Roots to Rhythm 1 - Association of African-Canadian Artists

Roots to Rhythm 1 - Association of African-Canadian Artists Roots to Rhythm 1 - Association of African-Canadian Artists

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1<br />

<strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>


<strong>Association</strong> <strong>of</strong> <strong>African</strong> <strong>Canadian</strong> <strong>Artists</strong><br />

The <strong>Association</strong> <strong>of</strong> <strong>African</strong> <strong>Canadian</strong> <strong>Artists</strong> (AACA) is a<br />

not-for-pr<strong>of</strong>it organization dedicated <strong>to</strong> the support,<br />

development and sharing <strong>of</strong> works <strong>of</strong> art that is<br />

produced by artists <strong>of</strong> <strong>African</strong> <strong>Canadian</strong> heritage. The<br />

main goal <strong>of</strong> the AACA is <strong>to</strong> introduce this art in<strong>to</strong> the<br />

mainstream <strong>Canadian</strong> market<br />

COLOURblind is the AACA annual Art Exhibition that<br />

encourages and explores Issues from a uniquely<br />

<strong>Canadian</strong> perspective. This travelling exhibition<br />

is launched in Febuary as part <strong>of</strong> the Black His<strong>to</strong>ry<br />

Month celebration. The art is displayed through-out<br />

the greater Toron<strong>to</strong> area at as many public venues,<br />

as is possible.<br />

COLOURblind International is the AACA gift <strong>to</strong> the<br />

world, an annual, juried, themed exhibition that<br />

launches each year in conjunction with Toron<strong>to</strong>’s<br />

Caribana Festival – the largest cultural festival in<br />

North America.<br />

<strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

We were born <strong>to</strong> the rhythm <strong>of</strong> the <strong>African</strong> drum,<br />

we stand proud <strong>of</strong> the land that we are from.<br />

We were s<strong>to</strong>len from the rhythm <strong>of</strong> our motherland,<br />

<strong>to</strong> become enslaved by another man.<br />

We refused <strong>to</strong> be broken by the rhythm <strong>of</strong> the trip,<br />

or the threats <strong>of</strong> a masters whip.<br />

We sang and we danced <strong>to</strong> the rhythm <strong>of</strong> our songs,<br />

we disguised the words and did no wrong.<br />

We now jump-up <strong>to</strong> the rhythm <strong>of</strong> steel pan,<br />

we limbo <strong>to</strong> the beat <strong>of</strong> a calypso band.<br />

We live by the rhythm <strong>of</strong> gospel sounds,<br />

that share hope and promise <strong>of</strong> heaven bound.<br />

We tell s<strong>to</strong>ries in the rhythm <strong>of</strong> jazz,<br />

that echoes the sounds and beats <strong>of</strong> our past.<br />

We make love <strong>to</strong> the rhythms <strong>of</strong> soul,<br />

our Hip hop music is brass and bold.<br />

Our rhythm is rooted deep within our soul, it’s<br />

the beat <strong>of</strong> our heart, and our s<strong>to</strong>ries <strong>to</strong>ld.<br />

Joan Butterfield - Cura<strong>to</strong>r<br />

Joe Halstead<br />

Last year, as part <strong>of</strong> the expansion <strong>of</strong> Scotiabank<br />

Caribana’s festivities, we introduced the element<br />

<strong>of</strong> an Art Exhibition. I am delighted <strong>to</strong> say that<br />

given its huge success it is now here <strong>to</strong> stay. As<br />

part <strong>of</strong> our growth, we continue <strong>to</strong> <strong>of</strong>fer more than<br />

“a” Parade day. We’ve created “the” holistic cultural<br />

experience, presented <strong>to</strong> all <strong>of</strong> North America<br />

hosted right here in Toron<strong>to</strong> - our multicultural<br />

city, showcasing the extensive talents and creativity<br />

<strong>of</strong> the Caribbean people.<br />

Congratulations once again <strong>to</strong> Joan Butterfield and<br />

the <strong>Association</strong> <strong>of</strong> <strong>African</strong> <strong>Canadian</strong> <strong>Artists</strong> on the<br />

opening <strong>of</strong> this year’s exhibition “<strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>”.<br />

The Art Exhibition ‘<strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>’ depicts an<br />

intriguing collection <strong>of</strong> over 60 works which have<br />

been influenced by the journey <strong>of</strong> the <strong>African</strong><br />

people.<br />

It is therefore not by coincidence that we’ve partnered<br />

with the ROM in this undertaking. The Royal Ontario<br />

Museum, Canada’s largest and the fifth largest<br />

museum in North America is world renowned for world<br />

culture and natural his<strong>to</strong>ry. The combination <strong>of</strong> the<br />

production and the venue has taken this initiative <strong>to</strong><br />

yet another level.<br />

I take this opportunity <strong>to</strong> thank Scotiabank for<br />

its participation and contribution <strong>to</strong> the overall<br />

festivities. Together we look forward <strong>to</strong> making our<br />

community richer as we celebrate the diversity <strong>of</strong><br />

this great city.<br />

Thanks <strong>to</strong> our viewing audience for taking the time<br />

<strong>to</strong> visit and I am quite certain that the experience<br />

will cause you <strong>to</strong> be so much more enlightened<br />

and wet your appetite <strong>to</strong> eagerly look forward <strong>to</strong><br />

subsequent years’ productions.<br />

2 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

3 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

Enjoy!<br />

Joe Halstead<br />

Chairman and CEO<br />

Festival Management Committee<br />

Scotiabank Caribana 2008


Rick Waugh<br />

At Scotiabank, we believe in the power <strong>of</strong><br />

arts and culture <strong>to</strong> enrich people’s lives. Our<br />

donations and sponsorships programs support<br />

arts and cultural groups and events in the<br />

communities we serve around the world.<br />

This includes Canada and the 24 countries in<br />

the Caribbean and Central America region,<br />

where we have maintained a presence for<br />

nearly 120 years. Our goal is <strong>to</strong> ensure that<br />

the arts and culture remain accessible <strong>to</strong><br />

all, including young people and residents <strong>of</strong><br />

smaller communities, while encouraging the<br />

development <strong>of</strong> new artistic talent at the<br />

local level.<br />

That’s why we’re so pleased that the <strong>Roots</strong><br />

<strong>to</strong> <strong>Rhythm</strong>: Caribana Art Exhibit at the<br />

Royal Ontario Museum is part <strong>of</strong> this year’s<br />

Scotiabank Caribana. The exhibit will feature<br />

up <strong>to</strong> 70 works on canvas created by talented<br />

contemporary <strong>African</strong>-<strong>Canadian</strong> artists – visual<br />

interpretations <strong>of</strong> a poem written by the<br />

exhibit’s cura<strong>to</strong>r, Joan Butterfield.<br />

As Canada’s most international bank, and<br />

the leading bank in the Caribbean, we are<br />

proud <strong>to</strong> support the Caribana Festival in<br />

celebrating the amazing diversity <strong>of</strong> this<br />

city. We hope you enjoy Scotiabank Caribana<br />

2008, and the Caribana Art Exhibit.<br />

Rick Waugh<br />

President & Chief Executive Officer<br />

Scotiabank<br />

Joan Butterfield<br />

Our roots - Our journey - Our s<strong>to</strong>ries.<br />

I hope you feel the rhythm.<br />

It has been my aim from the onset <strong>of</strong> my<br />

career <strong>to</strong> produce exhibits that aesthetically<br />

links our past <strong>to</strong> our future, <strong>to</strong> document and<br />

educate the viewing audience about our rich<br />

culture and heritage.<br />

Each <strong>of</strong> our artists tells their own s<strong>to</strong>ry – they<br />

interpreted the theme in their own unique<br />

ways - They brought <strong>to</strong> their canvas their<br />

differences, their his<strong>to</strong>ries, their traditions<br />

and their struggles, and the extraordinary<br />

scope and diversity <strong>of</strong> this collection is indeed<br />

a testimony <strong>to</strong> their exceptional abilities.<br />

My deepest gratitude <strong>to</strong> Joe Halstead and the<br />

FMC, I am honored once again <strong>to</strong> have been<br />

chosen <strong>to</strong> play such a vital role in the Scotia<br />

Caribana World Festival, the largest and<br />

most spectacular cultural festival in North<br />

America,<br />

Heartfelt thanks <strong>to</strong> the Royal Ontario Museum<br />

for inviting the “<strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>” exhibition<br />

in<strong>to</strong> their halls, this is indeed a his<strong>to</strong>ry<br />

making moment.<br />

To you the viewing audience, it is our hope<br />

that you enjoy the journey.<br />

Warm Regards,<br />

Joan Butterfield – Art Direc<strong>to</strong>r/Cura<strong>to</strong>r<br />

<strong>Association</strong> <strong>of</strong> <strong>African</strong> <strong>Canadian</strong> <strong>Artists</strong><br />

4 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

5 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>


William Thorsell<br />

The Royal Ontario Museum is pleased <strong>to</strong> be a<br />

Silver Sponsor <strong>of</strong> Scotiabank Caribana 2008,<br />

one <strong>of</strong> the largest and most spectacular annual<br />

celebrations held in the city <strong>of</strong> Toron<strong>to</strong>, and<br />

especially delighted <strong>to</strong> have been invited <strong>to</strong><br />

present this year’s art installation, <strong>Roots</strong> <strong>to</strong><br />

<strong>Rhythm</strong>: Caribana Art Exhibit, celebrating<br />

Caribbean and <strong>African</strong>-<strong>Canadian</strong> heritage.<br />

As one <strong>of</strong> the world’s great museums, the<br />

ROM strives <strong>to</strong> engage the public, as well as<br />

reflect the heritage <strong>of</strong> its visi<strong>to</strong>rs through<br />

its diverse galleries, exhibitions and<br />

programming. In Spring 2008, the Museum<br />

unveiled the final permanent world cultures<br />

galleries in the Michael Lee-Chin Crystal,<br />

including the Shreyas and Mina Gallery<br />

<strong>of</strong> Africa, the Americas and Asia-Pacific.<br />

Based on the strengths <strong>of</strong> the ROM’s vast<br />

and diverse collections, this gallery features<br />

hundreds <strong>of</strong> objects that represent the<br />

artistic and cultural traditions <strong>of</strong> peoples<br />

from Africa, the American continents, the<br />

Asia-Pacific region and Oceania.<br />

The unique and colourful canvases in <strong>Roots</strong> <strong>to</strong><br />

<strong>Rhythm</strong> will take visi<strong>to</strong>rs on a dramatic journey<br />

through the soul <strong>of</strong> music, adding a significant<br />

new <strong>of</strong>fering at the ROM this summer.<br />

We look forward <strong>to</strong> welcoming visi<strong>to</strong>rs from<br />

around the world for Toron<strong>to</strong>’s Caribana<br />

festivities. The ROM belongs <strong>to</strong> you.<br />

William Thorsell<br />

Direc<strong>to</strong>r & CEO<br />

Royal Ontario Museum<br />

8.CherylRock<br />

9.IzzyOhiro<br />

10.GeorgiaFuller<strong>to</strong>n<br />

11.KenDaley<br />

12.SoniaFarquharson<br />

13.AshaAditiRuparelia<br />

14.DavidVasquez<br />

15.AngelaHaynes<br />

16.JoyAndre<br />

17.DarrellMcCalla<br />

18.Anna-MariaDickinson<br />

19.CharmaineLurch<br />

20.MichelleMontague<br />

20.DenieseJames<br />

21.PhilemonCampbell<br />

22.DionFitzgerald<br />

23.AprilBranco<br />

24.JanetManning<br />

25.JasonO’Brien&KwameDelfish<br />

26.KathMoscou<br />

27.SheldonColthrust&BarbaraDillas<br />

28.NicolePeña<br />

28.Props designed by JoanButterfield<br />

6 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

7 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

Table <strong>of</strong> Content


CherylRock<br />

Cheryl Rock’s work is inspired by the knowledge <strong>of</strong><br />

her ances<strong>to</strong>rs and her desire <strong>to</strong> create dialogue with<br />

an audience. Her mixed media pieces document the<br />

essence <strong>of</strong> the experiences <strong>of</strong> people, whose roots are<br />

steeped in Caribbean and <strong>African</strong> heritage.<br />

RE-Memory…<br />

30” x 40” Acrylic and mixed media<br />

1625: Re-Member…Re-New…<br />

36” x 48” Acrylic and mixed media<br />

Mother Sally<br />

36” x 48” Acrylic and mixed media<br />

Up-Routed (up-root’-ed)<br />

36” x 48” Acrylic and mixed media<br />

But where are you REALLY from?<br />

30” x 40” Acrylic and mixed media<br />

Tuk-Touk (tu-k, tu—k)<br />

British word for “heinous noise”<br />

36” x 48”<br />

Acrylic and mixed media<br />

Ethereal Epiphyte<br />

36” x 48”<br />

Acrylic and mixed media<br />

IzzyOhiro<br />

My work focuses on inner beauty, festivity and celebration. I work<br />

primarily in oil because <strong>of</strong> its luster and sensual qualities, creating<br />

layers <strong>of</strong> simple colors, shapes, and exciting movements. I am<br />

originally from Nigeria, but have embraced various cultures over<br />

the years. All <strong>of</strong> which have influenced my art.<br />

Tribute<br />

30”X36” Acrylic<br />

A tribute <strong>to</strong> freedom, surviving<br />

the journey and celebration<br />

<strong>of</strong> life.<br />

Reminiscence<br />

3 -30” x 40” Oil Triptych<br />

A walk down memory lane<br />

Sounds, from deep within<br />

Pure and unadulterated<br />

Telling <strong>of</strong> the rugged past,<br />

But reassuring <strong>of</strong> a brighter day <strong>to</strong> come<br />

A New Day<br />

36” x 48” Acrylic<br />

My soul embraces the<br />

possibilities <strong>of</strong> a new day<br />

The melody <strong>of</strong> the rising sun<br />

Consuming the ferocity, folly<br />

and reason that surrounds me<br />

Reawaken <strong>to</strong> simplicity<br />

8 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

9 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

Miles From Home<br />

30”X40” Acrylic<br />

The journey started with a song,<br />

a great ballad from yesterday.<br />

We stayed forthright,<br />

As we searched for light,<br />

We prayed each night,<br />

And made countless friends<br />

In the land called far away.


GeorgiaFuller<strong>to</strong>n<br />

Georgia was born, 1965, in Buffbay, Portland on the island <strong>of</strong> Jamaica.<br />

Raised in Alberta, Canada, Georgia’s inspiration <strong>to</strong> draw grew from her<br />

artist/educa<strong>to</strong>r mother. Working with acrylics, pencil & ink, Georgia<br />

creates for the senses; fusing varied images <strong>of</strong> the figure with aspects<br />

<strong>of</strong> portraiture, resulting in “surrealist” expressionism.<br />

Natural Swing<br />

48”x 36” Mixed media<br />

First Wave<br />

30”x 40” Acrylic<br />

In My Element<br />

30”x 40” Mixed media<br />

Rudiments <strong>of</strong> Tempo<br />

36”x 48” Mixed media<br />

Deep Rooted<br />

30”x 40” Mixed media<br />

KenDaley<br />

Ken was born in 1976 and raised in Cambridge, Ontario. His<br />

parents immigrated <strong>to</strong> Canada from the Caribbean Island <strong>of</strong><br />

Dominica. Ken developed a love for the arts- painting, dance, and<br />

music from an early age.<br />

The Voyage<br />

30” x 48” Oil on Canvas<br />

Tambourine Players<br />

36” x 36” Oil on Canvas<br />

This painting is a celebration <strong>of</strong> gospel<br />

music through the 4 tambourine<br />

players dressed in choir robes.<br />

This painting depicts a slave ship with a<br />

figurehead <strong>of</strong> a <strong>African</strong> slave travelling<br />

through the Middle Passage. Our ances<strong>to</strong>rs<br />

brought with them the rich, musical<br />

heritage that endured the horrific voyage<br />

from the Motherland <strong>to</strong> the Americas.<br />

Bermuda Gombey<br />

46” x 36” Oil on Canvas<br />

Caribbean Riddims<br />

36” x 36” Oil on Canvas<br />

10 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

11 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

The Bermuda Gombey is the island’s premier<br />

folk art dancers. Created during the 17th<br />

century by slaves brought <strong>to</strong> Bermuda<br />

from West Africa, the Caribbean and North<br />

America, the Gombey dances borrow from<br />

many cultures. “Gombey” is derived from<br />

an <strong>African</strong> word meaning rhythm, and the<br />

dance itself is part West <strong>African</strong>, Caribbean<br />

and American Indian.<br />

Caribbean riddims is the depiction <strong>of</strong> the<br />

sights and sounds <strong>of</strong> carnival time


SoniaFarquharson<br />

“My paintings are visual representations <strong>of</strong> everyday people and<br />

his<strong>to</strong>rical figures from around the world that have inspired me<br />

and I hope will help <strong>to</strong> inspire everyone <strong>to</strong> fight for racial equality<br />

around the world.”<br />

Oriental Beat<br />

30” x 40” Acrylic on Canvas<br />

<strong>African</strong> Vibrations<br />

30” x 40” Acrylic on Canvas<br />

<strong>Roots</strong> <strong>of</strong> India<br />

30” x 40” Acrylic on Canvas<br />

Bass Evolution<br />

36” x 48” Acrylic on Canvas<br />

<strong>Canadian</strong> Pulse<br />

30” x 40” Acrylic on Canvas<br />

Asha(Aditi)Ruparelia<br />

Much <strong>of</strong> my work is inspired by the journey <strong>of</strong> my own life,<br />

culture, traditions and heritage. I feel extremely connected <strong>to</strong><br />

the time and places <strong>to</strong> which I have lived and from time and<br />

time drawn back <strong>to</strong> finding a way <strong>to</strong> interpret those elements<br />

in<strong>to</strong> my art <strong>of</strong> expressing the never-ending beauty I find within.<br />

It enriches the shapes the ways I see colour, design in artistic<br />

creativity and inspires the work that I have yet <strong>to</strong> begin.<br />

The <strong>African</strong> <strong>Rhythm</strong><br />

30” x 40”<br />

Multimedia with sculptured texture<br />

The <strong>Rhythm</strong> <strong>of</strong><br />

Dancing Sun on My Land<br />

30” x 40”<br />

Multimedia collage with sculptured texture<br />

12 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

13 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

Ambitions<br />

30” x 40”<br />

Multimedia with sculptured texture<br />

Triumphs: “The S<strong>to</strong>rm’<br />

30” x 40”<br />

Multimedia with sculptured texture<br />

The <strong>Rhythm</strong> <strong>of</strong> the beat goes on<br />

30” x 40”<br />

Multimedia with sculptured texture


DavidVasquez<br />

Much <strong>of</strong> David’s paintings reflect his Dominican background with<br />

fusion <strong>of</strong> Indian, <strong>African</strong> and Spanish cultures. David’s paintings<br />

can be found in the Museum <strong>of</strong> Ottawa <strong>of</strong> <strong>Canadian</strong> Civilization.<br />

Chicago Jazz<br />

55” x 46” Acrylic<br />

The emotions, the joy, the movement and the<br />

colour <strong>of</strong> jazz. It’s our roots, it’s our rhythm.<br />

47” x 47” Acrylic<br />

AngelaHaynes<br />

Born in London, England, my work is influenced by the<br />

inspirational essence <strong>of</strong> the body, mind and spirit. I use texture<br />

and vibrant shades <strong>to</strong> portray the body as a site <strong>of</strong> expressive<br />

movement, emotion and strength.<br />

Revellers<br />

60” x 90” Mixed media (Triptych, three 30” x 60” canvasses)<br />

Captures the pure, vibrant exuberance <strong>of</strong> carnival. It celebrates<br />

cultural tradition, people and the rhythm <strong>of</strong> calypso and soca,<br />

which excites and propels partiers through the streets from day<br />

break <strong>to</strong> night fall.<br />

14 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

15 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>


JoyAndre<br />

Joy Andre was born and raised in Toron<strong>to</strong>, Ontario. Joy works<br />

with acrylic paints, text as an art form, and explores texture on<br />

canvas <strong>to</strong> symbolically represent the strength, struggle and spirit<br />

<strong>of</strong> people <strong>of</strong> the <strong>African</strong> Diaspora.<br />

Sank<strong>of</strong>a<br />

30” x 40” Mixed media<br />

Birth & Rebirth<br />

42” x 40” Mixed media<br />

What Does Freedom Mean <strong>to</strong> You?<br />

Mixed media<br />

Dance <strong>of</strong> Engagement<br />

Mixed media<br />

DarrellMcCalla<br />

Influences <strong>of</strong> a childhood spent in Jamaica are evident in my<br />

selection <strong>of</strong> colours. My painting mediums <strong>of</strong> choice are liquid<br />

acrylics and water-colours, both encourage freedom and spontaneity.<br />

After the Parade<br />

“After the Parade” – A time <strong>to</strong> reflect, a time<br />

<strong>to</strong> feel tired ... now its all over, ‘til next year.<br />

Carnival Sea<br />

48” x 36” Acrylic<br />

16 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

17 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

The childrens’ carnival provides a canvas <strong>of</strong><br />

pure emotion... a sea <strong>of</strong> colours, interspersed<br />

with joy, excitement or otherwise, as the<br />

young revelers “play mas” for the first time.


Anna-MariaDickinson<br />

I was born with a creative soul. Oil is my medium <strong>of</strong> choice, and<br />

my main focus is my love for the vibrancy, rhythm and colour <strong>of</strong><br />

the people and places <strong>of</strong> the Caribbean where I was born.<br />

Listen To The Beat<br />

24” x 48” Oil<br />

is a prime example <strong>of</strong> my Caribbean heritage.<br />

If you look at the painting long enough, you<br />

can hear the sound <strong>of</strong> calypso, salsa, soca<br />

and the drums that set my feet on fire.<br />

Visual <strong>Rhythm</strong> (Dance <strong>of</strong> Flames)<br />

60” x 36” Oil (Triptych)<br />

Bodies swaying and eyes closed. All else fades away but the feel<br />

<strong>of</strong> the rhythm <strong>of</strong> the calypso music and the steelband drum.<br />

CharmaineLurch<br />

Charmaine’s canvases are a narrative on cultural his<strong>to</strong>ries; I have<br />

always been inspired by music. When I paint I surround myself with<br />

all kinds <strong>of</strong> music, it helps me <strong>to</strong> choose colours and create lines<br />

Won’t you help <strong>to</strong> sing<br />

30” x 40” Arcylic<br />

Inspired by Bob Marley’s Redemption Song.<br />

In the painting, the young girl, much like<br />

me, is surrounded by music. The music<br />

is passed <strong>to</strong> her and “we forward in this<br />

generation triumphantly”.<br />

Syncopated Journey 2<br />

30” x 40” Acrylic<br />

18 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

19 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

Syncopated Journey 2 was inspired by<br />

the melodic lines, rhythmic patterns and<br />

improvisational nature <strong>of</strong> Jazz.


MichelleMontague<br />

Michelle’s works combine the influences <strong>of</strong> abstract and expressionism art.<br />

Always influenced by the environment and life experiences. The focus <strong>of</strong> my<br />

work <strong>of</strong>ten involves manipulation <strong>of</strong> everyday, realistic landscapes and their<br />

transformation in<strong>to</strong> parallel environments. Once transformed, these pieces<br />

become timeless monuments, losing any his<strong>to</strong>rical reference they might have<br />

had previously.<br />

Terra Forma<br />

3 – 30” x 60” Oil on Canvas (Triptych)<br />

The Terra Forma series represents visual<br />

meditations brought out through the<br />

music <strong>of</strong> Vangelis’ Heaven and Hell; and<br />

Delerium’s Forgotten Worlds, and Angelicus.<br />

The integration <strong>of</strong> vocals, electronica<br />

and traditional instruments in these<br />

songs is depicted on canvas as a world<br />

in transition. An environment where<br />

organic structures, heightened colours<br />

and artificial skies have melded <strong>to</strong>gether<br />

rejuvenating nature in the formation <strong>of</strong> a<br />

new existence.<br />

DenieseJames<br />

Born in Toron<strong>to</strong> my works are greatly influenced by the print media<br />

methods <strong>of</strong> both the <strong>African</strong> and Western worlds. I am currently<br />

pursuing a Bachelor <strong>of</strong> Arts degree in Art and Art His<strong>to</strong>ry at the<br />

University <strong>of</strong> Toron<strong>to</strong>.<br />

Your’s Too Thick Series<br />

Three canvasses - 30”X 40” Mix Media<br />

The term ‘<strong>to</strong>o thick’, taken from Toni Morrison’s novel Beloved,<br />

refers <strong>to</strong> criticisms <strong>of</strong> cultural difference, such as the stigmas surrounding<br />

the thick hair, lips etc. <strong>of</strong> black people, but also thickness<br />

as the strength <strong>of</strong> cultural roots or identity and our persistence in<br />

celebrating such differences through cultural discourse.<br />

The symbols are a combination <strong>of</strong> <strong>African</strong> and Indian symbols morphed<br />

and interwoven in<strong>to</strong> a hybrid visual language with particular<br />

interest paid <strong>to</strong> the curved teardrop shape <strong>of</strong> the paisley.<br />

20 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

21 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>


PhilemonCampbell<br />

Self-taught artist Philemon Campbell was born in St.<br />

Andrew in a rural village named Content Gap in the Blue<br />

Mountains on the island <strong>of</strong> Jamaica. He was awestruck by<br />

the lush, misty landscape and rugged peaks around him<br />

and was passionate about nature which inspired him <strong>to</strong><br />

start painting in 1983.<br />

Drummers<br />

For <strong>African</strong> slaves, the drum was central <strong>to</strong> religious<br />

and healing rituals, play and celebration and was<br />

deployed as an instrument <strong>of</strong> communication. Although<br />

its use was discouraged by the plantation owners and<br />

Christian missionaries the drum has remained the key<br />

instrument in all forms <strong>of</strong> <strong>African</strong> – Caribbean music and<br />

pervades the folklore <strong>of</strong> the Region. These drummers are<br />

entertaining the crowd, sometimes playing in unison,<br />

sometimes echoing each other.<br />

Homage<br />

<strong>African</strong> – <strong>Canadian</strong>s have brought <strong>to</strong> Canada<br />

a rich cultural heritage in which dance<br />

plays an integral role. People <strong>of</strong> <strong>African</strong><br />

descent use dance forms <strong>to</strong> give vent <strong>to</strong><br />

their sorrows, revel in their joys and in<br />

general <strong>to</strong> celebrate life. These dancers<br />

pay homage <strong>to</strong> their ances<strong>to</strong>rs, showing<br />

respect and reverence for the legacy<br />

passed on <strong>to</strong> them.<br />

Midnight Blues<br />

In the Americas, while jazz musicians are noted<br />

for their lively improvised rhythms, they are also<br />

renowned for playing, on brass and woodwind,<br />

instruments, “the blues,’’ slow melancholic<br />

music, beautiful and emotive depicting the<br />

adversities <strong>of</strong> their lives. This horn blower dazzles<br />

his audience with his passion and deep emotion<br />

DionFitzgerald<br />

Sometimes we miss the moments when true emotions, as beautiful<br />

or menacing as they may seem, occur. This is what I’m interested<br />

in painting. Enjoy.<br />

Preachin the Blues Son House<br />

36” x 48” Acrylic on canvas<br />

This piece displays the rhythmic<br />

expression that lies within a bluesman.<br />

I want the viewer <strong>to</strong> experience the<br />

gospel <strong>of</strong> the blues in visual form.<br />

Ramblin’ on My Mind (Robert Johnson)<br />

36” x 48” Acrylic on canvas<br />

Vulnerability and virtuosity will always<br />

remain the roots <strong>of</strong> modern music. I believe<br />

these qualities are captured in this intense<br />

moment with a blues great.<br />

22 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

23 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>


AprilBranco<br />

To summarize my goal as an artist, I quote the great Stella Adler...<br />

“Good art is not what it looks like, but what it does <strong>to</strong> us”<br />

Achieving that level <strong>of</strong> connection would be my greatest satisfaction.<br />

RHYTHM<br />

The Beat is the Thread Intertwining our<br />

generations.<br />

Along this line travels the tale,<strong>of</strong> a people<br />

and past,<br />

unknown... and yet familiar.<br />

CAN YOU HEAR IT?<br />

ROOTS<br />

Out <strong>of</strong> the darkness I rise, strong and<br />

proud.<br />

Past knotted and twisted as the hair upon<br />

my head.<br />

Yet with eyes open and shining, I face the<br />

future....<br />

JanetManning<br />

Self taught artist, born and, raised in Toron<strong>to</strong> Canada with a<br />

Jamaican background. I’m inspired by directions <strong>of</strong> my personal<br />

life, thoughts and emotions. My interpretation <strong>of</strong> art is articulated<br />

through movement and imagination. I believe art should be<br />

analyzed for a few minutes, therefore revealing the s<strong>to</strong>ry.<br />

Finding Destiny<br />

30 “ x 40” gallery style canvas (Acrylic)<br />

One’s face is revealed<br />

His eyes become diamond prisms,<br />

which reflect his soul<br />

They occupy many fragments <strong>of</strong> the past,<br />

present and future.<br />

His wild free flowing hair, convey his roots,<br />

A brilliant beam <strong>of</strong> light out shines his true colour,<br />

Presently colour is <strong>of</strong> no importance<br />

Even during the darkest moments,<br />

You must seek and find that light within yourself.<br />

What you believe will come <strong>to</strong> pass<br />

24 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

25 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

Time <strong>to</strong> Shine<br />

30” x 40” gallery style canvas (Acrylic)<br />

We discover where the light is coming from.<br />

Silhouette images convey unity.<br />

They look <strong>to</strong>wards the sun for guidance <strong>to</strong> freedom.<br />

Power from the heavens is portrayed.<br />

Change is currently taking place.<br />

Where I’m from, where I could be…<br />

30” x 40” gallery style canvas<br />

Heavenly guidance through transition is what I create in my<br />

mind’s eye<br />

Music, deeply rooted within the soul,<br />

helps us maintain our sanity.<br />

We merge from the powerful roots <strong>of</strong> our culture,<br />

The freedom <strong>to</strong> express our dreams,<br />

allows reality <strong>to</strong> take its place<br />

What we could be as individuals…is endless


JasonO’Brien<br />

is a Toron<strong>to</strong> born artist whose inspired themes stem from his<br />

personal perspective on emotional issues and how the human<br />

form is affected and shaped by them.<br />

Heaven Bound<br />

36” x 48” Acrylic<br />

KwameDelfish<br />

Drawing inspiration from life experiences and culture, Kwame<br />

allows human emotion <strong>to</strong> take shape through bold vibrant<br />

colours. Moods take form through the accentuated body<br />

language <strong>of</strong> figures.<br />

Interprets the rhythmic roots <strong>of</strong> the black experience<br />

rising up from <strong>African</strong> origins. It’s clourful tapestry <strong>of</strong><br />

spiritual song and dance has been weaved in<strong>to</strong> our hearts<br />

and souls and serves as the catapult upon which we are<br />

elevated <strong>to</strong> the heavens in unbridled magnificence.<br />

<strong>Rhythm</strong> In Bloom<br />

48” X 60” Oil<br />

Celebrating our past, present, and future,<br />

the steel pan is a celebration <strong>of</strong> sounds,<br />

rhythm, music and beauty. Like a flower<br />

it is firmly rooted in our culture, blooming<br />

with each generation. The leaves dance in<br />

celebration as a new bud appears, just as we<br />

celebrate when a new generation dances <strong>to</strong><br />

the rhythm and melody <strong>of</strong> our roots.<br />

KathyMoscou<br />

Trained at the High School <strong>of</strong> Music & Art in New York City, Kathy’s<br />

original renderings are very excitedly expressed and presented<br />

in oil, watercolors and mixed media. They vividly portray her<br />

<strong>African</strong> and American heritage and stimulate a wide range <strong>of</strong><br />

emotions in all people because all cultures can relate <strong>to</strong> positive<br />

family interactions and intergenerational relationships.<br />

Piano Lesson<br />

36” X 44” Mix media<br />

Hair, her-s<strong>to</strong>ry<br />

36” X 44” Mix media<br />

26 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

27 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

Depicts three generations <strong>of</strong> women communicating<br />

lessons from the past through the collective experience<br />

<strong>of</strong> ‘doing hair’. The rhythm <strong>of</strong> hands moving through<br />

hair weaves the wisdom that comes from our <strong>African</strong><br />

roots. The weaving <strong>of</strong> hair is a metaphor for the<br />

intertwining <strong>of</strong> our his<strong>to</strong>ry and current experience.<br />

Nana is the foundation or root <strong>of</strong> so many families.<br />

Through music, she passes along tradition; couching<br />

our youth through various movements <strong>of</strong> life. Like<br />

the TV <strong>of</strong> <strong>to</strong>day, the piano was once the gathering<br />

place for families.


SheldonColthrust<br />

Sheldon enjoys working with a variety <strong>of</strong> different materials.<br />

Drawings –pencil, Charcoal, pen and ink, Digital- adobe illustra<strong>to</strong>r,<br />

and painting-acrylic.<br />

BarbaraDillas<br />

Art Educa<strong>to</strong>r/Freelance Artist. Presently teaching Visual Art in<br />

Bermuda. She studied at Central State University in Ohio where<br />

she obtained a B Sc. In Art Education, and expresser her art form<br />

in acrylic on canvas.<br />

Bermuda Gombey<br />

(“Gombey” Bantu word meaning “ rhythm)<br />

38” X 38” Canvas glicee<br />

The Bermuda Gombey is depicted in abstract<br />

expressionistic form. It shows a small part <strong>of</strong><br />

Bermuda’s culture. The tall head pieces, hand-made<br />

with peacock feathers, glitter and sequins, are the<br />

crowing glory <strong>of</strong> the beautiful comtumes.<br />

Disco Diva<br />

30” x 40” Acrylic on Canvas<br />

This piece takes place in North America.The queen <strong>of</strong><br />

afro has returned. Only this time she is fully immersed<br />

in the era <strong>of</strong> Disco. She has become one with the<br />

rhythm. No longer is she a human, <strong>of</strong> flesh, but a<br />

being <strong>of</strong> light. The tempo causes the luminescent<br />

energy <strong>to</strong> constantly change throughout her body and<br />

she loves every minute <strong>of</strong> it.<br />

NicolePeña<br />

Nicole Peña is an award-winning artist and over the past ten years has exhibited in several solo<br />

and group shows in Toron<strong>to</strong>, New York City, Port <strong>of</strong> Spain, and Hamil<strong>to</strong>n, Bermuda. In many <strong>of</strong> her<br />

paintings, Peña depicts entranced everyday people who are seduced in<strong>to</strong> spiritual and psychic<br />

reveries. “In these works,” she explains, “rhythm liberates the body and frees the spirit.” Peña,<br />

a Jamaican born <strong>Canadian</strong> who graduated from York University with an Honours Degree in Fine<br />

Arts is proud <strong>to</strong> be a part <strong>of</strong> ColourBlind International—though she speaks for many when she<br />

says, “I don’t want my art <strong>to</strong> be defined solely by my race.”<br />

Everyday People<br />

Everyday people indulge in the rhythm <strong>of</strong> an ancestral beat<br />

Hips sway <strong>to</strong> an unyielding melody<br />

Participants dance with eyes open shut<br />

Surrendering <strong>to</strong> a moment <strong>of</strong> joyful pain.<br />

28 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

29 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>


JefferyGregory<br />

Born in Jamacia – An artists in the fields <strong>of</strong> sculpturing,<br />

painting and wood carving, winner <strong>of</strong> over 40 first place<br />

and best <strong>of</strong> show awards.<br />

Wailer Survivor<br />

30”X 40” Acrylic<br />

Bonny Wailer (Livings<strong>to</strong>n) - last surviving member <strong>of</strong><br />

Bob Marley and the Wailers<br />

Up Rising<br />

30”X 40” Acrylic<br />

Bob Marley<br />

JOANBUTTERFIELD<br />

Joan Butterfield is the Cura<strong>to</strong>r for the “<strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>” Art Exhibition, launched in<br />

conjunction with the 2008 Scotiabank Caribana World Festival celebration in Toron<strong>to</strong>.<br />

Joan has created and curated exhibitions for numerous organizations, corporations and<br />

educational institutions throughout Canada and the United States including: City <strong>of</strong><br />

Toron<strong>to</strong>, City <strong>of</strong> Hamil<strong>to</strong>n, City <strong>of</strong> Baltimore, Bramp<strong>to</strong>n City Hall, Purola<strong>to</strong>r, Johnson &<br />

Johns<strong>to</strong>n, York University, Coca Cola, Central State University, Scotia Bank, Congressional<br />

Black caucus Foundation Inc, <strong>Canadian</strong> Human Rights Commission, Heritage Mississauga,<br />

and the Burling<strong>to</strong>n Art Centre.<br />

Joan is the Founder <strong>of</strong> the <strong>Association</strong> <strong>of</strong> <strong>African</strong> <strong>Canadian</strong> <strong>Artists</strong> and cura<strong>to</strong>r <strong>of</strong> their<br />

much-acclaimed COLOURblind exhibitions. Joan’s goal is <strong>to</strong> produce accessible and<br />

engaging art exhibits that raise awareness and stimulate dialogue<br />

Props designed by Joan Butterfield<br />

Feel the <strong>Rhythm</strong><br />

Mixed media<br />

Hip-Hop<br />

Mixed media<br />

30 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />

31<br />

<strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>


COLOURblind International<br />

<strong>Association</strong> <strong>of</strong> <strong>African</strong> <strong>Canadian</strong> <strong>Artists</strong><br />

9 Meridian Road Bramp<strong>to</strong>n Ontario<br />

Canada L6S 3P9<br />

Tel: 905- 459 -5168 Fax: 905-792-0959<br />

Toll free: 1-877-233—6517<br />

www.colour-blind.ca<br />

colourblindexhibit@yahoo.com<br />

Cura<strong>to</strong>r: Joan Butterfield<br />

Tel: 905-458-8289 Cell: 416-230-8615<br />

Toll free: 1877-233-6517<br />

www.joanbutterfield.com<br />

www.anjudesign.com | 416 508 6383

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