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Ancient_and_modern_York_a_guide

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MODERN YORK. 69<br />

was granted ; but the man. did not live to execute his pur<br />

pose: "for," adds Ghent, "he was hurried away by a<br />

violent death, no longer than about a week before he<br />

thought to have put his impious designs into execution."<br />

Thus, fortunately, escaped from destruction, one of the<br />

most elegant structures of the kind in Engl<strong>and</strong> !<br />

From the north transept, doors open into the vestibtjie<br />

that forms the approach to the chapter-house. The<br />

vestibule is in itself remarkable : the sides are all pierced<br />

with windows, richly painted, <strong>and</strong> of beautiful tracery ; the<br />

walls beneath them being adorned in a style corresponding.<br />

The chapter-house is built in the form of an octagon ; 63<br />

feet in diameter, <strong>and</strong> 67 feet 10 inches in height. The<br />

roof is supported without a pillar of any sort ; being<br />

sustained by a pin, geometrically placed by its scientific<br />

constructors, in the centre. Arched windows, of great<br />

beauty, fill seven sides of the house ; <strong>and</strong> on the eighth side<br />

there is tracery on the wall, above the door-way, corres<br />

ponding with the pattern of the windows. The whole<br />

circumference below the windows is occupied by forty-four<br />

canopied stalls of stone for the canons who composed the<br />

chapter. The arches of these stalls are richly ornamented,<br />

affording a specimen of English tabernacle-work in its<br />

earliest state, <strong>and</strong> are supported by columns of Petworth<br />

marble ; each column being separate one from the other.<br />

Above the stalls is a walk or gallery that goes round the<br />

chapter-house. The sculpture of this part of the Cathedral<br />

is remarkable for the ludicrous images represented on the<br />

walls. "Here," quoth Ghent, "are antick postures both<br />

of men <strong>and</strong> beasts. In one place or another, is a man cut<br />

out, half-way, as if he was thrusting <strong>and</strong> striving with all<br />

strength to get out of a window, or some narrow passage.<br />

In another are several faces, having different aspects, as<br />

one crying, another laughing, a third making wry mouths,<br />

&c. And, what is also very ingenious, in another place is<br />

to be seen an old bald-pated friar kissing a young nun in<br />

the corner." The vaulted roof is of wood, <strong>and</strong> was, until a

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