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November 18, 2015 Palisades News Page 25<br />

The<strong>at</strong>re Palisades Offers Delightful Evening<br />

By SUE PASCOE<br />

Editor<br />

Palisades Artist’s Show<br />

Examines Mannequins<br />

By SUE PASCOE<br />

Editor<br />

Long-time Palisadian Carol Kleinman’s<br />

show, “Once Upon a Mannequin,”<br />

opened <strong>at</strong> the TAG Gallery <strong>at</strong> Bergamot<br />

St<strong>at</strong>ion on October 27 and will run<br />

through November 24.<br />

Her single-exposure photography presents<br />

an almost collage-like look. “Wh<strong>at</strong> you<br />

see in my images is wh<strong>at</strong> I saw,” Kleinman<br />

said. “Through a series of unique photographs<br />

of reflections on store windows, taken<br />

in Paris, New York and Pacific Palisades, these<br />

works, printed on canvas, reveal realities most<br />

people do not normally notice. A gre<strong>at</strong> deal<br />

of their impact stems from the fact th<strong>at</strong> they<br />

actually existed <strong>at</strong> a specific time and place<br />

and are not cre<strong>at</strong>ions or manipul<strong>at</strong>ions.”<br />

After growing up in Hawaii and San<br />

Francisco, Kleinman <strong>at</strong>tended school <strong>at</strong> the<br />

University of Hawaii and Lone Mountain<br />

College (San Francisco). She received two<br />

master’s degrees in art from Claremont<br />

Gradu<strong>at</strong>e University.<br />

Shooting reflections started more than<br />

20 years ago when Kleinman was on a train<br />

between Moscow and St. Petersburg. The<br />

reflections in the windows, the Russian<br />

countryside, the steel dining car, seemed to<br />

Kleinman to reveal deeper realities than a<br />

simple train ride. She pulled out her camera<br />

and started shooting.<br />

William Gillette (John Mawson, left) and James Lujan (Felix Geisel) carry the<strong>at</strong>er<br />

critic Daria Chase (Maria Pavone) to a secret room.<br />

Photo: Joy Daunis<br />

The Game’s Afoot; or Holmes for the<br />

Holidays, a play by Ken Ludwig,<br />

opened <strong>at</strong> Pierson Playhouse on<br />

November 6 and will run though Sunday,<br />

December 13 <strong>at</strong> 941Temescal Canyon Rd.<br />

The production starts with a play within<br />

a play and an <strong>at</strong>tempted murder. It stalls<br />

briefly in the first act, but then picked up<br />

steam and the second act is filled with<br />

laughs, lovely double takes, a dead body, a<br />

secret room and one of the most masterfully<br />

choreographed fights ever seen on a<br />

Pacific Palisades stage.<br />

It’s Christmas Eve, 1936, and William<br />

Gillette, the first actor to portray the iconic<br />

Sherlock Holmes on stage and in silent<br />

film, is recovering from a gunshot wound<br />

inflicted during curtain call.<br />

Gillette, who has Holmes aspir<strong>at</strong>ions, <strong>at</strong>tempts<br />

to learn the identity of his wouldbe<br />

assassin by inviting his cast and an<br />

acerbic the<strong>at</strong>re critic to his home for the<br />

holidays. It is soon learned th<strong>at</strong> an additional<br />

the<strong>at</strong>er person has been murdered,<br />

and the plot thickens.<br />

Shortly after a séance, another person is<br />

stabbed in the Gillette residence and it becomes<br />

imper<strong>at</strong>ive to determine the murderer.<br />

The play, which won the Mystery Writers<br />

of America’s 2012 Edgar Award for Best Play,<br />

is produced by Nona Hale and P<strong>at</strong> Perkins.<br />

Especially excellent in her role is Maria<br />

Pavone as the the<strong>at</strong>re critic Daria Chase,<br />

who is so forceful, one rarely takes one’s<br />

eyes off her.<br />

Since th<strong>at</strong> time, she has worked to develop<br />

techniques to reveal the n<strong>at</strong>ural interplay<br />

between objects and people <strong>at</strong> a unique moment<br />

of time. Her work does not combine<br />

exposures. She does not use Photoshop.<br />

The viewer sees exactly wh<strong>at</strong> Kleinman did<br />

in the moment the photo was captured.<br />

“The ultim<strong>at</strong>e goal of my work is to help<br />

people look more closely <strong>at</strong> the world and<br />

see the richness and depth of everyday experience,”<br />

said Kleinman, who, over the<br />

past 40 years, has worked in many artistic<br />

media, including sculpture, oils, w<strong>at</strong>ercolors,<br />

glass, collage and construction.<br />

“This type of photography combines a<br />

gre<strong>at</strong> deal of wh<strong>at</strong> I’ve learned from these<br />

media. The most exciting thing to me about<br />

the photography I do is its direct connection<br />

to reality—the capture of a moment in time.”<br />

Kleinman has been active in the Palisades<br />

Art Associ<strong>at</strong>ion and <strong>at</strong> Kehill<strong>at</strong> Israel. She<br />

is the former president of TAG Gallery<br />

and currently serves as vice president on<br />

the board. She is also a member of the Los<br />

Angeles Art Associ<strong>at</strong>ion, Gallery 825 and<br />

Woman Painters West.<br />

Her show <strong>at</strong> the Bergamot challenges the<br />

viewer to ask, “Do mannequins have ‘lives’?<br />

Do they have the capacity to think? To<br />

dream? Are they inanim<strong>at</strong>e objects, or dynamic<br />

beings th<strong>at</strong> can challenge our imagin<strong>at</strong>ion?<br />

Are we w<strong>at</strong>ching them, or are they<br />

w<strong>at</strong>ching us?”<br />

Equally fine are Andi Wagner (Madge<br />

Geisel) and her stage husband James Lujan<br />

(Felix Geisel). Their the<strong>at</strong>rics are fun and<br />

energetic and exactly wh<strong>at</strong> the show needs.<br />

M<strong>at</strong>thew Godfrey (Simon Bright) and<br />

Nicole Knudson (Aggie Wheeler) are one of<br />

the reasons to see this show—perfectly suit -<br />

ed for their roles, they give the show zing.<br />

Carol Kleinman’s work is on display <strong>at</strong> Bergamot St<strong>at</strong>ion.<br />

Kleinman captured images in Hawaii,<br />

Santa Monica, Santa Barbara, Paris, Moscow,<br />

New York and Chicago. “These images are<br />

the result of years of wandering the streets,”<br />

she said. “Sometimes I’ll walk for hours and<br />

not take any photographs. It’s like going on<br />

a treasure hunt. Then I’ll spot a complex reflection<br />

on a window and get captiv<strong>at</strong>ed.”<br />

Her work has been recognized in shows<br />

in Los Angeles, Palm Desert, Se<strong>at</strong>tle, Washington,<br />

D.C. and Moscow.<br />

Kleinman is married to Bert Kleinman, a<br />

Directed by Gene Franklin Smith, the<br />

show was fun on opening night, and as the<br />

cast settles in, I suspect the show will become<br />

even tighter. I also urge the actors<br />

to remember this is live the<strong>at</strong>er and every<br />

word need to be enunci<strong>at</strong>ed and projected.<br />

Sherman Wayne, The<strong>at</strong>er Palisades, ace<br />

set designer, has outdone himself with Wil -<br />

liam Gillette’s mansion loc<strong>at</strong>ed on the Con -<br />

necticut River. The secret room is particularly<br />

interesting.<br />

Having lived in New Jersey for many Decembers,<br />

I was particularly bothered by the<br />

thunder and lightning during the show,<br />

which was supposed to have happened <strong>at</strong><br />

a Connecticut Christmas during a snow<br />

storm. Heavy winds howling, snow whipping<br />

around, yes, but thunder? No. A quick<br />

reference check showed th<strong>at</strong> March is the<br />

peak month of “thundersnow” in the Unit -<br />

ed St<strong>at</strong>es and on the average only 6.3 events<br />

are reported per year.<br />

The costumes are to “die for” and June<br />

Lissandrello has cre<strong>at</strong>ed some exquisite<br />

gowns.<br />

The Game’s Afoot offers a delightful eve -<br />

ning of fun. Shows are Fridays and S<strong>at</strong>urdays<br />

<strong>at</strong> 8 p.m. and Sunday <strong>at</strong> 2 p.m. Tickets<br />

are $20 for adults and $18 for students. Call<br />

(310) 454-1970 or visit the<strong>at</strong>repalisades.org.<br />

radio programming and management consultant<br />

who is currently developing FM st<strong>at</strong>ion<br />

for the Voice of America in Africa. The<br />

couple have three daughters (two gradu<strong>at</strong>ed<br />

from Palisades High School) and six<br />

grandchildren, three of whom <strong>at</strong>tend Marquez<br />

Elementary.<br />

TAG Gallery is loc<strong>at</strong>ed <strong>at</strong> 2525 Michigan<br />

Ave., Space D3 in Santa Monica. Hours are<br />

Tuesday through Friday 11 a.m. to 5 p.m.,<br />

S<strong>at</strong>urday 11 a.m. to 8 p.m. and Sunday<br />

noon to 4 p.m. Visit: kleinmanart.com.

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