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52 ANCIENT AND<br />

antiquary <strong>and</strong> traveller, as being the oldest portion of the<br />

present structure, if we except the chapter house, which is<br />

supposed to have been constructed about the same time.<br />

The front of this transept is divided by buttresses into<br />

three parts corresponding with the division of the interior<br />

into three aisles. In the central compartment is the porch,<br />

which is approached by a spacious double flight of steps,<br />

<strong>and</strong> which forms the usual entrance to the Cathedral. This<br />

porch, we are informed, was some years ago partly restored.<br />

At the same time the ancient clock over the entrance, sur<br />

mounted by two statues in the armour of Henry VII., was<br />

removed to make room for the <strong>modern</strong> dial ; <strong>and</strong> several of<br />

the columns <strong>and</strong> arches, <strong>and</strong> the pediment, were at the<br />

same time altered. On each side are two windows, <strong>and</strong><br />

above it three large lights occupy the central compartment.<br />

Over these appear the great circular window so justly cele<br />

brated, which may be said to form the noblest decoration<br />

of this part of the church. It consists of two concentric<br />

circles, of small columns, <strong>and</strong> trefoil arches ; the centre <strong>and</strong><br />

sp<strong>and</strong>rils of which are pierced. The effect of this window<br />

when the sun shines upon the richly painted glass with<br />

which it is glazed is very striking ; indeed it is difficult<br />

to meet with a window that will bear comparison. The<br />

North Transept opposite, is illuminated by a peculiar<br />

<strong>and</strong> elegant lancet window, called " the five sisters;" the<br />

lights of which are fifty feet high, <strong>and</strong> five feet wide.<br />

Passing through the south transept the attention is<br />

immediately arrested by the Stone Screen which sepa<br />

rates the choir from the nave. " As an architectural <strong>and</strong><br />

sculptured object," remarks the author of the English<br />

cathedrals, " it is at once splendid <strong>and</strong> gorgeous. Its<br />

western face, or exterior, is covered with a superabundance<br />

of niches, canopies, brackets, pinnacles, crocketts, finials,<br />

statues, masks, &cc. It seems that the artist was deter<br />

mined to charge every part with ornaments ; <strong>and</strong> to exert<br />

the fullest latitude of fancy in giving variety <strong>and</strong> intricacy<br />

to its complicated members. Near its centre is an arched

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