PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Historic types of wallpaper and decorative schemes of interiors Figure 24. Panorama of Salzburg in 1829 by Johann Michael Sattler (1786–1847) in the Panorama Museum, Salzburg. Figure 25. Billiard hall, Zofin Palace, Czech Republic, anonymous, 1852–1855. Reproduction from Papiertapeten. Bestände, Erhaltung und Restaurierung, Staatliche Schlösser, Burgen und Gärten Sachsen in Zusammenarbeit mit dem Landesamt für Denkmalpflege Sachsen, Tagungsband, Michel Sandstein Verlag GmbH, Dresden, 2005, p. 20. 61
Historic types of wallpaper and decorative schemes of interiors Similarly to common wallpapers, panoramic wallpapers were printed by using woodblocks. Since multiple colours needed to be used and no motifs were repeated, the number of blocks could reach hundreds or even thousands. Depending on the expectation of the owners and the properties of a room, panoramic wallpapers could be hung in various ways. First of all, if it was important to emphasize the narrative property of the wallpaper, an attempt was made to hang it continuously, as much as the windows and doors allowed. Secondly, a wallpaper was split into separate scenes. Manufacturers created such features as rocks and trees, which were used to separate various episodes of the story. (Fig. 25) If only certain scenes were to be hung, such compositions could be sacrificed. And, finally, only separate lengths of the whole wallpaper might be hung as paintings. In the case of the latter two options, the separate scenes were framed and emphasized by additional friezes, borders, pilasters and dados. If these weren’t already present, wallpaper manufacturers offered a large variety of architectural elements printed on paper. Besides depictions of exotic lands and cultures, inspired by the drawings of travelling artists, panoramic wallpapers presented such themes as cities and parks, mythological subjects, scenes from contemporary literature 109 and historic events, for example Napoleonic campaigns, which were recommended for public interiors. (Fig. 26) Among higher educated social classes, such wallpapers were seen as ways to entertain, educate and stimulate the imagination. In contrast to the aforementioned sophisticated settings of papier en feuille and print rooms, a type of industrial decoration known as decór-complets was developed to meet the expectations of the growing middle class. After Neo-Classicism had passed out of fashion at the beginning of the 1830s, manufacturers were inspired by the rich vocabulary of ornaments and historic decoration. Fashionable wall covers of the 1840s were strongly influenced by the Rococo, Renaissance and Moorish 109 Saunders, Wallpaper in Interior Decoration, 89. 62
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Kadri Kallaste PRESERVATION OF WALL
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Kadri Kallaste Preservation of Wall
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Kokkuvõte tapeetide säilitamine n
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Kokkuvõte Eestis ei ole aga muuseu
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Kokkuvõte Tapeedi eemaldamine sell
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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Krista Kodres, Mart Kalm and Elo Lu
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Directory, 1997. Accessed September
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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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