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Ancient_and_modern_York_a_guide

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MODERN TORK. 51<br />

GSEAT MANUAL.<br />

Length of lowest pipe.<br />

Length of lowest pipe.<br />

Trumpet<br />

61 feet Trumpet<br />

16 feet<br />

Trumpet<br />

16 feet Trumpet<br />

Mixture<br />

16 feet<br />

3 ranks Mixture<br />

3 ranks<br />

Sesquialtra -<br />

ranks Sesquialtra<br />

ranks<br />

Flageolet (wood)<br />

feet Flageolet (wood)<br />

feet<br />

Fifteenth (metal)<br />

- 4 feet Fifteenth (metal)<br />

4 feet<br />

Principal<br />

■<br />

feet Principal<br />

feet<br />

Principal (metal)<br />

feet Principal (metal)<br />

feet<br />

Wood stopped diapason<br />

8 feet Metal stopped diapason<br />

8 feet<br />

Metal open diapason<br />

16 feet Metal open diapason<br />

16 feet<br />

Metal open diapason<br />

- 16 feet Metal open diapason<br />

- 16 feet<br />

PEDAL STOPS.—Two Octaves each.<br />

Sackbut (wood, reed)<br />

38 feet Double metal diapason<br />

Trombone (metal, do.)<br />

16 feet Double wood diapason<br />

"Wood open diapason<br />

16 feet Metal open diapason<br />

Wood open diapason<br />

- 16 feet Wood open diapason<br />

- 32 feet<br />

- 16 feet<br />

- 16 feet<br />

The longest pipe of the thirty-two feet double metal<br />

pedal diapason is 20 inches in diameter ; <strong>and</strong> the diagonal<br />

of the thirty-two feet double wood diapason longest pipe<br />

is 4 feet. The manual metal open diapasons, 16 feet<br />

pipes, vary from 12 to 13 inches in diameter.<br />

The Choir, as it now st<strong>and</strong>s, is nearly an exact tran<br />

script of the choir destroyed by Martin. There is some<br />

slight deviation in the wood-work ; the tabernacle work of<br />

the stalls <strong>and</strong> their canopies being somewhat lighter than<br />

that of their predecessors. The workmanship, both in<br />

stone <strong>and</strong> wood, must be admitted to be exquisite ; <strong>and</strong><br />

the general effect is gorgeous in the extreme.* At the<br />

eastern end of the choir is the altar table, raised above<br />

the floor by a series of fifteen steps. Behind it is a screen,<br />

which divides the choir from a large space between it<br />

<strong>and</strong> the great east window, already described. This<br />

screen is ornamented with mullions, tracery, a parapet,<br />

&c. ; <strong>and</strong>, its open lights being filled with plate glass, a<br />

distinct view of the eastern window is afforded. Before<br />

the year 1726 a large wooden screen, painted <strong>and</strong> gilt,<br />

* R. Smirke, Esq., was the architect by whom the restoration was effected.<br />

The tabernacle work was executed by Mr. Moon, of London ; the pews, gal<br />

leries, &c, by Messrs. Wolstenholme, Mason, <strong>and</strong> Coates, of <strong>York</strong>.

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