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Eketi Ette<br />
Behind The Scene<br />
Be careful how you weep for the dead, for you do not know who dug his grave with his own<br />
hands<br />
—An Ikot Ntefon Saying<br />
It was a balmy Saturday afternoon when Uko died. There was scarcely anyone who did<br />
not grieve for his death. The men shook their heads, patted his father on the back and<br />
whispered words <strong>of</strong> comfort. The women wailed and beat their chests with both hands,<br />
cursing death and its theft <strong>of</strong> one <strong>of</strong> humanity’s finest.<br />
“Ete, song idem. Be strong,” they said, with countenances that belied the platitudes they<br />
<strong>of</strong>fered. The man is approaching his sixties; how could he be strong? He’d just lost his only<br />
child.<br />
Ete Ikpa nodded as each sympathizer came forward. His face bore his grief, but buried in<br />
his heart where no one could see, was a fury swelling like the evening tide on the banks <strong>of</strong><br />
the Calabar River.<br />
“He died without even having eaten his evening meal,” he ground out angrily.<br />
“Ete, kuyak ado ufuna. Don’t let it worry you. Whether he ate or not, he is now with God,” a<br />
woman to his left said in a gentle voice. Ete Ikpa’s ears perked up at her voice and his foot<br />
stilled. Maria Akpan—he hadn’t heard or seen her come in. She lived five houses away and<br />
sold fabrics at Udua Nkim, the local market where he also plied his wares. Their eyes met<br />
and held for two seconds, before his withdrew his gaze and began to gnash his teeth.<br />
*****<br />
Maria Akpan busied herself with preparing the evening meal, moiling over the rickety stove.<br />
She poked at the contraption, adjusting the inner metal chamber, in a bid to reduce the<br />
fumes it was coughing up.<br />
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