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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Task of conservation. Case studies<br />

of blossoms between their jaws. (Fig. 132) The background of<br />

the paper has a metallic copper-brown shimmer, which makes<br />

the wallpaper look like gilded leather. Since the production of<br />

imitations of a wide variety of materials was a particular feature<br />

of the last quarter of the 19th century, 424 the wallpaper in<br />

the museum can probably be dated to the last three decades of<br />

the century. Embossed wallpapers were considered very suitable<br />

for the decoration of entrance halls, stairways, dining and<br />

drawing rooms, libraries and studies in fashionable middleclass<br />

homes. 425 Commonly they were used in combination with<br />

other decorative elements. The wallpaper was applied above a<br />

dark wooden dado and completed with such applications as a<br />

jagged wooden cornice and flat wooden pillars mounted in the<br />

corners of the room.<br />

5.3.3. Conservation treatment<br />

Preceding the conservation treatment in September 2011, the<br />

wallpaper had been cleaned, lined and retouched by the local<br />

paper conservator, who had dismounted it during the first stage<br />

of the conservation project in 2005. Due to the lack of guidance<br />

and previous experience with historic wallpapers, the objects<br />

were damaged during dismounting, transportation and conservation<br />

treatment. (Fig. 133) For various reasons, such as inadequate<br />

experience, the quality of the work, and the need to limit<br />

expenses, the Bucharest Rotary Club decided to use the services<br />

of Markus Krön and the Institut für Papier Restaurierung from<br />

Vienna.<br />

The aim of the project was to return the dismounted strips<br />

and fragments of wallpaper to their original location, to conserve<br />

them and form an aesthetically appealing unity with other<br />

decorative elements of the room.<br />

As the first step, it was important to remount the pieces<br />

of wallpaper in the original order. (Fig. 134) The signs of various<br />

types of damage (such as discolouration due to light and<br />

humidity, areas of corroding pigments, mechanical damage,<br />

424<br />

Woods, Kosuda Warner and Jacqué, “Proliferation:...”, 158.<br />

425<br />

Ibidem.<br />

248

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