PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Historic types of wallpaper and decorative schemes of interiors Figure 53. Boudoir of the Vääna manor. Collection of Viljar Axel Vissel. Figure 54. Large hall of the Vorbuse manor. EAA 1451.1.203.1. Figure 55. A horizontally segmented wallscheme in the Avanduse manor. ERM 887 : 49. 97
Historic types of wallpaper and decorative schemes of interiors most dominant type by the turn of the century. Historical photos show interiors of manors, rectories, middle-class interiors and public rooms of student corporations. In finer interiors, wallpapers were attached to the ceiling-cornice and combined with a painted ceiling, as in the Sagadi manor, a parlour in the Estonian Literary Museum, a hall of the student corporation “Estonia”, the Noarootsi rectory, a hall of the Padise manor (Fig. 58), an enfilade of the Koluvere manor (Fig. 59) and elsewhere. At the beginning of the 20th century, the borders became gradually narrower and were attached considerably lower than before, making the ceilings appear higher. At the beginning of the 20th century more attention was paid to the design of domestic environments and common products in Estonia. At that time historicism and eclecticism were still dominant in local architecture. 162 Art Nouveau, which reached Estonia after 1904, was most commonly used in progressive, fashion-conscious manorial and rich bourgeois interiors. The Art Nouveau wallpapers can be divided into two categories. They have either large floral patterns in light colours or sparse, slightly geometric patterns resembling the designs of Charles Rennie Machintoch. Wallpapers with Art Nouveau designs have been found in both manors and middle class residences in towns. A large number of Art Nouveau wallpapers have been found, for example, in the Juuru rectory, and in wooden middle-class residences in Kadriorg, Kesklinn, Põhja-Tallinn and the Old Town of Tallinn. Among the German-speaking community, gradually more attention was paid to dwellings; more precisely, private residences, neighbourhood villas and country houses became the focus of attention. 163 Tallinn experienced rapid growth at the end of the 19th century with the increase in industry and the opening of a railway connection between St. Petersburg and Tallinn. By 1914 the population of Tallinn had doubled. The Estonian-speaking 162 Sirje Helme and Jaak Kangilaski, Lühike eesti kunsti ajalugu (Tallinn: Kirjastus Kunst, 1999), 79. 163 Ants Hein, “Mõisate vananaistesuvi”in Eesti kunsti ajalugu, 5 1900–1940, ed. by Krista Kodres, Mart Kalm and Elo Lutsepp (Tallinn: Eesti Kunstiakadeemia, Kultuurileht, 2010), 51. 98
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Kadri Kallaste PRESERVATION OF WALL
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Kadri Kallaste Preservation of Wall
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3. Discussing principles of conserv
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I am thankful to all the people and
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Introduction removed from its origi
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Introduction Kristel Kevvai (2008)
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Introduction CHOICE OF TOPIC The ch
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Introduction OBJECTS OF RESEARCH Ei
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Introduction STRUCTURE OF THE THESI
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Introduction HISTORIOGRAPHY AND SOU
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Introduction The material dealing w
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Task of conservation. Case studies
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Methodological conclusions preferre
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Methodological conclusions thetical
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consolidated and, secondly, if the
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Methodological conclusions the larg
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Methodological conclusions The auth
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Methodological conclusions briefly
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Kokkuvõte tapeetide säilitamine n
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Kokkuvõte Eestis ei ole aga muuseu
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Kokkuvõte lise väärtuse tõttu r
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Kokkuvõte rimislahenduse väljatö
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Kokkuvõte JÄRELDUSED Tapeetide re
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Kokkuvõte Tapeedi eemaldamine sell
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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Krista Kodres, Mart Kalm and Elo Lu
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Directory, 1997. Accessed September
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Stavenow-Hidemark, E., Textile desi
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