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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

preservation of wallpapers as parts of interiors - Eesti ...

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Task of conservation. Case studies<br />

shimmer of the wallpaper could best be imitated with acrylic<br />

paint. Although acrylic is considered inappropriate for conservation<br />

treatment, it was used to improve the aesthetic appearance<br />

of the object. To minimize the intervention, the paint was<br />

applied only to in-filled and damaged areas.<br />

After remounting the strips and fragments of wallpaper,<br />

it became clear that there were three larger missing areas,<br />

which could not be retouched satisfactorily enough to hide<br />

the loss and imitate the embossed surface. Thus it was necessary<br />

to find a suitable method of reconstruction. The original<br />

wallpapers had been produced with the aid of either engraved<br />

metal plates, blocks, rollers or pairs of negative and positive<br />

forms. Since less than 1 m 2 of the original wallpaper needed<br />

to be reconstructed, ordering an embossed copy of it was<br />

considered to be financially and temporally unreasonable.<br />

A method of reconstruction was suggested by two painting<br />

conservators, Simona Predescu and Ioan D. Popa, from the<br />

Theodor Aman Museum. A cast reconstruction with the aid<br />

of a sculptors silicone mould was prepared. (Fig. 137) The<br />

mould, covering four pattern repeats, was taken from a wellpreserved<br />

strip of wallpaper, which had been covered with<br />

two layers of gelatine to protect the original. The reconstructions<br />

consisted of two layers, a thin Japanese tissue (9 g/m 2 )<br />

and an adhesive from Henkel 426 mixed with gouache to add<br />

some colour.<br />

Wet tissue was gently tapped into the mould with soft brushes<br />

and covered with a layer of glue. (Fig. 138) After the glue had<br />

dried, the reconstruction was cut to form, following the shape<br />

of the missing areas, and attached to the wall, leaving the surface<br />

covered by the Japanese tissue on top. The reconstructions<br />

were hand-painted with acrylic paint in situ. (Fig. 139)<br />

Besides the wallpaper, a historic oven had been dismantled<br />

and was kept in the cellar of the museum. Since the surface<br />

behind the oven had never been papered, it was decided to cover<br />

the missing area with a paper in a neutral colour to mark the<br />

426<br />

Henkel, Product Categories, Moment Raw Parket Adhesive, accessed February 26, 2013,<br />

http://www.henkel-cee.com/1820_2847_CEE_HTML.htm.<br />

252

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