Roots to Rhythm 1 - Association of African-Canadian Artists
Roots to Rhythm 1 - Association of African-Canadian Artists Roots to Rhythm 1 - Association of African-Canadian Artists
1 Roots to Rhythm
- Page 2: Association of African Canadian Art
- Page 6: William Thorsell The Royal Ontario
- Page 10: GeorgiaFullerton Georgia was born,
- Page 14: DavidVasquez Much of David’s pain
- Page 18: Anna-MariaDickinson I was born with
- Page 22: PhilemonCampbell Self-taught artist
- Page 26: JasonO’Brien is a Toronto born ar
- Page 30: JefferyGregory Born in Jamacia - An
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<strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>
<strong>Association</strong> <strong>of</strong> <strong>African</strong> <strong>Canadian</strong> <strong>Artists</strong><br />
The <strong>Association</strong> <strong>of</strong> <strong>African</strong> <strong>Canadian</strong> <strong>Artists</strong> (AACA) is a<br />
not-for-pr<strong>of</strong>it organization dedicated <strong>to</strong> the support,<br />
development and sharing <strong>of</strong> works <strong>of</strong> art that is<br />
produced by artists <strong>of</strong> <strong>African</strong> <strong>Canadian</strong> heritage. The<br />
main goal <strong>of</strong> the AACA is <strong>to</strong> introduce this art in<strong>to</strong> the<br />
mainstream <strong>Canadian</strong> market<br />
COLOURblind is the AACA annual Art Exhibition that<br />
encourages and explores Issues from a uniquely<br />
<strong>Canadian</strong> perspective. This travelling exhibition<br />
is launched in Febuary as part <strong>of</strong> the Black His<strong>to</strong>ry<br />
Month celebration. The art is displayed through-out<br />
the greater Toron<strong>to</strong> area at as many public venues,<br />
as is possible.<br />
COLOURblind International is the AACA gift <strong>to</strong> the<br />
world, an annual, juried, themed exhibition that<br />
launches each year in conjunction with Toron<strong>to</strong>’s<br />
Caribana Festival – the largest cultural festival in<br />
North America.<br />
<strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
We were born <strong>to</strong> the rhythm <strong>of</strong> the <strong>African</strong> drum,<br />
we stand proud <strong>of</strong> the land that we are from.<br />
We were s<strong>to</strong>len from the rhythm <strong>of</strong> our motherland,<br />
<strong>to</strong> become enslaved by another man.<br />
We refused <strong>to</strong> be broken by the rhythm <strong>of</strong> the trip,<br />
or the threats <strong>of</strong> a masters whip.<br />
We sang and we danced <strong>to</strong> the rhythm <strong>of</strong> our songs,<br />
we disguised the words and did no wrong.<br />
We now jump-up <strong>to</strong> the rhythm <strong>of</strong> steel pan,<br />
we limbo <strong>to</strong> the beat <strong>of</strong> a calypso band.<br />
We live by the rhythm <strong>of</strong> gospel sounds,<br />
that share hope and promise <strong>of</strong> heaven bound.<br />
We tell s<strong>to</strong>ries in the rhythm <strong>of</strong> jazz,<br />
that echoes the sounds and beats <strong>of</strong> our past.<br />
We make love <strong>to</strong> the rhythms <strong>of</strong> soul,<br />
our Hip hop music is brass and bold.<br />
Our rhythm is rooted deep within our soul, it’s<br />
the beat <strong>of</strong> our heart, and our s<strong>to</strong>ries <strong>to</strong>ld.<br />
Joan Butterfield - Cura<strong>to</strong>r<br />
Joe Halstead<br />
Last year, as part <strong>of</strong> the expansion <strong>of</strong> Scotiabank<br />
Caribana’s festivities, we introduced the element<br />
<strong>of</strong> an Art Exhibition. I am delighted <strong>to</strong> say that<br />
given its huge success it is now here <strong>to</strong> stay. As<br />
part <strong>of</strong> our growth, we continue <strong>to</strong> <strong>of</strong>fer more than<br />
“a” Parade day. We’ve created “the” holistic cultural<br />
experience, presented <strong>to</strong> all <strong>of</strong> North America<br />
hosted right here in Toron<strong>to</strong> - our multicultural<br />
city, showcasing the extensive talents and creativity<br />
<strong>of</strong> the Caribbean people.<br />
Congratulations once again <strong>to</strong> Joan Butterfield and<br />
the <strong>Association</strong> <strong>of</strong> <strong>African</strong> <strong>Canadian</strong> <strong>Artists</strong> on the<br />
opening <strong>of</strong> this year’s exhibition “<strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>”.<br />
The Art Exhibition ‘<strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>’ depicts an<br />
intriguing collection <strong>of</strong> over 60 works which have<br />
been influenced by the journey <strong>of</strong> the <strong>African</strong><br />
people.<br />
It is therefore not by coincidence that we’ve partnered<br />
with the ROM in this undertaking. The Royal Ontario<br />
Museum, Canada’s largest and the fifth largest<br />
museum in North America is world renowned for world<br />
culture and natural his<strong>to</strong>ry. The combination <strong>of</strong> the<br />
production and the venue has taken this initiative <strong>to</strong><br />
yet another level.<br />
I take this opportunity <strong>to</strong> thank Scotiabank for<br />
its participation and contribution <strong>to</strong> the overall<br />
festivities. Together we look forward <strong>to</strong> making our<br />
community richer as we celebrate the diversity <strong>of</strong><br />
this great city.<br />
Thanks <strong>to</strong> our viewing audience for taking the time<br />
<strong>to</strong> visit and I am quite certain that the experience<br />
will cause you <strong>to</strong> be so much more enlightened<br />
and wet your appetite <strong>to</strong> eagerly look forward <strong>to</strong><br />
subsequent years’ productions.<br />
2 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
3 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
Enjoy!<br />
Joe Halstead<br />
Chairman and CEO<br />
Festival Management Committee<br />
Scotiabank Caribana 2008
Rick Waugh<br />
At Scotiabank, we believe in the power <strong>of</strong><br />
arts and culture <strong>to</strong> enrich people’s lives. Our<br />
donations and sponsorships programs support<br />
arts and cultural groups and events in the<br />
communities we serve around the world.<br />
This includes Canada and the 24 countries in<br />
the Caribbean and Central America region,<br />
where we have maintained a presence for<br />
nearly 120 years. Our goal is <strong>to</strong> ensure that<br />
the arts and culture remain accessible <strong>to</strong><br />
all, including young people and residents <strong>of</strong><br />
smaller communities, while encouraging the<br />
development <strong>of</strong> new artistic talent at the<br />
local level.<br />
That’s why we’re so pleased that the <strong>Roots</strong><br />
<strong>to</strong> <strong>Rhythm</strong>: Caribana Art Exhibit at the<br />
Royal Ontario Museum is part <strong>of</strong> this year’s<br />
Scotiabank Caribana. The exhibit will feature<br />
up <strong>to</strong> 70 works on canvas created by talented<br />
contemporary <strong>African</strong>-<strong>Canadian</strong> artists – visual<br />
interpretations <strong>of</strong> a poem written by the<br />
exhibit’s cura<strong>to</strong>r, Joan Butterfield.<br />
As Canada’s most international bank, and<br />
the leading bank in the Caribbean, we are<br />
proud <strong>to</strong> support the Caribana Festival in<br />
celebrating the amazing diversity <strong>of</strong> this<br />
city. We hope you enjoy Scotiabank Caribana<br />
2008, and the Caribana Art Exhibit.<br />
Rick Waugh<br />
President & Chief Executive Officer<br />
Scotiabank<br />
Joan Butterfield<br />
Our roots - Our journey - Our s<strong>to</strong>ries.<br />
I hope you feel the rhythm.<br />
It has been my aim from the onset <strong>of</strong> my<br />
career <strong>to</strong> produce exhibits that aesthetically<br />
links our past <strong>to</strong> our future, <strong>to</strong> document and<br />
educate the viewing audience about our rich<br />
culture and heritage.<br />
Each <strong>of</strong> our artists tells their own s<strong>to</strong>ry – they<br />
interpreted the theme in their own unique<br />
ways - They brought <strong>to</strong> their canvas their<br />
differences, their his<strong>to</strong>ries, their traditions<br />
and their struggles, and the extraordinary<br />
scope and diversity <strong>of</strong> this collection is indeed<br />
a testimony <strong>to</strong> their exceptional abilities.<br />
My deepest gratitude <strong>to</strong> Joe Halstead and the<br />
FMC, I am honored once again <strong>to</strong> have been<br />
chosen <strong>to</strong> play such a vital role in the Scotia<br />
Caribana World Festival, the largest and<br />
most spectacular cultural festival in North<br />
America,<br />
Heartfelt thanks <strong>to</strong> the Royal Ontario Museum<br />
for inviting the “<strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>” exhibition<br />
in<strong>to</strong> their halls, this is indeed a his<strong>to</strong>ry<br />
making moment.<br />
To you the viewing audience, it is our hope<br />
that you enjoy the journey.<br />
Warm Regards,<br />
Joan Butterfield – Art Direc<strong>to</strong>r/Cura<strong>to</strong>r<br />
<strong>Association</strong> <strong>of</strong> <strong>African</strong> <strong>Canadian</strong> <strong>Artists</strong><br />
4 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
5 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>
William Thorsell<br />
The Royal Ontario Museum is pleased <strong>to</strong> be a<br />
Silver Sponsor <strong>of</strong> Scotiabank Caribana 2008,<br />
one <strong>of</strong> the largest and most spectacular annual<br />
celebrations held in the city <strong>of</strong> Toron<strong>to</strong>, and<br />
especially delighted <strong>to</strong> have been invited <strong>to</strong><br />
present this year’s art installation, <strong>Roots</strong> <strong>to</strong><br />
<strong>Rhythm</strong>: Caribana Art Exhibit, celebrating<br />
Caribbean and <strong>African</strong>-<strong>Canadian</strong> heritage.<br />
As one <strong>of</strong> the world’s great museums, the<br />
ROM strives <strong>to</strong> engage the public, as well as<br />
reflect the heritage <strong>of</strong> its visi<strong>to</strong>rs through<br />
its diverse galleries, exhibitions and<br />
programming. In Spring 2008, the Museum<br />
unveiled the final permanent world cultures<br />
galleries in the Michael Lee-Chin Crystal,<br />
including the Shreyas and Mina Gallery<br />
<strong>of</strong> Africa, the Americas and Asia-Pacific.<br />
Based on the strengths <strong>of</strong> the ROM’s vast<br />
and diverse collections, this gallery features<br />
hundreds <strong>of</strong> objects that represent the<br />
artistic and cultural traditions <strong>of</strong> peoples<br />
from Africa, the American continents, the<br />
Asia-Pacific region and Oceania.<br />
The unique and colourful canvases in <strong>Roots</strong> <strong>to</strong><br />
<strong>Rhythm</strong> will take visi<strong>to</strong>rs on a dramatic journey<br />
through the soul <strong>of</strong> music, adding a significant<br />
new <strong>of</strong>fering at the ROM this summer.<br />
We look forward <strong>to</strong> welcoming visi<strong>to</strong>rs from<br />
around the world for Toron<strong>to</strong>’s Caribana<br />
festivities. The ROM belongs <strong>to</strong> you.<br />
William Thorsell<br />
Direc<strong>to</strong>r & CEO<br />
Royal Ontario Museum<br />
8.CherylRock<br />
9.IzzyOhiro<br />
10.GeorgiaFuller<strong>to</strong>n<br />
11.KenDaley<br />
12.SoniaFarquharson<br />
13.AshaAditiRuparelia<br />
14.DavidVasquez<br />
15.AngelaHaynes<br />
16.JoyAndre<br />
17.DarrellMcCalla<br />
18.Anna-MariaDickinson<br />
19.CharmaineLurch<br />
20.MichelleMontague<br />
20.DenieseJames<br />
21.PhilemonCampbell<br />
22.DionFitzgerald<br />
23.AprilBranco<br />
24.JanetManning<br />
25.JasonO’Brien&KwameDelfish<br />
26.KathMoscou<br />
27.SheldonColthrust&BarbaraDillas<br />
28.NicolePeña<br />
28.Props designed by JoanButterfield<br />
6 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
7 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
Table <strong>of</strong> Content
CherylRock<br />
Cheryl Rock’s work is inspired by the knowledge <strong>of</strong><br />
her ances<strong>to</strong>rs and her desire <strong>to</strong> create dialogue with<br />
an audience. Her mixed media pieces document the<br />
essence <strong>of</strong> the experiences <strong>of</strong> people, whose roots are<br />
steeped in Caribbean and <strong>African</strong> heritage.<br />
RE-Memory…<br />
30” x 40” Acrylic and mixed media<br />
1625: Re-Member…Re-New…<br />
36” x 48” Acrylic and mixed media<br />
Mother Sally<br />
36” x 48” Acrylic and mixed media<br />
Up-Routed (up-root’-ed)<br />
36” x 48” Acrylic and mixed media<br />
But where are you REALLY from?<br />
30” x 40” Acrylic and mixed media<br />
Tuk-Touk (tu-k, tu—k)<br />
British word for “heinous noise”<br />
36” x 48”<br />
Acrylic and mixed media<br />
Ethereal Epiphyte<br />
36” x 48”<br />
Acrylic and mixed media<br />
IzzyOhiro<br />
My work focuses on inner beauty, festivity and celebration. I work<br />
primarily in oil because <strong>of</strong> its luster and sensual qualities, creating<br />
layers <strong>of</strong> simple colors, shapes, and exciting movements. I am<br />
originally from Nigeria, but have embraced various cultures over<br />
the years. All <strong>of</strong> which have influenced my art.<br />
Tribute<br />
30”X36” Acrylic<br />
A tribute <strong>to</strong> freedom, surviving<br />
the journey and celebration<br />
<strong>of</strong> life.<br />
Reminiscence<br />
3 -30” x 40” Oil Triptych<br />
A walk down memory lane<br />
Sounds, from deep within<br />
Pure and unadulterated<br />
Telling <strong>of</strong> the rugged past,<br />
But reassuring <strong>of</strong> a brighter day <strong>to</strong> come<br />
A New Day<br />
36” x 48” Acrylic<br />
My soul embraces the<br />
possibilities <strong>of</strong> a new day<br />
The melody <strong>of</strong> the rising sun<br />
Consuming the ferocity, folly<br />
and reason that surrounds me<br />
Reawaken <strong>to</strong> simplicity<br />
8 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
9 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
Miles From Home<br />
30”X40” Acrylic<br />
The journey started with a song,<br />
a great ballad from yesterday.<br />
We stayed forthright,<br />
As we searched for light,<br />
We prayed each night,<br />
And made countless friends<br />
In the land called far away.
GeorgiaFuller<strong>to</strong>n<br />
Georgia was born, 1965, in Buffbay, Portland on the island <strong>of</strong> Jamaica.<br />
Raised in Alberta, Canada, Georgia’s inspiration <strong>to</strong> draw grew from her<br />
artist/educa<strong>to</strong>r mother. Working with acrylics, pencil & ink, Georgia<br />
creates for the senses; fusing varied images <strong>of</strong> the figure with aspects<br />
<strong>of</strong> portraiture, resulting in “surrealist” expressionism.<br />
Natural Swing<br />
48”x 36” Mixed media<br />
First Wave<br />
30”x 40” Acrylic<br />
In My Element<br />
30”x 40” Mixed media<br />
Rudiments <strong>of</strong> Tempo<br />
36”x 48” Mixed media<br />
Deep Rooted<br />
30”x 40” Mixed media<br />
KenDaley<br />
Ken was born in 1976 and raised in Cambridge, Ontario. His<br />
parents immigrated <strong>to</strong> Canada from the Caribbean Island <strong>of</strong><br />
Dominica. Ken developed a love for the arts- painting, dance, and<br />
music from an early age.<br />
The Voyage<br />
30” x 48” Oil on Canvas<br />
Tambourine Players<br />
36” x 36” Oil on Canvas<br />
This painting is a celebration <strong>of</strong> gospel<br />
music through the 4 tambourine<br />
players dressed in choir robes.<br />
This painting depicts a slave ship with a<br />
figurehead <strong>of</strong> a <strong>African</strong> slave travelling<br />
through the Middle Passage. Our ances<strong>to</strong>rs<br />
brought with them the rich, musical<br />
heritage that endured the horrific voyage<br />
from the Motherland <strong>to</strong> the Americas.<br />
Bermuda Gombey<br />
46” x 36” Oil on Canvas<br />
Caribbean Riddims<br />
36” x 36” Oil on Canvas<br />
10 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
11 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
The Bermuda Gombey is the island’s premier<br />
folk art dancers. Created during the 17th<br />
century by slaves brought <strong>to</strong> Bermuda<br />
from West Africa, the Caribbean and North<br />
America, the Gombey dances borrow from<br />
many cultures. “Gombey” is derived from<br />
an <strong>African</strong> word meaning rhythm, and the<br />
dance itself is part West <strong>African</strong>, Caribbean<br />
and American Indian.<br />
Caribbean riddims is the depiction <strong>of</strong> the<br />
sights and sounds <strong>of</strong> carnival time
SoniaFarquharson<br />
“My paintings are visual representations <strong>of</strong> everyday people and<br />
his<strong>to</strong>rical figures from around the world that have inspired me<br />
and I hope will help <strong>to</strong> inspire everyone <strong>to</strong> fight for racial equality<br />
around the world.”<br />
Oriental Beat<br />
30” x 40” Acrylic on Canvas<br />
<strong>African</strong> Vibrations<br />
30” x 40” Acrylic on Canvas<br />
<strong>Roots</strong> <strong>of</strong> India<br />
30” x 40” Acrylic on Canvas<br />
Bass Evolution<br />
36” x 48” Acrylic on Canvas<br />
<strong>Canadian</strong> Pulse<br />
30” x 40” Acrylic on Canvas<br />
Asha(Aditi)Ruparelia<br />
Much <strong>of</strong> my work is inspired by the journey <strong>of</strong> my own life,<br />
culture, traditions and heritage. I feel extremely connected <strong>to</strong><br />
the time and places <strong>to</strong> which I have lived and from time and<br />
time drawn back <strong>to</strong> finding a way <strong>to</strong> interpret those elements<br />
in<strong>to</strong> my art <strong>of</strong> expressing the never-ending beauty I find within.<br />
It enriches the shapes the ways I see colour, design in artistic<br />
creativity and inspires the work that I have yet <strong>to</strong> begin.<br />
The <strong>African</strong> <strong>Rhythm</strong><br />
30” x 40”<br />
Multimedia with sculptured texture<br />
The <strong>Rhythm</strong> <strong>of</strong><br />
Dancing Sun on My Land<br />
30” x 40”<br />
Multimedia collage with sculptured texture<br />
12 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
13 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
Ambitions<br />
30” x 40”<br />
Multimedia with sculptured texture<br />
Triumphs: “The S<strong>to</strong>rm’<br />
30” x 40”<br />
Multimedia with sculptured texture<br />
The <strong>Rhythm</strong> <strong>of</strong> the beat goes on<br />
30” x 40”<br />
Multimedia with sculptured texture
DavidVasquez<br />
Much <strong>of</strong> David’s paintings reflect his Dominican background with<br />
fusion <strong>of</strong> Indian, <strong>African</strong> and Spanish cultures. David’s paintings<br />
can be found in the Museum <strong>of</strong> Ottawa <strong>of</strong> <strong>Canadian</strong> Civilization.<br />
Chicago Jazz<br />
55” x 46” Acrylic<br />
The emotions, the joy, the movement and the<br />
colour <strong>of</strong> jazz. It’s our roots, it’s our rhythm.<br />
47” x 47” Acrylic<br />
AngelaHaynes<br />
Born in London, England, my work is influenced by the<br />
inspirational essence <strong>of</strong> the body, mind and spirit. I use texture<br />
and vibrant shades <strong>to</strong> portray the body as a site <strong>of</strong> expressive<br />
movement, emotion and strength.<br />
Revellers<br />
60” x 90” Mixed media (Triptych, three 30” x 60” canvasses)<br />
Captures the pure, vibrant exuberance <strong>of</strong> carnival. It celebrates<br />
cultural tradition, people and the rhythm <strong>of</strong> calypso and soca,<br />
which excites and propels partiers through the streets from day<br />
break <strong>to</strong> night fall.<br />
14 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
15 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>
JoyAndre<br />
Joy Andre was born and raised in Toron<strong>to</strong>, Ontario. Joy works<br />
with acrylic paints, text as an art form, and explores texture on<br />
canvas <strong>to</strong> symbolically represent the strength, struggle and spirit<br />
<strong>of</strong> people <strong>of</strong> the <strong>African</strong> Diaspora.<br />
Sank<strong>of</strong>a<br />
30” x 40” Mixed media<br />
Birth & Rebirth<br />
42” x 40” Mixed media<br />
What Does Freedom Mean <strong>to</strong> You?<br />
Mixed media<br />
Dance <strong>of</strong> Engagement<br />
Mixed media<br />
DarrellMcCalla<br />
Influences <strong>of</strong> a childhood spent in Jamaica are evident in my<br />
selection <strong>of</strong> colours. My painting mediums <strong>of</strong> choice are liquid<br />
acrylics and water-colours, both encourage freedom and spontaneity.<br />
After the Parade<br />
“After the Parade” – A time <strong>to</strong> reflect, a time<br />
<strong>to</strong> feel tired ... now its all over, ‘til next year.<br />
Carnival Sea<br />
48” x 36” Acrylic<br />
16 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
17 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
The childrens’ carnival provides a canvas <strong>of</strong><br />
pure emotion... a sea <strong>of</strong> colours, interspersed<br />
with joy, excitement or otherwise, as the<br />
young revelers “play mas” for the first time.
Anna-MariaDickinson<br />
I was born with a creative soul. Oil is my medium <strong>of</strong> choice, and<br />
my main focus is my love for the vibrancy, rhythm and colour <strong>of</strong><br />
the people and places <strong>of</strong> the Caribbean where I was born.<br />
Listen To The Beat<br />
24” x 48” Oil<br />
is a prime example <strong>of</strong> my Caribbean heritage.<br />
If you look at the painting long enough, you<br />
can hear the sound <strong>of</strong> calypso, salsa, soca<br />
and the drums that set my feet on fire.<br />
Visual <strong>Rhythm</strong> (Dance <strong>of</strong> Flames)<br />
60” x 36” Oil (Triptych)<br />
Bodies swaying and eyes closed. All else fades away but the feel<br />
<strong>of</strong> the rhythm <strong>of</strong> the calypso music and the steelband drum.<br />
CharmaineLurch<br />
Charmaine’s canvases are a narrative on cultural his<strong>to</strong>ries; I have<br />
always been inspired by music. When I paint I surround myself with<br />
all kinds <strong>of</strong> music, it helps me <strong>to</strong> choose colours and create lines<br />
Won’t you help <strong>to</strong> sing<br />
30” x 40” Arcylic<br />
Inspired by Bob Marley’s Redemption Song.<br />
In the painting, the young girl, much like<br />
me, is surrounded by music. The music<br />
is passed <strong>to</strong> her and “we forward in this<br />
generation triumphantly”.<br />
Syncopated Journey 2<br />
30” x 40” Acrylic<br />
18 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
19 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
Syncopated Journey 2 was inspired by<br />
the melodic lines, rhythmic patterns and<br />
improvisational nature <strong>of</strong> Jazz.
MichelleMontague<br />
Michelle’s works combine the influences <strong>of</strong> abstract and expressionism art.<br />
Always influenced by the environment and life experiences. The focus <strong>of</strong> my<br />
work <strong>of</strong>ten involves manipulation <strong>of</strong> everyday, realistic landscapes and their<br />
transformation in<strong>to</strong> parallel environments. Once transformed, these pieces<br />
become timeless monuments, losing any his<strong>to</strong>rical reference they might have<br />
had previously.<br />
Terra Forma<br />
3 – 30” x 60” Oil on Canvas (Triptych)<br />
The Terra Forma series represents visual<br />
meditations brought out through the<br />
music <strong>of</strong> Vangelis’ Heaven and Hell; and<br />
Delerium’s Forgotten Worlds, and Angelicus.<br />
The integration <strong>of</strong> vocals, electronica<br />
and traditional instruments in these<br />
songs is depicted on canvas as a world<br />
in transition. An environment where<br />
organic structures, heightened colours<br />
and artificial skies have melded <strong>to</strong>gether<br />
rejuvenating nature in the formation <strong>of</strong> a<br />
new existence.<br />
DenieseJames<br />
Born in Toron<strong>to</strong> my works are greatly influenced by the print media<br />
methods <strong>of</strong> both the <strong>African</strong> and Western worlds. I am currently<br />
pursuing a Bachelor <strong>of</strong> Arts degree in Art and Art His<strong>to</strong>ry at the<br />
University <strong>of</strong> Toron<strong>to</strong>.<br />
Your’s Too Thick Series<br />
Three canvasses - 30”X 40” Mix Media<br />
The term ‘<strong>to</strong>o thick’, taken from Toni Morrison’s novel Beloved,<br />
refers <strong>to</strong> criticisms <strong>of</strong> cultural difference, such as the stigmas surrounding<br />
the thick hair, lips etc. <strong>of</strong> black people, but also thickness<br />
as the strength <strong>of</strong> cultural roots or identity and our persistence in<br />
celebrating such differences through cultural discourse.<br />
The symbols are a combination <strong>of</strong> <strong>African</strong> and Indian symbols morphed<br />
and interwoven in<strong>to</strong> a hybrid visual language with particular<br />
interest paid <strong>to</strong> the curved teardrop shape <strong>of</strong> the paisley.<br />
20 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
21 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>
PhilemonCampbell<br />
Self-taught artist Philemon Campbell was born in St.<br />
Andrew in a rural village named Content Gap in the Blue<br />
Mountains on the island <strong>of</strong> Jamaica. He was awestruck by<br />
the lush, misty landscape and rugged peaks around him<br />
and was passionate about nature which inspired him <strong>to</strong><br />
start painting in 1983.<br />
Drummers<br />
For <strong>African</strong> slaves, the drum was central <strong>to</strong> religious<br />
and healing rituals, play and celebration and was<br />
deployed as an instrument <strong>of</strong> communication. Although<br />
its use was discouraged by the plantation owners and<br />
Christian missionaries the drum has remained the key<br />
instrument in all forms <strong>of</strong> <strong>African</strong> – Caribbean music and<br />
pervades the folklore <strong>of</strong> the Region. These drummers are<br />
entertaining the crowd, sometimes playing in unison,<br />
sometimes echoing each other.<br />
Homage<br />
<strong>African</strong> – <strong>Canadian</strong>s have brought <strong>to</strong> Canada<br />
a rich cultural heritage in which dance<br />
plays an integral role. People <strong>of</strong> <strong>African</strong><br />
descent use dance forms <strong>to</strong> give vent <strong>to</strong><br />
their sorrows, revel in their joys and in<br />
general <strong>to</strong> celebrate life. These dancers<br />
pay homage <strong>to</strong> their ances<strong>to</strong>rs, showing<br />
respect and reverence for the legacy<br />
passed on <strong>to</strong> them.<br />
Midnight Blues<br />
In the Americas, while jazz musicians are noted<br />
for their lively improvised rhythms, they are also<br />
renowned for playing, on brass and woodwind,<br />
instruments, “the blues,’’ slow melancholic<br />
music, beautiful and emotive depicting the<br />
adversities <strong>of</strong> their lives. This horn blower dazzles<br />
his audience with his passion and deep emotion<br />
DionFitzgerald<br />
Sometimes we miss the moments when true emotions, as beautiful<br />
or menacing as they may seem, occur. This is what I’m interested<br />
in painting. Enjoy.<br />
Preachin the Blues Son House<br />
36” x 48” Acrylic on canvas<br />
This piece displays the rhythmic<br />
expression that lies within a bluesman.<br />
I want the viewer <strong>to</strong> experience the<br />
gospel <strong>of</strong> the blues in visual form.<br />
Ramblin’ on My Mind (Robert Johnson)<br />
36” x 48” Acrylic on canvas<br />
Vulnerability and virtuosity will always<br />
remain the roots <strong>of</strong> modern music. I believe<br />
these qualities are captured in this intense<br />
moment with a blues great.<br />
22 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
23 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>
AprilBranco<br />
To summarize my goal as an artist, I quote the great Stella Adler...<br />
“Good art is not what it looks like, but what it does <strong>to</strong> us”<br />
Achieving that level <strong>of</strong> connection would be my greatest satisfaction.<br />
RHYTHM<br />
The Beat is the Thread Intertwining our<br />
generations.<br />
Along this line travels the tale,<strong>of</strong> a people<br />
and past,<br />
unknown... and yet familiar.<br />
CAN YOU HEAR IT?<br />
ROOTS<br />
Out <strong>of</strong> the darkness I rise, strong and<br />
proud.<br />
Past knotted and twisted as the hair upon<br />
my head.<br />
Yet with eyes open and shining, I face the<br />
future....<br />
JanetManning<br />
Self taught artist, born and, raised in Toron<strong>to</strong> Canada with a<br />
Jamaican background. I’m inspired by directions <strong>of</strong> my personal<br />
life, thoughts and emotions. My interpretation <strong>of</strong> art is articulated<br />
through movement and imagination. I believe art should be<br />
analyzed for a few minutes, therefore revealing the s<strong>to</strong>ry.<br />
Finding Destiny<br />
30 “ x 40” gallery style canvas (Acrylic)<br />
One’s face is revealed<br />
His eyes become diamond prisms,<br />
which reflect his soul<br />
They occupy many fragments <strong>of</strong> the past,<br />
present and future.<br />
His wild free flowing hair, convey his roots,<br />
A brilliant beam <strong>of</strong> light out shines his true colour,<br />
Presently colour is <strong>of</strong> no importance<br />
Even during the darkest moments,<br />
You must seek and find that light within yourself.<br />
What you believe will come <strong>to</strong> pass<br />
24 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
25 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
Time <strong>to</strong> Shine<br />
30” x 40” gallery style canvas (Acrylic)<br />
We discover where the light is coming from.<br />
Silhouette images convey unity.<br />
They look <strong>to</strong>wards the sun for guidance <strong>to</strong> freedom.<br />
Power from the heavens is portrayed.<br />
Change is currently taking place.<br />
Where I’m from, where I could be…<br />
30” x 40” gallery style canvas<br />
Heavenly guidance through transition is what I create in my<br />
mind’s eye<br />
Music, deeply rooted within the soul,<br />
helps us maintain our sanity.<br />
We merge from the powerful roots <strong>of</strong> our culture,<br />
The freedom <strong>to</strong> express our dreams,<br />
allows reality <strong>to</strong> take its place<br />
What we could be as individuals…is endless
JasonO’Brien<br />
is a Toron<strong>to</strong> born artist whose inspired themes stem from his<br />
personal perspective on emotional issues and how the human<br />
form is affected and shaped by them.<br />
Heaven Bound<br />
36” x 48” Acrylic<br />
KwameDelfish<br />
Drawing inspiration from life experiences and culture, Kwame<br />
allows human emotion <strong>to</strong> take shape through bold vibrant<br />
colours. Moods take form through the accentuated body<br />
language <strong>of</strong> figures.<br />
Interprets the rhythmic roots <strong>of</strong> the black experience<br />
rising up from <strong>African</strong> origins. It’s clourful tapestry <strong>of</strong><br />
spiritual song and dance has been weaved in<strong>to</strong> our hearts<br />
and souls and serves as the catapult upon which we are<br />
elevated <strong>to</strong> the heavens in unbridled magnificence.<br />
<strong>Rhythm</strong> In Bloom<br />
48” X 60” Oil<br />
Celebrating our past, present, and future,<br />
the steel pan is a celebration <strong>of</strong> sounds,<br />
rhythm, music and beauty. Like a flower<br />
it is firmly rooted in our culture, blooming<br />
with each generation. The leaves dance in<br />
celebration as a new bud appears, just as we<br />
celebrate when a new generation dances <strong>to</strong><br />
the rhythm and melody <strong>of</strong> our roots.<br />
KathyMoscou<br />
Trained at the High School <strong>of</strong> Music & Art in New York City, Kathy’s<br />
original renderings are very excitedly expressed and presented<br />
in oil, watercolors and mixed media. They vividly portray her<br />
<strong>African</strong> and American heritage and stimulate a wide range <strong>of</strong><br />
emotions in all people because all cultures can relate <strong>to</strong> positive<br />
family interactions and intergenerational relationships.<br />
Piano Lesson<br />
36” X 44” Mix media<br />
Hair, her-s<strong>to</strong>ry<br />
36” X 44” Mix media<br />
26 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
27 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
Depicts three generations <strong>of</strong> women communicating<br />
lessons from the past through the collective experience<br />
<strong>of</strong> ‘doing hair’. The rhythm <strong>of</strong> hands moving through<br />
hair weaves the wisdom that comes from our <strong>African</strong><br />
roots. The weaving <strong>of</strong> hair is a metaphor for the<br />
intertwining <strong>of</strong> our his<strong>to</strong>ry and current experience.<br />
Nana is the foundation or root <strong>of</strong> so many families.<br />
Through music, she passes along tradition; couching<br />
our youth through various movements <strong>of</strong> life. Like<br />
the TV <strong>of</strong> <strong>to</strong>day, the piano was once the gathering<br />
place for families.
SheldonColthrust<br />
Sheldon enjoys working with a variety <strong>of</strong> different materials.<br />
Drawings –pencil, Charcoal, pen and ink, Digital- adobe illustra<strong>to</strong>r,<br />
and painting-acrylic.<br />
BarbaraDillas<br />
Art Educa<strong>to</strong>r/Freelance Artist. Presently teaching Visual Art in<br />
Bermuda. She studied at Central State University in Ohio where<br />
she obtained a B Sc. In Art Education, and expresser her art form<br />
in acrylic on canvas.<br />
Bermuda Gombey<br />
(“Gombey” Bantu word meaning “ rhythm)<br />
38” X 38” Canvas glicee<br />
The Bermuda Gombey is depicted in abstract<br />
expressionistic form. It shows a small part <strong>of</strong><br />
Bermuda’s culture. The tall head pieces, hand-made<br />
with peacock feathers, glitter and sequins, are the<br />
crowing glory <strong>of</strong> the beautiful comtumes.<br />
Disco Diva<br />
30” x 40” Acrylic on Canvas<br />
This piece takes place in North America.The queen <strong>of</strong><br />
afro has returned. Only this time she is fully immersed<br />
in the era <strong>of</strong> Disco. She has become one with the<br />
rhythm. No longer is she a human, <strong>of</strong> flesh, but a<br />
being <strong>of</strong> light. The tempo causes the luminescent<br />
energy <strong>to</strong> constantly change throughout her body and<br />
she loves every minute <strong>of</strong> it.<br />
NicolePeña<br />
Nicole Peña is an award-winning artist and over the past ten years has exhibited in several solo<br />
and group shows in Toron<strong>to</strong>, New York City, Port <strong>of</strong> Spain, and Hamil<strong>to</strong>n, Bermuda. In many <strong>of</strong> her<br />
paintings, Peña depicts entranced everyday people who are seduced in<strong>to</strong> spiritual and psychic<br />
reveries. “In these works,” she explains, “rhythm liberates the body and frees the spirit.” Peña,<br />
a Jamaican born <strong>Canadian</strong> who graduated from York University with an Honours Degree in Fine<br />
Arts is proud <strong>to</strong> be a part <strong>of</strong> ColourBlind International—though she speaks for many when she<br />
says, “I don’t want my art <strong>to</strong> be defined solely by my race.”<br />
Everyday People<br />
Everyday people indulge in the rhythm <strong>of</strong> an ancestral beat<br />
Hips sway <strong>to</strong> an unyielding melody<br />
Participants dance with eyes open shut<br />
Surrendering <strong>to</strong> a moment <strong>of</strong> joyful pain.<br />
28 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
29 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>
JefferyGregory<br />
Born in Jamacia – An artists in the fields <strong>of</strong> sculpturing,<br />
painting and wood carving, winner <strong>of</strong> over 40 first place<br />
and best <strong>of</strong> show awards.<br />
Wailer Survivor<br />
30”X 40” Acrylic<br />
Bonny Wailer (Livings<strong>to</strong>n) - last surviving member <strong>of</strong><br />
Bob Marley and the Wailers<br />
Up Rising<br />
30”X 40” Acrylic<br />
Bob Marley<br />
JOANBUTTERFIELD<br />
Joan Butterfield is the Cura<strong>to</strong>r for the “<strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>” Art Exhibition, launched in<br />
conjunction with the 2008 Scotiabank Caribana World Festival celebration in Toron<strong>to</strong>.<br />
Joan has created and curated exhibitions for numerous organizations, corporations and<br />
educational institutions throughout Canada and the United States including: City <strong>of</strong><br />
Toron<strong>to</strong>, City <strong>of</strong> Hamil<strong>to</strong>n, City <strong>of</strong> Baltimore, Bramp<strong>to</strong>n City Hall, Purola<strong>to</strong>r, Johnson &<br />
Johns<strong>to</strong>n, York University, Coca Cola, Central State University, Scotia Bank, Congressional<br />
Black caucus Foundation Inc, <strong>Canadian</strong> Human Rights Commission, Heritage Mississauga,<br />
and the Burling<strong>to</strong>n Art Centre.<br />
Joan is the Founder <strong>of</strong> the <strong>Association</strong> <strong>of</strong> <strong>African</strong> <strong>Canadian</strong> <strong>Artists</strong> and cura<strong>to</strong>r <strong>of</strong> their<br />
much-acclaimed COLOURblind exhibitions. Joan’s goal is <strong>to</strong> produce accessible and<br />
engaging art exhibits that raise awareness and stimulate dialogue<br />
Props designed by Joan Butterfield<br />
Feel the <strong>Rhythm</strong><br />
Mixed media<br />
Hip-Hop<br />
Mixed media<br />
30 <strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong><br />
31<br />
<strong>Roots</strong> <strong>to</strong> <strong>Rhythm</strong>
COLOURblind International<br />
<strong>Association</strong> <strong>of</strong> <strong>African</strong> <strong>Canadian</strong> <strong>Artists</strong><br />
9 Meridian Road Bramp<strong>to</strong>n Ontario<br />
Canada L6S 3P9<br />
Tel: 905- 459 -5168 Fax: 905-792-0959<br />
Toll free: 1-877-233—6517<br />
www.colour-blind.ca<br />
colourblindexhibit@yahoo.com<br />
Cura<strong>to</strong>r: Joan Butterfield<br />
Tel: 905-458-8289 Cell: 416-230-8615<br />
Toll free: 1877-233-6517<br />
www.joanbutterfield.com<br />
www.anjudesign.com | 416 508 6383