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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Historic types of wallpaper and decorative schemes of interiors<br />

1.5. <strong>WALLPAPERS</strong> IN ESTONIAN <strong>INTERIORS</strong><br />

Although very few papered interiors in Estonia have been preserved<br />

and thoroughly researched, a rather good overview of<br />

19th-century room decoration can be gained from the photo<br />

collections kept in the archives and museums of Tallinn, Tartu<br />

and elsewhere.<br />

Exemplary photo collections depicting local interiors can<br />

be found, for example, in the Estonian National Museum (Eesti<br />

Rahvamuuseum), the Estonian Historical Archives (Eesti Ajalooarhiiv),<br />

the Photo Museum of the Tallinn City Museum (Tallinna<br />

Linnamuuseum) and in the Photo Archive in Marburg, Germany<br />

(Deutsches Dokumentationszentrum Bildarchiv Foto Marburg).<br />

According to the available photographic material, local interiors<br />

were mainly formed by influences from German-speaking<br />

countries and Russia.<br />

Almost all Estonian towns and rural areas were extensively<br />

damaged during the Great Northern War (1700–1721). As Boriss<br />

Šeremetjevil, a marshal of the Russian imperial army in 1702,<br />

wrote, “there was nothing else to be destroyed; everything is broken<br />

and demolished”. 129 As a result, no intact interior, especially<br />

not with original wall covers, preceding the war has survived.<br />

Although as a rule the construction of city residences did not<br />

recover until the 1740s and 1750s, 130 there were a small number of<br />

imperial buildings that were erected at the beginning of the 18th<br />

century. The best example is the Palace of Kadriorg in Tallinn,<br />

erected by the Italian architect Niccolo Michetti. Although no<br />

original wall covers have survived in situ, it is known that the<br />

walls were covered with green, striped and patterned textiles in<br />

honour of Catherine II, who visited Kadriorg in 1764. 131 (Fig. 34)<br />

According to a description, the textiles were mounted on the walls<br />

with carved and gilded cornices and decorative corner pieces.<br />

Since hardly any Rococo interiors have survived intact in<br />

Estonia, it is hard to give an overview of the spread of the style,<br />

129<br />

Ants Hein,“Mõisaarhitektuur 18. sajandi algul ja keskpaigas” in Eesti Kunsti Ajalugu II<br />

1520–1770, ed. by Krista Kodres (Tallinn: Eesti Kunstiakadeemia, 2005), 230.<br />

130<br />

Ants Hein, Eesti mõisaarhitektuur. Historitsismist juugendini, 15.<br />

131<br />

Kodres, Ilus maja, kaunis ruum, 110.<br />

77

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