PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

Historic types of wallpaper and decorative schemes of interiors
In relation to Estonian manorial architecture, there were
two basic directions of development: architecture inspired by
the classical antique (Neo-Classicism, Neo-Renaissance and
Neo-Baroque), 150 and forms derived from non-classical sources,
such as Gothic architecture and romantic ornaments of ethnic
background. 151
Implementing fashionable styles in exteriors was as relevant
as the location of rooms and the use of fitting colours. In
accordance with the construction handbook, Bau-Handbuch für
Landwirthe in Ehstland- und Liefland (1851), compiled by Carl
von Rosen, it was essential to orient rooms according to the cardinal
directions. The western side of a building would be the
warmest in summer, and thus it was recommended to locate
living rooms to the south, bedrooms to the east, dining rooms,
kitchens, serving rooms and pantries to the north, and large,
airy rooms should be located on the west side. 152
In contrast to the Neo-Classical light and transparent colours,
historicism loved dull and saturated colours. The choice
of colour depended, however, on the complexion of the room’s
inhabitants. Although bright red could create a luxurious result,
it might not match the natural complexion of a lady. 153 Instead,
Carl von Rosen recommended combinations of various colours:
yellow with reddish-brown ornaments, light green or blue with
yellow or gold. Also white with gold and bronze, as well as green,
blue or yellow tones with broken grey tones were considered
desirable. Various works of art could be highlighted with the
help of colour, for example oil paintings on dark grey or greenish
backgrounds, landscapes on yellowish, and copper engravings
and lithographs on light grey backgrounds. 154
To protect the walls against cold and humidity or damage
caused by furniture, it was recommended to cover them with
150
Ibid., 94.
151
Ibidem.
152
Carl von Rosen, Bau-Handbuch für Landwirthe in Ehst- und Liefland (Reval: Kluge &
Ströhm, 1851), 87.
153
Ibid., 96.
154
Ibidem.
90