Contemporary Architecture in the Historic Environment
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26<br />
Design Control and Regulation<br />
ects on a s<strong>in</strong>gle block <strong>in</strong> <strong>the</strong> historic Edgefield neighborhood <strong>in</strong> Nashville,<br />
Tennessee. It presents a detailed analysis of <strong>the</strong> design review process for each<br />
project from <strong>the</strong> perspectives of various participants, <strong>in</strong>clud<strong>in</strong>g novice and seasoned<br />
developers, <strong>the</strong> neighborhood group, and <strong>the</strong> local historic zon<strong>in</strong>g commission.<br />
Because <strong>the</strong> case study was first presented 10 years prior to this<br />
publication, <strong>the</strong> author was able to revisit <strong>the</strong> community and understand how<br />
<strong>the</strong> review process has been ref<strong>in</strong>ed, based <strong>in</strong> part on <strong>the</strong> lessons learned <strong>in</strong> <strong>the</strong><br />
earlier projects and what impact those early projects had on future neighborhood<br />
development. (S.L.)<br />
Also relevant for Chapter 4: Case Studies.<br />
Brol<strong>in</strong>, Brent C. 1980. <strong>Architecture</strong> <strong>in</strong> Context: Fitt<strong>in</strong>g New Build<strong>in</strong>gs with Old.<br />
New York: Van Nostrand Re<strong>in</strong>hold.<br />
Brol<strong>in</strong> uses a series of examples from <strong>the</strong> United States and Europe to demonstrate<br />
that design guidel<strong>in</strong>es do not guarantee an appropriate design to <strong>the</strong> context.<br />
This author is aligned with <strong>the</strong> postmodern criticism of modernist<br />
architecture. He rejects <strong>the</strong> modernist idea that only a contrast<strong>in</strong>g design can be<br />
considered a strong creative work, although he admits that contrast might be<br />
appropriate depend<strong>in</strong>g on <strong>the</strong> case. Overall, Brol<strong>in</strong> advocates for designs that<br />
create visual relationships with <strong>the</strong> surround<strong>in</strong>g build<strong>in</strong>gs even when us<strong>in</strong>g<br />
ano<strong>the</strong>r architectural style. He particularly emphasizes <strong>the</strong> importance of <strong>the</strong><br />
texture created by small-scale ornaments on a facade. (A.P.A.G.)<br />
Also relevant for Chapter 3: Design Approaches and Philosophies.<br />
Commission for <strong>Architecture</strong> and <strong>the</strong> Built <strong>Environment</strong> (CABE). 2005. Design<br />
Cod<strong>in</strong>g: Test<strong>in</strong>g Its Use <strong>in</strong> England. London: CABE. http://webarchive.nationalarchives.gov.uk/20110118095356/http://www.cabe.org.uk/files/design-cod<strong>in</strong>g.<br />
pdf<br />
This publication, endorsed by <strong>the</strong> British government, was developed <strong>in</strong> <strong>the</strong><br />
context of promot<strong>in</strong>g susta<strong>in</strong>able communities and rais<strong>in</strong>g <strong>the</strong> quality of <strong>the</strong><br />
built environment. Its philosophy is aligned with that of <strong>the</strong> New Urbanismurban<br />
design movement <strong>in</strong> <strong>the</strong> United States, which is cited as a source of good<br />
examples. The publication is a report on <strong>the</strong> development of seven pilot projects<br />
and research conducted by CABE and English Partnerships (England’s national<br />
regeneration agency). The goal was to <strong>in</strong>vestigate <strong>the</strong> efficiency of adopt<strong>in</strong>g<br />
design cod<strong>in</strong>g for new hous<strong>in</strong>g developments <strong>in</strong> improv<strong>in</strong>g <strong>the</strong>ir quality and<br />
facilitat<strong>in</strong>g <strong>the</strong> plann<strong>in</strong>g process. The term design code is def<strong>in</strong>ed as “a set of<br />
three-dimensional, site specific design rules or requirements for development”<br />
(p. 7). It is complementary to a master plan or a set of guidel<strong>in</strong>es. Design codes<br />
differ from design guidel<strong>in</strong>es <strong>in</strong> that <strong>the</strong>y are more strongly enforced. The<br />
authors propose that this tool should be technical and style neutral and that <strong>the</strong><br />
methodology for development of design codes should be based on <strong>the</strong> <strong>in</strong>volvement<br />
of all stakeholders. (A.P.A.G.)<br />
Also relevant for Chapter 4: Case Studies.<br />
<strong>Contemporary</strong> <strong>Architecture</strong> <strong>in</strong> <strong>the</strong> <strong>Historic</strong> <strong>Environment</strong>: An Annotated Bibliography - Getty Conservation Institute - 2015