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REVISTA DAP AVENTURA 2015-2016

Los invitamos a conocer nuestra mirada, a través de esta nueva edición digital de revista "AVENTURA: Al Fin del Mundo", temporada 2015-2016. Cuéntanos qué te parece en facebook.com/grupodap _______/________ We invite you to know our world, in this new digital edition of "ADVENTURE: At the End of the World" 2015-2016 season. Tell us what you think on facebook.com/grupodap Enjoy!

Los invitamos a conocer nuestra mirada, a través de esta nueva edición digital de revista "AVENTURA: Al Fin del Mundo", temporada 2015-2016.

Cuéntanos qué te parece en facebook.com/grupodap _______/________

We invite you to know our world, in this new digital edition of "ADVENTURE: At the End of the World" 2015-2016 season.

Tell us what you think on facebook.com/grupodap
Enjoy!

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Aventura al fin del mundo <strong>2015</strong> - <strong>2016</strong><br />

Fotos: Rafael González<br />

HUNTERS IN<br />

TIERRA DEL FUEGO<br />

Nicolás Harambour<br />

Sociologist<br />

Corporate Communications <strong>DAP</strong> –<br />

nicolas.harambour@dap.cl<br />

Right now I’m in the country. Alone. It’s a<br />

solitary valley where thousands of square<br />

miles distance me from any other human<br />

being. There’s a tv, and it has cable, but<br />

I’m not lost enough to turn it on. Better than<br />

that, I’ve spent the day outside, just looking<br />

at birds whose names I have no idea about;<br />

some are white, some are black, and all of<br />

them carry on with their duties with total<br />

dedication, without giving attention to this<br />

ignorant observer.<br />

Suddenly, I need to pick up my computer<br />

to write something down, and I reach for a<br />

book I left here long ago, having read it a<br />

couple times over under the shadow of a long<br />

tree: “SELKNAM, Cazadoes en la Tierra del<br />

Fuego” (SELKNAM, Hunters in the Land of<br />

Fire” by Mr. Carlos Vega. Being so far from<br />

home, one starts to read references, at least.<br />

In this book, one of the ideas that caught<br />

my attention the most, was the legacy left<br />

by these ancient inhabitants of what we<br />

use to call Tierra del Fuego: a total lack<br />

of impression on their surroundings; their<br />

“Onaisin” is the legacy: nature itself. Not<br />

leaving any writing to brag about it, the<br />

Selknam people lived in one of the harshest<br />

contexts human beings have ever decided<br />

to inhabit, they learned to understand It and<br />

develop an extremely rich vocabulary and<br />

cosmovision to grasp it; they survived with<br />

skill and talent, but never in disfavor of their<br />

neighbors or vegetal species in the area.<br />

Their greatest legacy is, in modern-western<br />

terms, to leave everything as if they had<br />

never existed.<br />

The Selknam knew no private property,<br />

nor consuming or saving anything other<br />

than their strict needs for each day. But<br />

one day, the discoverers and constructors<br />

of the illustrated nations arrived, and under<br />

the unjust weapons of these modern men,<br />

respectful of other people’s belongings to<br />

the point of losing their minds for crimes<br />

such as sheep thievery –in a land whose<br />

fruits used to belonged to anyone willing<br />

to take them- the Selknam fell, and were<br />

forever erased from the face of the Earth.<br />

The wise were killed by ignorance. Healthy<br />

strong men of scarce clothing, killed by the<br />

diseases of those who dressed decently.<br />

I am especially fond of some of their old<br />

customs, having for example my favorite<br />

social institution: according to Mr. Vega, if<br />

a Selknam were to start the day with the<br />

wrong foot, he just had to paint vertical lines<br />

in yellow, one at each side of his mouth, and<br />

so everybody would immediately know not<br />

to bother him that day. Of course, some<br />

other customs I don’t fancy as much. But<br />

indeed I miss the Selknam, and from my<br />

distant ignorance I want to complain about<br />

their absence, while I imagine yellow vertical<br />

lines at each side of my mouth.<br />

30<br />

Adventure at the End of the World

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