PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Task of conservation. Case studies Figure 145. Japanese shoji frames before covering them with layers of Japanese tissue. Figure 146. Applying the layers of Japanese tissue to form the so-called air-pocket system. 263
Task of conservation. Case studies others. 435 The panels found in the attic, which would have continued to decay, were conserved and exhibited, which means that they were returned to their original function. To ensure the reversibility of the treatment, all the panels that were to be cut were photographed and documented, which made it possible to reassemble the panels when necessary later on. After the panels had been mounted onto the shoji frames, they were retouched. Throughout the treatment, various techniques of retouching were combined: minimal losses and fine lines were filled with neutral retouch, and larger losses were filled with lines in neutral tones using the tratteggio technique. (Fig. 147) In areas with many fine tears, in-painting was carried out on the original surface of the wallpaper. The in-painting was undertaken in transparent watercolours because of their versatility and ability to accommodate a worn surface. 436 Large losses that needed to be retouched were covered with two layers of lining beforehand, first a layer of short-fibred silk tissue paper, 437 the properties of which resembled the original material and provided the conservators with a smooth surface for retouching, and a layer of Japanese paper, which provided the object with the necessary support. Larger losses were filled with either neutral retouch or several layers of streaks in neutral tones. Of the two methods, the technique combining streaks in various neutral tones proved to be a better choice, since it enabled the conservators to work with the patchiness of the material. The neutral retouch formed a homogeneous surface and defined the shapes of lacunae, which left a patchy outcome and distracted the eye from the whole. Final retouching was carried out in situ, after the shoji frames had been mounted. This enabled the conservators to observe the object once more in a new environment, which was lit differently than the workshop, and to treat the final flaws. (Fig. 148) 435 Ibid., 180–181. 436 McClintock, “Compensating for Losses in Historic Wallpapers”, 151. 437 KLUG Conservation, Silk Tissue on Reels Without Buffer, accessed December 8, 2012, http://www.klug-conservation.com/?site=produkte&id=532. 264
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Kadri Kallaste PRESERVATION OF WALL
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Kadri Kallaste Preservation of Wall
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Introduction Kristel Kevvai (2008)
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Introduction CHOICE OF TOPIC The ch
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Introduction OBJECTS OF RESEARCH Ei
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Introduction STRUCTURE OF THE THESI
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Introduction HISTORIOGRAPHY AND SOU
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Introduction The material dealing w
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Kokkuvõte tapeetide säilitamine n
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Kokkuvõte Eestis ei ole aga muuseu
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Kokkuvõte JÄRELDUSED Tapeetide re
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Kokkuvõte Tapeedi eemaldamine sell
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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Krista Kodres, Mart Kalm and Elo Lu
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Directory, 1997. Accessed September
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