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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Task of conservation. Case studies<br />

The most outstanding rooms, such as the painted entrance<br />

hall, two small parlours and a part of a large artist’s studio in<br />

Hans Makart style, have survived. The conservation process of<br />

the museum building and its interiors started in 2005, with the<br />

aid of donations gathered by the Rotary Club Bucharest.<br />

5.3.2. Situation preceding conservation<br />

The walls of the parlour next to the artist’s studio had been covered<br />

with an embossed wallpaper imitating gilded leather. It is<br />

not known when the wallpaper was attached to the wall. There<br />

is no photographic or textual evidence of the decorative work<br />

carried out in the house, since the whole personal archive of<br />

Theodor Aman perished in a fire during the Romanian Revolution<br />

in 1989.<br />

The embossed wallpaper was restored and remounted in<br />

September 2011. The author of the thesis worked on the wallpaper<br />

under the supervision of Markus Krön.<br />

A few rooms of the building and the artist’s garden were<br />

depicted in the paintings of Theodor Aman, for example his<br />

representative studio, his private studio on the second floor of<br />

the museum and the boudoir of his wife, Ana Aman 423 , but not<br />

the mentioned parlour.<br />

In 2005 the wallpaper was dismounted by a local conservator,<br />

Mrs. Rodica Antonescu, after which the walls were cleaned<br />

and plastered. No research concerning earlier layers, historic<br />

lining paper, method of mounting or possible signs left by a wallpaper<br />

hanger was carried out. Mrs. Antonescu did not provide<br />

any documentation about the former condition of the object<br />

or the following process of conservation. Thus one could only<br />

assume in what way the wallpaper was applied to the wall and<br />

whether it formed the first decorative layer dating back to the<br />

end of the 1860s or was a later application.<br />

The pattern of the wallpaper depicts simplified and symmetrically<br />

ordered acanthus scrolls covered with fish scales, a<br />

head of a horned, grinning man and two dragons holding a chain<br />

423<br />

Interview with Simona Predescu, conservator in Theodor Aman Museum, Bucharest,<br />

Romania on September 26, 2011.<br />

247

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