PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Task of conservation. Case studies Figure 121. Largest preserved fragment depicting a scroll with a writing. Figure 123. All the fragments were covered with a layer of a thin Manila hemp paper. Figure 122. Edges of the wallpaper were consolidated with strips of Japanese tissue. 239
Task of conservation. Case studies dom pile of papers. Since the room was not documented before dismounting the wallpaper, there is no photographic evidence of its former condition nor of the original method of mounting. However, according to observation, the wallpaper had been pasted directly onto the plastered wall and embellished with wooden and metal knobs, which had left holes in the wallpaper. Similarly to the previously described Zirbenstube wallpaper, only fragments of the Wappentapete had survived, which means that they had lost their visual and physical integrity. (Fig. 125) Due to their non-repeating design and lack of information, it was impossible to re-create the wholeness of the decoration. It was decided to conserve it instead. Thus after cleaning, consolidation and lining, it was remounted onto a wall covered with an acid-free lining paper. 420 (Fig. 126) Since it was not possible to determine the original sequence of the segments and there was not enough material to cover all four walls, the fragments were mounted next to each other on two neighbouring walls. As the walls were going to be covered with panelling, it was decided to add some additional protection to the locations where holes for screws would be drilled. The spots were pasted over with 4 × 4 cm patches of thick Japanese tissue (36 g/m 2 ). (Fig. 127) This reduced the extent of the damage caused by drilling, which tends to tear the delicate material of wallpaper. Since the wallpaper was not going to be exhibited, it was not necessary to retouch it. The conserved wallpaper fragments were returned to their original location and not to a museum at the request of the Austrian Federal Monuments Office, which insisted on preserving the wallpaper in its original location. However, since the appearance of the wallpaper was not considered aesthetic by the owners of the building, it was decided to cover up the wallpaper. The decision was a compromise between two opposing parties with different expectations. (Fig. 128) 420 Mal- Zeichenpapier, 55cm × 10m, 90g/m 2 , Staufen-Demmler GesmbH&Co KG. 240
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Kadri Kallaste PRESERVATION OF WALL
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Kadri Kallaste Preservation of Wall
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3. Discussing principles of conserv
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I am thankful to all the people and
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Introduction removed from its origi
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Introduction Kristel Kevvai (2008)
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Introduction CHOICE OF TOPIC The ch
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Introduction OBJECTS OF RESEARCH Ei
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Introduction STRUCTURE OF THE THESI
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Introduction HISTORIOGRAPHY AND SOU
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Introduction The material dealing w
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Historic types of wallpaper and dec
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Methods of wallpaper production and
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consolidated and, secondly, if the
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Documentation of the work on the Pu
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Kokkuvõte tapeetide säilitamine n
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Kokkuvõte Eestis ei ole aga muuseu
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Kokkuvõte lise väärtuse tõttu r
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Kokkuvõte rimislahenduse väljatö
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Kokkuvõte JÄRELDUSED Tapeetide re
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Kokkuvõte Tapeedi eemaldamine sell
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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Krista Kodres, Mart Kalm and Elo Lu
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Directory, 1997. Accessed September
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Stavenow-Hidemark, E., Textile desi
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