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to the ‘writer’s block’ myth.<br />
After a while, I shook it <strong>of</strong>f and my first book; For Days and A Night was born <strong>of</strong> that experience.<br />
But I never forgot. No.<br />
I learnt not to take this gift <strong>of</strong> mine for granted; I learnt to make every single word count – else<br />
cut it out <strong>of</strong> the narrative. I learnt to appreciate the fact that I can make or mar things with the<br />
strength <strong>of</strong> my words – someone did say the pen is mightier than the sword.<br />
So – when is a writer’s work done?<br />
Is it when the last stroke has been delivered, when the editor has done the last re-conning?<br />
Is it when the manuscript is bound and printed, when the books are chilling on the shelf? Is it<br />
when a book launch is successful – and the book has gone through several reprints?<br />
No.<br />
For a writer be well and truly done; a reader is necessary. Writing cannot be a solo act – maybe<br />
it starts alone; but for the process to be complete there has to be a reader. Else the ‘writer’<br />
is just scribbling in a journal – and that’s nothing extraordinary.<br />
There has to be a reader for a writer to exist. It’s very much like the Argentine Tango or the<br />
Salsa – you either have a partner or you’re just shadow boxing. The writer takes the lead; but<br />
then, asks the reader to trust him. The reader gives the writer her hand (I like to think a man<br />
leads the dance), and she bravely follows him step for step; every climb, hill, valley – every<br />
dip, twist and turn – she has to be with him all the way. Sometimes the writer loses his way<br />
and in effect, loses the reader.<br />
That; is a failed experiment.<br />
But every now and then, the writer lands a reader patient enough to wait till the music stops<br />
before leaving the room. Simply because although the dance may be familiar; the steps are<br />
always new.