PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Documentation of the work on the Puurmani Manor Selvedge: Size of pattern repeat: Type of pattern: Description of pattern: Method of mounting: Substrate of wall: Adhesive used for mounting: Additional application(s): Description of additional applications: I layer: right edge of the strip had been cut off. The left edge was about 1 cm wide. One could see control-margings characteristic for block-printing and a number 6 or 9. II layer: right edge of the strip had been cut off. The left edge was about 1 cm wide. One could see a control strip of 11 printing-colours and the number of pattern model, 559. I layer: ca 50 cm II layer: 47 cm I layer: half-drop II layer: linear I layer: pattern is made up of polygonal cartouches, that integrate a composition of objects or beigns referring to hunting (deer, grouse, guns, container for gunpower, bugle etc.). The cartouches create a half-drop pattern. The pattern has golden and brown tonality. II layer: pattern depicts lush foliage, variety of blossoms (rose, lily, lily of the valley etc.), berries, bugs, butterflies and two types of parrots. I layer: wallpaper was adhered onto a layer of thin lining-paper, that was pasted straight onto a plastered wall. II layer: wallpaper was pasted onto a wallpaper underneath. Plastered brick-wall Not known. Most probably an organic glue such as starch paste. Ceiling-border: X Chair-rail border: Dado: Corner-piece: X Other: X (mono-chrome paper) I layer: additional applications were not found II layer: originally the main wallpaper was surrounded by a border and one-colored paper strip from four sides – above, below, left and right. The border depicts a linear composition of twisted roses, small blue blossoms and baroque cartouches. Background of the border is printed with two different shades of gold. Eight corners, formed by the crossing of borders, were embellished with matching decorative squares. Their dimensions were matching the ones of the border. The monochrome paper strip had a colour of the Umber of Ardennes. Measures of application(s): Border: width 19,8 cm Corner piece: 19,8 × 19,8 cm Monochrome paper strip: 10 cm Method of production: Border and corner pieces: surface print Monochrome paper: Grounded by machine 305
Documentation of the work on the Puurmani Manor ADDITIONAL INFORMATION: Signs of manufacturer/author: Signs on lining: I layer: not found II layer: number of pattern model, 559 on the left side of the panel, control-strip of 11 printing colours No signs found Legend: – Bibliography/archive sources: Data/signs of earlier restoration: Not found. There are no historic photographic evidence of Puurmani manor interiours. Wallpapers have not been restored before. DESCRIPTION AND TESTING <strong>OF</strong> USED MATERIALS Surfacematerials: Paint: Lacquer: I layer: distemper II layer: distemper I layer: shellac lacquer II layer: not lacquered Comments: Substratematerials: Paper: I layer: mechanically produced cellulose paper II layer: mechanically produced cellulose paper Watermark: – pH: – Fiber: – Lining: Additional tests/work: I layer: thin light brown cellulose paper II layer: not found A. testing water resistance of the printing colours B tests for dry cleaning (Wishab Sponge Soft, Faber-Castell Kneaded Eraser) C. searching for historic photos of the Puurmani manor in EAM and ERM archives in Estonia Comments: DESCRIPTION <strong>OF</strong> DAMAGE: Description of object’s general conditon: The size of the surface that needed to be restored was 53,6 m 2 . 21 m 2 of it was damaged by mold, humidity, splashes of paint, marks and numbers written with a pencil, insect holes). One needed to reconstruct 8,6 m 2 of wallpaper, 10,3 m of border and 44,5 m of one-coloured paper strip. Paper and colours of the wallpaper and borders are generally 306
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Kadri Kallaste PRESERVATION OF WALL
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Kadri Kallaste Preservation of Wall
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3. Discussing principles of conserv
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I am thankful to all the people and
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Introduction removed from its origi
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Introduction Kristel Kevvai (2008)
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Introduction CHOICE OF TOPIC The ch
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Introduction OBJECTS OF RESEARCH Ei
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Introduction STRUCTURE OF THE THESI
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Introduction HISTORIOGRAPHY AND SOU
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Introduction The material dealing w
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Historic types of wallpaper and dec
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Methods of wallpaper production and
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Preservation of wallpaper as a part
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Task of conservation. Case studies
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Kokkuvõte tapeetide säilitamine n
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Kokkuvõte Eestis ei ole aga muuseu
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Kokkuvõte rimislahenduse väljatö
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Kokkuvõte JÄRELDUSED Tapeetide re
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Kokkuvõte Tapeedi eemaldamine sell
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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Krista Kodres, Mart Kalm and Elo Lu
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Directory, 1997. Accessed September
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