Ancient_and_modern_York_a_guide
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52 ANCIENT AND<br />
antiquary <strong>and</strong> traveller, as being the oldest portion of the<br />
present structure, if we except the chapter house, which is<br />
supposed to have been constructed about the same time.<br />
The front of this transept is divided by buttresses into<br />
three parts corresponding with the division of the interior<br />
into three aisles. In the central compartment is the porch,<br />
which is approached by a spacious double flight of steps,<br />
<strong>and</strong> which forms the usual entrance to the Cathedral. This<br />
porch, we are informed, was some years ago partly restored.<br />
At the same time the ancient clock over the entrance, sur<br />
mounted by two statues in the armour of Henry VII., was<br />
removed to make room for the <strong>modern</strong> dial ; <strong>and</strong> several of<br />
the columns <strong>and</strong> arches, <strong>and</strong> the pediment, were at the<br />
same time altered. On each side are two windows, <strong>and</strong><br />
above it three large lights occupy the central compartment.<br />
Over these appear the great circular window so justly cele<br />
brated, which may be said to form the noblest decoration<br />
of this part of the church. It consists of two concentric<br />
circles, of small columns, <strong>and</strong> trefoil arches ; the centre <strong>and</strong><br />
sp<strong>and</strong>rils of which are pierced. The effect of this window<br />
when the sun shines upon the richly painted glass with<br />
which it is glazed is very striking ; indeed it is difficult<br />
to meet with a window that will bear comparison. The<br />
North Transept opposite, is illuminated by a peculiar<br />
<strong>and</strong> elegant lancet window, called " the five sisters;" the<br />
lights of which are fifty feet high, <strong>and</strong> five feet wide.<br />
Passing through the south transept the attention is<br />
immediately arrested by the Stone Screen which sepa<br />
rates the choir from the nave. " As an architectural <strong>and</strong><br />
sculptured object," remarks the author of the English<br />
cathedrals, " it is at once splendid <strong>and</strong> gorgeous. Its<br />
western face, or exterior, is covered with a superabundance<br />
of niches, canopies, brackets, pinnacles, crocketts, finials,<br />
statues, masks, &cc. It seems that the artist was deter<br />
mined to charge every part with ornaments ; <strong>and</strong> to exert<br />
the fullest latitude of fancy in giving variety <strong>and</strong> intricacy<br />
to its complicated members. Near its centre is an arched