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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Preservation of wallpaper as a part of interiors<br />

Figure 99. An easily removable mounting system was built up in the Theodor<br />

Aman Museum in Bucharest. It consisted of a layer of thin cotton canvas and<br />

two layers of non-acid lining-paper.<br />

pretation of a Japanese karibari system and a method of attaching<br />

wallpapers onto a canvas were discussed by Andreja Dragojevic<br />

in relation to remounting rare French wallpaper found in<br />

Dubrovnik, Croatia. 377 In that case, the walls were pasted over<br />

with three layers of lining: 1 m × 1 m pieces of Japanese paper,<br />

previously washed and dried linen canvas and another layer<br />

of Japanese paper.<br />

After that, an “air-pocket” layer was applied. Attaching a<br />

thicker Japanese paper layer directly onto the “air-pocket” layer<br />

in larger sheets completed the lining of the walls. Although the<br />

article does not provide any information about the adhesive,<br />

one could assume that either wheat starch paste or a mixture<br />

of starch paste and methylcellulose was used.<br />

A much simpler combination of thin cotton canvas pasted<br />

over with two layers of non-acid lining-paper 378 was used in<br />

377<br />

Dragojevic, “Croatia: the Story Continues”, 62.<br />

378<br />

Staufen-Demmler GmbH & Co. KG, Mal- und Zeichenpapier Skizzenpapier 50 cm x 10m.<br />

203

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