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New Insights into the Cleaning of Paintings

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ABSTRACT<br />

Mecklenburg, Marion F., A. Elena Charola, and Robert J. Koestler, editors. <strong>New</strong> <strong>Insights</strong> <strong>into</strong> <strong>the</strong> <strong>Cleaning</strong> <strong>of</strong> <strong>Paintings</strong>: Proceedings<br />

from <strong>the</strong> <strong>Cleaning</strong> 2010 International Conference, Universidad Politécnica de Valencia and Museum Conservation<br />

Institute. Smithsonian Contributions to Museum Conservation, number 3, x + 243 pages, 142 figures, 22 tables, 2013.— The<br />

present volume brings toge<strong>the</strong>r <strong>the</strong> papers and posters presented at <strong>the</strong> “<strong>Cleaning</strong> 2010 International—<strong>New</strong> <strong>Insights</strong> <strong>into</strong> <strong>the</strong><br />

<strong>Cleaning</strong> <strong>of</strong> <strong>Paintings</strong>” conference that was held at <strong>the</strong> Universidad Politécnica de Valencia in Spain, in collaboration with <strong>the</strong><br />

Smithsonian’s Museum Conservation Institute. This was <strong>the</strong> first major international conference on this topic in two decades.<br />

The 20 papers and 19 extended abstracts presented at <strong>the</strong> conference are included in this publication, grouped <strong>into</strong> four main<br />

categories: Ethics, Aes<strong>the</strong>tics, Training, and Documentation; Traditional Media: Egg Tempera and Oil; Modern Paints; and<br />

<strong>Cleaning</strong> Systems. Within each category, <strong>the</strong> papers and extended abstracts are grouped by <strong>the</strong> specific topic <strong>the</strong>y address to<br />

make it easier for <strong>the</strong> reader to find all related material in one section. A summary <strong>of</strong> panel discussions held at <strong>the</strong> end <strong>of</strong> <strong>the</strong><br />

conference has also been included. All papers and abstracts included in this publication have been peer reviewed. The aim <strong>of</strong><br />

<strong>the</strong> conference was to provide a knowledge exchange forum and to produce a publication that assembles <strong>the</strong> latest developments<br />

in <strong>the</strong> various studies addressing <strong>the</strong> problems that affect paintings. These range from normal soiling to removal <strong>of</strong><br />

aged varnishes, from <strong>the</strong> effect <strong>of</strong> solvents on paints to <strong>the</strong> subsequent changes in <strong>the</strong>ir mechanical behavior. The cleaning<br />

<strong>of</strong> unvarnished paintings is one <strong>of</strong> <strong>the</strong> most critical issues that was discussed. Finally, different cleaning techniques, such as<br />

gels, soaps, enzymes, ionic liquids, and foams, as well as various dry methods and lasers, are discussed in various papers and<br />

extended abstracts. Although <strong>the</strong> conference was organized in Spain, <strong>the</strong> United States contributed 21% <strong>of</strong> <strong>the</strong> contents, followed<br />

by Spain and Italy, both with 16%; <strong>the</strong> United Kingdom and Germany, each with 9%; and Canada, <strong>the</strong> Ne<strong>the</strong>rlands,<br />

and Portugal, all with 5%. The rest are individual contributions from Australia, Norway, Switzerland, Poland, and Greece.<br />

Cover images, from left to right: Figure 1 from García and Marín; Figure 1 from Cremonesi; and detail <strong>of</strong> Figure 1 from<br />

Osmond and Carter.<br />

Published by SMITHSONIAN INSTITUTION SCHOLARLY PRESS<br />

P.O. Box 37012, MRC 957<br />

Washington, D.C. 20013-7012<br />

www.scholarlypress.si.edu<br />

Compilation copyright © 2013 Smithsonian Institution<br />

The preface and acknowledgments are in <strong>the</strong> public domain. The rights to all o<strong>the</strong>r text and images in this publication, including<br />

cover and interior designs, are owned ei<strong>the</strong>r by <strong>the</strong> Smithsonian Institution, by contributing authors, or by third parties.<br />

Fair use <strong>of</strong> materials is permitted for personal, educational, or noncommercial purposes. Users must cite author and source<br />

<strong>of</strong> content, must not alter or modify copyrighted content, and must comply with all o<strong>the</strong>r terms or restrictions that may be<br />

applicable. Users are responsible for securing permission from a rights holder for any o<strong>the</strong>r use.<br />

Library <strong>of</strong> Congress Cataloging-in-Publication Data<br />

<strong>Cleaning</strong> International Conference (2010 : Valencia, Spain)<br />

<strong>New</strong> insights <strong>into</strong> <strong>the</strong> cleaning <strong>of</strong> paintings : proceedings from <strong>the</strong> <strong>Cleaning</strong> 2010 International Conference, Universidad<br />

Politecnica de Valencia and Museum Conservation Institute / edited by Marion F. Mecklenburg, A. Elena Charola, and<br />

Robert J. Koestler.<br />

pages cm. — (Smithsonian contributions to museum conservation, ISSN 1949-2359 ; number 3)<br />

Includes bibliographical references and index.<br />

1. Painting—<strong>Cleaning</strong>—Congresses. 2. Painting—Conservation and restoration—Congresses. I. Mecklenburg, Marion F.,<br />

editor <strong>of</strong> compilation. II. Charola, A. Elena, editor <strong>of</strong> compilation. III. Koestler, Robert J. (Robert John), 1950– editor <strong>of</strong><br />

compilation. IV. Title.<br />

ND1650.C43 2012<br />

751.6’2--dc23<br />

2012041342<br />

ISSN: 1949-2359 (print); 1949-2367 (online)<br />

The paper used in this publication meets <strong>the</strong> minimum requirements <strong>of</strong> <strong>the</strong> American National Standard for Permanence<br />

<strong>of</strong> Paper for Printed Library Materials Z39.48–1992.

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