PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Historic types of wallpaper and decorative schemes of interiors Figure 26. L’Amerique du Nord in the Diplomatic Reception Room at the White House, Washington D.C. Reproduction from Wallpaper in Interior Decoration, Gill Saunders, Watson-Guptill Publications, New York, 2002, p. 95. 63
Historic types of wallpaper and decorative schemes of interiors styles, and during the Second Empire, in the 1850s and 1860s, the interest shifted to the styles of Louis XIV and Louis XVI. A decór composition was made up of various modules. According to lithographs of the time, such wall decorations were arranged in the manner of wooden panelling: a panel, a narrower intermediate panel, a pilaster, a border, corners, a frieze and a cornice, and for the lower part of the wall, a dado. 110 Panels set in the middle of decoration were treated as isolated pictures, which were embellished with bronze or grisaille figures, medallions and allegorical scenes. The latter were extremely popular until the middle of the 19th century. (Fig. 27) Smaller details, such as cartouches, could be used near walls and elsewhere, e.g. on fire screens. Since decórs functioned as vast galleries, they were commonly used to decorate reception rooms and replaced paintings hung on walls. For a short period of time, between 1815 and 1848, a style known as Biedermeier spread throughout the German-speaking countries and Scandinavia. It never developed into a separate architectural style, but was connected with bourgeois domestic life and interior design. A middle-class family usually lived in a flat, whose size depended on the inhabitants’ wealth. A flat of a prosperous family consisted of the following rooms: a guest- or living room, a Gute Stube or clean room for festive events, a dining room, a study, a salon, bedrooms, a children’s room, a kitchen and a servant’s room. As the Biedermeier style was strongly influenced by the principles of Neo-Classicist architecture, the walls of a bourgeois flat were treated with light colours: white, yellow, pink, light blue or light green. Besides pale-coloured paint and wall covers, papers in the French style covered with a diamond pattern, rose bouquets 111 , vertical stripes or textile imitation were widely used. (Fig. 28) In the 1820s print rooms, Kupferstichzimmer, were still common. Such decoration served as private museums and as representations of their owner’s views, education and taste, and reflected a deep interest in Italian Renaissance art and architecture. 112 110 Ibid., 74. 111 Hagemann, Wilhelmine von Lichtenau (1753–1820)..., 282. 112 Hedinger and Berger, Karl Friedrich Schinkel:..., 124. 64
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Kadri Kallaste PRESERVATION OF WALL
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Kadri Kallaste Preservation of Wall
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I am thankful to all the people and
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Kokkuvõte tapeetide säilitamine n
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Kokkuvõte Eestis ei ole aga muuseu
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Kokkuvõte rimislahenduse väljatö
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Kokkuvõte JÄRELDUSED Tapeetide re
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Kokkuvõte Tapeedi eemaldamine sell
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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Krista Kodres, Mart Kalm and Elo Lu
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Directory, 1997. Accessed September
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Stavenow-Hidemark, E., Textile desi
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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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