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Contemporary Architecture in the Historic Environment

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70<br />

Case Studies<br />

tion and architectural <strong>in</strong>sertions <strong>in</strong> historic districts <strong>in</strong> San Francisco, and recognized<br />

that cities are built <strong>in</strong> layers: “It is <strong>the</strong> juxtaposition of old and new that<br />

gives cities <strong>the</strong>ir <strong>in</strong>terest<strong>in</strong>g corners, <strong>the</strong>ir urban surprises, <strong>the</strong>ir texture” (p. 4).<br />

<strong>Historic</strong> preservation is considered to be a tool to manage change that can serve<br />

<strong>the</strong> community with vary<strong>in</strong>g success.<br />

The exhibition outl<strong>in</strong>ed that historic preservation uses three ways of mix<strong>in</strong>g old<br />

and new: adaptive reuse (when old build<strong>in</strong>gs are repurposed for a use <strong>the</strong>y were<br />

not orig<strong>in</strong>ally designed to serve), <strong>in</strong>corporation (when elements of a new build<strong>in</strong>g<br />

are <strong>in</strong>corporated <strong>in</strong>to old build<strong>in</strong>gs), and juxtaposition (when a new <strong>in</strong>sertion<br />

responds to but does not mimic <strong>the</strong> old). The types of build<strong>in</strong>gs illustrated<br />

<strong>in</strong> <strong>the</strong> case studies range from shopp<strong>in</strong>g centers, former aircraft hangers, apartment<br />

build<strong>in</strong>gs, and streetscapes. (L.M.)<br />

Venturi, Robert, and Denise Scott Brown. 2004. <strong>Architecture</strong> as Signs and<br />

Systems: For a Mannerist Time. William E Massey, Sr. Lectures <strong>in</strong> <strong>the</strong> History<br />

of American Civilization. Cambridge, MA: Belknap Press of Harvard<br />

University Press.<br />

This publication is a retrospective of <strong>the</strong> life work and <strong>the</strong>oretical underp<strong>in</strong>n<strong>in</strong>gs<br />

of Robert Venturi and Denise Scott Brown and is based on lectures given<br />

by <strong>the</strong> authors at Harvard University <strong>in</strong> 2003. The book comprises lengthy<br />

photo-essays on architecture and urban plann<strong>in</strong>g. The text emphasizes a tendency<br />

toward humane mannerist architecture for <strong>the</strong> present and future society.<br />

Concepts are discussed <strong>in</strong> context of <strong>the</strong>ir work, <strong>in</strong>clud<strong>in</strong>g Las Vegas and o<strong>the</strong>r<br />

examples that illustrate <strong>the</strong> architects’ thoughts on symbolism, mannerism, pattern<strong>in</strong>g<br />

urban design, and communication.<br />

Scott Brown's essays 8, "Context <strong>in</strong> Context," and 9, "Essays <strong>in</strong> Context," are of<br />

particular relevance to this bibliography. Essay 8 discuss different concepts of<br />

context and how new build<strong>in</strong>gs can fit <strong>in</strong>to <strong>the</strong> exist<strong>in</strong>g context. Essay 9 expla<strong>in</strong>s<br />

how several of Venturi and Scott Brown's projects attempt to engage with different<br />

contexts. Projects discussed <strong>in</strong>clude <strong>the</strong> Perelman Quadrangle Student<br />

Center at <strong>the</strong> University of Pennsylvania (1988–2000) and <strong>the</strong> Hôtel du<br />

Département de la Haut Garonne <strong>in</strong> Toulouse, France (1990–1999). (L.M., S.L.)<br />

<strong>Contemporary</strong> <strong>Architecture</strong> <strong>in</strong> <strong>the</strong> <strong>Historic</strong> <strong>Environment</strong>: An Annotated Bibliography - Getty Conservation Institute - 2015

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