Ancient_and_modern_York_a_guide

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MODERN YORK. 61 tower. These vaults have been built since the fire of 1829, and have been constructed for the purpose of preserving, and admitting an examination of, the beautiful remains of the first Norman Minster, as well as the foundation of the Saxon church, built by King Edwin; the existence of which was not even suspected, till the excavations preliminary to the last restoration of the choir. The piers of Norman architecture are peculiarly beau tiful, being elegantly ornamented both at the capitals and bases. Portions of the old Saxon foundations, built in herring-bone style, are exposed ; and part of the external Norman wall is disclosed. A heap of earth, covered with a flag, is shown to strangers as a Roman or pagan altar, in which channels were made for the blood of victims to flow off!—but it is nothing more than a portion of a heap of earth that once formed a descent from the choir into the Norman crypt. If it did belong to the temple of Bellona, which Spartian states was in York,J that temple must have been different from every other Roman edifice that pretended to the dignity of a temple. The pagan high priest, Coifi, it is true, became a Christian at the time of King Edwin's conversion ; but the fact, that Edwin was baptized in a wooden oratory, constructed for the purpose, we apprehend negatives with sufficient force, the notion that the heap of earth, to which reference has been made as amodern marvel, was the altar of any pagan temple , on the site of the Minster. We do not however agree with those, who would infer from the statement of the old chro nicles, that a wooden-oratory was constructed for Edwin's baptism, that there was no building in York, at the time, suitable for a public assembly. In those ages, baptism was, in the case of adults, without controversy, performed by immersion. It is therefore probable that the wooden-orato ry enclosed a well of water, which, perhaps, could not be found in any temple or edifice then in the city. Beside, t See Camden's Britannia.

C2 ANCIENT AND Christians had a strong antipathy to enter places which they considered polluted by idolatrous rites :—a circum stance which "might have convinced the authors of the absurd fiction we have noticed, that no altar saturated with the gore of victims offered up to Demons would have been allowed to remain in a church dedicated to the worship of Him that abhorreth idols. It may be suggested that this pseudo altar lay concealed from observation. It stands, however, above the level of the Norman crypt ; and must have been therein a conspicuous object. Emerging from the crypt, the monuments next claim our attention : those most worthy of observation being in the north and south aisles of the choir, and the Ladye Chapel, which lies between the stone altar screen and the great east window. Archbishop Henry Bowett, A. D. 1423. This monument, situated beneath an arch at the east end, is a remarkably fine specimen of the architecture which prevailed in the early part of the reign of Henry VI. The canopy is an elliptical arch ; each front of which is splayed outwards in radiated tracery, to suit the forms of three divisions of tabernacle work, with most delicate pen dents between. The inside of the arch is adorned with fine tracery. Upon the arch, and within the double front of pinnacles, rise three lofty tabernacles ; each containing a statue, standing upon a column or pedestal. The modern tomb, which forms a base to this superb canopy, is so broad as to produce the appearance of an inclosed chapel. It suffered severely in 1 829. Archbishop Rotherham, A. D. 1500. The tomb of this prelate lies in the Ladye Chapel, near the altar which once stood beneath the east window. It

C2<br />

ANCIENT AND<br />

Christians had a strong antipathy to enter places which<br />

they considered polluted by idolatrous rites :—a circum<br />

stance which "might have convinced the authors of the<br />

absurd fiction we have noticed, that no altar saturated with<br />

the gore of victims offered up to Demons would have been<br />

allowed to remain in a church dedicated to the worship of<br />

Him that abhorreth idols. It may be suggested that this<br />

pseudo altar lay concealed from observation. It st<strong>and</strong>s,<br />

however, above the level of the Norman crypt ; <strong>and</strong> must<br />

have been therein a conspicuous object.<br />

Emerging from the crypt, the monuments next claim<br />

our attention : those most worthy of observation being in<br />

the north <strong>and</strong> south aisles of the choir, <strong>and</strong> the Ladye<br />

Chapel, which lies between the stone altar screen <strong>and</strong><br />

the great east window.<br />

Archbishop Henry Bowett, A. D. 1423.<br />

This monument, situated beneath an arch at the east<br />

end, is a remarkably fine specimen of the architecture<br />

which prevailed in the early part of the reign of Henry VI.<br />

The canopy is an elliptical arch ; each front of which is<br />

splayed outwards in radiated tracery, to suit the forms of<br />

three divisions of tabernacle work, with most delicate pen<br />

dents between. The inside of the arch is adorned with<br />

fine tracery. Upon the arch, <strong>and</strong> within the double front<br />

of pinnacles, rise three lofty tabernacles ; each containing<br />

a statue, st<strong>and</strong>ing upon a column or pedestal. The<br />

<strong>modern</strong> tomb, which forms a base to this superb<br />

canopy, is so broad as to produce the appearance of an<br />

inclosed chapel. It suffered severely in 1 829.<br />

Archbishop Rotherham, A. D. 1500.<br />

The tomb of this prelate lies in the Ladye Chapel, near<br />

the altar which once stood beneath the east window. It

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