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32 • smithsonian contributions to museum conservation<br />
The SU data sheet makes <strong>the</strong> conservator observe more rigorously<br />
<strong>the</strong> different strata and <strong>the</strong>ir relationships during <strong>the</strong> cleaning<br />
process and compels <strong>the</strong> restorer toward a logical approach<br />
to complicated stratigraphic situations. With this system <strong>of</strong> documentation<br />
<strong>the</strong> conservator must necessarily approach <strong>the</strong> cleaning<br />
process from an analytical point <strong>of</strong> view, attentive to details and<br />
cautious in <strong>the</strong> identification <strong>of</strong> each SU. This system <strong>of</strong> documentation<br />
requires layer by layer removal, identifying and studying<br />
each new SU and its relationships with <strong>the</strong> o<strong>the</strong>r units. This allows<br />
a standardized documentation to be obtained that can be<br />
studied by any given researcher in order to understand how <strong>the</strong><br />
nonoriginal layers were arranged before cleaning and exactly how<br />
<strong>the</strong> cleaning was carried out. Basically, <strong>the</strong> main idea is to think<br />
<strong>of</strong> <strong>the</strong> cleaning process in terms <strong>of</strong> an archaeological excavation.<br />
This methodology has been used for <strong>the</strong> documentation <strong>of</strong> various<br />
cleanings, with very good results (Barros García, 2004, 2009).<br />
PRACTICAL APPLICATION<br />
The system can be illustrated with <strong>the</strong> example <strong>of</strong> <strong>the</strong> recording<br />
carried out for <strong>the</strong> cleaning <strong>of</strong> <strong>the</strong> panel painting St.<br />
Matthias and St. Philip by Paolo da San Leocadio (second half<br />
<strong>of</strong> <strong>the</strong> fifteenth century), which is in a private collection in Madrid<br />
(Figure 1). In contrast to <strong>the</strong> original layers, <strong>the</strong> materials<br />
deposited over time can be removed following a stratigraphic<br />
approach during cleaning (Figure 2). This approach provides a<br />
great amount <strong>of</strong> information, which is not always easily accessed<br />
by mere observation <strong>of</strong> <strong>the</strong> surface or cross- sectional studies. The<br />
main nonoriginal layers identified in St. Matthias and St. Philip<br />
were <strong>the</strong> following: dirt (SU1), overpaint (SU4, SU5, SU6, SU7,<br />
SU8, SU9, SU10, SU12, SU15, SU16, SU17, SU18, SU19, SU20,<br />
SU21, SU22, SU24, SU29, SU33), varnish (SU2), fillers (SU13,<br />
SU25, SU27, SU28, SU30), and wax (SU31).<br />
FIGURE 1. The painting during <strong>the</strong> cleaning process (detail).