PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Historic types of wallpaper and decorative schemes of interiors Figure 31. The billiard room in the Schloss Paretz, Germany. 71
Historic types of wallpaper and decorative schemes of interiors emptiness were to be avoided. Due to the mechanized production of wallpapers, different price categories developed. Luxurious wallpapers meant for wealthy customers were still produced by hand, while cheaper wallpapers were printed mechanically. Besides printing methods, another important feature in price development was the material. Collecting historical objects and “curiosities” became popular in the middle of the century. A considerable influence on this fashion came from various artists and their studios. Good examples are the paintings and atelier of Hans Makart in Vienna, which became a kind of symbol of historicist interiors. 120 Such interiors were considered to be suitable settings for collections of antiques and curiosities. Fashionable rooms were decorated with richly decorated wallpapers in dusky colours. In addition to the aforementioned decór-complets, there was abundant production of repetitive ornaments. One of the most popular patterns contained naturalistic plants and flowers, especially cabbage roses. A strong influence on pattern design came from exposure, through conquest or exploration, to foreign countries. For example, during the 1860s Japan ended its nearly complete exclusion of foreigners, which meant a livelier exchange of goods. One result was the crystallization of the Aesthetic Movement in Europe, which was expressed in Western textiles through the adoption of entire patterns or individual motifs, and “sad” tones of yellow and olive green. 121 The design principles of the Aesthetic Movement formed the basis for the later Art Nouveau style. Common colour combinations of the majority of 19th century patterns tended to have very strong contrasts, for example a combination of vivid green with grey, strong harsh red with brown, or a brilliant shade of blue paired with brown. However, besides stylish wallpapers, manufacturers produced papers with small and plain patterns, which could be combined with matching borders and fit a more classical setting. 120 Isabella Ackerl, Vienna Modernism 1890–1910, accessed January 3, 2013, http://www.bka.gv.at/DocView.axd?CobId=5035. 121 Mary Schoeser, World Textiles. A Concise History (London: Thames & Hudson, World of Art, 2003), 133. 72
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Kadri Kallaste PRESERVATION OF WALL
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Kadri Kallaste Preservation of Wall
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Introduction Kristel Kevvai (2008)
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Task of conservation. Case studies
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Kokkuvõte tapeetide säilitamine n
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Kokkuvõte Eestis ei ole aga muuseu
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Kokkuvõte lise väärtuse tõttu r
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Kokkuvõte rimislahenduse väljatö
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Kokkuvõte JÄRELDUSED Tapeetide re
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Kokkuvõte Tapeedi eemaldamine sell
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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Krista Kodres, Mart Kalm and Elo Lu
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Directory, 1997. Accessed September
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Stavenow-Hidemark, E., Textile desi
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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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