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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Task of conservation. Case studies<br />

4) to combine the wallpaper with a reconstruction up to<br />

the height of 174 and mark the course of the framing<br />

border either with a reconstruction or a strip of paper<br />

in a matching neutral tone. The remaining area would<br />

be covered with a wallpaper in a neutral tone. (Fig.<br />

118) Before a final decision could be made, it was<br />

necessary to take into account that wallpapers play an<br />

aesthetic and decorative role in historic interiors, 411<br />

and that conserving and exhibiting only the surviving<br />

segments of the whole scheme would lead to a misinterpretation<br />

of the decoration.<br />

On the one hand, the goal of conservation is to reveal and preserve<br />

an object’s true nature and true condition, 412 which suggested<br />

the option of conserving the fragments of the surviving<br />

wallpaper and exhibiting it as a large ruin. On the other hand,<br />

according to the tautological point of view, the goal of conservation<br />

is to facilitate the reading of an object, to make it understandable.<br />

413 To allow for a better understanding of a historic<br />

interior, one should preserve or restore it as an aesthetic whole.<br />

This means that the object should be aesthetically appealing<br />

and that it should reveal clear information about its decorative<br />

properties. However, to create an aesthetic whole of a historic<br />

interior, enough material about its former appearance should be<br />

provided. In the case of the material found in the dining room<br />

of the Puurmani manor, it was possible to re-create the whole.<br />

Besides being aesthetically appealing, the whole would have an<br />

educational function. By re-creating the whole or an easily legible<br />

part of the historic wall decoration, it was possible to offer<br />

the public a chance to perceive and appreciate a historic wall<br />

cover as a part of an interior.<br />

If the wallpaper were conserved and presented in fragments,<br />

as a ruin, it could be understood and appreciated only<br />

by an expert. But with the help of reproductions, it was possible<br />

411<br />

Ibid., 88.<br />

412<br />

Muñoz Viñas, Contemporary Theory of Conservation, 91.<br />

413<br />

Ibid., 99.<br />

230

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