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Contemporary Architecture in the Historic Environment

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CHAPTER 4<br />

Case Studies<br />

Bayerische Architektenkammer and Die Neue Sammlung, Munich. 1978. New<br />

Build<strong>in</strong>g <strong>in</strong> Old Sett<strong>in</strong>gs: An Exhibition Organized by <strong>the</strong> Bayerische<br />

Architektenkammer and Die Neue Sammlung, Munich. Munich: Die Neue<br />

Sammlung, State Museum for Applied Arts.<br />

This exhibition catalog shows European examples of new constructions <strong>in</strong>serted<br />

<strong>in</strong> old urban contexts. Most examples consist of build<strong>in</strong>gs from <strong>the</strong> 1960s and<br />

1970s, with few historic structures. The examples are briefly described and<br />

illustrated with black-and-white photographs and architectural draw<strong>in</strong>gs. The<br />

goals of <strong>the</strong> exhibition were to show that <strong>the</strong> problem of fitt<strong>in</strong>g new build<strong>in</strong>gs <strong>in</strong><br />

old sett<strong>in</strong>gs is not a recent phenomenon, to demonstrate <strong>the</strong> different design<br />

approaches capable of creat<strong>in</strong>g a high-quality relationship between <strong>the</strong> new and<br />

<strong>the</strong> old build<strong>in</strong>gs, and to show <strong>the</strong> general public <strong>the</strong> challenges an architect<br />

faces when design<strong>in</strong>g a new build<strong>in</strong>g <strong>in</strong> an old sett<strong>in</strong>g. The first part of <strong>the</strong> catalog<br />

conta<strong>in</strong>s three essays concern<strong>in</strong>g different aspects of <strong>the</strong> subject. In “New<br />

Build<strong>in</strong>gs <strong>in</strong> Old Sett<strong>in</strong>gs,” Friedrich Kurrent <strong>in</strong>troduces <strong>the</strong> goals of <strong>the</strong> exhibition.<br />

Kurrent gives examples of ancient build<strong>in</strong>gs that were built <strong>in</strong> preexist<strong>in</strong>g<br />

urban sett<strong>in</strong>gs. He raises <strong>the</strong> po<strong>in</strong>t that some of <strong>the</strong>se build<strong>in</strong>gs, orig<strong>in</strong>ally perceived<br />

as <strong>in</strong>trusive or offensive to <strong>the</strong> historic sett<strong>in</strong>g, later became an <strong>in</strong>tegral<br />

part of it. He advocates a design approach that strives to achieve a balance<br />

between adaptation and contrast. Kurrent does not endorse subord<strong>in</strong>ation of <strong>the</strong><br />

new to <strong>the</strong> old; <strong>in</strong>stead, he promotes a relationship based on learn<strong>in</strong>g from <strong>the</strong><br />

old <strong>in</strong> order to achieve <strong>in</strong>tegration with <strong>the</strong> context. In “Build<strong>in</strong>g <strong>in</strong> Old Sett<strong>in</strong>gs<br />

as a Problem of Place,” Christian Norberg-Schulz writes on <strong>the</strong> importance of<br />

place identity and <strong>the</strong> contribution of each <strong>in</strong>dividual build<strong>in</strong>g <strong>in</strong> creat<strong>in</strong>g that<br />

identity. In “Integration of Old and New,” Manfred Sack warns of <strong>the</strong> dangers of<br />

overprotect<strong>in</strong>g <strong>the</strong> historic city. He advocates that <strong>the</strong> process of change <strong>in</strong> <strong>the</strong><br />

urban fabric should be regulated but not stopped. He presents three different<br />

approaches to design<strong>in</strong>g <strong>in</strong> historic environments: plot, contrast, and quotation.<br />

Plot refers to follow<strong>in</strong>g <strong>the</strong> proportions, site layout, and materials. Contrast<br />

refers to consciously us<strong>in</strong>g contrast<strong>in</strong>g design to change <strong>the</strong> urban sett<strong>in</strong>g.<br />

Quotation refers to a design approach that draws <strong>in</strong>spiration from <strong>the</strong> past to<br />

create a contemporary design. (A.P.A.G.)<br />

Also relevant for Chapter 3: Design Approaches and Philosophies.<br />

Economakis, Richard, ed. 1993. "Interventions <strong>in</strong> <strong>Historic</strong> Centres: The Build<strong>in</strong>gs<br />

of Magdalen College, Oxford." Special issue, Architectural Design.<br />

This publication presents excerpts from <strong>the</strong> <strong>in</strong>ternational forum “Interventions<br />

<strong>in</strong> <strong>Historic</strong> Centres,” held at Magdalen College, Oxford, on October 17, 1992.<br />

61<br />

<strong>Contemporary</strong> <strong>Architecture</strong> <strong>in</strong> <strong>the</strong> <strong>Historic</strong> <strong>Environment</strong>: An Annotated Bibliography - Getty Conservation Institute - 2015

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