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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Introduction<br />

STRUCTURE <strong>OF</strong> THE THESIS<br />

The introductory chapter presents an explanation of the structure<br />

of the thesis, the conservation task, its aims and the choice<br />

of research objects. It also gives an overview of the methodology<br />

and sources used to compile the work.<br />

In the first chapter, a closer look will be given to different<br />

decorative wall schemes specific to particular eras, rooms or wallpaper<br />

types. The thesis will not cover the entire history of wallpaper<br />

or all possible decorative schemes, but rather the period during<br />

which the eight chosen objects were created: from the middle<br />

of the 18th century until the beginning of the 20th century. The<br />

main focus is on the principles of wall decoration of trend-setting<br />

European countries, such as England, France and Germany. They<br />

represent fashionable decoration ideas implemented in Estonian<br />

interiors, which will also be briefly discussed.<br />

The second chapter addresses various materials and historic<br />

methods of wallpaper production. The author will describe both<br />

manual and automatic techniques applied to produce wallpapers<br />

during the aforementioned period. For a better understanding<br />

of applying wallpapers to walls, different historic mounting<br />

methods are discussed.<br />

Modern principles of conservation theory are analysed in<br />

the third chapter. Various directions of conservation methodology<br />

– preservation, conservation, restoration and reconstruction<br />

– are discussed in relation to the preservation of historic<br />

wallpapers.<br />

The fourth chapter deals with practical issues concerning<br />

the preservation of wallpapers in interiors. Firstly, various<br />

damages and their causes are discussed. Secondly, different<br />

stages of the conservation process are described. The thesis<br />

aims to discuss all of the main methods of preserving historic<br />

wallpapers in interiors. They include methods applied to wallpapers<br />

preserved in situ and wallpapers treated in workshops.<br />

To address the described conservation techniques, the author<br />

consulted with one of her supervisors, Markus Krön, and other<br />

experts working in this field.<br />

24

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