PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Task of conservation. Case studies Figure 142. Two views of the princess’ bedroom before renovation. Figure 143. All the panels carrying the wallpapers were dismounted from the wall. 259
Task of conservation. Case studies (Fig. 142) In 2011 a number of Chinese wallpaper panels depicting flowers and birds were discovered in the attic of the palace. It was decided to form a stylistic whole by combining the found panels with the ones exhibited in the salon. The wallpapers were conserved in July 2011–March 2012. The author had a chance to work on the object, under the supervision of Markus Krön. 5.4.3. Conservation concept and treatment The wallpapers had been attached to the wall with the aid of wooden frames, each panel as a separate segment. To allow for more thorough conservation treatment, the panels were dismounted from the wall. (Fig. 143) Before the removal, each wall was photographed and detailed sketches were made to document the scheme. Since the new scheme was going to include only panels with bird and flower motifs, the drawings and photographs taken of the old decoration were the only references to the alterations made in the room. To permit safer and more thorough dry-cleaning of the wallpaper, the panels were removed from the wooden frames. (Fig. 144) Cleaning a wallpaper still attached to a frame can cause further damage to the paper and paint layer, which are sensitive to the pressure and vibration of the canvas. The panels depicting scenes from Chinese everyday life were removed from the wooden frames, dry-cleaned and packed, since they were not going to be conserved and exhibited. Subsequently, the canvas backing was removed to allow the panels to be washed and lined. The panels needed to be washed to reduce discolouration and to soften dark tide-lines. The panels were washed on blotters, since they were too fragile for submersion or immersion washing. All of the panels were washed three or four times to remove the products of degradation that had caused the discolouration of the object. Lining was carried out to support the areas damaged by the network of tears and missing areas. If a wallpaper is going to be remounted, it is essential to apply a layer of lining as protection and support for it. 260
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Introduction Kristel Kevvai (2008)
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Introduction OBJECTS OF RESEARCH Ei
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Introduction STRUCTURE OF THE THESI
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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