Contemporary Architecture in the Historic Environment
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20<br />
Conservation Policy<br />
[See entry <strong>in</strong> section 2.2 for <strong>the</strong> guidel<strong>in</strong>es: Government of Ireland, Department<br />
of Arts, Heritage and <strong>the</strong> Gaeltacht. 2011. Architectural Heritage Protection:<br />
Guidel<strong>in</strong>es for Plann<strong>in</strong>g Authorities. Dubl<strong>in</strong>: The Stationery Office.]<br />
National Park Service, US Department of <strong>the</strong> Interior. 2001. The Secretary of <strong>the</strong><br />
Interior's Standards for <strong>the</strong> Treatment of <strong>Historic</strong> Properties with Guidel<strong>in</strong>es<br />
for Preserv<strong>in</strong>g, Rehabilitat<strong>in</strong>g, Restor<strong>in</strong>g and Reconstruct<strong>in</strong>g <strong>Historic</strong><br />
Build<strong>in</strong>gs. http://www.nps.gov/tps/standards/four-treatments/standguide/<br />
The goal of <strong>the</strong> Secretary of <strong>the</strong> Interior’s Standards (The Standards) is to provide<br />
philosophical consistency for four different approaches to conservation:<br />
preservation, rehabilitation, restoration, and reconstruction. The pr<strong>in</strong>ciples laid<br />
out <strong>in</strong> The Standards were created to be applicable to all types of historic<br />
resources, but <strong>the</strong> Guidel<strong>in</strong>es are specific to build<strong>in</strong>gs. New construction and<br />
additions are permitted under <strong>the</strong> rehabilitation approach. Rehabilitation allows<br />
some level of change to less significant features of <strong>the</strong> historic resource <strong>in</strong> order<br />
to accommodate a compatible use. Additions and new constructions are<br />
addressed <strong>in</strong> po<strong>in</strong>ts 9 and 10 of <strong>the</strong> Standards for Rehabilitation, which state<br />
that additions and new constructions should not harm any characteristic features<br />
and that <strong>the</strong>y should be differentiated from <strong>the</strong> historic fabric but also<br />
“compatible with historic materials, features, size, scale and proportion, and<br />
mass<strong>in</strong>g to protect <strong>the</strong> <strong>in</strong>tegrity of <strong>the</strong> property and its environment.” (A.P.A.G.)<br />
New Zealand M<strong>in</strong>istry for <strong>the</strong> <strong>Environment</strong>, and Urban Design Advisory Group<br />
(N.Z.). 2005. New Zealand Urban Design Protocol. http://www.mfe.govt.nz/<br />
publications/urban/design-protocol-mar05/html/<br />
The ma<strong>in</strong> goal of this document is to improve quality of urban developments<br />
and, consequently, quality of life <strong>in</strong> urban settlements <strong>in</strong> New Zealand. It identifies<br />
seven key qualities that every urban design project should seek: context,<br />
character, choice, connections, creativity, custodianship, and collaboration.<br />
Under <strong>the</strong> section “Context” (p. 18), it is recommended that each project be<br />
evaluated for its relationship to <strong>the</strong> surround<strong>in</strong>g area. The document recommends<br />
that “each development fits <strong>in</strong> with and enhances its surround<strong>in</strong>gs.” This<br />
idea is emphasized under <strong>the</strong> section “Character” (p. 19). Although <strong>the</strong> document<br />
recognizes that character is an ever-evolv<strong>in</strong>g aspect of <strong>the</strong> urban fabric, it<br />
recommends that new build<strong>in</strong>gs be complementary to <strong>the</strong> local historic identity.<br />
(A.P.A.G.)<br />
<strong>Contemporary</strong> <strong>Architecture</strong> <strong>in</strong> <strong>the</strong> <strong>Historic</strong> <strong>Environment</strong>: An Annotated Bibliography - Getty Conservation Institute - 2015