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MASTER’S THESIS

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Master thesis: sport spectator preferences<br />

gratification-approach analyses the needs of the media user and tries to indentify<br />

how the media can solve these needs. (Merten, 1994, p. 318).<br />

Merten (1994) criticized this approach, because it is weather a theoretical concept<br />

or it is a research strategy to measure the theoretical motives and the needs<br />

of the media consume.<br />

The user-and-gratification-approach is due to the increasing media science interest<br />

in media reception driven from the economic market, a central theoretical<br />

concept. Trough the commercialization, professionalization of media and the engagement<br />

of economy the research in media usage have begun to get more and<br />

more important. Central media usage motives are:<br />

Search for information/learning, escapism, entertainment, mood regulation and<br />

identity seeking (Schafmeister, 2007, p. 62)<br />

The spectator research is a part of the market research, which analyzes the effects<br />

of advertising and sponsoring concepts in media. (Stollenwerk, 1996, p. 23-<br />

25). This media advertising and sponsoring concepts are very important for sport<br />

economics (cf. chapter 1). For research in sport-TV-motives the central reception<br />

has to follow sport specific adaptions. The focus in sport reception analyses are<br />

sport offers and usage motives (Hagenah, 2004, pp. 86-87).<br />

Werber/Ganz (as cited in Schafmeister, 2007, p. 74; Hagenah, 2004, p. 87) identify<br />

five dimensions of TV sport usage:<br />

fanship dimension: identification and emotional attachment to athletes and<br />

sport teams<br />

Learning dimension: information collection of sports, teams and athletes<br />

companionship dimension: social interaction during the sport event<br />

filler dimension: sport on TV as function against boredom<br />

release dimension: escape and relaxation in spare time<br />

Aimiller/Krezschmar (as cited in Schafmeister, 2007)<br />

show/aesthetic/exclusivity<br />

emotionality/involvement/live-experience<br />

parasocial interaction<br />

opinion making/interaction<br />

unspecific entertainment/tension<br />

sensation seeking<br />

escapism/time spending<br />

Theoretical foundation of sport spectators and event experience page 22

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