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194 • smithsonian contributions to museum conservation<br />
Table 4. Roughness variation as measured by CSM and main damage observed on <strong>the</strong> painting surfaces. Roughness<br />
variation is <strong>the</strong> average value <strong>of</strong> measurements taken in 10 areas 1.46 × 1.10 mm 2 in size. W = water; V = Vulpex; WS<br />
= white spirit; FG = fluid gel; FGP = fluid gel applied on barrier paper; RG = rigid gel.<br />
General roughness variations<br />
Treatments<br />
Roughness variation<br />
(%) Main damage<br />
W 0.60 Movement <strong>of</strong> particles<br />
VW 0.5% –1.46 Flattening <strong>of</strong> <strong>the</strong> surfaces and particle removal<br />
VW 1.0% –1.81 Flattening <strong>of</strong> <strong>the</strong> surfaces and particle removal<br />
VWS 1.0% 0.30 Slight particle movement<br />
VWS 5.0% 0.33 Slight particle movement<br />
VFG 1.0% 2.46 Particle detachment and accumulation and appearance <strong>of</strong> deep cracks<br />
VFGP 1.0% –5.22 Flattening <strong>of</strong> <strong>the</strong> surfaces, particle dragging, and appearance <strong>of</strong> deep cracks<br />
RG –1.87 Flattening <strong>of</strong> <strong>the</strong> surfaces and appearance <strong>of</strong> thin cracks<br />
VRG 1% 1.05 Flattening <strong>of</strong> <strong>the</strong> surfaces and appearance <strong>of</strong> deep cracks<br />
although <strong>the</strong>y were fewer in number than with <strong>the</strong> previous system<br />
(Figure 6).<br />
The cleaning with clear agar gel (RG) showed surface flattening<br />
that was caused by <strong>the</strong> joint action <strong>of</strong> two factors. First, <strong>the</strong><br />
water s<strong>of</strong>tened <strong>the</strong> paint, and second, <strong>the</strong> slight pressure applied<br />
to keep <strong>the</strong> gel in contact with <strong>the</strong> paint caused a reduction in<br />
<strong>the</strong> roughness. In this case, only thin cracks were found. Adding<br />
Vulpex to <strong>the</strong> rigid gel (VRG 1.0%) would produce an increase in<br />
<strong>the</strong> roughness because soap causes deeper cracks to open.<br />
CONCLUSIONS<br />
The methodology used in this study served to evaluate <strong>the</strong><br />
residues <strong>of</strong> <strong>the</strong> Vulpex commercial soap on <strong>the</strong> surface <strong>of</strong> paintings<br />
after cleaning. The study showed mainly qualitative differences<br />
between <strong>the</strong> various cleaning treatments.<br />
The results suggest that Vulpex is not appropriate to eliminate<br />
dirt in young unvarnished paintings because <strong>of</strong> <strong>the</strong> deterioration<br />
induced by this product on <strong>the</strong> paintings, as had already been<br />
highlighted in o<strong>the</strong>r studies with different paintings and at different<br />
concentrations. All <strong>the</strong> surfaces treated with aqueous solutions<br />
<strong>of</strong> Vulpex had residues after <strong>the</strong> cleaning except when treated with<br />
a 1% soap solution in white spirit; <strong>the</strong> application was carried out<br />
at this same concentration in water but was applied as fluid or<br />
rigid gel, or <strong>the</strong> fluid gel was applied with a barrier paper.<br />
In general, all <strong>the</strong> paintings treated with Vulpex in this study<br />
showed surface damage. This was linked to <strong>the</strong> effect <strong>of</strong> <strong>the</strong> soap,<br />
<strong>the</strong> application method, and <strong>the</strong> rinsing processes. The main<br />
damage observed was cracking, surface flattening, and paint particle<br />
removal. Rigid gel systems were <strong>the</strong> least damaging, and<br />
<strong>the</strong>y seemed to be more practical for local treatments.<br />
A good correlation was found between <strong>the</strong> results <strong>of</strong> <strong>the</strong> P1<br />
test samples and those obtained with <strong>the</strong> painting cleaned by <strong>the</strong><br />
pr<strong>of</strong>essional restoration team (P2). Fur<strong>the</strong>rmore, <strong>the</strong> results from<br />
<strong>the</strong> restorers did not present important variations. Instead, variations<br />
seemed to stem from <strong>the</strong> area <strong>of</strong> <strong>the</strong> painting on which <strong>the</strong><br />
treatment was applied. The inclusion <strong>of</strong> <strong>the</strong> results <strong>of</strong> <strong>the</strong>se studies<br />
in <strong>the</strong> technical files <strong>of</strong> companies specializing in restoration<br />
product distribution is a positive measure to reduce risks related<br />
to <strong>the</strong> use <strong>of</strong> commercial soaps.<br />
Acknowledgments<br />
The authors thank Luis Alberto Angurel at <strong>the</strong> Instituto de<br />
Ciencia de Materiales y Fluidos, Universidad de Zaragoza, for<br />
his contribution to <strong>the</strong> CSM studies; restorers Raquel Sáez, Susana<br />
Pérez, Alejandra Martos, Juan Alberto Soler, Marta Palau,<br />
and Susana Lozano for assisting with <strong>the</strong> cleaning treatments<br />
carried out in conjunction with <strong>the</strong> experiments; <strong>the</strong> distributors<br />
specializing in restoration products, Agar- Agar SL, C.T.S. España<br />
Productos y Equipos para la Restauración S.L., Productos de<br />
Conservación SA, and STEM Servicios Técnicos y Equipamiento<br />
para Museos; and, in particular, Ubaldo Sedano, Jorge García,<br />
and Pilar Sedano, <strong>the</strong> heads <strong>of</strong> <strong>the</strong> restoration departments at<br />
<strong>the</strong> Museo Thyssen Bornemisza, Museo Nacional Reina S<strong>of</strong>ía,<br />
and Museo Nacional de Prado, respectively, for supporting this<br />
project.<br />
APPENDIX A: INSTRUMENTAL<br />
OPERATION CONDITIONS<br />
GC- MS. An Agilent Technologies GC- 6890N–MS<br />
5973 chromatograph, with a HP- 5MS (5% phenyl, 95% dimethylpolysiloxane)<br />
capillary column (length: 30 m, internal<br />
diameter: 250 mm × film thickness: 0.25 mm) and with a flow<br />
<strong>of</strong> 1 mL/min <strong>of</strong> helium as <strong>the</strong> carrier gas, was used. The oven