and<br />
compelling multi media project.<br />
Worldwide Broadcast + VOD Rights<br />
Length : 80 min<br />
Extra : Interview with Composer Dick van der Harst and the Director<br />
Composer/Conductor : Dick van der Harst<br />
Screenwriter : Brecht Vanmeirhaeghe<br />
Composer/Conductor : Dick van der Harst<br />
Musicians<br />
Berlinde Deman (tuba)<br />
Gilles Repond (trombone)<br />
Kurt Budé (saxophone and clarinet)<br />
Jean-Philippe Poncin (clarinet and Catalan shawm)<br />
Bart Maris (trumpet)<br />
Wim Konink (percussion)<br />
Frank Van Eycken (percussion)<br />
Ander Barrenetxea (txalaparta)<br />
Felipe Ugarte (txalaparta)<br />
Vocals<br />
Paola Bartoletti<br />
Maddi Oihenart<br />
Herline Ghekiere<br />
Anna Pardo Canedo<br />
44<br />
SPECIALS
Euro1080 broadcast rights include the following footprint: Andorra, Algeria, Austria, Belarus, Belgium, Bosnia, Bulgaria, Croatia, Cyprus, Czech<br />
Republic, Denmark, Djibouti, Egypt, Estonia, Finland, France, Germany, Gibraltar, Greece, Hungary, Iraq, Ireland, Israel, Italy, Jordan, Kuwait, Latvia,<br />
Lebanon, Libya, Liechtenstein, Lithuania, Luxembourg, Mauritania, Morocco, Netherlands, Norway, Malta, Monaco, Oman, Palestine, Poland,<br />
Portugal, Qatar, Romania, Republic of Russia, Saudi Arabia, Slovak Republic, Slovenia, Spain, Sudan, Sweden, Switzerland, Syria, Tunesia, Turkey,<br />
UAE, Ukraine, United Kingdom , Yemen
46<br />
SPECIALS