PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Historic types of wallpaper and decorative schemes of interiors Figure 48. Main hall of the Meeri manor with the panoramic wallpaper “Renaud et Armide”. Reproduction from Tartumaa mõisad, Valdo Praust, Tänapäev, Tartu, 2008, p. 196. Figure 49. Lavish decoration of the gentelmen’s smoking room in the Lustivere manor. Photocollection of the Põltsamaa Museum, photo nr. 3891. 89
Historic types of wallpaper and decorative schemes of interiors In relation to Estonian manorial architecture, there were two basic directions of development: architecture inspired by the classical antique (Neo-Classicism, Neo-Renaissance and Neo-Baroque), 150 and forms derived from non-classical sources, such as Gothic architecture and romantic ornaments of ethnic background. 151 Implementing fashionable styles in exteriors was as relevant as the location of rooms and the use of fitting colours. In accordance with the construction handbook, Bau-Handbuch für Landwirthe in Ehstland- und Liefland (1851), compiled by Carl von Rosen, it was essential to orient rooms according to the cardinal directions. The western side of a building would be the warmest in summer, and thus it was recommended to locate living rooms to the south, bedrooms to the east, dining rooms, kitchens, serving rooms and pantries to the north, and large, airy rooms should be located on the west side. 152 In contrast to the Neo-Classical light and transparent colours, historicism loved dull and saturated colours. The choice of colour depended, however, on the complexion of the room’s inhabitants. Although bright red could create a luxurious result, it might not match the natural complexion of a lady. 153 Instead, Carl von Rosen recommended combinations of various colours: yellow with reddish-brown ornaments, light green or blue with yellow or gold. Also white with gold and bronze, as well as green, blue or yellow tones with broken grey tones were considered desirable. Various works of art could be highlighted with the help of colour, for example oil paintings on dark grey or greenish backgrounds, landscapes on yellowish, and copper engravings and lithographs on light grey backgrounds. 154 To protect the walls against cold and humidity or damage caused by furniture, it was recommended to cover them with 150 Ibid., 94. 151 Ibidem. 152 Carl von Rosen, Bau-Handbuch für Landwirthe in Ehst- und Liefland (Reval: Kluge & Ströhm, 1851), 87. 153 Ibid., 96. 154 Ibidem. 90
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Kadri Kallaste PRESERVATION OF WALL
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Kadri Kallaste Preservation of Wall
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Introduction Kristel Kevvai (2008)
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Introduction CHOICE OF TOPIC The ch
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Introduction OBJECTS OF RESEARCH Ei
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Introduction STRUCTURE OF THE THESI
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Introduction HISTORIOGRAPHY AND SOU
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Introduction The material dealing w
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Kokkuvõte tapeetide säilitamine n
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Kokkuvõte JÄRELDUSED Tapeetide re
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Kokkuvõte Tapeedi eemaldamine sell
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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Krista Kodres, Mart Kalm and Elo Lu
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Directory, 1997. Accessed September
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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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