Ancient_and_modern_York_a_guide
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MODERN YORK. 69<br />
was granted ; but the man. did not live to execute his pur<br />
pose: "for," adds Ghent, "he was hurried away by a<br />
violent death, no longer than about a week before he<br />
thought to have put his impious designs into execution."<br />
Thus, fortunately, escaped from destruction, one of the<br />
most elegant structures of the kind in Engl<strong>and</strong> !<br />
From the north transept, doors open into the vestibtjie<br />
that forms the approach to the chapter-house. The<br />
vestibule is in itself remarkable : the sides are all pierced<br />
with windows, richly painted, <strong>and</strong> of beautiful tracery ; the<br />
walls beneath them being adorned in a style corresponding.<br />
The chapter-house is built in the form of an octagon ; 63<br />
feet in diameter, <strong>and</strong> 67 feet 10 inches in height. The<br />
roof is supported without a pillar of any sort ; being<br />
sustained by a pin, geometrically placed by its scientific<br />
constructors, in the centre. Arched windows, of great<br />
beauty, fill seven sides of the house ; <strong>and</strong> on the eighth side<br />
there is tracery on the wall, above the door-way, corres<br />
ponding with the pattern of the windows. The whole<br />
circumference below the windows is occupied by forty-four<br />
canopied stalls of stone for the canons who composed the<br />
chapter. The arches of these stalls are richly ornamented,<br />
affording a specimen of English tabernacle-work in its<br />
earliest state, <strong>and</strong> are supported by columns of Petworth<br />
marble ; each column being separate one from the other.<br />
Above the stalls is a walk or gallery that goes round the<br />
chapter-house. The sculpture of this part of the Cathedral<br />
is remarkable for the ludicrous images represented on the<br />
walls. "Here," quoth Ghent, "are antick postures both<br />
of men <strong>and</strong> beasts. In one place or another, is a man cut<br />
out, half-way, as if he was thrusting <strong>and</strong> striving with all<br />
strength to get out of a window, or some narrow passage.<br />
In another are several faces, having different aspects, as<br />
one crying, another laughing, a third making wry mouths,<br />
&c. And, what is also very ingenious, in another place is<br />
to be seen an old bald-pated friar kissing a young nun in<br />
the corner." The vaulted roof is of wood, <strong>and</strong> was, until a