30TH
v30n2
v30n2
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
EARTHEN ARCHITECTURE<br />
Sustaining Heritage, Diversity, and the Environment<br />
BY CLAUDIA CANCIN0 AND ERICA AVRAMI<br />
FOR MILLENNIA HUMANS HAVE CONSTRUCTED BUILDINGS OF<br />
earth. A universal and ever-present material, earth appears in<br />
ancient archaeological sites such as the pre-Colombian city of<br />
Caral in Peru, as well as in twentieth-century complexes like New<br />
Gourna Village in Egypt, designed by Hassan Fathy. Earth has been<br />
employed in a variety of geographic contexts and climatic conditions,<br />
and construction ranges in scale from vernacular housing<br />
to large complexes, such as the almost four thousand ksour of<br />
southern Morocco and the Great Mosque of Djenné in Mali. It<br />
has been superbly used in decorated surfaces, such as the high<br />
reliefs of Abomey in Benin and the earthen plasters of Cliff Palace<br />
at Mesa Verde National Park in the United States.<br />
While this legacy of earthen building constitutes a rich and<br />
vast heritage, earth remains a ubiquitous modern construction<br />
material and vital form of shelter. The United Nations estimates that<br />
nearly 24 percent of the world’s population live in earthen homes.<br />
In this respect, earthen architecture represents a significant aspect<br />
of both social and environmental sustainability, and it is a critical<br />
element of self-determination in many less developed regions.<br />
Recyclable and low in energy consumption, earthen construction<br />
has a minimal carbon footprint. While earthen architecture<br />
is often undervalued or erroneously viewed as substandard, it is<br />
a bastion of cultural and technological diversity in the face of a<br />
globalizing built environment.<br />
For this reason, over the past thirty years the Getty Conservation<br />
Institute has engaged in projects and initiatives to<br />
advance the field of earthen conservation, all of which have<br />
involved robust collaboration with institutions and professionals<br />
around the world. By working across borders and cultures, the<br />
GCI has sought to create new knowledge that capitalizes on<br />
both cutting-edge research and traditional know-how through<br />
its Getty Seismic Adobe Project (GSAP), the Terra project, the<br />
Earthen Architecture Initiative (EAI), and more. And by leveraging<br />
its resources toward collective action, the GCI has helped<br />
empower a global network dedicated to earthen architecture and<br />
its conservation.<br />
research<br />
The scope of the GCI’s engagement in earthen architecture has<br />
expanded significantly over the past three decades, but its initial<br />
entry to the field was through badly needed scientific research. In<br />
the 1980s, a small but important project was launched at the site<br />
of Fort Selden, under the aegis of New Mexico State Monuments<br />
Survey work being carried out at the Kasbah of Taourirt in southern Morocco as<br />
part of the preparation of the conservation and rehabilitation plan for the site.<br />
Photo: Claudia Cancino, GCI.<br />
and the National Park Service Southwest Regional Office, to<br />
investigate the treatment of earthen archaeological remains. In<br />
1988 the GCI joined New Mexico State Monuments to undertake<br />
Phase II of the research at Fort Selden, investigating chemical<br />
consolidants, capping, and protective coatings for the conservation<br />
of earthen walls, thus initiating the GCI’s direct engagement<br />
with earthen architecture.<br />
Given the prevalence of earthen architecture in earthquakeprone<br />
regions of the world, GSAP was established by the GCI in<br />
1990, in cooperation with Stanford University, to develop and test<br />
minimally invasive and easily implemented techniques to avoid<br />
the collapse of historic earthen structures during seismic events.<br />
22 FALL 2015 | <strong>30TH</strong> ANNIVERSARY