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EARTHEN ARCHITECTURE<br />

Sustaining Heritage, Diversity, and the Environment<br />

BY CLAUDIA CANCIN0 AND ERICA AVRAMI<br />

FOR MILLENNIA HUMANS HAVE CONSTRUCTED BUILDINGS OF<br />

earth. A universal and ever-present material, earth appears in<br />

ancient archaeological sites such as the pre-Colombian city of<br />

Caral in Peru, as well as in twentieth-century complexes like New<br />

Gourna Village in Egypt, designed by Hassan Fathy. Earth has been<br />

employed in a variety of geographic contexts and climatic conditions,<br />

and construction ranges in scale from vernacular housing<br />

to large complexes, such as the almost four thousand ksour of<br />

southern Morocco and the Great Mosque of Djenné in Mali. It<br />

has been superbly used in decorated surfaces, such as the high<br />

reliefs of Abomey in Benin and the earthen plasters of Cliff Palace<br />

at Mesa Verde National Park in the United States.<br />

While this legacy of earthen building constitutes a rich and<br />

vast heritage, earth remains a ubiquitous modern construction<br />

material and vital form of shelter. The United Nations estimates that<br />

nearly 24 percent of the world’s population live in earthen homes.<br />

In this respect, earthen architecture represents a significant aspect<br />

of both social and environmental sustainability, and it is a critical<br />

element of self-determination in many less developed regions.<br />

Recyclable and low in energy consumption, earthen construction<br />

has a minimal carbon footprint. While earthen architecture<br />

is often undervalued or erroneously viewed as substandard, it is<br />

a bastion of cultural and technological diversity in the face of a<br />

globalizing built environment.<br />

For this reason, over the past thirty years the Getty Conservation<br />

Institute has engaged in projects and initiatives to<br />

advance the field of earthen conservation, all of which have<br />

involved robust collaboration with institutions and professionals<br />

around the world. By working across borders and cultures, the<br />

GCI has sought to create new knowledge that capitalizes on<br />

both cutting-edge research and traditional know-how through<br />

its Getty Seismic Adobe Project (GSAP), the Terra project, the<br />

Earthen Architecture Initiative (EAI), and more. And by leveraging<br />

its resources toward collective action, the GCI has helped<br />

empower a global network dedicated to earthen architecture and<br />

its conservation.<br />

research<br />

The scope of the GCI’s engagement in earthen architecture has<br />

expanded significantly over the past three decades, but its initial<br />

entry to the field was through badly needed scientific research. In<br />

the 1980s, a small but important project was launched at the site<br />

of Fort Selden, under the aegis of New Mexico State Monuments<br />

Survey work being carried out at the Kasbah of Taourirt in southern Morocco as<br />

part of the preparation of the conservation and rehabilitation plan for the site.<br />

Photo: Claudia Cancino, GCI.<br />

and the National Park Service Southwest Regional Office, to<br />

investigate the treatment of earthen archaeological remains. In<br />

1988 the GCI joined New Mexico State Monuments to undertake<br />

Phase II of the research at Fort Selden, investigating chemical<br />

consolidants, capping, and protective coatings for the conservation<br />

of earthen walls, thus initiating the GCI’s direct engagement<br />

with earthen architecture.<br />

Given the prevalence of earthen architecture in earthquakeprone<br />

regions of the world, GSAP was established by the GCI in<br />

1990, in cooperation with Stanford University, to develop and test<br />

minimally invasive and easily implemented techniques to avoid<br />

the collapse of historic earthen structures during seismic events.<br />

22 FALL 2015 | <strong>30TH</strong> ANNIVERSARY

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