PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Historic types of wallpaper and decorative schemes of interiors Figure 30. Illustration from The Building News, March 1879, showing horizontally segmented wallscheme. Reproduction from Wallpaper in Interior Decoration, Gill Saunders, Watson-Guptill Publications, New York, 2002, p. 117. 69
Historic types of wallpaper and decorative schemes of interiors and ceiling. In England, walls started to be divided into three horizontally separated sections: a dado below the chair rail, filling above it and a frieze at the top. (Fig. 30) By the end of the 19th century, the friezes became gradually broader and started to dominate the whole wallpaper scheme. Wide borders were used up to the beginning of the 20th century, when they were called “Crown Hangings”, in which vertically oriented designs, usually flowers, rose in widely spaced stripes up the wall to join a dominant design that ran horizontally across the top of the wall. 116 In France, walls were divided into vertical panels, which were framed by borders or by wallpaper “pilasters”. In Germany, large fields between the dado and frieze were used for elaborate decorations and were framed on all four sides by a border and a strip of plain paper. The corners formed by borders were frequently covered by matching decorative cornerpieces. Above a door, the field of supraporte was commonly treated as an individual segment and framed by a border and plain paper. (Fig. 31) This kind of division became especially popular in the 1880s. It was believed that a framing border would help to separate the walls from the floor and ceiling, and present the pattern of a wallpaper more clearly. 117 By the end of the 19th century, the tripartite wall division was recommended only for public or semi-public spaces, 118 such as halls, diningrooms and parlours. 119 The materials at the end of the 19th century were generally the same as at the beginning of the century. However, just using a combination of border and wallpaper was no longer sufficient; creating lush and complicated decoration schemes was in vogue. Glowing colours, and balanced and rounded forms were prestigious qualities, while harsh light, white surfaces, hard forms and 116 Frangiamore, Wallpapers in Historic Preservation, 36. 117 von Falke, Die Kunst im Hause, 230. 118 Christine Woods, Joanne Kosuda Warner and Bernard Jacqué, “Proliferation: Late 19th Century Papers, Markets and Manufacturers” in The Papered Wall. The History, Patterns and Techniques of Wallpaper, ed. Lesley Hoskins (London: Thames and Hudson Ltd., 2005), 152. 119 Brigitte von Savigny, “Tapeten und Dekorationsstoffe” in Jugendstil in Freiburg. Begleitbuch zur Ausstellung “Jugendstil in Freiburg” 2. März – 13. Mai 2001 im Augustiner-museum Freiburg, ed. Saskia Durian-Ress (Freiburg: Rombach Verlag, 2001), CXCIX. Exhibition catalog. 70
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Kadri Kallaste PRESERVATION OF WALL
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Kadri Kallaste Preservation of Wall
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Kokkuvõte tapeetide säilitamine n
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Kokkuvõte Eestis ei ole aga muuseu
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Kokkuvõte rimislahenduse väljatö
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Kokkuvõte JÄRELDUSED Tapeetide re
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Kokkuvõte Tapeedi eemaldamine sell
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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Krista Kodres, Mart Kalm and Elo Lu
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Directory, 1997. Accessed September
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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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