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Sukoon-Mag-Issue-6-S-2015

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Now he notices <strong>the</strong> girl <strong>and</strong> <strong>the</strong>y meet <strong>in</strong> <strong>the</strong><br />

center of <strong>the</strong> stage. Tenderly, he touches <strong>the</strong><br />

girl’s hair.<br />

NIDAL<br />

...hair like yours...<br />

GIRL<br />

...like how..?<br />

NIDAL<br />

like this, soft <strong>and</strong> clean <strong>from</strong> a place that has water,<br />

a place where you just ask for it <strong>and</strong>....<br />

He takes a step back <strong>and</strong> a stream of water falls<br />

on him, drench<strong>in</strong>g him. Like a waterfall, it falls<br />

as he st<strong>and</strong>s <strong>the</strong>re, arms akimbo <strong>and</strong> <strong>the</strong>n he cups<br />

<strong>the</strong> water <strong>in</strong> his h<strong>and</strong>. The girl reaches forward<br />

<strong>and</strong> puts her h<strong>and</strong> <strong>in</strong> <strong>the</strong> fall<strong>in</strong>g water, cups <strong>the</strong><br />

water <strong>in</strong> her h<strong>and</strong>s as well. The waterfall stops.<br />

In unison, <strong>the</strong>y dr<strong>in</strong>k <strong>from</strong> <strong>the</strong>ir h<strong>and</strong>s. The Girl<br />

looks up at Nidal.<br />

GIRL<br />

In <strong>the</strong> desert where I used to live, where I used to<br />

love, <strong>the</strong> l<strong>and</strong> is flat <strong>and</strong> <strong>the</strong> sky is so big you can<br />

see for days ahead. You can see <strong>the</strong> wea<strong>the</strong>r form<strong>in</strong>g.<br />

You can see a storm com<strong>in</strong>g. You can say (she po<strong>in</strong>ts<br />

<strong>in</strong>to <strong>the</strong> audience) it is ra<strong>in</strong><strong>in</strong>g <strong>the</strong>re, just <strong>in</strong> that<br />

spot, <strong>and</strong> not <strong>the</strong>re, <strong>in</strong> that o<strong>the</strong>r spot - like that.<br />

Nidal shakes <strong>the</strong> water off him. He unloosens his<br />

scarf, squeezes <strong>the</strong> water <strong>from</strong> it, <strong>and</strong> <strong>the</strong>n sits<br />

down slowly on his haunches, as if look<strong>in</strong>g at a<br />

horizon only he can see.<br />

NIDAL<br />

Here, we watch <strong>the</strong> bombs fall<strong>in</strong>g. You can see (he<br />

po<strong>in</strong>ts <strong>in</strong>to <strong>the</strong> audience ) <strong>the</strong>re is someone dy<strong>in</strong>g, <strong>and</strong><br />

<strong>the</strong>re is someone not dy<strong>in</strong>g, not yet. You can see this<br />

bombed <strong>from</strong> clear across <strong>the</strong> ocean. You can see <strong>the</strong><br />

planes. You can see <strong>the</strong> righteousness with which <strong>the</strong><br />

bombs fall so we die righteous deaths (Laughs). Can’t<br />

you see us all dy<strong>in</strong>g so that <strong>the</strong> rockets hidden under<br />

us may live?<br />

13

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