PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Historic types of wallpaper and decorative schemes of interiors Figure 27. Décor historique, Maison d’Alt, Fribourg, Switzerland. Reproduction from New Discoveries, New Research. Papers from the International Wallpaper Conference at the Nordiska Museet, Stockholm, 2007, ed. Elisabet Stavenow- Hidemark, Nordiska Museet Förlag, Stockhol, 2009, p. 17. 65
Historic types of wallpaper and decorative schemes of interiors The era known as the Age of Enlightenment brought with it a need to consolidate the nation and state. An effort was made to define them through local history and traditions. In social practice, this led to idealizing and adapting historic architectural styles to currently prevailing tastes. In the discourse of the history of interior design, the decades after the 1830s are called historicist. The origins of architectural historicism lie in romanticism, in which an interest in the Middle Ages and the Antique was prominent. However, historicist solutions did not copy historic styles; rather, they attempted to give a certain meaning and function to each style. People who had gained sudden wealth had a chance to “collect” a style of their own, which had previously been the privilege of the elite of society. Modern rooms, whether created in one certain historic style or several styles, were mixed together in an eclectic composition. Although the history of historicist interiors can be divided into periods according to the dominance of certain design principles or historical styles, stylistic preferences were different in various countries. For example, a deepened interest in Neo-Gothic patterns in England was brought about by books written by Walter Scott. (Fig. 29) The design of modern patterns was mostly influenced by romantic depictions of ruins and picturesque landscapes. Renaissance patterns, on the other hand, were influenced by authentic motifs from tapestries and textiles of the Renaissance style. The former were favoured within traditionally masculine settings, such as libraries and dining rooms, while the latter – which included complex pilaster-and-panel decorations – were reserved for more formal areas, such as drawing rooms. 113 Another masculine room that gained importance by the end of the 19th century was the smoking room. It was used by gentlemen who retired after dinner from the company of women to a drawing room or salon. The decoration of smoking rooms was most commonly influenced by the Orient and the use of 113 Joanna Banham, “The English Response: Mechanization and Design Reform” in The Papered Wall. The History, Patterns and Techniques of Wallpaper, ed. Lesley Hoskins (London: Thames and Hudson Ltd., 2005), 138. 66
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Kadri Kallaste PRESERVATION OF WALL
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Kadri Kallaste Preservation of Wall
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Kokkuvõte tapeetide säilitamine n
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Kokkuvõte Eestis ei ole aga muuseu
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Kokkuvõte rimislahenduse väljatö
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Kokkuvõte JÄRELDUSED Tapeetide re
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Kokkuvõte Tapeedi eemaldamine sell
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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Krista Kodres, Mart Kalm and Elo Lu
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Directory, 1997. Accessed September
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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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