PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

More documents

Recommendations

Info

Task of conservation. Case studies Figure 157. Area of wallpaper from behind the radiator before its removal. Figure 158. A few smaller losses were filled with a mixture of non-acid paper pulp and an adhesive. 279
Task of conservation. Case studies pattern and find a matching printing paper. Screen-printing was not considered due to its high cost, the large of amount of time it would have taken and the flat appearance of the result. It was decided to conduct the reconstruction process in situ with the aid of stencils and hand-colouring. A paper (Ingres paper 455 ) with similar embossed texture and tone was found for the base. It was cut into the shape of the lacunae and inserted into the cavities, which allowed for a smooth transition from old to new material. Although the wallpaper had been printed in 15 colours, it was decided to use only eight colours to mark the basic movement, shades and highlights of the pattern. First, stencils were cut to print the two main colours of the pattern: dark beige and bluish-green. (Fig. 159) An additional five or six colours were painted by hand to imitate the dynamics of the pattern. (Fig. 160) The background was toned with dry pastels by hand to leave a slightly patchy outcome similar to the appearance of the original. The patchiness would not have been easy to achieve with a screen-printed reconstruction. (Fig. 161, Fig. 162) 455 Zelluloos – Papers from the Whole World, Ingres Paper, accessed February 27, 2013, http://www.zelluloos.eu/product/ingrespaber. 280
Page 1 and 2:
Kadri Kallaste PRESERVATION OF WALL
Page 3 and 4:
2
Page 5 and 6:
Kadri Kallaste Preservation of Wall
Page 7 and 8:
3. Discussing principles of conserv
Page 9 and 10:
I am thankful to all the people and
Page 11 and 12:
10
Page 13 and 14:
12
Page 15 and 16:
14
Page 17 and 18:
Introduction removed from its origi
Page 19 and 20:
Introduction Kristel Kevvai (2008)
Page 21 and 22:
Introduction CHOICE OF TOPIC The ch
Page 23 and 24:
Introduction OBJECTS OF RESEARCH Ei
Page 25 and 26:
Introduction STRUCTURE OF THE THESI
Page 27 and 28:
Introduction HISTORIOGRAPHY AND SOU
Page 29 and 30:
Introduction The material dealing w
Page 31 and 32:
30
Page 33 and 34:
32
Page 35 and 36:
Historic types of wallpaper and dec
Page 37 and 38:
Page 39 and 40:
Page 41 and 42:
Page 43 and 44:
Page 45 and 46:
Page 47 and 48:
Page 49 and 50:
Page 51 and 52:
Page 53 and 54:
Page 55 and 56:
Page 57 and 58:
Page 59 and 60:
Page 61 and 62:
Page 63 and 64:
Page 65 and 66:
Page 67 and 68:
Page 69 and 70:
Page 71 and 72:
Page 73 and 74:
Page 75 and 76:
Page 77 and 78:
Page 79 and 80:
Page 81 and 82:
Page 83 and 84:
Page 85 and 86:
Page 87 and 88:
Page 89 and 90:
Page 91 and 92:
Page 93 and 94:
Page 95 and 96:
Page 97 and 98:
Page 99 and 100:
Page 101 and 102:
Page 103 and 104:
Page 105 and 106:
Page 107 and 108:
106
Page 109 and 110:
108
Page 111 and 112:
Methods of wallpaper production and
Page 113 and 114:
Page 115 and 116:
Page 117 and 118:
Page 119 and 120:
Page 121 and 122:
Page 123 and 124:
Page 125 and 126:
Page 127 and 128:
Page 129 and 130:
Page 131 and 132:
Page 133 and 134:
Page 135 and 136:
Page 137 and 138:
Page 139 and 140:
138
Page 141 and 142:
Discussing principles of conservati
Page 143 and 144:
Page 145 and 146:
Page 147 and 148:
Page 149 and 150:
Page 151 and 152:
Page 153 and 154:
Page 155 and 156:
Page 157 and 158:
Page 159 and 160:
Page 161 and 162:
Page 163 and 164:
162
Page 165 and 166:
Preservation of wallpaper as a part
Page 167 and 168:
Page 169 and 170:
Page 171 and 172:
Page 173 and 174:
Page 175 and 176:
Page 177 and 178:
Page 179 and 180:
Page 181 and 182:
Page 183 and 184:
Page 185 and 186:
Page 187 and 188:
Page 189 and 190:
Page 191 and 192:
Page 193 and 194:
Page 195 and 196:
Page 197 and 198:
Page 199 and 200:
Page 201 and 202:
Page 203 and 204:
Page 205 and 206:
Page 207 and 208:
Page 209 and 210:
Page 211 and 212:
Page 213 and 214:
Page 215 and 216:
Page 217 and 218:
Page 219 and 220:
218
Page 221 and 222:
Task of conservation. Case studies
Page 223 and 224:
Page 225 and 226:
Page 227 and 228:
Page 229 and 230: Task of conservation. Case studies
Page 279: Task of conservation. Case studies
Page 285 and 286: 284
Page 287 and 288: Methodological conclusions preferre
Page 289 and 290: Methodological conclusions thetical
Page 291 and 292: consolidated and, secondly, if the
Page 293 and 294: Methodological conclusions the larg
Page 295 and 296: Methodological conclusions The auth
Page 297 and 298: Methodological conclusions briefly
Page 299 and 300: 298
Page 301 and 302: 300
Page 303 and 304: 302
Page 305 and 306: Documentation of the work on the Pu
Page 331 and 332:
Documentation of the work on the Pu
Page 333 and 334:
Documentation of the work on the Pu
Page 335 and 336:
334
Page 337 and 338:
Documentation of the work on the Es
Page 339 and 340:
Page 341 and 342:
Page 343 and 344:
Page 345 and 346:
Page 347 and 348:
Page 349 and 350:
Page 351 and 352:
Page 353 and 354:
Page 355 and 356:
354
Page 357 and 358:
Kokkuvõte tapeetide säilitamine n
Page 359 and 360:
Kokkuvõte Eestis ei ole aga muuseu
Page 361 and 362:
Kokkuvõte lise väärtuse tõttu r
Page 363 and 364:
Kokkuvõte rimislahenduse väljatö
Page 365 and 366:
Kokkuvõte JÄRELDUSED Tapeetide re
Page 367 and 368:
Kokkuvõte Tapeedi eemaldamine sell
Page 369 and 370:
368
Page 371 and 372:
370
Page 373 and 374:
INTERVIEW Interview with Simona Pre
Page 375 and 376:
Paccin - Preparation, Art Handling
Page 377 and 378:
Collier, A., Wallpaper - In and Out
Page 379 and 380:
Krista Kodres, Mart Kalm and Elo Lu
Page 381 and 382:
Directory, 1997. Accessed September
Page 383 and 384:
Stavenow-Hidemark, E., Textile desi
Page 385 and 386:
384
show all

PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

Create successful ePaper yourself

Delete template?

Save as template?