Ancient_and_modern_York_a_guide
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MODERN TORK. 51<br />
GSEAT MANUAL.<br />
Length of lowest pipe.<br />
Length of lowest pipe.<br />
Trumpet<br />
61 feet Trumpet<br />
16 feet<br />
Trumpet<br />
16 feet Trumpet<br />
Mixture<br />
16 feet<br />
3 ranks Mixture<br />
3 ranks<br />
Sesquialtra -<br />
ranks Sesquialtra<br />
ranks<br />
Flageolet (wood)<br />
feet Flageolet (wood)<br />
feet<br />
Fifteenth (metal)<br />
- 4 feet Fifteenth (metal)<br />
4 feet<br />
Principal<br />
■<br />
feet Principal<br />
feet<br />
Principal (metal)<br />
feet Principal (metal)<br />
feet<br />
Wood stopped diapason<br />
8 feet Metal stopped diapason<br />
8 feet<br />
Metal open diapason<br />
16 feet Metal open diapason<br />
16 feet<br />
Metal open diapason<br />
- 16 feet Metal open diapason<br />
- 16 feet<br />
PEDAL STOPS.—Two Octaves each.<br />
Sackbut (wood, reed)<br />
38 feet Double metal diapason<br />
Trombone (metal, do.)<br />
16 feet Double wood diapason<br />
"Wood open diapason<br />
16 feet Metal open diapason<br />
Wood open diapason<br />
- 16 feet Wood open diapason<br />
- 32 feet<br />
- 16 feet<br />
- 16 feet<br />
The longest pipe of the thirty-two feet double metal<br />
pedal diapason is 20 inches in diameter ; <strong>and</strong> the diagonal<br />
of the thirty-two feet double wood diapason longest pipe<br />
is 4 feet. The manual metal open diapasons, 16 feet<br />
pipes, vary from 12 to 13 inches in diameter.<br />
The Choir, as it now st<strong>and</strong>s, is nearly an exact tran<br />
script of the choir destroyed by Martin. There is some<br />
slight deviation in the wood-work ; the tabernacle work of<br />
the stalls <strong>and</strong> their canopies being somewhat lighter than<br />
that of their predecessors. The workmanship, both in<br />
stone <strong>and</strong> wood, must be admitted to be exquisite ; <strong>and</strong><br />
the general effect is gorgeous in the extreme.* At the<br />
eastern end of the choir is the altar table, raised above<br />
the floor by a series of fifteen steps. Behind it is a screen,<br />
which divides the choir from a large space between it<br />
<strong>and</strong> the great east window, already described. This<br />
screen is ornamented with mullions, tracery, a parapet,<br />
&c. ; <strong>and</strong>, its open lights being filled with plate glass, a<br />
distinct view of the eastern window is afforded. Before<br />
the year 1726 a large wooden screen, painted <strong>and</strong> gilt,<br />
* R. Smirke, Esq., was the architect by whom the restoration was effected.<br />
The tabernacle work was executed by Mr. Moon, of London ; the pews, gal<br />
leries, &c, by Messrs. Wolstenholme, Mason, <strong>and</strong> Coates, of <strong>York</strong>.