23.09.2015 Views

PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

preservation of wallpapers as parts of interiors - Eesti ...

preservation of wallpapers as parts of interiors - Eesti ...

SHOW MORE
SHOW LESS
  • No tags were found...

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Task of conservation. Case studies<br />

damage. This solution ensured the preservation of the historical<br />

wallpaper in situ and enabled the conservators to give the<br />

object a framed and visually unified appearance.<br />

Although the final conception was chosen in co-operation<br />

with other parties and seemed to be the most neutral solution, the<br />

author does not see it as the best possible solution to exhibit the<br />

given object. Instead of using a light-toned wallpaper, it would<br />

have been better to emphasize the dark, cave-like appearance<br />

typical to 19th century dining rooms. A wallpaper in a darker<br />

green (such as olive or moss green) tone would have been more<br />

suitable. Although the used beige wallpaper defined the height<br />

of the preserved segments of the original, it did not simulate<br />

an atmosphere of a dark and cosy historicist room. The impact<br />

of the current solution is similar to a sterile modern interior,<br />

which is exaggerated by halogen lighting and white plastic plugs<br />

and switches. The solution could have been improved in closer<br />

cooperation with an interior architect.<br />

An inhibitory aspect of the conservation process was the<br />

lack of discussion and cooperation between different responsible<br />

parties. Several of the conservation decisions concerning<br />

reconstruction and presentation were reached through discussions<br />

with representatives of a building company, not with a<br />

responsible interior architect and cooperating conservators.<br />

According to the personal experience of the author, throughout<br />

the course of the project, the conservator was seen merely<br />

as the person conducting the work, but not as someone with<br />

necessary knowledge and power to decide. This again shows<br />

that the aim of a conservator is not only to conduct the work,<br />

but also to inform the customer and other cooperating parties<br />

about the properties of the object and various conservation<br />

solutions.<br />

Developing an interior decoration concept for a historic<br />

monument is not a one-time undertaking, but rather a constant<br />

process, which requires the active participation of all concerned<br />

parties throughout the whole project. Since wall covers are one<br />

part of a larger unity, which is comprised of various components,<br />

lack of communication may lead not only to damaging<br />

233

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!