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Ancient_and_modern_York_a_guide

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MODERN YORK. 53<br />

door-way of entrance to the choir, the exterior moulding<br />

of which assumes the ogee shape, <strong>and</strong> terminates with a<br />

richly sculptured finial. The whole screen consists of a<br />

series of fifteen compartments of niches, with corresponding<br />

pedestals, canopies, <strong>and</strong> statues." The statues, on the<br />

north side, represent William the Conqueror, William II.,<br />

Henry I., Stephen, Henry II., Richard I., <strong>and</strong> John ; <strong>and</strong>,<br />

on the south side, Henry III., Edward I., Edward II.,<br />

Edward III., Richard II., Henry IV., Henry V., <strong>and</strong><br />

Henry VI. The speculation of Dr. Milner, that this screen<br />

was taken from St. Mary's Abbey, is generally discredited,<br />

as it appears to be supported by no sort of evidence. After<br />

the fire of 1829, the propriety of removing the screen was<br />

warmly discussed ; but it was finally resolved not to remove<br />

it from its position.<br />

On passing through the gate of the screen into the choir,<br />

the unrivalled East Window—"whose glory doth appear<br />

like a triumphal arch,"—bursts upon the astonished eye.<br />

It is difficult to conceive any thing more majcstical. The<br />

vastness of its span,—the softness, beauty, <strong>and</strong> vividness,<br />

of its innumerable tints,—the comeliness <strong>and</strong> symmetry of<br />

its wondrous proportions—the admirable art in its arrange<br />

ment,—the masterly execution in all its parts, render it<br />

impossible for mere words to express the emotions which the<br />

contemplation of the window itself cannot fail to inspire :—<br />

The Moon on the east oriel shone,<br />

Through slender 6hafts of shapely stone,<br />

By foliaged tracery combined ;<br />

Thou would'st have thought some fairy's h<strong>and</strong>,<br />

' Twist poplar's straight, the osier w<strong>and</strong>,<br />

In many a freakish knot, had twined ;<br />

Then framed a spell, when the work was done,<br />

And changed the willow wreaths to stone.<br />

The silver light, so pale <strong>and</strong> faint,<br />

Showed many a prophet <strong>and</strong> many a saint,<br />

Whose image on the glass was dyed ;<br />

Pull in the midst his cross of red<br />

Triumphant Michael br<strong>and</strong>ished,<br />

And trampled the apostate's pride ;<br />

The moon-beam kissed the holy pane,<br />

And threw on the pavement a bloody stain.<br />

Lay of the last Minstrel.<br />

E 2

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