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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Historic types of wallpaper and decorative schemes of interiors<br />

or on wooden battens attached to its perimeters. Such wall covers<br />

might have been painted in situ after mounting or in a workshop.<br />

Well-preserved examples of painted canvas wall covers<br />

are still found in German-speaking countries. One of the most<br />

magnificent objects of its kind is situated in the small guesthouse<br />

Stadt Mannheim in Kaub, Germany.<br />

Other examples from the second half of the 18th century<br />

show the tonality and patterns characteristic to Rococo. Fragments<br />

of four Rococo wallpapers were found in Uus 21 in Tallinn<br />

under a baseboard in 1980. All the examples were block-printed<br />

with distemper. Although it is not possible to reconstruct the<br />

patterns completely, it is clear that two of the patterns are made<br />

up of linear stripes intertwined with laurel leaves and berries<br />

on light blue and orange backgrounds. (Fig. 38) Fragments of<br />

another wallpaper show dark green leaves, flower petals and<br />

rocaille motifs on a light green background.<br />

So far no evidence of Chinese wallpapers, which were<br />

popular in Central European Rococo interiors, has been found<br />

in Estonian interiors. It is probable that the high cost of the wall<br />

covers prohibited their extensive spread to the peripheral areas<br />

of Europe. The fashion of chinoiserie seems to have reached Estonia<br />

during the 19th century, when it was used to decorate small<br />

intimate rooms. The chinoiserie salon of the Aaspere manor has<br />

been mentioned as one of the best examples of its kind in Estonia.<br />

It was created in 1893 134 and was used as a billiard room of<br />

the house owner, Baron Nikolai von Dellingshausen (1827–1896).<br />

Except for the fact that the walls of the room used to be covered<br />

with the portraits of the family’s ancestors, 135 nothing else is<br />

known. Nowadays only the painted ceiling and polychromatic<br />

doors have survived of the original decorative setting.<br />

The best example of chinoiserie wall covers of European<br />

origin was found during a conservation project in the Puurmani<br />

manor in 2010. The wallpaper has a repeating pattern made up<br />

134<br />

Kultuurimälestiste Riiklik Register, Aaspere mõisa peahoone, accessed June 1, 2013,<br />

http://register.muinas.ee/?menuID=monument&action=view&id=15626.<br />

135<br />

Eduard von Dellingshausen, Kodumaa teenistuses: Eestimaa rüütelkonna peamehe<br />

mälestused (Tallinn: Eesti Päevaleht, 2011), 24.<br />

80

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