PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Task of conservation. Case studies Figure 116. Combination of the original wallpaper and a plain wallpaper in a matching neutral tone. Figure 117. Combination of the original wallpaper and reconstruction. Figure 118. Combination of the original wallpaper, reconstructed border and plain wallpaper in a matching neutral tone. 229
Task of conservation. Case studies 4) to combine the wallpaper with a reconstruction up to the height of 174 and mark the course of the framing border either with a reconstruction or a strip of paper in a matching neutral tone. The remaining area would be covered with a wallpaper in a neutral tone. (Fig. 118) Before a final decision could be made, it was necessary to take into account that wallpapers play an aesthetic and decorative role in historic interiors, 411 and that conserving and exhibiting only the surviving segments of the whole scheme would lead to a misinterpretation of the decoration. On the one hand, the goal of conservation is to reveal and preserve an object’s true nature and true condition, 412 which suggested the option of conserving the fragments of the surviving wallpaper and exhibiting it as a large ruin. On the other hand, according to the tautological point of view, the goal of conservation is to facilitate the reading of an object, to make it understandable. 413 To allow for a better understanding of a historic interior, one should preserve or restore it as an aesthetic whole. This means that the object should be aesthetically appealing and that it should reveal clear information about its decorative properties. However, to create an aesthetic whole of a historic interior, enough material about its former appearance should be provided. In the case of the material found in the dining room of the Puurmani manor, it was possible to re-create the whole. Besides being aesthetically appealing, the whole would have an educational function. By re-creating the whole or an easily legible part of the historic wall decoration, it was possible to offer the public a chance to perceive and appreciate a historic wall cover as a part of an interior. If the wallpaper were conserved and presented in fragments, as a ruin, it could be understood and appreciated only by an expert. But with the help of reproductions, it was possible 411 Ibid., 88. 412 Muñoz Viñas, Contemporary Theory of Conservation, 91. 413 Ibid., 99. 230
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Kadri Kallaste PRESERVATION OF WALL
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Kadri Kallaste Preservation of Wall
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3. Discussing principles of conserv
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Introduction removed from its origi
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Introduction Kristel Kevvai (2008)
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Introduction CHOICE OF TOPIC The ch
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Introduction OBJECTS OF RESEARCH Ei
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Introduction STRUCTURE OF THE THESI
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Introduction HISTORIOGRAPHY AND SOU
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Introduction The material dealing w
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Historic types of wallpaper and dec
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Methods of wallpaper production and
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Methodological conclusions preferre
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Methodological conclusions thetical
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consolidated and, secondly, if the
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Methodological conclusions the larg
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Methodological conclusions The auth
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Methodological conclusions briefly
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Documentation of the work on the Pu
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Documentation of the work on the Es
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Kokkuvõte tapeetide säilitamine n
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Kokkuvõte Eestis ei ole aga muuseu
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Kokkuvõte lise väärtuse tõttu r
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Kokkuvõte rimislahenduse väljatö
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Kokkuvõte JÄRELDUSED Tapeetide re
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Kokkuvõte Tapeedi eemaldamine sell
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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Krista Kodres, Mart Kalm and Elo Lu
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Directory, 1997. Accessed September
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Stavenow-Hidemark, E., Textile desi
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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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