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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Historic types of wallpaper and decorative schemes of interiors<br />

During the conservation, the object was divided into smaller<br />

and larger panels and pasted onto a layer of canvas stretched<br />

on wooden frames. It is housed in the Estonian History Museum<br />

in Tallinn.<br />

The panoramic wallpaper “Renaud et Armide”, produced<br />

by the French manufacturer Dufour starting in 1831, 146 used to<br />

cover the walls of a room in the Meeri manor. It was detected in<br />

a historical photo. (Fig. 48) Since the same design was reissued<br />

by Desfossé and Karth in the second half of the 19th century, it<br />

is not possible to say how old the panoramic wallpaper of the<br />

Meeri manor is exactly. Unfortunately, no physical evidence of<br />

the wallpaper has survived. It is possible that the wallpapers<br />

and other decorative details were damaged during major construction<br />

work in the 1950s.<br />

As mentioned above, fashionable interior decoration in<br />

Estonia was influenced by trends from Central Europe and Russia.<br />

One of the most celebrated wallpaper manufacturers in the<br />

Russian Empire at the beginning of the 19th century was the<br />

Tsarskoje Selo wallpaper factory. Previously, it had been the<br />

Imperial Wallpaper Factory and was located in Ropsha. 147 Its<br />

wallpapers have been characterized as abundant and stylish.<br />

Since the quality of its products fulfilled the high expectations<br />

of architects, the wallpapers were often used in public and private<br />

rooms. Besides the Tsarskoje Selo Wallpaper Factory, there<br />

were a number of smaller wallpaper workshops. The Russian<br />

wallpapers reached Estonia, especially Tallinn, at the beginning<br />

of the 19th century. 148<br />

In the first half of the 19th century, the number of different<br />

styles within which historicism operated varied. In comparison<br />

to other historicist styles, Neo-Gothic was the most directly<br />

connected to the formation of new principles of room 149 and<br />

interior decoration in Estonia.<br />

146<br />

Nouvel-Kammerer, French Scenic Wallpapers 1795–1865, 268.<br />

147<br />

“The Banknotes Factory” , Saint Petersburg Encyclopaedia, accessed June 21, 2013,<br />

http://www.encspb.ru/object/2855743646?lc=en.<br />

148<br />

Софиа Пантелеева, Исторические бумажние обои – начала века в интерьере старого Таллинна.<br />

бакалавская работа. (Таллинн,Таллинскии Педагогический Университет, 1997), 14–15.<br />

149<br />

Hein, Eesti mõisaarhitektuur. Historitsismist juugendini, 28.<br />

88

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