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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Introduction<br />

CHOICE <strong>OF</strong> TOPIC<br />

The choice of the topic grew out of the troubling situation in<br />

Estonia and the everyday work of the author as a paper conservator<br />

specializing in the preservation of historic wallpapers. If<br />

a wallpaper has lost its aesthetic appearance or physical unity,<br />

a decision is often made to remove it from a wall and either<br />

preserve it in an archive or throw it away. However, museums<br />

and archives that store large numbers of fragile textile and wall<br />

covering samples are facing various challenges, for instance difficulties<br />

in storage and display. Archival objects need to be preserved<br />

carefully in controlled environments and they require<br />

considerable space if they are to be adequately displayed for the<br />

public. 8 In addition, the fragile nature of the objects make it very<br />

difficult to give the public visual access to the items in storage,<br />

especially when they are spread over different locations. 9<br />

In Estonia, there is no museum or archive which houses<br />

wallpaper samples removed from their original locations. The<br />

Estonian History Museum has only a few examples of modern<br />

wallpapers produced in the 20th century and the above-mentioned<br />

French panoramic paper. A large number of historic<br />

wallpapers have been collected, or rather salvaged, by either<br />

conservation companies, conservators or common people. Such<br />

collections do not usually have any systematic order or proper<br />

storage conditions, and they are not easily accessible. The<br />

current situation has led the author to seek solutions to preserve<br />

more historic material in original locations, which will permit<br />

more detailed research, access for a wider public and appreciation<br />

of historic wallpapers as integral parts of interiors.<br />

Scientific articles dealing with the conservation of wallpaper<br />

mainly focus on a certain object, preservation concept<br />

or conservation method. No comparative approach on various<br />

options of preserving historic wallpapers in interiors has been<br />

written previously.<br />

8<br />

Julian J. Self, “Changing Papers – Saving Options’ in New Discoveries, New Research.<br />

Papers from the International Wallpaper Conference at the Nordiska Museet,<br />

Stockholm, 2007, ed. Elisabet Stavenow-Hidemark (Stockholm: Nordiska Museet Förlag,<br />

2009), 175.<br />

9<br />

Ibidem.<br />

20

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