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Contemporary Architecture in the Historic Environment

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55<br />

Design Approaches and Philosophies<br />

<strong>in</strong> <strong>the</strong> book <strong>in</strong>clude <strong>the</strong> search for mean<strong>in</strong>g and historicity <strong>in</strong> current (i.e., 1980)<br />

architectural forms and a reassessment of <strong>the</strong> virtues of traditional architectural<br />

forms that had been rejected by <strong>the</strong> Modern Movement. (L.M.)<br />

Ray, Keith, ed. 1980. Contextual <strong>Architecture</strong>: Respond<strong>in</strong>g to Exist<strong>in</strong>g Style. New<br />

York: McGraw-Hill.<br />

In this book, <strong>the</strong> author uses examples to demonstrate different ways <strong>in</strong> which<br />

design can create a relationship between a new build<strong>in</strong>g and <strong>the</strong> extant built fabric<br />

surround<strong>in</strong>g it. The author divides <strong>the</strong> examples among four chapters accord<strong>in</strong>g<br />

to <strong>the</strong> scale of <strong>the</strong> <strong>in</strong>tervention. Each chapter shows a range of design<br />

solutions, from reproduction to sympa<strong>the</strong>tic contrast. Chapter 4, “Infill,”<br />

describes five approaches to design<strong>in</strong>g new constructions <strong>in</strong> exist<strong>in</strong>g urban<br />

contexts:<br />

• “Reproduction” (preferably <strong>in</strong> a style not of an exist<strong>in</strong>g build<strong>in</strong>g) can be<br />

appropriate if <strong>the</strong> context is homogeneous <strong>in</strong> terms of architectural<br />

style.<br />

• “Abstraction” is def<strong>in</strong>ed as a contemporary <strong>in</strong>terpretation of <strong>the</strong> most<br />

characteristic local features.<br />

• “Build<strong>in</strong>gs based on urban design” follow <strong>the</strong> characteristics of <strong>the</strong><br />

urban sett<strong>in</strong>g <strong>in</strong>stead of build<strong>in</strong>g features.<br />

• “Background build<strong>in</strong>gs” are new constructions where <strong>the</strong> design tries to<br />

m<strong>in</strong>imize adverse impact on <strong>the</strong> local context by partially conceal<strong>in</strong>g<br />

<strong>the</strong> new build<strong>in</strong>g or by blend<strong>in</strong>g with <strong>the</strong> context.<br />

• “Sympa<strong>the</strong>tic contrast” is a contrast<strong>in</strong>g design that adds quality to <strong>the</strong><br />

urban context by unify<strong>in</strong>g it or by creat<strong>in</strong>g a focal po<strong>in</strong>t where <strong>the</strong>re<br />

was previously none. (A.P.A.G.)<br />

Also relevant for Chapter 4: Case Studies.<br />

Richards, Kristen. 2003. History as prelude: Modern <strong>in</strong>terventions <strong>in</strong> historic<br />

context. Oculus 65 (1): 24–27.<br />

This article is an account of an event organized by <strong>the</strong> American Institute of<br />

Architects (AIA), New York Chapter, <strong>the</strong> Center for <strong>Architecture</strong>, and <strong>the</strong> James<br />

Marston Fitch Colloquium to discuss <strong>the</strong> appropriateness of modern additions<br />

to historic landmarks and neighborhoods. Examples from New York were presented<br />

by <strong>the</strong>ir designers to illustrate how contemporary architecture can coexist<br />

with historic build<strong>in</strong>gs without compromis<strong>in</strong>g <strong>the</strong>ir <strong>in</strong>tegrity. In <strong>the</strong>se<br />

examples, <strong>the</strong> design solution resulted from a will<strong>in</strong>gness to create a relationship<br />

with <strong>the</strong> historic build<strong>in</strong>g. (A.P.A.G.)<br />

Also relevant for Chapter 4: Case Studies.<br />

Rogers, Richard. 1988. Belief <strong>in</strong> <strong>the</strong> future is rooted <strong>in</strong> <strong>the</strong> memory of <strong>the</strong> past.<br />

RSA Journal 136 (5388 Nov.): 873–84.<br />

This is a transcript of a talk delivered by British architect Richard Rogers at <strong>the</strong><br />

Royal Society of Arts on April 18, 1988. Among many subjects, Rogers advocates<br />

for <strong>the</strong> advancement of modern architecture through fur<strong>the</strong>r development<br />

<strong>Contemporary</strong> <strong>Architecture</strong> <strong>in</strong> <strong>the</strong> <strong>Historic</strong> <strong>Environment</strong>: An Annotated Bibliography - Getty Conservation Institute - 2015

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